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Literature, Cultural and Media Studies (R0)

Henry Bacon

The Fascination of Film Violence

Introduction 1. The Cultural Evolution of Representing Violence 2. The Symbolism of Evil in Film 3. Poetics of Fictional Violence 4. Women and Violence on Screen 5. Psychological and Structural Violence Notes Filmography Bibliography Index

Routledge Research in Media Law

This book is a comparative study of state-based film censorship laws and practices in the Asia-Pacific region.It provides crucial historical context for each of the common law traditions in Malaysia, Hong Kong and Australia - all former British colonies - and compares it to the tradition of civil law and the lèse majesté law in Thailand. The book sets out to analyse the approach to film censorship of four Asian-Pacific countries. It does so largely from a doctrinal perspective, reviewing each country's legal history and impact on the local film industry. Chapters detail censorship practices in each jurisdiction, key opinions and issues within individual states, and conclude with options for judicial review and insights relevant to the Malaysian film industry. The book also contains interviews with prominent film practitioners and censorship authorities. Their range of opinions contextualises the doctrinal research and demonstrates the effects of film censorship on artistic vibrancy and commercial viability of the film industries.With its comparative approach to exploring how censorship and state regulation impact local film industries, this book will interest scholars of film studies, Asian studies and media law.

Legal Frameworks and Filmmakers’ Perspectives

Film Censorship in the Asia-Pacific Region

“An unputdownable paean to female rage and retribution.”—#1 New York Times bestselling author JODI PICOULT You know her name, but you’ll never know her secrets. The glitz and gritty glamour of 1970s New York City hides a much more sinister reality for the women who live there, but Ginger Daughtry and her two beloved roommates refuse to be victims. They are living the dream, embracing all the city has to offer—dancing under the glow of the disco ball, discovering themselves and what they want out of life—until one of them is assaulted. When the cops do nothing, they take matters into their own hands and Lady X is born. What starts as a little vandalism soon escalates to something far more dangerous. After a body is found fallen—or pushed—from five stories high, all eyes are on Lady X. But she’s vanished into thin air. In modern day Los Angeles, Margot Cooper wants nothing more than to run away from the world—and the paparazzi—after it’s very publicly revealed her actor husband has betrayed her. While hiding in her childhood home with her sister and teenage daughter, she discovers a box full of old clippings in the attic all about Lady X, a mysterious vigilante who exposed and vandalized terrible men throughout New York City in the summer of 1977, including a blurry newspaper photo that stops her in her tracks. Suddenly the consequences of the past race to meet Margot as she contends with her own future in this powerful and propulsive novel.

The search for a notorious vigilante exposes the secrets among three generations of women, from contemporary L.A. to gritty 1970s New York, in this propulsive novel hailed as “an unputdownable paean to female rage and retribution” by #1 bestselling author Jodi Picoult. Los Angeles, 2024. After learning that her A-list actor husband sent explicit photos to multiple girls on social media, Margot Cooper runs away from the world—and the paparazzi—by fleeing to her childhood home with her teenage daughter in tow. But home isn’t the sanctuary Margot was hoping for. In a cardboard box in the corner of the attic, she finds damning evidence of an infamous urban legend, the mysterious vigilante “Lady X”—including a blurry newspaper photo of a woman who looks an awful lot like Margot’s mother. New York City, 1977. In the midst of an infamous summer, Ginger Daughtry and her two beloved roommates are able to shield one another from the chaos—until one of them is assaulted. Astounded by the lack of response from police, the young women decide to engage in some light payback, signing their handiwork as “Lady X.” Soon copycats appear, and a movement inspired by acts of vandalism against terrible men spirals out of control, with criminals running amok under the guise of the enigmatic Lady X. When a body is found fallen—or pushed—from five stories high, the hunt reaches a boiling point.

A Novel

Lady X

Helen Frankenthaler: The Moment and the Distance documents an exhibition of the artist’s large-scale paintings made between 1960 and 1992. This catalogue documents an exhibition of large-scale paintings by Helen Frankenthaler made between 1960 and 1992, opening in spring 2026 at Gagosian’s West 21st Street gallery. Throughout her career, Frankenthaler pushed beyond the boundaries of easel painting to create extraordinary, monumental works, some of which occupied the entire expanse of her studio floor. This exhibition explores the artist’s use of scale across four decades of painting. The title is derived from a 1975 review by poet and critic Barbara Guest, where she remarks on Frankenthaler’s “astonishing combination of freedom with restraint, extravagance with discipline, suggestion and definition,” concluding, “the moment becomes the distance.” The book includes a new essay by art historian Ara H. Merjian that discusses the works in the show in the context of Frankenthaler’s Surrealist and Abstract Expressionist influences. Helen Frankenthaler (1928–2011) has long been recognized as one of the great American artists of the twentieth century. A member of the second generation of New York-based postwar abstract painters, she is widely credited with expanding the possibilities of abstraction through her invention of the soak-stain technique, and her highly personal references to figuration and landscape.

The Moment and the Distance

Helen Frankenthaler

'Deeply interesting ... a superb critique of contemporary self-obsession' Steven Poole, Guardian'Engrossing ... bracing ... incendiary and timely' Stuart Jeffries, Daily TelegraphA philosopher explains why the search for identity is meaningless, and how we should escape the self Modern life encourages us to pursue the perfect identity. Whether we aspire to become the best lawyer or charity worker, life partner or celebrity influencer, we emulate exemplars that exist in the world - hoping it will bring us happiness. But this often leads to a complex game of envy and pride. We achieve these identities but want others to imitate us. We disagree with those whose identities contradict ours - leading to polarisation and even violence. And yet when they thump against us, we are ashamed to ring hollow.In Against Identity, philosopher Alexander Douglas seeks an alternative wisdom. Searching the work of three thinkers - ancient Chinese philosopher Zhuangzi, Dutch Enlightenment thinker Benedict de Spinoza, and 20th Century French theorist René Girard - he explores how identity can be a spiritual violence that leads us away from truth.Through their worlds and radically different cultures, we discover how, at moments of historical rupture, our hunger for being grows: and yet, it is exactly these times when we should make peace with our indeterminacy and discover the freedom of escaping our selves.'Lucid and absorbing ... One of my highlight books of the year' Stuart Kelly, Scotsman

The Wisdom of Escaping the Self

Against Identity

Crime Prevention and Security Management

This edited book provides a comprehensive study of punitive practices in modern-day Lithuania, highlighting its significance as a democratic European state navigating the continuing consequences of its Soviet-era criminal justice system. Punitive attitudes and practices are explored through a thematic framework, examining their socio-political, cultural, and historical contexts. Part I traces the cultural, psychological, and historical origins of punishment, highlighting the influence of collective memory and transitional reforms on penal debates. Part II examines the uneven application of criminal justice, showing how it unfairly punishes marginalised and disadvantaged communities. Part III explores advancements in probation, imprisonment, crime prevention, and victim support, showing how reforms can become both symbolic and oppressive. The book offers various criminological viewpoints that contribute to policy discussions about reducing excessive punishment, exploring alternatives, and promoting meaningful justice reform. This vital resource supports the work of scholars in criminology, sociology, law, and related fields focused on social justice and democratic reform.

This edited book provides a comprehensive study of punitive practices in modern-day Lithuania, highlighting its significance as a democratic European state navigating the continuing consequences of its Soviet-era criminal justice system. Punitive attitudes and practices are explored through a thematic framework, examining their socio-political, cultural, and historical contexts. Part I traces the cultural, psychological, and historical origins of punishment, highlighting the influence of collective memory and transitional reforms on penal debates. Part II examines the uneven application of criminal justice, showing how it unfairly punishes marginalised and disadvantaged communities. Part III explores advancements in probation, imprisonment, crime prevention, and victim support, showing how reforms can become both symbolic and oppressive. The book offers various criminological viewpoints that contribute to policy discussions about reducing excessive punishment, exploring alternatives, and promoting meaningful justice reform. This vital resource supports the work of scholars in criminology, sociology, law, and related fields focused on social justice and democratic reform.&nbsp;

A Punitive Society?

Understanding Crime Control and Punishment in Lithuania

A handsome new volume devoted to the most important works by Manet, a pivotal figure in Impressionism and widely considered the first of the modern artists. With over 100 seminal paintings, this book celebrates the artist who bridged the transition from Realism to Impressionism and is seen as giving rise to Modernism. Combining painterly technique with strikingly modern images of contemporary life, much of Manet’s work documented daily life in Paris, depicting scenes ranging from the recently built boulevards with their sidewalk cafes, industrial marvels such as the railways, and pleasure grounds ranging from newly landscaped parks to horse racing. He also painted provocative scenes of the demimonde in popular bars and cabarets. Included here are popular and iconic works such as Le Déjeuner sur l’herbe,&nbsp;with its shocking juxtaposition of a nude woman amid fully dressed men, and Olympia, Manet’s modern reworking of Titian’s Venus of Urbino that Parisian society initially rejected as scandalous. Little has been published on Manet recently, so this comprehensive survey is long overdue. His bold style, muscular brushwork, frank subject matter, and compositions that pushed boundaries and confronted societal norms continue to influence and inspire today’s young artists.

This is a richly illustrated new volume devoted to the most important works by Édouard Manet —a pivotal figure in the emergence of Impressionism and widely considered the first modern artist. With nearly one hundred seminal paintings, this publication celebrates the artist who paved the way for the Impressionist movement and the rise of modernism. Combining a radical technique with contemporary subjects, Manet’s groundbreaking works engage with modern Paris, depicting its new boulevards and fashionable parks and cafés along with a range of urban types, from ragpickers and prostitutes to barmaids and elegant Parisians. Included here are the artist’s iconic scenes of modern life such as Luncheon on the Grass, with its shocking juxtaposition of a female nude and a pair of fully dressed men, and Olympia, a modern reworking of Titian’s Renaissance masterpiece, Venus of Urbino, that scandalized Paris in the 1860s and established Manet as the leader of the avant-garde. This book also explores Manet’s artistic legacy in the work of subsequent generations of artists, from Cézanne and Picasso to contemporary artists including Nicole Eisenman.

The Great Works

Manet

“Darkly addictive with a blistering pace and puzzle-box structure” —Katy Hays, New York Times bestselling author of The Cloisters A page-turning suspense debut about a woman infamous for escaping a cult as a teenager, who finds her future threatened when dangerous secrets come back to haunt her—perfect for fans of Jessica Knoll and&nbsp;The Girls.Everybody knows the story. Nobody knows the truth…Lucy Golden is a true-crime icon, infamous for the murder she committed while escaping a California cult twenty years ago. But as everyone in Los Angeles knows, fame is fleeting, and Lucy and her story are always just one news cycle away from obscurity. Not to mention, she’s fending off a stalker and moderating an icy feud between her acclaimed photographer mother and her scandalous rock star sister. Worst of all, online trolls are asking increasingly threatening questions about the legendary crime. Questions that could tear her life apart.So when a hotshot documentarian makes her case the subject of his next film, Lucy sees a chance to silence any doubters once and for all. But as filming begins, she must return to the California desert and come face-to-face with a cast of players from her torrid history. Of course, the past is never what it seems, and long-buried secrets soon collide with present-day threats. Can Lucy stop her critics from digging up the truth before it’s too late? And how far will she go to protect the story she’s been telling—and selling—all along?Told in a narrative split between the present day and Lucy’s hit memoir about her fated summer in the cult,&nbsp;Paper Cut&nbsp;combines psychological suspense with coming-of-age Californian cult noir and a sharp examination of the true-crime phenomenon. As incisive as it is propulsive, this mesmerizing debut will keep readers hooked until the last page.

“Darkly addictive with a blistering pace and puzzle-box structure” —Katy Hays, New York Times bestselling author of The Cloisters A page-turning suspense debut about a woman infamous for escaping a cult as a teenager, who finds her future threatened when dangerous secrets come back to haunt her—perfect for fans of Jessica Knoll and&nbsp;The Girls.Everybody knows the story. Nobody knows the truth…Lucy Golden is a true-crime icon, infamous for the murder she committed while escaping a California cult twenty years ago. But as everyone in Los Angeles knows, fame is fleeting, and Lucy and her story are always just one news cycle away from obscurity. Not to mention, she’s fending off a stalker and moderating an icy feud between her acclaimed photographer mother and her scandalous rock star sister. Worst of all, online trolls are asking increasingly threatening questions about the legendary crime. Questions that could tear her life apart.So when a hotshot documentarian makes her case the subject of his next film, Lucy sees a chance to silence any doubters once and for all. But as filming begins, she must return to the California desert and come face-to-face with a cast of players from her torrid history. Of course, the past is never what it seems, and long-buried secrets soon collide with present-day threats. Can Lucy stop her critics from digging up the truth before it’s too late? And how far will she go to protect the story she’s been telling—and selling—all along?Told in a narrative split between the present day and Lucy’s hit memoir about her fated summer in the cult,&nbsp;Paper Cut&nbsp;combines psychological suspense with coming-of-age Californian cult noir and a sharp examination of the true-crime phenomenon. As incisive as it is propulsive, this mesmerizing debut will keep readers hooked until the last page.

Paper Cut

Sustainable Development Goals Series

This book discovers a ground-breaking exploration of sustainable development in the Caribbean. This book reveals how Caribbean nations are navigating the United Nations’ 2030 Sustainable Development Goals (SDGs), offering sharp, critical insights into progress on ending poverty (SDG 1), zero hunger (SDG 2), quality education (SDG 4), decent work and economic growth (SDG 8), industry and innovation (SDG 9), reduced inequalities (SDG 10), climate action (SDG 13), and strong institutions (SDG 16).Rooted in a powerful decolonizing framework, this book moves beyond conventional analysis to examine how enduring colonial legacies shaped by racism, patriarchy, and economic dependency continue to influence development outcomes. It brings urgent attention to the role of social protection systems, persistent gender inequalities, and the realities of gender-based violence and social exclusion. With a clear focus on the region’s unique vulnerabilities, this book not only interrogates challenges but also delivers solutions.&nbsp;I it advances innovative, context-specific financing strategies designed to support sustainable and inclusive development across Caribbean states.Re-centering Caribbean voices and lived experiences, this book challenges dominant global narratives and calls for development approaches that truly reflect post-colonial realities. It is essential reading for scholars, policymakers, and practitioners. This book offers a bold, transformative vision of what sustainable development can and must look like for the Caribbean.Camille Huggins 
 is Lecturer of Social Work in the Faculty of Social Sciences at the University of the West Indies St. Augustine, Trinidad and Tobago. 
 Timothy Affonso 
 is Administrator General (International Law and Treaties) in the Office of the Attorney General of the Republic of Trinidad and Tobago and Lecturer (on leave). 
 Jewel Amoah
 is Assistant Dean, Equity, Diversity, and Inclusion at the Daniels Faculty of Architecture, Landscape, and Design at the University of Toronto, Canada.&nbsp;
 Daren A. Conrad
 &nbsp;is Senior Lecturer and Head of Economics in the Faculty of Social Sciences at the University of the West Indies St. Augustine, Trinidad and Tobago. 
 Alexus McNally
 &nbsp;is Teaching Associate at the University of Nottingham, School of Law, UK.

This book discovers a groundbreaking exploration of sustainable development in the Caribbean. This book reveals how Caribbean nations are navigating the United Nations’ 2030 Sustainable Development Goals (SDGs), offering sharp, critical insights into progress on ending poverty (SDG 1), zero hunger (SDG 2), quality education (SDG 4), decent work and economic growth (SDG 8), industry and innovation (SDG 9), reduced inequalities (SDG 10), climate action (SDG 13), and strong institutions (SDG 16).Rooted in a powerful decolonizing framework, this book moves beyond conventional analysis to examine how enduring colonial legacies shaped by racism, patriarchy, and economic dependency continue to influence development outcomes. It brings urgent attention to the role of social protection systems, persistent gender inequalities, and the realities of gender-based violence and social exclusion. With a clear focus on the region’s unique vulnerabilities, this book not only interrogates challenges but also delivers solutions. It advances innovative, context-specific financing strategies designed to support sustainable and inclusive development across Caribbean states.Re-centering Caribbean voices and lived experiences, this book challenges dominant global narratives and calls for development approaches that truly reflect post-colonial realities. Essential reading for scholars, policymakers, and practitioners, this book offers a bold, transformative vision of what sustainable development can and must look like for the Caribbean.

A Decolonizing Critique

Reframing the 2030 United Nations Sustainable Development Goals for the Commonwealth Caribbean

EUROPE STARES INTO THE ABYSSPlague and famine stalk the land, greedy princes care for nothing but their own ambitions, and an ancient evil lurks beyond the edges of the map..When only dark paths lead towards the light - paths the righteous dare not tread - the Chapel of the Holy Expediency steps forward. Its congregation of cursed monsters and convicted heretics will cross every line, commit every sin, and turn every mission into a disastrous bloodbath in the service of the greater good.Now the hapless Brother Diaz must somehow bind the worst of the worst to a higher cause: to put a thief on the throne of Troy, and unite the sundered church against the coming apocalypse.WHEN YOU'RE HEADED THROUGH HELL, YOU NEED THE DEVILS ON YOUR SIDE.

The epic fantasy sensation – prepare for a wickedly dark and twisted adventure

The Devils

"Both a grief book that doesn't read like a clinician's notes and a memoir wrapped around a bigger subject, All My Dead Cats takes grief from the taboo to the universal." — BooklistHave you suffered a loss? How was your life changed by the grief you experienced? Mourning is a personal experience and shouldn't be judged. There are no do-overs in death, but there are do-betters.All My Dead Cats is not a book about pet loss. You will meet award-winning journalist and debut author s.e. smith’s cats and read small slices of their stories. Their vignettes serve as an opening to scary conversations about loss, so grief can feel less intimidating and more relatable.This is a book about grief and mourning as collective activities best undertaken in community. S.e. interviews dozens of experts—from death doulas to funeral home directors to therapists and psychologists—and discusses the different stages of grief. The shared perspectives help us understand that grief is not fixable but it can be livable. They teach us that if we have the courage, which begins with honest conversations about how we navigate grief, then we can learn how to do better.After reading you'll better understand: <ul><li>Disenfranchised grief and how you can be part of the solution and not the problem</li><li>How to be an advocate for people subjected to trauma and violence</li><li>The stages of grief and how to process your experiences</li></ul> Grief is not over once the body is neatly disposed of, the rubble of the house has been taken away in dumpsters, the final fit on the prosthesis is done, the law is passed and withstands legal challenges, or when the permanent peace is brokered. It is an ongoing shift in our relationship to the world, and one that deserves attention and care as well as time and space to be amongst fellow mourners, to whom we do not need to justify or explain, because they understand where we are.Readers will feel seen rather than being chastised for how they grieve and better understand how to process mourning--and how to help others. All My Dead Cats provides an entry point, by beginning the conversation about a beloved pet, so readers can think about the larger stakes of death and live a more fulfilled life.

"Both a grief book that doesn't read like a clinician's notes and a memoir wrapped around a bigger subject, All My Dead Cats takes grief from the taboo to the universal." — BooklistHave you suffered a loss? How was your life changed by the grief you experienced? Mourning is a personal experience and shouldn't be judged. There are no do-overs in death, but there are do-betters.All My Dead Cats is not a book about pet loss. You will meet award-winning journalist and debut author s.e. smith’s cats and read small slices of their stories. Their vignettes serve as an opening to scary conversations about loss, so grief can feel less intimidating and more relatable.This is a book about grief and mourning as collective activities best undertaken in community. S.e. interviews dozens of experts—from death doulas to funeral home directors to therapists and psychologists—and discusses the different stages of grief. The shared perspectives help us understand that grief is not fixable but it can be livable. They teach us that if we have the courage, which begins with honest conversations about how we navigate grief, then we can learn how to do better.After reading you'll better understand: <ul><li>Disenfranchised grief and how you can be part of the solution and not the problem</li><li>How to be an advocate for people subjected to trauma and violence</li><li>The stages of grief and how to process your experiences</li></ul> Grief is not over once the body is neatly disposed of, the rubble of the house has been taken away in dumpsters, the final fit on the prosthesis is done, the law is passed and withstands legal challenges, or when the permanent peace is brokered. It is an ongoing shift in our relationship to the world, and one that deserves attention and care as well as time and space to be amongst fellow mourners, to whom we do not need to justify or explain, because they understand where we are.Readers will feel seen rather than being chastised for how they grieve and better understand how to process mourning--and how to help others. All My Dead Cats provides an entry point, by beginning the conversation about a beloved pet, so readers can think about the larger stakes of death and live a more fulfilled life.

Practicing Good Grief in a Culture That Fears Mourning

All My Dead Cats and Other Losses

'He created his own universe and became its star' David Cronenberg, Guardian Andy Warhol carried a camera with him everywhere he went and, taken from ten years of extraordinary shots, his America aspires to the strange beauty and staggering contradictions of the country itself. Exploring his greatest obsessions - including image and celebrity - he photographs wrestlers and politicians, the beautiful wealthy and the disenfranchised poor, Capote with the fresh scars of a facelift and Madonna hiding beneath a brunette bob. He writes about the country he loves, wishing he had died when he was shot, commercialism, fame and beauty. An America without Warhol is almost as inconceivable as Warhol without America, and this touching, witty tribute is the great artist of the superficial at his most deeply personal.

America

Unser Rechtssystem gilt als Garant für Gerechtigkeit – doch wie gerecht ist es wirklich?
 Warum kommen manche Straftäter ungeschoren davon, während andere für geringe Vergehen hart bestraft werden? Dieses Buch nimmt den Leser mit hinter die Kulissen der Rechtspraxis und zeigt, wie Gesetze tatsächlich angewendet werden – und warum Macht, Geld und menschliche Motive oft mehr Einfluss haben als Paragrafen.
&nbsp;
Anhand aktueller Beispiele erklärt Jochen Theurer, wo und warum der Rechtsstaat an seine Grenzen stößt. Dabei geht er zentralen Fragen nach:



 <ul><li>
Warum gelangen Juristen bei identischen Fällen zu unterschiedlichen Urteilen?
</li><li>
Welche Rolle spielt die Wahrheit tatsächlich vor Gericht?
</li><li>
Inwieweit entscheiden Richter unabhängig von äußeren Einflüssen?
</li><li>
Warum vertreten Anwälte auch die „bösen Buben“?
</li><li>
Wie kommt es zu Gesetzeslücken – und warum werden sie nicht geschlossen?
</li><li>
Welche Vorteile haben wohlhabende Parteien vor Gericht?
</li><li>
Wann kann es sinnvoll sein, ein Gesetz zu übertreten?
</li><li>
Warum wird nicht jeder Gesetzesverstoß bestraft?
</li></ul>
 Verständlich, spannend und mit einem kritischen Blick vermittelt dieses Buch fundierte Einblicke in den Alltag von Gerichten und Kanzleien. Abschließend erhält der Leser praktische Hinweise für den Umgang mit Anwälten und Richtern.

&nbsp;

 Dr. Jochen Theurer&nbsp;
 ist Jurist und war mehrere Jahre als Rechtsanwalt sowie in der gerichtlichen Praxis tätig. Heute arbeitet er in der öffentlichen Verwaltung und verbindet fachliche Expertise mit praktischer Erfahrung aus verschiedenen Bereichen des Rechtssystems.

Unser Rechtssystem gilt als Garant für Gerechtigkeit – doch wie gerecht ist es wirklich?
Warum kommen manche Straftäter ungeschoren davon, während andere für geringe Vergehen hart bestraft werden? Dieses Buch nimmt den Leser mit hinter die Kulissen der Rechtspraxis und zeigt, wie Gesetze tatsächlich angewendet werden – und warum Macht, Geld und menschliche Motive oft mehr Einfluss haben als Paragrafen.
&nbsp;
Anhand aktueller Beispiele erklärt Jochen Theurer, wo und warum der Rechtsstaat an seine Grenzen stößt. Dabei geht er zentralen Fragen nach:

 <ul><li>
Warum gelangen Juristen bei identischen Fällen zu unterschiedlichen Urteilen?
</li><li>
Welche Rolle spielt die Wahrheit tatsächlich vor Gericht?
</li><li>
Inwieweit entscheiden Richter unabhängig von äußeren Einflüssen?
</li><li>
Warum vertreten Anwälte auch die „bösen Buben“?
</li><li>
Wie kommt es zu Gesetzeslücken – und warum werden sie nicht geschlossen?
</li><li>
Welche Vorteile haben wohlhabende Parteien vor Gericht?
</li><li>
Wann kann es sinnvoll sein, ein Gesetz zu übertreten?
</li><li>
Warum wird nicht jeder Gesetzesverstoß bestraft?
</li></ul>
 Verständlich, spannend und mit einem kritischen Blick vermittelt dieses Buch fundierte Einblicke in den Alltag von Gerichten und Kanzleien. Abschließend erhält der Leser praktische Hinweise für den Umgang mit Anwälten und Richtern.

Eine Reise an die Grenzen des Rechts

Die Kunst, mit Gesetzen umzugehen

The Fascination of Film Violence

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