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Literature, Cultural and Media Studies (R0)

Henry Bacon

The Fascination of Film Violence

Introduction 1. The Cultural Evolution of Representing Violence 2. The Symbolism of Evil in Film 3. Poetics of Fictional Violence 4. Women and Violence on Screen 5. Psychological and Structural Violence Notes Filmography Bibliography Index

Wandfüllend und farbgewaltig ist Peter Casagrandes (*1946) Werk, das dieser Band ebenso opulent feiert: In einer jahrzehntelangen Schaffenszeit kreierte der Künstler beeindruckende Gemälde. Das Buch verfolgt die Ursprünge Casagrandes von Zeichnungen und kleineren Formaten über Exkurse zu Keramikarbeiten bis zur Hinwendung zum Großformat in den 1980er-Jahren. 

Hier wird der Mensch klein und das Werk groß. In Ausstellungsaufnahmen offenbart sich die tatsächliche Dimension von Casagrandes Gemälden. Im Wechsel zwischen ganzseitigen Abbildungen der Werke und Raumansichten zeigt sich ein besonderes Zusammenspiel von Raum, Kunstwerk und Architektur. Kraftvolle Farben und eine atemberaubende Bildgewalt ziehen Betrachtende in ihren Bann. Zahlreiche abwechslungsreiche Texte von Brief bis Essay aus unterschiedlichen Epochen ergänzen das Bildmaterial und setzen den Kontext.

Wandfüllend und farbgewaltig ist Peter Casagrandes (*1946) Werk, das dieser Band ebenso opulent feiert: In einer jahrzehntelangen Schaffenszeit kreierte der Künstler beeindruckende Gemälde. Das Buch verfolgt die Ursprünge Casagrandes von Zeichnungen und kleineren Formaten über Exkurse zu Keramikarbeiten bis zur Hinwendung zum Großformat in den 1980er-Jahren. Hier wird der Mensch klein und das Werk groß. In Ausstellungsaufnahmen offenbart sich die tatsächliche Dimension von Casagrandes Gemälden. Im Wechsel zwischen ganzseitigen Abbildungen der Werke und Raumansichten zeigt sich ein besonderes Zusammenspiel von Raum, Kunstwerk und Architektur. Kraftvolle Farben und eine atemberaubende Bildgewalt ziehen Betrachtende in ihren Bann. Zahlreiche abwechslungsreiche Texte von Brief bis Essay aus unterschiedlichen Epochen ergänzen das Bildmaterial und setzen den Kontext.

Peter Casagrande

Palgrave Advances in Sex Work Studies

This book explores the everyday lives of religious and spiritual sex workers in the United Kingdom and the United States. Challenging dominant assumptions that religiosity and sex work are inherently incompatible, it centres the voices of those whose experiences are routinely marginalised within dominant religious and secular discourse. Drawing on qualitative research, including participant-driven photographs, diaries, and in-depth interviews, the book examines how sex workers navigate belief, identity, stigma, intimacy, and belonging in their everyday lives. It reveals the complex ways religious and spiritual sex workers negotiate their occupational, religious, spiritual, familial, and personal identities, offering a nuanced account of lived religion and sex work. By focusing on micro-level experiences, the book moves beyond moral debates to illustrate how both religiosity and sex work are practised in ordinary moments and intimate spaces. In doing so, it challenges reductive portrayals of sex workers as either victims or sinners. Bridging sex work scholarship and the sociology of religion, this book will be of interest to academics, sex work support organisations, and policy makers seeking a more inclusive understanding of sex work and religiosity.

This book explores the everyday lives of religious and spiritual sex workers in the United Kingdom and the United States. Challenging dominant assumptions that religiosity and sex work are inherently incompatible, it centres the voices of those whose experiences are routinely marginalised within dominant religious and secular discourse. Drawing on qualitative research, including participant-driven photographs, diaries, and in-depth interviews, the book examines how sex workers navigate belief, identity, stigma, intimacy, and belonging in their everyday lives. It reveals the complex ways religious and spiritual sex workers negotiate their occupational, religious, spiritual, familial, and personal identities, offering a nuanced account of lived religion and sex work. By focusing on micro-level experiences, the book moves beyond moral debates to illustrate how both religiosity and sex work are practised in ordinary moments and intimate spaces. In doing so, it challenges reductive portrayals of sex workers as either victims or sinners. Bridging sex work scholarship and the sociology of religion, this book will be of interest to academics, sex work support organisations, and policy makers seeking a more inclusive understanding of sex work and religiosity.

Exploring the Everyday Lives of Religious and Spiritual Sex Workers

The first collection of critical writings on the work of the influential contemporary French artist Pierre Huyghe. Influenced by wide-ranging ideas from land art and institutional critique to experimental cinematic practices and narrative film, the groundbreaking work of Pierre Huyghe since the early 1990s has arguably, even indelibly, altered the landscape of contemporary art. The French artist works at the beguiling intersection of fiction and reality, representation and performance, spectacle and memory, chance and agency, living organisms and technological entities. As formats and discourses of cinema (be it Godard or Lumet) and architecture, (invented or existing) holidays and games, (puppet) theatre and opera, fairy tales and (travel) literature, museology and computer technology, life sciences and popular culture (like Manga comics or Disney movies) are renegotiated in Huyghe’s variegated projects, the methods and modalities of producing, exposing, and experiencing art, in turn, come under both critical scrutiny and allegorical speculation. The essays and interviews by preeminent scholars, critics, and curators, including Benjamin Buchloh, David Joselit, and Molly Nesbit, compiled in this volume trace the trajectory of Huyghe’s practice over the last three decades, from the artist’s earlier engagements with the built environment, the temporalities of cinema and television, the customs of social communities, and the volatile property relations in global media culture, to his most recent and much-discussed ecological redefinitions of the objects and sites of art. At the same time these texts and conversations ponder and gauge the far-reaching implications of Huyghe’s many seminal artworks for the history, theory, and ontology of art in the early twenty-first century.

The first collection of critical writings on the work of the influential contemporary French artist Pierre Huyghe. Influenced by wide-ranging ideas from land art and institutional critique to experimental cinematic practices and narrative film, the groundbreaking work of Pierre Huyghe since the early 1990s has arguably, even indelibly, altered the landscape of contemporary art. The French artist works at the beguiling intersection of fiction and reality, representation and performance, spectacle and memory, chance and agency, living organisms and technological entities. As formats and discourses of cinema (be it Godard or Lumet) and architecture, holidays (invented or existing) and games, (puppet) theater and opera, fairy tales and (travel) literature, museology and computer technology, life sciences and popular culture (like manga comics or Disney movies) are renegotiated in Huyghe’s variegated projects, the methods and modalities of producing, exposing, and experiencing art, in turn, come under both critical scrutiny and allegorical speculation. Essays and interviews by preeminent scholars, critics, and curators—including Benjamin Buchloh, David Joselit, and Molly Nesbit—trace the trajectory of Huyghe’s practice over the last three decades. You’ll find writing about the artist’s early engagement with the built environment, the temporalities of cinema and television, the customs of social communities, volatile property relations in global media culture, and his most recent and much-discussed ecological redefinitions of the objects and sites of art. These texts explore the far-reaching implications of Huyghe’s many seminal artworks for the history, theory, and ontology of art in the twenty-first century.

Pierre Huyghe

Influencer Marketing zählt zu den wichtigsten Zukunftsthemen im Marketing. Mittlerweile haben sich vier zentrale Influencer-Typen herauskristallisiert: Klassische prominente Influencer, Social-Media-Stars, die sich in Nano-, Micro-, Macro-, Mega- und Giga-Influencer unterscheiden lassen sowie Corporate Influencer und Virtuelle Influencer.&nbsp;Dieses Buch zeigt, wie man passende Influencer-Typen für das eigene Unternehmen auswählt, die Zusammenarbeit initiiert und im Zeitverlauf erfolgreich und rechtssicher managt.Der InhaltTypen und Größenklassen von InfluencernWerblicher Einsatz und Wirkung von InfluencernProminente Influencer und Social-Media-StarsAuswahl von Influencern, Kanälen und Content-FormatenCorporate Influencer und Virtuelle InfluencerManagement und Monitoring von Influencer-KampagnenRechtliche Rahmenbedingungen für das Influencer MarketingDie ZielgruppenMarketing-, Marken- und Produktmanager sowie Personalverantwortliche; Verantwortliche aus den Bereichen PR und Unternehmenskommunikation; Praktiker in Werbeagenturen, PR-, Social-Media- und&nbsp; Influencer-Agenturen;&nbsp;Studierende der Fachbereiche Marketing, Social Media und Influencer MarketingDer AutorProf. Dr. Karsten Kilian&nbsp;betreibt mit Markenlexikon.com das größte Markenportal im deutschsprachigen Raum und leitet an der Hochschule Würzburg-Schweinfurt den Masterstudiengang Marken- und Medienmanagement. Er gilt als einer der führenden Markenstrategen im deutschsprachigen Raum und berät mittelständische Unternehmen in Markenfragen.

Influencer Marketing zählt zu den wichtigsten Zukunftsthemen im Marketing. Mittlerweile haben sich vier zentrale Influencer-Typen herauskristallisiert: Klassische prominente Influencer, Social-Media-Stars, die sich in Nano-, Micro-, Macro-, Mega- und Giga-Influencer unterscheiden lassen sowie Corporate Influencer und Virtuelle Influencer.&nbsp;Dieses Buch zeigt, wie man passende Influencer-Typen für das eigene Unternehmen auswählt, die Zusammenarbeit initiiert und im Zeitverlauf erfolgreich und rechtssicher managt. Der Inhalt <ul><li>Typen und Größenklassen von Influencern</li><li>Werblicher Einsatz und Wirkung von Influencern</li><li>Prominente Influencer und Social-Media-Stars</li><li>Auswahl von Influencern, Kanälen und Content-Formaten</li><li>Corporate Influencer und Virtuelle Influencer</li><li>Management und Monitoring von Influencer-Kampagnen</li><li>Rechtliche Rahmenbedingungen für das Influencer Marketing</li></ul>Die Zielgruppen Marketing-, Marken- und Produktmanager sowie Personalverantwortliche; Verantwortliche aus den Bereichen PR und Unternehmenskommunikation; Praktiker in Werbeagenturen, PR-, Social-Media- und&nbsp; Influencer-Agenturen;&nbsp;Studierende der Fachbereiche Marketing, Social Media und Influencer Marketing

Wie Sie Micro-Influencer, Macro-Influencer, Mega-Influencer, Corporate Influencer und Virtuelle Influencer wirkungsvoll für Ihre Marke werben lassen können

Quick Guide Influencer-Marketing-Management

Where do great artists get their inspiration? And how could they help you make something extraordinary? In You Are an Artist, over fifty artists from around the world share their creative techniques, and give you brilliantly imaginative exercises to inspire you to make your own art. Among other things, you'll invent imaginary friends, construct a landscape, find the quietest place, measure your history and become someone else (or at least try). You don't need special materials or experience. Your only challenge is to create art that reflects the world as you see it. Curator Sarah Urist Green brings together more than 50 assignments gathered from some of the most innovative creators working today, including Sonya Clark, Michelle Grabner, The Guerrilla Girls, Fritz Haeg, Pablo Helguera, Nina Katchadourian, Toyin Ojih Odutola, J. Morgan Puett, Dread Scott, Alec Soth, Gillian Wearing, and many others.

Assignments to Spark Creation

You Are an Artist

Critical Criminological Perspectives

Mental Health, Crime and Justice

The Times best thrillers for April 2026 'A propulsive thriller' Irish Independent 'A tense, fast-paced thriller about moral compromise' i PAPER 'Tom Bradby has created a magnificent woman in Dr Laura Strong. [A] powerfully entertaining novel' Literary Review Life for Dr Laura Strong shouldn't be this hard. Nights working thankless A&amp;E shifts. A much-loved disabled brother to look after. Loan sharks at her door. She needs a miracle to stop her life collapsing around her. The arrival of South American coffee magnate Rafael Fernandez appears to be the answer to her prayers. A devoted father with a sick son requiring a 24/7 care, he is prepared to pay any price for expertise he can trust. But if something appears to be too good to be true, then it probably is. Behind the façade of Rafa's gilded existence lies a dark family history which he has been doing his best to avoid - until the death of his estranged father brings it crashing back into his - and Laura's - world. What had at first seemed to be a remarkable escape from an impossible situation now threatens to destroy everything Laura cares about. Friendless and far from home, she must rely on her own instincts to find a way out of this terrifying new landscape. Sometimes it's easier to trust the devil you know...

Red Scorpion

The Odessa Novels

The master storyteller - author of The Day of the Jackal - returns, with his most explosive thriller yet. 'A must-read!' FIVE-STAR Review 'Absolutely SUPERB!' FIVE-STAR Review 'Fantastic!' FIVE-STAR Review The Nazis were never defeated. They were just biding their time... Summer, 2025. A US senator is burned to death in his Washington townhouse. Masked gunmen massacre supporters during a football match in Berlin. And an old man is murdered while he sleeps in the dementia ward of a German hospital. Three apparently unconnected events, three steps on the countdown to apocalypse. When journalist and podcaster Georg Miller starts joining the dots between them, he finds himself the target of professional killers. His investigation soon reveals that his would-be assassins are from an organisation known as the Odessa, a menacing and powerful Nazi group intent on regaining power. The Odessa has spread its poison from a covert compound in the Bavarian countryside all the way to the halls of the American Capitol. And now, as their campaign to destabilise the Western political system accelerates, Georg must stop the next attack, before it changes the course of history... ***Readers love Revenge of Odessa*** 'I loved this book...I hardly had time to catch my breath.' Imran Mahmood 'I was totally hooked.' FIVE-STAR Review 'Forsyth and Kent expertly weave tension, pace and suspense into a ticking clock thriller...Outstanding.' Vaseem Khan 'A rock-solid winner.' FIVE-STAR Review

Revenge of Odessa

Oyster

Über Epochen hinweg wird das Talent intellektuell tätiger Frauen mit einem vermeintlich unattraktiven Äußeren verknüpft. Der Band untersucht erstmals dieses wirkmächtige Narrativ anhand literarischer und künstlerischer Frauenporträts der Frühen Neuzeit - etwa der Dichterin Laura Battiferri, der Philosophin Marie de Gournay und der Malerin Rosalba Carriera - und stellt heraus, wie eng intellektuelle Legitimität mit Vorstellungen weiblicher Physis verflochten war. Zugleich wird aufgezeigt, dass ein den Schönheitsnormen "trotzendes" Erscheinungsbild nicht nur als Defizit, sondern als bewusst eingesetztes emanzipatorisches Mittel inszeniert wurde. Der Band lädt ein, vertraute Deutungsmuster zu überdenken und die Geschichte weiblicher Autorität als Geschichte strategischer Selbstinszenierung sowie intellektueller Selbstbehauptung neu zu lesen.<ul> <li>Neueste Forschungserkenntnisse zur weiblichen Handlungsmacht/agency</li><li>Ein neuer Blick auf die Gattung des Porträts</li><li>Aktuelle Untersuchungen zumTopos der "unschönen" Intellektuellen</li>
</ul>

Über Epochen hinweg wird das Talent intellektuell tätiger Frauen mit einem vermeintlich unattraktiven Äußeren verknüpft. Der Band untersucht erstmals dieses wirkmächtige Narrativ anhand literarischer und künstlerischer Frauenporträts der Frühen Neuzeit – etwa der Dichterin Laura Battiferri, der Philosophin Marie de Gournay und der Malerin Rosalba Carriera – und stellt heraus, wie eng intellektuelle Legitimität mit Vorstellungen weiblicher Physis verflochten war. Zugleich wird aufgezeigt, dass ein den Schönheitsnormen „trotzendes" Erscheinungsbild nicht nur als Defizit, sondern als bewusst eingesetztes emanzipatorisches Mittel inszeniert wurde. Der Band lädt ein, vertraute Deutungsmuster zu überdenken und die Geschichte weiblicher Autorität als Geschichte strategischer Selbstinszenierung sowie intellektueller Selbstbehauptung neu zu lesen.   Neueste Forschungserkenntnisse zur weiblichen Handlungsmacht/agencyEin neuer Blick auf die Gattung des PorträtsAktuelle Untersuchungen zumTopos der „unschönen" Intellektuellen

Inszenierung unkonventioneller Weiblichkeit in Kunst und Literatur (1400-1800)

Körperidealen trotzen

The Makeup Remover

The real competition is just getting started, both inside and out. . . . After successfully passing the preliminary round of Face-Off Cinderella, wallflower Kim Yeseul feels a bit more confident in herself, thanks to makeup artist Cheon Yuseong's ability to transform her looks. Now, in addition to the show's cosmetic challenges, the duo must face a new obstacle: keeping Yeseul's identity a secret on live TV. To hide her face during broadcasts, Yeseul dons a costume of her favorite bunny character, Toseul. But the other contestants won't let her fly under the radar so easily - especially not Ju Heewon, who's still seething after being rejected by Yuseong. Can Yeseul make it through the next round without being discovered - or worse, sabotaged by another contestant? Volume 2 collects episodes 15-29 of the webcomic The Makeup Remover.

The Makeup Remover: Volume 2

60 cute and colorful temporary Taylor Swift tattoos! &gt; Featuring dozens of tattoos, you can have all the joy of a Taylor tattoo, without the commitment of 'forever'. Illustrated by Julia Murray, these cute temporary tatts are perfect for summertime, dress-ups or festivals, or just brightening up your day. Choose from more than 60 illustrations, including multiple Taylors, friendship bracelets, cats, flowers, butterflies, and typographical tatts, each one equally perfect as a stand-alone tat or as part of a larger mix-and-match artwork. Cause you know, it's not gonna be forever…

The little book of temporary Taylor tattoos

Totally Taylor Tattoos

Semiotext(e) / Intervention Series

A call to imagine a less deadly future, written in the shadow of genocide and “ferocious optimism.” After Gaza, it is time to recognize that the attempt to humanize history has failed, and that there will not be a second try. It is time to recognize that the experiment called “civilization” has failed… The abyss is wide open and we cannot help but see it. We must gaze into the abyss, we must gauge the breadth and depth of the abyss. We must draw a map of the abyss, while precipitously falling into it. “Thinking after Gaza” means recognizing the collapse of universal reason and democracy, the humanistic values that were the famed—and fragile—promise of modernity. But it also means searching for ways to escape the grim future awaiting those born in this disenchanted century: this century that promises to be the last, in which thought has lost all political power and the survival instinct struggles to withstand the ferocity of techno-military extermination machines. To the generation born in the twilight of Western civilization, we owe this last act of thinking, so as to imagine the desertion of our barbaric present, along pathways that have yet to be illuminated. The latest essay by renowned Italian autonomist theorist Franco “Bifo” Berardi, Thinking After Gaza is a reflection on the multivalent consequences—political, philosophical, civilizational—of the current genocide in Gaza and the West Bank. Bearing sober witness to the conditions on the ground in the Occupied Territories, while tracking the “ferocious optimism” that has replaced Enlightenment ideals, this book is addressed not only to activists but also to pacifist philosophers, historians, and theologians.

A call to imagine a less deadly future, written in the shadow of genocide and “ferocious optimism.” After Gaza, it is time to recognize that the attempt to humanize history has failed, and that there will not be a second try. It is time to recognize that the experiment called “civilization” has failed… The abyss is wide open and we cannot help but see it. We must gaze into the abyss, we must gauge the breadth and depth of the abyss. We must draw a map of the abyss, while precipitously falling into it. “Thinking after Gaza” means recognizing the collapse of universal reason and democracy, the humanistic values that were the famed—and fragile—promise of modernity. But it also means searching for ways to escape the grim future awaiting those born in this disenchanted century: this century that promises to be the last, in which thought has lost all political power and the survival instinct struggles to withstand the ferocity of techno-military extermination machines. To the generation born in the twilight of Western civilization, we owe this last act of thinking, so as to imagine the desertion of our barbaric present, along pathways that have yet to be illuminated. The latest essay by renowned Italian autonomist theorist Franco “Bifo” Berardi, Thinking After Gaza is a reflection on the multivalent consequences—political, philosophical, civilizational—of the current genocide in Gaza and the West Bank. Bearing sober witness to the conditions on the ground in the Occupied Territories, while tracking the “ferocious optimism” that has replaced Enlightenment ideals, this book is addressed not only to activists but also to pacifist philosophers, historians, and theologians.

An Essay on Ferocity

Thinking Gaza

The Fascination of Film Violence

Weitere Titel zum Thema