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Catalogue de droit

Literature, Cultural and Media Studies (R0)

Henry Bacon

The Fascination of Film Violence

Introduction 1. The Cultural Evolution of Representing Violence 2. The Symbolism of Evil in Film 3. Poetics of Fictional Violence 4. Women and Violence on Screen 5. Psychological and Structural Violence Notes Filmography Bibliography Index

Helen Frankenthaler: The Moment and the Distance documents an exhibition of the artist’s large-scale paintings made between 1960 and 1992. This catalogue documents an exhibition of large-scale paintings by Helen Frankenthaler made between 1960 and 1992, opening in spring 2026 at Gagosian’s West 21st Street gallery. Throughout her career, Frankenthaler pushed beyond the boundaries of easel painting to create extraordinary, monumental works, some of which occupied the entire expanse of her studio floor. This exhibition explores the artist’s use of scale across four decades of painting. The title is derived from a 1975 review by poet and critic Barbara Guest, where she remarks on Frankenthaler’s “astonishing combination of freedom with restraint, extravagance with discipline, suggestion and definition,” concluding, “the moment becomes the distance.” The book includes a new essay by art historian Ara H. Merjian that discusses the works in the show in the context of Frankenthaler’s Surrealist and Abstract Expressionist influences. Helen Frankenthaler (1928–2011) has long been recognized as one of the great American artists of the twentieth century. A member of the second generation of New York-based postwar abstract painters, she is widely credited with expanding the possibilities of abstraction through her invention of the soak-stain technique, and her highly personal references to figuration and landscape.

The Moment and the Distance

Helen Frankenthaler

A handsome new volume devoted to the most important works by Manet, a pivotal figure in Impressionism and widely considered the first of the modern artists. With over 100 seminal paintings, this book celebrates the artist who bridged the transition from Realism to Impressionism and is seen as giving rise to Modernism. Combining painterly technique with strikingly modern images of contemporary life, much of Manet’s work documented daily life in Paris, depicting scenes ranging from the recently built boulevards with their sidewalk cafes, industrial marvels such as the railways, and pleasure grounds ranging from newly landscaped parks to horse racing. He also painted provocative scenes of the demimonde in popular bars and cabarets. Included here are popular and iconic works such as Le Déjeuner sur l’herbe,&nbsp;with its shocking juxtaposition of a nude woman amid fully dressed men, and Olympia, Manet’s modern reworking of Titian’s Venus of Urbino that Parisian society initially rejected as scandalous. Little has been published on Manet recently, so this comprehensive survey is long overdue. His bold style, muscular brushwork, frank subject matter, and compositions that pushed boundaries and confronted societal norms continue to influence and inspire today’s young artists.

The Great Works

Manet

Get HOOKED on the brand-new cat-and-mouse thriller from the Number One international bestselling author Adele Parks!*Special Collector's Edition available to the first UK print run only! Featuring a stunning black foil on board design beneath the dust jacket - order now. Available while stocks last*'Nobody creates - and unravels - a dysfunctional relationship quite like Adele Parks - I was hooked from the very first line' Louise Candlish'Dances an exquisite line between a gripping psychological thriller and an intriguing family drama -terrifying, thrilling and touching. An absolute cracker of a book' Louise Minchin'A twisted tale that will surprise you again and again'The SunPick of the Week ¿¿¿¿¿* * * * *Be afraid. Someone's watching.At fifteen, Amy witnessed her father brutally murder his secret lover. Her testimony sealed her father's fate. With him in prison, Amy and her mother must rebuild their lives in the shadow of a notorious crime.Years later, Oliver Harrington walks into the restaurant where Amy works. Just like Amy, Oliver has a past he'd rather forget. Amy is drawn to him at a profound level; they feel a connection, an understanding...This seems a lot like love, but does it hide something darker - an obsession that could lead Amy into a web of deception and violence she thought she'd escaped? As the truth looms ever closer, Amy must confront a harsh reality: where there is love, there is often betrayal.Prepare to be gripped by the brand-new, wickedly addictive thriller from Number One bestseller Adele Parks, perfect for fans of The Housemaid* * * * *Readers LOVE Eyes on You:'I could not put this delightfully dark thriller down - superb!' ¿¿¿¿¿'Entangled with obsession, deception and long buried secrets ... Gripping' ¿¿¿¿¿'Enticing, dark and addictive! I inhaled this within a few sittings' ¿¿¿¿¿'Fantastic. Had me hooked from the first chapter' ¿¿¿¿¿* * * * *Praise for Eyes on You:'The queen of the domestic noir returns with another cracking psychological thriller that will grip you 'til the last page' Daily Express'A completely propulsive, race-to-the-finish read' Amy Jordan'A rollercoaster journey into the psychology of trauma then takes you on a dark and wild ride out that doesn't let up for a second' Janice Hallett'A gripping story of grief, obsession, isolation and revenge, EYES ON YOU is a seductive, all-consuming read that will leave readers both spellbound and stunned. Had me on the edge of my seat the entire time!' Mary Kubica'Packed with suspense, emotional depth and plenty of twists, this is another compelling page-turner from one of Britain's favourite thriller writers' Delia, AUGUST BOOKS OF THE MONTH'Written in first person, it evokes the pain women feel trapped by memories and suspicions of men ... Not for the faint-hearted' Daily Mail'Full of secrets and obsession, this brilliant thriller never lets up' Crime Monthly'A clever, emotionally charged psychological thriller with a heart-stopping, tense finale' Woman'Eyes On Youis sure to add to bestseller Adele Parks' impressive list of achievements' Irish News'We drop everything for a new Adele Parks novel!' That's Life! Monthly'A twisty-turny read from the queen of suspense' FabulousSelected as a 'best read' inWoman&amp;HomeIncluded in best thrillers of the month in The Times

Eyes on You

Jack Reacher

#1 NEW YORK TIMES BESTSELLER • The inspiration for season four of the hit streaming series Reacher! “High-powered, intricately wrought suspense.”—Janet Maslin, The New York Times New York City. Two in the morning. A subway car heading uptown. Jack Reacher, plus five other passengers. Four are okay. The fifth isn’t. And if you think Reacher isn’t going to get involved . . . then you don’t know Jack. Susan Mark, the fifth passenger, had a big secret, and her plain little life was being watched in Washington, and California, and Afghanistan—by dozens of people with one thing in common: They’re all lying to Reacher. A little. A lot. Or just enough to get him killed. A race has begun through the streets of Manhattan, a maze crowded with violent, skilled soldiers on all sides of a shadow war. For Jack Reacher, a man who trusts no one and likes it that way, the finish line comes when you finally get face-to-face and look your worst enemy in the eye. “Propulsive . . . [Child is] an expert at ratcheting up tension.”—Los Angeles Times “Hold on tight. . . . This novel will give you whiplash as you rabidly turn pages. . . . May be [Lee Child’s] best.”—USA Today

A Reacher Novel

Reacher: Gone Tomorrow (MTI)

Routledge Research in Media Law

This book is a comparative study of state-based film censorship laws and practices in the Asia-Pacific region.It provides crucial historical context for each of the common law traditions in Malaysia, Hong Kong and Australia - all former British colonies - and compares it to the tradition of civil law and the lèse majesté law in Thailand. The book sets out to analyse the approach to film censorship of four Asian-Pacific countries. It does so largely from a doctrinal perspective, reviewing each country's legal history and impact on the local film industry. Chapters detail censorship practices in each jurisdiction, key opinions and issues within individual states, and conclude with options for judicial review and insights relevant to the Malaysian film industry. The book also contains interviews with prominent film practitioners and censorship authorities. Their range of opinions contextualises the doctrinal research and demonstrates the effects of film censorship on artistic vibrancy and commercial viability of the film industries.With its comparative approach to exploring how censorship and state regulation impact local film industries, this book will interest scholars of film studies, Asian studies and media law.

Legal Frameworks and Filmmakers’ Perspectives

Film Censorship in the Asia-Pacific Region

The Academy of Kindness

Set a thief to catch a thief. Set a monster to punish monsters.'I never met a Mark Lawrence book that I didn't love' ROBIN HOBB'An excellent writer' GEORGE R.R. MARTINThe Academy of Kindness exists to create agents of retribution, cast in the image of the Furies - The Kindly Ones - against whom even the gods hesitate to stand.Each year one hundred girls are sold to the Academy. Ten years later only three emerge.The Academy's halls run with blood. The few who survive its decade-long nightmare have been forged on the sands of the Wound Garden. They have learned ancient secrets amid the necrotic fumes of the Bone Garden. They leave its gates as avatars of vengeance, bound to uphold the oldest of laws.Only the most desperate would sell their child to the Kindnesses. But Rue ... she sold herself. And now, a lifetime later, a long and bloody lifetime later, just as she has discovered peace, war has been brought to an old woman's doorstep.That was a mistake.

Daughter of Crows

Palgrave Studies in Race, Ethnicity, Indigeneity and Criminal Justice

The edited collection gathers contributions from across the world and engages in constructive debate about fundamental issues regarding Indigenous peoples in connection with issues of crime and harm. It provides the most diverse and global coverage of this topic across five continents. Existing explorations of Indigenous peoples in relation to issues of crime and harm have proven valuable in challenging, decentring, and renewing criminology. Yet, this research area remains at the margins of criminology, and many fundamental questions—such as the meaning of ‘being Indigenous’—await deeper exploration. Key themes explored by the book include: the meaning of Indigeneity; Indigenous epistemologies, Indigenous cosmologies, and their implications for the study of crime; the meaning of ‘crime’ for Indigenous peoples; causes, consequences, and types of crimes and harms against Indigenous Peoples; Indigenous peoples and gender; Indigenous systems of justice; and Interactions between Indigenous Peoples and state criminal justice systems. This collection does not seek consensus but reflects diversity and depth. It offers an introduction to Indigenous criminology and fundamental concepts, as well as a series of case studies and more intricate theorisation.David R. Goyes
 is a researcher at the University of Oslo, Norway, with a PhD in criminology. He has contributed extensively to the study of North-South global relations, environmental conflicts, and Indigenous issues. Goyes is editor-in-chief of the 
 International Journal for Crime, Justice and Social Democracy
 and a member of several editorial boards.
 Angie Cuchimba
 is a researcher at the Universidad Antonio Nariño, Colombia. Cuchimba holds a law degree from the same university. She is an Indigenous leader in the Nasa Community and has represented her People worldwide in diverse meetings. Together with Goyes, Cuchimba has published articles about Indigenous rights and justice in some of the best journals in the world.

Indigenous People, Crime, and Harm

A shocking encounter with American gun culture that reveals the devastating effects of how people are training their minds and bodies for violence. 'Utterly brilliant . . . deeply researched and thoughtful' - Justin Webb, former BBC North America editor Every day, at firearms schools across the country, ordinary Americans are learning how to use a gun. Who are their teachers? What are they being taught, and for what purpose? Harel Shapira, a sociologist at the University of Texas, has spent ten years immersed in the world of gun-training. Throughout the dozens of classes he has taken, he has been taught that the world is filled with 'bad guys' who can only be stopped by the self-styled 'good guys'. He has learned that he must be prepared to kill or be killed. Basic Pistol reveals how these schools are going far beyond teaching the mechanics of gun safety. They are teaching a way of living in the world rooted in racist fears, aggressive masculinity and an entitlement to violence. It will explain why the risk of widespread gun ownership is not simply the possibility of more gun violence and mass shootings. The risk is to the very foundations of democracy itself. 'A must read' - Heather Ann Thompson 'Groundbreaking' - Adam Winkler 'Fascinating, disturbing, necessary' - Eric Klinenberg

Living and Dying by the Gun in America

Basic Pistol

“An exhilarating debut novel” (R.O. Kwon, The New York Times Book Review) about the daughter of Afghan refugees and her year of self-discovery—a portrait of the artist as a young woman set in a Berlin that can’t escape its history A girl can get in almost anywhere, even if she can’t get out. SHORTLISTED FOR THE WOMEN’S PRIZE FOR FICTION • FINALIST FOR THE EDMUND WHITE AWARD FOR DEBUT FICTION AND THE VERMONT BOOK AWARD • LONGLISTED FOR THE DUBLIN LITERARY AWARD AND THE CENTER FOR FICTION FIRST NOVEL PRIZE • A BEST BOOKS OF THE YEAR: Time, Elle, Electric Lit, The Skinny “A no-bullsh*t, must-read debut.”—Kaveh Akbar “Kaleidoscopic, full of style and soul.”—Raven Leilani “Aber writes with . . . masterful precision.”—Leila Lalami, The Atlantic "Once in a blue moon a debut novel comes along, announcing a voice quite unlike any other, with a layered story and sentences that crackle and pop, begging to be read aloud. Aria Aber’s splendid Good Girl introduces just such a voice . . . Aber, an award-winning poet, strikes gold here, much like Kaveh Akbar did in last year’s acclaimed Martyr!"—Los Angeles Times In Berlin’s artistic underground, where techno and drugs fill warehouses still pockmarked from the wars of the twentieth century, nineteen-year-old Nila at last finds her tribe. Born in Germany to Afghan parents, raised in public housing graffitied with swastikas, drawn to philosophy, photography, and sex, Nila has spent her adolescence disappointing her family while searching for her voice as a young woman and artist. Then in the haze of Berlin’s legendary nightlife, Nila meets Marlowe, an American writer whose fading literary celebrity opens her eyes to a life of personal and artistic freedom. But as Nila finds herself pulled further into Marlowe’s controlling orbit, ugly, barely submerged racial tensions begin to roil Germany—and Nila’s family and community. After a year of running from her future, Nila stops to ask herself the most important question: Who does she want to be? A story of love and family, raves and Kafka, staying up all night and surviving the mistakes of youth, Good Girl is the virtuosic debut novel by a celebrated young poet and, now, a major new voice in fiction.

A Novel

Good Girl

The first full-career survey of an American artist redefining contemporary landscape painting through a powerful blend of abstraction, realism, memory, and environmental experience. This landmark volume offers the most comprehensive look yet at Eric Aho (b. 1966), widely recognized as one of today’s leading painters of landscape and the natural world. Tracing four decades of artistic evolution, the book follows Aho from his luminous, enigmatic Ice Cuts—geometric openings carved into frozen ponds—to his visceral Fire Paintings, which explore destruction, renewal, and the shifting forces of the environment. His recent Wild Meadow and Firefly series capture seasonal transitions with striking immediacy and emotional depth. Rooted in the American landscape tradition, Aho’s work evokes the spiritual power of Marsden Hartley, the lyrical clarity of Fairfield Porter, the meditative abstraction of Agnes Martin, and the sweeping drama of Thomas Cole—yet remains unmistakably contemporary and wholly his own. This volume features two gatefolds and stunning reproductions that illuminate Aho’s singular approach to painting nature—its atmospheres, transformations, and unseen energies. A vivid and immersive celebration of an artist who brings new vision and vitality to landscape painting today.

The Fascination of Film Violence

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