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Muir Robin: The Crown in Vogue

The Crown in Vogue

Vogue's 'special royal salute' to Queen Elizabeth II and the House of Windsor (Limited Edition)

A chronological account of twenty-one women who made French history, from the fifth to the twenty-first century.

A History of France in 21 Women

Few styles are more iconic than the finery donned by the crowds at Churchill Downs. For the last decade, Lili Kobielski has photographed Kentucky Derby spectators for Vogue as if they were models on a runway. Enjoy this close-up look at America’s most inimitable sports fashion event! Twenty horses—120 seconds—150 years—timeless fashion. From the hats in the grandstands to the silks on the track, fashion is as much a part of the Kentucky Derby as the thoroughbreds, the jockeys, and the mint juleps. Lili Kobielski has been photographing the Kentucky Derby for Vogue for a decade. She aptly captures the vibrant colors, jovial festivities, and, of course, the fantastic headwear of this iconic day in sports. Kentucky Derby Fashion celebrates the spectators of this epic event and illustrates how their creativity and style make the Derby what it is. The passion for the sport is best displayed by the fashion in the grandstands. With an introduction written by Helmut Lang and contributions from Churchill Downs and the Vogue editorial team, readers get a sense of the Derby’s hallowed place in the worlds of fashion and sports.

A Decade en Vogue

Kentucky Derby Fashion

The iconic fashion house through their finest creations

Dior in 50 Objects

Icons of Style

The story of a fashion legend

Icons of Style: Charli XCX

A History of Fashion in 21 Cats

This book is about something special that we all desire - love. And it is also a book about what keeps us apart - the desire to be seen but being unwilling to do what needs to be done to see. This book will change your life. It wull give you all the wings you need to fly again.

His friends called him V. He used to feel intimidated by the fashion world but he got over it. He designed his first Louis Vuitton collection in three hours. He cared more about pageantry than clothes. He wasn’t precious about his ideas. He sometimes made work and added the meaning later. He contradicted himself all the time but he saw no problem with that. Fashion for him was one big art project, and also kind of a joke. He believed in God. He believed in logos. He thought insisting on novelty in fashion was farcical; a critique meant to keep people like him out. Some nights when he couldn’t sleep he wondered how people would remember him once he was gone. Virgil Abloh, who died unexpectedly in 2021 at age 41, defied categorization. Born in Rockford, Illinois to Ghanaian immigrants, he learned to sew as child, studied civil engineering in college and then architecture in graduate school. He entered the world of fashion sideways, without formal training, upsetting the status quo first with the stratospheric success of Off-White and then with his appointment as Artistic Director of menswear at Louis Vuitton. He pierced the divisions between pop culture and couture, fashion, music, and design, and was as influenced by Marcel Duchamp and Mies van der Rohe, Albert Murray, Rammellzee, Drake, DJ Benji B, Kylie Jenner, and Bella Hadid, as by the storied histories of high fashion houses. He was fascinated by the commodification of culture and the dialectic between appropriation and reappropriation, between ‘high’ and ‘low’. He admired the ready-made and the imitative for the way in which they force you to think carefully about the context in which they were created. He felt originality was a sham, and saw clearly the way Fashion, with a capital F, depends on the policing of who is allowed the mantle of ‘genius’. The establishment bridled at his approach even as they celebrated his work. He, in turn, understood that people wanted him to be a symbol, to fit an idea of the Black Designer, but he refused any kind of easy definition. Here, in Work in Progress, is a blueprint for a way to live, a conversation between friends, a challenge to any idea of black and white thinking. A portrait of an iconoclast, WORK IN PROGRESS takes us inside the mind of one of the most visionary and transformational designers of our time.

335876 TBA

Stickerbomb Sneakers

The House of Chanel is synonymous with not one, but two iconic designers. First there was Gabrielle, and then there was Karl. The Story of Chanel is the stunning two-book gift set that, through over 200 images accompanied by expert text from bestselling author Emma Baxter-Wright, explores the birth and evolution of the most illustrious fashion house in the world. The first book chronicles Coco Chanel's revolutionary innovations in sportswear and jersey fashions for women as well as the classics that made her name, such as the tweed suit, little black dress and of course Chanel No.5. Go on to read about Karl Lagerfeld's reinvention of Gabrielle's codes, ingeniously updating her signatures for the modern woman, and adorning everything with the instantly recognizable double-C logo. Immerse yourself in the world of Chanel, and discover the origins of chic.

The Story of Chanel Gift Set

For students ready to think outside the lines of basic blocks, this modern update to the popular and inspirational sourcebook features a redesigned step-by-step layout, new chapters on current industry trends, and photographs of new work from over 20 exciting young designers.

Pattern Cutting: The Architecture of Fashion

Global Perspectives: Dress and Fashion in the 20th and 21st Centuries

Lenscratch: Topics in Contemporary Photography

This book is the first of its kind to bring together and showcase contemporary photographers' bodies of work, moving beyond the survey approach so often seen in photography today.

This book is the first of its kind to bring together and showcase contemporary photographers’ bodies of work, moving beyond the survey approach so often seen in photography today.

30 Profiles of Artists Photographing [Two Themes TBD], Book 2

Lenscratch - Contemporary Themes in Photography

An exploration of the rich creative influence of Italian Renaissance art on the designs of contemporary Italian fashion houses &nbsp; Successful Italian fashion houses such as Armani, Dolce &amp; Gabbana, and Versace are among the most high-profile and cutting-edge on the global fashion scene. Many of the innovative designs created by these and other major Italian houses draw on imagery from Italy’s rich cultural and artistic past. Weaving together insightful texts and vivid illustrations, this book explores the creative, cultural, and social dialogues between contemporary Italian fashion houses and the enduring legacy of Renaissance Italy. &nbsp; During the Renaissance, the Italian peninsula was dominated by powerful aristocratic families or “houses,” such as the Medici in Florence and the Sforza in Milan, whose members used fashion and art to communicate their power. Through essays by scholars and fashion industry professionals, including Luca Missoni of the House of Missoni and Stefania Ricci, director of the Ferragamo Museum, this book provides an insider look at the creative connections between Italian Renaissance “houses” and contemporary Italian fashion houses, and the design innovations that celebrate the vital legacy of Italian Renaissance imagery. Art directed by Luca Stoppini, former Vogue Italia creative director, this book features an inventive, oversize design reminiscent of Vogue magazine’s storied annual “September Issue,” conveying a gripping story about contemporary Italian fashion and enlivened with runway and art images, as well as original photography inspired by nostalgic glossy editorials. &nbsp; Distributed for the Cleveland Museum of Art &nbsp; Exhibition Schedule: &nbsp; Cleveland Museum of Art (November 9, 2025–February 1, 2026)

The Enduring Italian Houses

Renaissance to Runway

The Crown in Vogue

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