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The director of Pompeii offers a revelatory new history of the city

The director of Pompeii offers a revelatory new history of the city

Zuchtriegel G: The Buried City

The Buried City

Unearthing the Real Pompeii

Gods and Heroes of the Ancient World

Theseus

Routledge World Archaeology

Ancient Caribbean

Bloomsbury Ancient Comedy Companions

Plautus' Poenulus (or Little Carthaginian) is a staggering work. Performed in the years after Rome's traumatic struggle with Hannibal's Carthage, the comedy stages the restoration of a Carthaginian family divided through enslavement. This book explores the play's many themes such as slavery and war trauma, which resonate especially today, in a series of short thematic chapters followed by a continuous reading of the play. By presenting to a post-war Roman audience a tale of heartbreak and heartache among Carthaginians, and by setting the action in a Greece marked by comedic expectations and the geography of contemporary imperial conquest, Plautus' play stands as perhaps the most powerful surviving meditation on a Mediterranean world changed by Roman expansion. The play is populated by war veterans, enslaved peoples - including sex-workers, domestic slaves, and those who labour in the countryside - and an intersectional cast of Carthaginians and Greeks, a diversity that prompts audience interaction with a wide range of socio-cultural topics relevant to Plautus' Rome. By engaging weighty matters through song, slapstick, puns, and orientalising spectacle, Poenulus appears to defang charged issues, but its bite is deep. The play also includes one of the most metatheatrical prologues of all surviving Roman dramatic works, which thematizes the act of writing comedy and the constitution of the Roman theatrical audience.

Plautus: Poenulus

The Norse Warrior's (Unofficial) Manual

Viking:The Norse Warrior's (Unofficial) Manual

An indispensable guide to the major monuments of the period - earthen and stone castles, moated sites, villages, towns, cathedrals, churches, tower houses, pottery kilns and mills.

An indispensable guide to the major monuments of the period - earthen and stone castles, moated sites, villages, towns, cathedrals, churches, tower houses, pottery kilns and mills.

The Archaeology of Medieval Ireland

Routledge Worlds

The Nasca World

What today we deem as characteristic of the city of Rome was largely the product of one particular ideology of Rome; our understanding of the city's spatial relationships and our sense of its visual familiarity have been orchestrated by the vision of one man, Benito Mussolini. Many students of antiquity are aware that the Fascist regime sponsored excavations throughout Italy and the Mediterranean. Yet perhaps more significant is the fact of Mussolini's creation of the physical vision of Roman antiquity, literally how we view and thereby interpret the Roman city. The dominant vistas from which we study the emblematic Roman monuments were all designed and constructed between 1925 and 1942.

What today we deem as characteristic of the city of Rome was largely the product of one particular ideology of Rome; our understanding of the city’s spatial relationships and our sense of its visual familiarity have been orchestrated by the vision of one man, Benito Mussolini. Many students of antiquity are aware that the Fascist regime sponsored excavations throughout Italy and the Mediterranean. Yet perhaps more significant is the fact of Mussolini’s creation of the physical vision of Roman antiquity, literally how we view and thereby interpret the Roman city. The dominant vistas from which we study the emblematic Roman monuments were all designed and constructed between 1925 and 1942. Mussolini was eager to reveal the ruins of the past to emphasize the ways in which Fascist Italy was a visible improvement on Imperial Rome, and how antiquity relied on modern policies for its very survival. Towards these ends, the Fascist regime was a great supporter of archaeological scholarship and many prominent archaeologists wrote analyses of Roman monuments in genuine support of Fascist principles. The construction of Fascist doctrine and aesthetics developed hand-in-hand with the rise of modern Roman archaeology. This volume seeks to excavate the cultural layer that Fascist ideology placed upon contemporary archaeology, and to understand the ways in which this context continues both to obscure and enlighten our vision of Roman antiquity.

Roman Archaeology Under Italian Fascism

Gladiator

<div>Combining historic engravings with an accessible modern commentary, The Ancient World: A Visual History offers a uniquely visual approach to exploring the cultures of the key civilizations of ancient times.</div>

Combining historic engravings with an accessible modern commentary, The Ancient World: A Visual History offers a uniquely visual approach to exploring the cultures of the key civilizations of ancient times.

A Visual History

Ancient World

Routledge Archaeology of Northern Europe

Iron Age Lives provides the first integrated academic treatment of the Iron Age of Britain and Ireland. After considering the social changes that marked the end of the Later Bronze Age, it examines the environmental, economic, demographic and cultural factors that underpinned the emergence of the fragmented and regionalised societies of the Early Iron Age. Subsequent chapters trace the development of increasingly complex and distinctive social forms across Britain and Ireland. Central themes that cut across the book's broadly chronological structure include: the creation and expression of individual and collective identities; the social role of art and religion; changing gender roles; technological innovation, including iron-working and rotary technology; the complex and varied treatments of the dead; gift-giving, trade and exchange; and the role of conflict and violence.

Iron Age Lives provides the first integrated academic treatment of the Iron Age of Britain and Ireland. After considering the social changes that marked the end of the Later Bronze Age, it examines the environmental, economic, demographic and cultural factors that underpinned the emergence of the fragmented and regionalised societies of the Early Iron Age. Subsequent chapters trace the development of increasingly complex and distinctive social forms across Britain and Ireland including the hillfort societies of southern England and the Welsh Marches; village communities of the Upper Thames Valley; the dense settlement landscapes, cemeteries and chariot burials of East Yorkshire; the hillfort communities of Northumbria and south-east Scotland; the broch-building societies of Atlantic Scotland; and the ritual landscapes of Iron Age IrelandCentral themes that cut across the book’s broadly chronological structure include: the creation and expression of individual and collective identities; the social role of art and religion; changing gender roles; technological innovation, including iron-working and rotary technology; the complex and varied treatments of the dead; gift-giving, trade and exchange; and the role of conflict and violence. The text is supported throughout by box features expanding on individual sites, objects, themes or debates and the book focuses, where appropriate, on fresh and exciting new finds and discoveries from the last few years including, for example, the well-preserved bog bodies from eastern Ireland, recently excavated chariot burials from Newbridge and Ferry Fryston, Iron Age roads from East Anglia, the Midlands and Ireland, musical instruments from High Pasture Cave in Skye and Cnip in Lewis, the shrine containing gold torcs from Stirlingshire, and the impact of AMS dating on the chronologies of Iron Age art and burial.

The Archaeology of Britain and Ireland 800 BC – AD 400

Iron Age Lives

Museum Meanings

Museums and Indigenous Peoples provides an international, comparative exploration of relationships between Indigenous Peoples and museums. Indigenous Peoples are increasingly involved in the representation and curation of their heritage in museums and are engendering major changes in the way museums think and work. This volume examines the demands put forward by Indigenous Peoples to museums and critically discusses their effects on museum theory and practice. Museums and Indigenous Peoples through international case studies provides a better understanding of how Indigenous Peoples are transforming museum work.

Museums and Indigenous Peoples provides an international, comparative exploration of relationships between Indigenous Peoples and museums. Indigenous Peoples are increasingly involved in the representation and curation of their heritage in museums and are engendering major changes in the way museums think and work. This volume examines the demands put forward by Indigenous Peoples to museums and critically discusses their effects on museum theory and practice. Museums and Indigenous Peoples through international case studies provides a better understanding of how Indigenous Peoples are transforming museum work.

rethinking museum theory and practice through indigenous perspectives

Museums and Indigenous Peoples

The Buried City

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