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Spinney Laura: Proto / B

Proto

How One Ancient Language Went Global

Practical Bioinformatics

The Rise of NeXT Computers – and the Remaking of Steve Jobs

Begin Again

A Literary Hub Most Anticipated BookAn urgent wake-up call about the coming large-scale human displacement caused by climate change, from one of the world's leading expertsMere decades from now, millions of people all over the world will be forced to move because of climate change. Entire islands will disappear into the sea. Once-in-a-century hurricanes will occur on a regular basis, decimating cities and wiping out peoples' homes. Wildfires fed by prolonged drought will rage through communities. No one will be immune: in countries rich and poor, climate change will usher in a new era of migration. In Shelter from the Storm noted journalist and migration researcher Julian Hattem tells the story of the massive human displacement that is already being caused by climate change. With hard-hitting journalism from the front lines of the environmental apocalypse, Hattem takes the reader on a journey from the South Pacific to the Indian subcontinent, the Mediterranean, and beyond, offering a shocking glimpse into the human geography wrecked by a warming planet. Shelter from the Storm also provides rich historical perspective on how climate has impacted migration and a primer on cutting-edge climatological research, creating a multidimensional portrait of this uncertain new age. A work of profound expertise and storytelling, Shelter from the Storm gives a human face to the millions of climate migrants who are leaving their homes-and the millions more who will follow.

How Climate Change Is Creating a New Era of Migration

Shelter from the Storm

Money, lies, and the hidden trade in human lives

Every Body Counts

The legacy of the greatest metropolis of the ancient world

Babylon

Bloomsbury Neo-Latin Series: Early Modern Texts and Anthologies

On June 13, 1753 the Irene set sail from London to New York. One of her passengers was Christian Wedsted, a Moravian missionary headed to his post in Bethlehem, Pennsylvania. While many travelers would chronicle their transatlantic journeys, Wedsted chose to recount his in 200 lines of Latin poetry, imitating the preferred form of the ancient Roman poet Ovid. This poem is one of about 45 Latin poems that Wedsted composed in Germany, England, and Pennsylvania, all of which are presented here together for the first time alongside translations into English. A critical introduction and commentary provide historical, literary, and religious context for Wedsted's poetry, across an oeuvre containing birthday poems, impassioned religious verses, and personal anecdotes about life in colonial Pennsylvania. At around 1200 lines, the poems make up one of the largest extant collections of 18th-century Latin poetry from the Americas. Moravian piety is central to Wedsted's identity, and he exchanges poems with important Moravian personalities, weaving together classical material and Christian material to create an original and unique project in colonial America. Many of the poems are experiments in genre that put ancient models and meters to work in new contexts. Half of the poems were written after his arrival in America, and as such they offer a rare window into life on the colonial frontier.

The Latin Poems of Christian Wedsted

An Illustrated Compendium of Avian Idioms

A Little Bird Told Me

Studies in Greek Literature: Volume 2, Early Greek Literature, Reception, Ancient and Modern Scholarship

Studies in Greek Literature: Volume 1, Greek Tragedy

An Anthology of Women’s Writing about Walking

Way Makers

How Slavery Made the Roman Empire

Servus

Philemon Foundation Series

Jung's landmark seminar on the psychotherapeutic method of active imaginationIn the fall of 1931, C. G. Jung gave an intensive series of seminars on the use of active imagination in clinical practice. Delivered at the Hotel Sonne in Zurich, these lectures describe a technique in which subjects are encouraged to deliberately invoke their fantasies in a waking state and paint or sculpt the images that arise and even engage in dialogue with the characters that appear. Here for the first time in English is Jung's seminar on the theory and application of active imagination, offering unparalleled insights into his most distinctive contribution to psychotherapeutic method. These illuminating talks center on paintings and drawings done by Jung's patients in clinical sessions. Tracing connections between the spontaneous products of the individuation process and Eastern esoteric traditions, Jung demonstrates how these images stem from the collective unconscious and can be understood through mythological parallels, including those of Tantrism and Kundalini Yoga, which he was exploring at the time. He shows how the use of active imagination can promote the further individuation of patients. With explanations of Jungian concepts and terminology, The Active Imagination sheds light on the foundational role of Jung's thought in the development of modern art therapy and opens a window on a therapeutic method that he pioneered years earlier during self-analysis and recorded in the legendary Red Book.

Notes from the Seminar Given in 1931

The Active Imagination

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