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An epic, life-spanning tale of friendship, music, and the moments that change a person forever.

An epic, life-spanning tale of friendship, music, and the moments that change a person forever.

Adamson S: The Ballad of Hattie and
James

The Ballad of Hattie and James

California Studies in Music, Sound, and Media

Negotiating Musical Creativity in a Technological Age

Automatic Artistry

Science Fiction, Fantasy and Reality in the Circuitry of Hip Hop

Electro Rap

Yale Drama Series

The seventeenth winner of the Yale Drama Prize, a deeply personal celebration of trans identity and the magic it takes to define yourself in our world &nbsp; After one night together in the desert, Grace uproots their life to chase after Brahm, a person who is slowly becoming a cactus. Not known for having a green thumb, Grace tends to Brahm and the seeds of their own doubt. Can the desert be a place for love to grow, or are they both just waiting for rain? This deeply personal play aims to provide nourishment to those hiding in the shadows and create a space of recognition and magic for all. &nbsp; Of this year’s prizewinning play, Yale Drama Prize judge and award-winning playwright Jeremy O. Harris says, “In this time of immense political and social upheaval when it feels as though hopelessness is a cloud that hangs heavy over all our interactions, this dry spell hit me like a cleansing rain.”

this dry spell

The Revels Plays

Advertised in its Prologue as a prequel to Shakespeare's Julius Caesar and Antony and Cleopatra, John Fletcher and Philip Massinger's The False One is the first literary work completely to revolve around the affair between Caesar and Cleopatra in Egypt. By frankly portraying the weakness and pettiness of such great historical personalities alongside their strength and nobility, the play brilliantly exposes Caesar and Cleopatra as flawed individuals who eventually turn out to be capable of transcending their own limits. Witty, fast-paced and laced with irony, The False One is informed by early modern discussions of issues connected with the role of courtiers, King James I's pacifist policy and the dangers of colonialism. In its deployment of the liaison between Caesar and Cleopatra as a venue for the exploration and criticism of contemporary political manoeuvring and its high-spirited and pungent appropriation of Roman history, The False One proves to be one of the most compelling Jacobean dramatizations of the classical past. This Revels Plays edition offers the first fully annotated, single-volume critical edition of The False One, with a thorough introduction that provides new insights on the date and the theatre of the play's first performance, examines the playwrights' imaginative reworking of their classical and contemporary sources, and explores the considerable theatrical potential of a play that has hitherto regrettably been lost to the dramatic repertory. With its modernized spelling and detailed on-page commentary, this edition makes the play newly accessible to readers, students and theatre practitioners.

By John Fletcher and Philip Massinger

The False One

Methuen Drama Play Collections

Discover the complex histories and experiences of the Palestinian people through the work of Ismail Khalidi. With compelling characters, engaging storytelling, quick-witted humor, and unwavering political commitment, Khalidi has entertained and informed audiences in America and around the globe, providing diverse perspectives on the Palestinian experience from the British Mandate era to the challenges faced under occupation today. This new collection spans Khalidi's career, featuring both his early monodramas and never-before-published new plays. An essential intervention in academic and artistic discourses that often overlook or marginalize Palestinian and Arab voices, Khalidi's work proves him to be an influential figure on an international scale, bridging the Americas and the Middle East. Until I Return: The Selected Plays of Ismail Khalidi further contextualizes his work with an essay by Professor Edward Ziter (NYU Tisch, USA), an enlightening interview with the playwright conducted by the editors, and an annotated timeline of Khalidi's life, giving comprehensive insight into both the playwright and his impact.

Discover the complex histories and experiences of the Palestinian people through the work of Ismail Khalidi. With compelling characters, engaging storytelling, quick-witted humor, and unwavering political commitment, Khalidi has entertained and informed audiences in America and around the globe, providing diverse perspectives on the Palestinian experience from the British Mandate era to the challenges faced under occupation today. This new collection spans Khalidi's career, featuring both his early monodramas and never-before-published new plays. An essential intervention in academic and artistic discourses that often overlook or marginalize Palestinian and Arab voices, Khalidi's work proves him to be an influential figure on an international scale, bridging the Americas and the Middle East. Until I Return: The Selected Plays of Ismail Khalidi further contextualizes his work with an essay by Professor Edward Ziter (NYU Tisch, USA), an enlightening interview with the playwright conducted by the editors, and an annotated timeline of Khalidi's life, giving comprehensive insight into both the playwright and his impact.

Until I Return: The Selected Plays of Ismail Khalidi

Modern Classics

Sex, cake and the quest to be the 'perfect' housewife; Laura Wade explores the idealisation of gender norms in this incisive play, republished in Methuen Drama's Modern Classics series.

Home, I'm Darling

Black Music, Racism and Criminal Injustice

Policing the Beats

Revels Plays

By Thomas Norton and Thomas Sackville

Gorboduc

A celebration of the life of trailblazing music journalist Tom Hibbert in this definitive anthology of his writing.

A celebration of the life of trailblazing music journalist Tom Hibbert in this definitive anthology of his writing.

The Life and Writing of Tom Hibbert

Phew, Eh Readers?

Classical Receptions in Twentieth-Century Writing

Tragic Classicism

Wole Soyinka

"An interdisciplinary approach to listening, in relation to the self, nation, age, witnessing and memory"--

Listening, Belonging, and Memory puts connected listening at the center of current debates around whose voices might be listened to, who by, and why. Arguing that listening has to be understood in relation to the self, nation, age, witnessing, and memory, it uses examples from digital storytelling, listening projects, and critical media analysis to highlight connections between listening and power. It centers on voices, stories, and silence, how they interweave, and are activated, maneuvered, reconfigured, and denied. It focuses on the small, microengagements
that crouch within the superstructures of violent border control and the censorious policing of sonic citizenry, identifying cracks in the reshuffling of histories and hierarchies that connected listening affords.

Listening, Belonging, and Memory

How do we study the sonic nature of war when very few of these sounds remain? World War One has left little sonic trace other than the popular music of the time. The sounds of World War One extended beyond sounds of entertainment and into the killing fields of the Western Front, the oceans of the world, and for the first time into the skies with the development of aviation. But beyond this, they entered into peoples homes, their streets, and indeed their thoughts, emotions, and feelings. Book-length studies exist on the sounds of many other recent major wars, but there is a lack of sonic coverage of World War One. Here, Michael Bull investigates the sounds of war as experienced by those who participated in it by drawing upon a wide range of written testament of the time. These written "voices" are subjective, living memories expressed as fragmentary, often unreliable testimony but provide us with the only living sonic testimony of the time. The book filters these accounts through the technologies of "total war," from the trench whistle to the tank, from the newly developed airplane to the submarine. It asks: how did the wartime population experience these sounds and what were the physical and cognitive consequences of the implementation and use of these often invasive technologies of destruction, instruction and sometimes protection? In doing so, the the book re-evaluates just how we should understand the sounds of World War One and the sounds of war more generally.

The Sonic Experience of World War One

The Ballad of Hattie and James

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