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Commentaires

An epic, life-spanning tale of friendship, music, and the moments that change a person forever.

Adamson S: The Ballad of Hattie and
James

The Ballad of Hattie and James

The Malone Society

This Malone Society edition of Barnabe Barnes's The Devil's Charter (1607) is intended to supplement the important edition, published in 1904, of the play by R.B. McKerrow, the great editor of the works of Thomas Nashe. The new edition is based on a fresh examination of the twenty-three known copies of the quarto, which exhibit marked differences in relation to stop-press correction. The Introduction considers the play's printing history, its date and authorship, its performance, and later history. Particular attention is paid to the possibility that Robert Armin had a hand in several scenes in the play and to how Barnes's play may have come to be acted before King James I. Barnes is shown to have been familiar with Shakespeare's plays and, in particular, to have borrowed elements from Macbeth, Antony and Cleopatra, and All's Well that Ends Well.

By Barnabe Barnes

The Devil's Charter

Modern Classics

A moving story about love, political action, and one woman's journey from a brutal existence to her own liberation.

Sunset Baby

This collection of essays brings together leading musicologists and music theorists working across a range of genres--classical, jazz, and popular--to offer fresh approaches to questions of meaning in music. Rooted in humanistic values, Musical Meaning and Interpretation combines rich analytical insights with critical perspectives on musical hermeneutics, arguing collectively for the strength, necessity, and urgency of interpretive work in music.

Perspectives, Reflections, Critique

Musical Meaning and Interpretation

The Revels Plays

This volume presents a modernised edition of Christopher Marlowe's critical engagement with one of the bloodiest and traumatic episodes of the French Wars of Religion, the wholesale massacre of French Huguenots in Paris in August, 1572. Sensorily shocking and intellectually gripping, the play's dramatic action spans a tumultuous two decades in French history to unfold for its audience the tragic consequences of religious fanaticism, power politics, and dynastic rivalry. Comprehensively introduced and containing full commentary notes, this edition opens up this frequently neglected but historically significant and dramatically powerful play to student and scholar alike. The introduction examines such topics as the history of the massacre, the play's treatment of its sources, the play's dramatisation of trauma, and the play's exploration of notions of religious toleration. Its notes record the text's full collation with all extant early editions and major modern editions. Its commentary notes clarify the meaning of the text and aspects of its staging, guide the reader through the play's dramatisation of early modern French history, and place the play in its broader cultural and artistic milieu. An appendix reproduces a modernised and annotated version of the Collier Leaf, a fragment from a fuller but now lost version of the play. This Revels edition aims to encourage new contemporary critical study of Marlowe's powerful and provocative drama.

By Christopher Marlowe

The Massacre at Paris

Classical Receptions in Twentieth-Century Writing

Tragic Classicism

Wole Soyinka

Methuen Drama Engage

British Theatre 2010-2019

Staging Systemic Violence

Science Fiction, Fantasy and Reality in the Circuitry of Hip Hop

Electro Rap

The first overview of music journalist Ralph J. Gleason, and a discussion of in what ways music journalists contribute to the people and music they write about.

Dispatches from the Front

The Life and Writings of Ralph J. Gleason

Methuen Drama Play Collections

This anthology documents a decade of some of the UK's most exciting queer performances, through a combination of retrospective scripts, development material and visual documentation.

 Queer performances are expected to live a brief, bright life without leaving any textual record. Indeed, they rarely begin with complete scripts at all, being often developed instead by performance practices designed to fill noisy bars, clinking cabaret venues and fringe theatres, typically for short runs. This lack of textual documentation underplays the importance of writing to contemporary queer performances, while rendering them vulnerable to disappearance in the diaphanous archives of memory.
 
Writing Queer Performance: Contemporary Texts and Documents features eight seminal works, captured though performance texts and visual documentation, that ensures their accessibility long after the event of live performance. Supported by a contextualizing introduction, the anthology provides a panoramic view of contemporary preoccupations, processes and practices. 

The works include:
 Black (2013), Le Gateau Chocolat
Pull the Trigger (2016), Vijay Patel
Re-Member Me (2017), Dickie Beau
DollyWould (2017), Sh!t Theatre
NIGHTCLUBBING (2018), Ray Young
Pleasure Seekers (2022), Bourgeois &amp; Maurice
The Making of Pinocchio (2022), Rosana Cade and Ivor MacAskill
Ten Commandments (2022), David Hoyle

Contemporary Texts and Documents

Writing Queer Performance

California Studies in Music, Sound, and Media

Negotiating Musical Creativity in a Technological Age

Automatic Artistry

Dance in Dialogue

A series of conversations with researchers and practitioners that explores the critical dynamics of silence within choreography, performance and composition.

In Conversation

Dance and Silence

A major look at the environmental impact of the music industry and a brilliant exploration of how musicians are thinking about and being influenced by the climate crisis

Music, Climate, Crisis, Change

Recomposed

The Ballad of Hattie and James

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