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de Paor-Evans A: Electro-Rap

Electro-Rap

Afrofuturism and Science Fiction in Early Hip-Hop

Routledge Studies in Twentieth-Century Literature

In Reading Lovecraft in the Anthropocene: A New Dark Age, the intersection of environmental, philosophical, and literary discourses is explored through the lens of H.P. Lovecraft's weird fiction.

A New Dark Age

Reading Lovecraft in the Anthropocene

33 1/3

Marvin Gaye sang like he lived in bed. He could croon, deliver a political commentary, and sing to you like you were the only other soul on this earth. And in 1976 he gave us a taste of his erotic imagination with I Want You. An album made in honor of his ongoing love affair with Janis (Jan) Hunter, Gaye delivered excess and restraint to sound his desire. I Want You is an album that stands apart from Gaye's earlier collaborations with Diana Ross, Tammi Terrell, Mary Wells, and Kim Weston. Though not technically a duet, Gaye forges another kind of collaboration with Jan, the result of which is an album that provides an intimate portrait of an artist in love and lust. Using interviews, visual art, poetry, criticism, and gossip, this book explores ecstasy, funk, sensation, and a host of other delicious and fleshy concerns that animate I Want You. It does not attempt a strict historicization of the album as that would do it a disservice. Instead, this book seeks fidelity to the album by centering Gaye's fantasies, his engagement with Ernie Barnes' painting Sugar Shack, and sonic expression of desire for Jan.

Marvin Gaye's I Want You

33 1/3 Japan

Widely recognized as the most innovative and influential Japanese group since the Second World War, Yellow Magic Orchestra (YMO) is seeing a revival among music listeners around the world, along with the works of its three members: Academy Award-winning composer Sakamoto Ryuichi, Hosono Haruomi as the central figure of the Japanese "city pop" revival, and Takahashi Yukihiro, who plays drums for METAFIVE with Towa Tei and Oyamada Keigo (Cornelius). This is the first book in English on Yellow Magic Orchestra, positioning its first album as the nexus of jazz fusion, new wave, and hip hop music. YMO's debut album provides a lens on transpacific dialogue on technology, race, and intellectual history. Examining the cultural negotiations between African American and Japanese musicians since the 1970s, this book considers the album as a nascent work of Afro-Asian futurism.

Yellow Magic Orchestra’s Yellow Magic Orchestra

'We were reflecting on our own career as it was happening. It’s not that we were&nbsp;trend-conscious, we were doing exactly what we would have been doing anyway.' - Jim Morrison'We didn’t sit down and have a meeting to say, ‘Hey, we want to change the&nbsp;minds of people.’ We didn’t say it but we enjoyed doing it.' - John Densmore'The Doors is bigger than any of us, and that only happens once in a lifetime and&nbsp;not to many people. It’s an honour to be one of The Doors.' - Robby Krieger'We were just a bunch of psychedelic guys trying to spread the word and the feel of&nbsp;what it was like to be high in Venice back in the mid-sixties. And boy, was it a good feeling to watch&nbsp;that sun set into the middle of the ocean and feel that peace, and to feel at one with the universe.' - Ray Manzarek﻿Night Divides the Day is the definitive chronicle of The Doors, offering an intimate&nbsp;and richly illustrated exploration of the band’s legendary journey. Featuring&nbsp;interviews with Robby Krieger and John Densmore and meticulously sourced&nbsp;archival text from Jim Morrison and Ray Manzarek, their 50,000-word manuscript&nbsp;comes to life with a treasure trove of rare, unpublished&nbsp;photographs, original recording and production notes and exclusive memorabilia – all&nbsp;drawn from The Doors’ private archives.In this first-hand account, The Doors narrate the band's story from their early days&nbsp;playing local clubs on the Sunset Strip in Los Angeles to the iconic, and sometimes&nbsp;infamous, moments that defined their career. From the electrifying release of&nbsp;anthems like ‘Light My Fire’, ‘The End’ and ‘Riders on the Storm’, to the notorious&nbsp;Dinner Key Auditorium performance in Miami, Night&nbsp;Divides the Day captures the essence of The Doors’ meteoric rise&nbsp;and the reverberations they left in their wake.Featuring new and insightful contributions from a diverse array of artists, including&nbsp;Van Morrison, Nile Rodgers, Slash, Nancy Sinatra and more, the book is anchored&nbsp;by a foreword from Nirvana bassist Krist Novoselic and an afterword by maestro&nbsp;Gustavo Dudamel. These unique voices offer fresh perspectives&nbsp;on The Doors’ indelible cultural impact.Granted unprecedented access to the band’s archives, Night Divides the Day is a&nbsp;visual and narrative feast. The book showcases a stunning personal collection of&nbsp;historical artifacts – childhood photographs, handwritten song lyrics, poster art,&nbsp;movie stills and previously unseen album cover outtakes. Images of the band&nbsp;in the recording studio, along with work from celebrated photographers and trusted&nbsp;insiders, transport readers behind the scenes and on the road with The Doors. In&nbsp;addition, rare and invaluable items from the band’s history, including vintage&nbsp;instruments and recording equipment, are specially photographed to enrich this&nbsp;kaleidoscopic portrait of one of rock music’s most legendary bands.Night Divides the Day is the ultimate account of The Doors, capturing their incredible&nbsp;story and enduring legacy in a way that has never been seen before.

Night Divides The Day: The Doors Anthology

Anthem Studies in Gothic Literature

Textual and Cultural Fusions

Nuclear Gothic

Be More

New Rules to Dance the Night Away and Fill You with Radical Optimism

Be More Dua Lipa

Explores how Nahua musical performance and histories in Mexico and the United States are generated, challenged, and maintained by examining danza performance as a cultural artifact.

Tamborazo Music and Indigenous Memory in the Borderlands

Audible Ancestors

An IndependentBest Non-Fiction Book 2024A Publishers Weekly Top 10 Best Book 2024"A vibrant, multifaceted portrait of a music enigma" Guardian"A powerful portrait" Irish Independent"Displays a bracing rigour and an exhilarating curiosity about its subject, coming closer than most to catching up with Mitchell on her lonely road" Times

On the Path of Joni Mitchell

Travelling

California Studies in Music, Sound, and Media

Negotiating Musical Creativity in a Technological Age

Automatic Artistry

How do we study the sonic nature of war when very few of these sounds remain? World War One has left little sonic trace other than the popular music of the time. The sounds of World War One extended beyond sounds of entertainment and into the killing fields of the Western Front, the oceans of the world, and for the first time into the skies with the development of aviation. But beyond this, they entered into peoples homes, their streets, and indeed their thoughts, emotions, and feelings. Book-length studies exist on the sounds of many other recent major wars, but there is a lack of sonic coverage of World War One. Here, Michael Bull investigates the sounds of war as experienced by those who participated in it by drawing upon a wide range of written testament of the time. These written "voices" are subjective, living memories expressed as fragmentary, often unreliable testimony but provide us with the only living sonic testimony of the time. The book filters these accounts through the technologies of "total war," from the trench whistle to the tank, from the newly developed airplane to the submarine. It asks: how did the wartime population experience these sounds and what were the physical and cognitive consequences of the implementation and use of these often invasive technologies of destruction, instruction and sometimes protection? In doing so, the the book re-evaluates just how we should understand the sounds of World War One and the sounds of war more generally.

The Sonic Experience of World War One

Transnational Studies in Jazz

Jazz and the Digital Revolution: GNP Records captures a transformative time in music history, the period in which digital culture took hold in the production, distribution and consumption of jazz. At the forefront of this epoch was the jazz-fusion label, GRP Records. Founded in the 1990s, GRP was Billboard magazine's number one contemporary jazz label. It had organised its recording, marketing and distribution practices around a full-scale digital philosophy, embodying the notion of jazz as a lifestyle brand. This books makes a case study of GRP Records in order to explore the relationship between jazz and digital culture, how this confluence gave rise to the 'smooth jazz' format, and how the industry negotiated cultural and technological shifts.

GRP Records

Jazz and the Digital Revolution

Electro-Rap

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