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DISCO!

Music, Image, Dance

<ul><li>Section I. Music</li> <li>Chapter 1: Alex Jeffery: Cinderella in Eurodiscoland: Donna Summer's Once upon a Time and the Progressive Rock Connection</li> <li>Chapter 2: Barbara Lebrun: In Defense of Dalida: Nostalgia, Dancing, and Vulgarity in French Disco</li> <li>Chapter 3: Jack Parlett: The First Days of Disco: Nostalgia, Fire Island, and Dancer from the Dance</li> <li>Chapter 4: Daniel Kane: The Best Minds of My Generation Go Bang!: On Arthur Russell and Allen Ginsberg</li> <li>Chapter 5: Mimi Haddon: June 1982, from Disco to Dance: Progressive Urban Contemporary and the Aesthetics of Play</li> <li>Chapter 6: Lucy Robinson: Disco as Community, Space, and Memorialization: Jimmy Somerville Fights AIDS in Four Albums</li> <li>Chapter 7: Jaap Kooijman: Dancing in the Dead Boys' Club: 1990s Retro-Disco and the Memory of AIDS</li> <li>Section II. Image</li> <li>Chapter 8: Adrian Loving: Reflections on Aesthetics and Black Excellence in the Disco Era</li> <li>Chapter 9: Joe Wlodarz: "Caught in the Act": Village People and the Crossover of Gay Macho</li> <li>Chapter 10: Ryan Powell: Disco's Suck: Discophobia and the Foreclosure of Blow Job Temporality in Looking for Mr. Goodbar</li> <li>Chapter 11: Silpa Mukherjee: Contraband Nights: Disco and Film Culture in 1980s Bombay</li> <li>Chapter 12: Jakub Machek: Between the Discothèque and the Screen: The Role of Disco in Late Socialist Czechoslovakia</li> <li>Chapter 13: Tamara Tomi¿-Vajagi¿: Disco as Open Image: Internet Sightings, Cryptic Denotations, and Disco Dancing Girls</li> <li>Chapter 14: madison moore: Brown Disco!: madison moore in Conversation with Nao Bustamante</li> <li>Section III. Dance</li> <li>Chapter 15: Keith Gildart and Rosalind Watkiss Singleton: The English Civil (Disco) War Northern Soul, Club Culture, and Saturday Night Fever in Wigan and Wolverhampton, 1973-1981</li> <li>Chapter 16: Ivan L. Munuera: Rushin' in the Sky</li> <li>Chapter 17: Michael Lawrence: Burn, Baby, Burn-Disco Aerobics!: Working It and Working Out</li> <li>Chapter 18: Qian Wang: All about My Mother: A Family Narrative of Nostalgia and Time-Space in Chinese Disco</li> <li>Chapter 19: Arabella Stanger: Disco Pessimism: A School Disco at Tate Modern</li> <li>Chapter 20: Kareem Khubchandani: "The Land of Disco": Arshia Haq's Insurgent Curation at Discostan</li> <li>Afterword: Disco! After the Dance</li> </ul>

A Memoir of No Wave and the Women Who Shaped the Scene

No New York

This biography explores the career and legacy of one of the world's greatest entertainers, from humble beginnings to superstar success. Vocalist and music historian Matthew Long sheds light on the enduring popularity of the Italian-American legend. In a career spanning 65 years, Como perfected a style and approach to popular music that was timeless and cross-generational in its appeal. This book provides fresh insights into the life of a man whose relaxed on-screen persona belied his strong work ethic and high standards both personally and professionally. Beginning with Como's roots in Canonsburg, Pennsylvania, when the barber business represented the height of his professional aims, the book moves on to his highly rewarding apprenticeship as a band singer in the 1930s and early 40s. Through the belief and insistence of his wife, Perry would soon emerge into the world of international superstardom, and yet, he remained humble throughout his entire career. Como's prolific achievements on record and his pioneering contributions to the television medium are discussed in detail. The book provides recommended listening from each era plus a supplementary, extensive curated song index covering Perry's career in records and many highlights from his legendary performances on radio, television, in concert, and at the movies. This book is the ultimate companion for anyone who appreciates the wonderful, beautifully-sung songs that represent the very best of Perry Como - commercially, technically and artistically.

The Perry Como Story

Magic Moments

In his brilliantly original Tonight the Music Seems so Loud, bestselling author Sathnam Sanghera portrays the extraordinary life, and times, of one of Britain's most beloved musical icons - George Michael.

The Meaning of George Michael

Tonight the Music Seems So Loud

Black Music, Racism and Criminal Injustice

Policing the Beats

Cambridge Companions to Music

The Cambridge Companion to Electronic Dance Music

Frontline Adventures Linking Punk, Reggae, Afrobeat and Jazz

Rebel Musix, Scribe on a Vibe

David Bowie and the Search for Life, Death and God

In Common

Using the metaphor of the Grateful Dead's music and community spirit, this book analyses the processes of political transformation in the USA from Fordist capitalism to today's platform capitalism.

Financial Psychedelia and the Commons

Transdisziplinäre Popkulturstudien

Popkultur und politische Populismen stehen in einem komplexen Verhältnis zueinander: Popkultur ist Seismograph politischer Entwicklungen, Artikulationsraum politischer Positionen und eine wichtige Instanz für die Herausbildung politischer Identitäten. Die Beiträger*innen des Bandes fragen mit besonderer Dringlichkeit nach Wechselwirkungen, Passungen und Widersprüchen: In welcher Weise bedient sich einerseits der Populismus popkultureller Strategien, etwa zur Vermittlung politischer Botschaften oder zur Personalisierung von Inhalten? Wo und wie tragen andererseits popkulturelle Medientexte wie Musik, Film oder Literatur und popkulturelle Akteur*innen zur Entstehung und Verbreitung populistischer Positionen bei?

Interdisziplinäre und internationale Perspektiven

Popkultur und Populismen

A History of Black People and Alternative Music

We Were Here

New Approaches to Sound, Music, and Media

Nabeel Zuberi explores how popular music in the US and UK has mediated violence and racial conflict since 9/11. The text brings together studies from a range of contexts and genres: Hip-hop MCs on both sides of the Atlantic have rapped about the figures of the terrorist, refugee and immigrant, and commented on the surveillance and policing of racialized populations. Punk rock bands have lambasted anti-Muslim racism and Islamic orthodoxies. The sonic intensities of bass music have re-articulated the weaponization of music in torture and the soundscapes of military conflict. Pop stars have become sites for flame wars and memes in racialised discourse across social media. Through discussions of recording artists such as M.I.A., Das Racist, Swet Shop Boys, the Kominas, The Bug, Burial, Vatican Shadow, Fatima Al Qadiri, and Zayn Malik, this book engages with recent scholarship in media and communication studies, popular music studies, sound studies, ethnomusicology, and sociology.

Popular Music, Race, and Media Since 9/11

An Intimate Portrait

Picturing Prince

DISCO!

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