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Revels Plays

Gorboduc

By Thomas Norton and Thomas Sackville

Movement Training as a Catalyst for Change

Physicality and Acting

A Search for Hidden Legacies

(Post)Socialist Dance

Age, Gender and the Body in Shakespearean Performance and Early Modern Culture

Shakespeare's Adolescents

Forms of Drama

China’s Classical Song-drama

Kunqu

Loeb Classical Library

Pacuvius. Minor Tragic Poets. Unidentified Dramatists

Fragmentary Republican Latin, Volume VII

Critical Companions

The Theatre of Laura Wade

From seminal actor Lucian Msamati comes a fascinating behind-the-scenes account of working on a major production of one of the most iconic plays ever written - Samuel Beckett's Waiting for Godot.

Behind the Scenes of Beckett's Play

The Godot Diaries

Bloomsbury Ancient Comedy Companions

Plautus' Poenulus (or Little Carthaginian) is a staggering work. Performed in the years after Rome's traumatic struggle with Hannibal's Carthage, the comedy stages the restoration of a Carthaginian family divided through enslavement. This book explores the play's many themes such as slavery and war trauma, which resonate especially today, in a series of short thematic chapters followed by a continuous reading of the play. By presenting to a post-war Roman audience a tale of heartbreak and heartache among Carthaginians, and by setting the action in a Greece marked by comedic expectations and the geography of contemporary imperial conquest, Plautus' play stands as perhaps the most powerful surviving meditation on a Mediterranean world changed by Roman expansion. The play is populated by war veterans, enslaved peoples - including sex-workers, domestic slaves, and those who labour in the countryside - and an intersectional cast of Carthaginians and Greeks, a diversity that prompts audience interaction with a wide range of socio-cultural topics relevant to Plautus' Rome. By engaging weighty matters through song, slapstick, puns, and orientalising spectacle, Poenulus appears to defang charged issues, but its bite is deep. The play also includes one of the most metatheatrical prologues of all surviving Roman dramatic works, which thematizes the act of writing comedy and the constitution of the Roman theatrical audience.

Plautus: Poenulus

The Essential John Berger

Goya's Last Portrait/A Question of Geography

Cultural Histories of Theatre and Performance

The Victoria Theatre in Stoke-on-Trent, 1962-1986

Pioneering Theatre-in-the-Round

Revels Plays Companion Library

Thomas Nashe and Literary Performance

Gorboduc

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