NL_Doormat: Hintergrundfarbe des Newsletter Banners unten in der Doormat. Mit # eingeben z.B. #1405BE

NL_Doormat: Verlinkung zur Newsletter Seite

Über uns

À propos de nous

Zahlung und Lieferung

Paiement et livraison

Nachhaltigkeit

Durabilité

Open Access

Datenschutz

Protection des données

Karriere

Carrière

Impressum

Mentions légales

LEXIA

LEXIA Arbeitsrecht

Was ist LEXIA?

C'est quoi LEXIA ?

LEXIA Familienrecht

Zeitschriften

Revues

recht

Pflegerecht

ZBJV

forumpoenale

ZStrR

Anwaltsrevue

Revue de l'avocat

RSAS

FamPra.ch

ASYL

Life Science Recht

BlAR

Sachbuch

Livres spécialisés

LOKI

Semaphor

Fokusthemen

Thèmes principaux

Thema

Recht studieren

Arbeitsrecht

Droit du travail

Studium

Études

Familienrecht

Droit de la famille

Sozialversicherungsrecht

Droit des assurances sociales

Strafrecht

Droit pénal

Publikationen

Publications

Literatur

Onlinemodule LEXIA

Modules en ligne LEXIA

Bücher

Livres

Buchreihen

Collections

Datenbanken

recht.ch

Studienliteratur

Littérature pour les études

Services

Dienstleistungen für

Corporate Books

Publishing Lösungen

Aktuelles

Kanzleien und Behörden

Professionnels

Corporate Publishing

Content solutions

Buchhandlungen

Librairies

Veranstaltungen

Événements

Presse

Dozierende

Enseignants

Studierende

Étudiants

Inserierende

Annonceurs

Newsletter

Blog

Autorinnen/Autoren

Auteurs

Unsere Schreibenden

Hilfe

Unsere Autorinnen und Autoren

Liste

Autorenlounge

Espace des auteurs

Bei uns publizieren

Publier chez nous

Autorenstimmen

Témoignages

Verlag

Éditions

Themen

Mehr wissen

Mitarbeitende

Collaborateurs

Geschichte

Histoire

Vision und Mission

Vision et mission

Unser Magazin

Notre magazine

Unternehmenskultur

Culture d'entreprise

Partner

Partenaires

Kontakt

Contact

Shop

Schweizer Recht

Ausländisches Recht

Über unseren Shop

Neuerscheinungen

Nouveautés

Infos, Tipps und Tricks

Infos, conseils et astuces

Vorankündigungen

Préavis

Nach Rechtsgebiet

Par domaine juridique

Kommentare

Commentaires

Stills from Life

Syd Shelton

A colourful photography book on this visually stunning vernacular artform, the images painted onto these trucks and tuks are a phenomenon, giving a unique insight into the rich cultural traditions of the Indian subcontinent. White stallions and exotic birds frolic around a waterfall, glamorous Bollywood stars sing, a sunset-silhouetted couple bathe in the ocean - such are the images that adorn the trucks and tuks of the Indian subcontinent. These utilitarian vehicles provide a fertile canvas for the vernacular artists whose colour-saturated creativity covers every spare surface. Over four years, photographer Christopher Herwig (author of the Soviet Bus Stops series and Soviet Metro Stations) travelled 10,000 kilometres in his quest to record this overlooked artform. He has documented the characteristics of each region - from Pakistan in the north, where intricately painted trucks often have a curved wooden peak at the front, symbolizing a princess' tiara; to Sri Lanka in the south, where tuk tuks might equally be painted with holy deities or the Joker from Batman. The designs reflect a driver's identity, faith and aspirations and span a bewildering range of themes: ideals of masculinity might be intertwined with expressions of love and longing, while bold typography urges drivers to blow their horns or promotes a campaign for the education of girls. Sadly, as a result of government directives, alongside the proliferation of cheap, mass-produced decorations, this vibrant cultural expression is in decline, making this project all the more vital.

Trucks and Tuks

Lenscratch: Topics in Contemporary Photography

This book is the first of its kind to bring together and showcase contemporary photographers' bodies of work, moving beyond the survey approach so often seen in photography today.

This book is the first of its kind to bring together and showcase contemporary photographers’ bodies of work, moving beyond the survey approach so often seen in photography today.

30 Profiles of Artists Photographing [Two Themes TBD], Book 2

Lenscratch - Contemporary Themes in Photography

Lament, a song of sorrow for those not heard&nbsp;connects the tangibility of history and the geography of memory in the American South.Through contemporary photographs, historical essays, personal stories, and critical quotations, Linda Foard Roberts's latest book explores the ways history exists all around us, whether tangible or intangible. Employing Civil War-era technology—a 8x10-inch view camera with a Darlot brass barrel lens—for this project Roberts visited sites across the American South where important, sometimes devastating, events in social history took place. This use of historic technology invokes the temporal merging that she seeks to capture in her work—the overlaps of evidence of our past and present.Roberts sees her photographic efforts as an ongoing contribution to truth-seeking by pointing out the silent stories encoded in our surroundings. Her work examines life, death, basic human rights, and excavations of narratives invisibly embedded in our lives. Lament is designed in two volumes packed inside a slipcase.&nbsp;This project is supposed by a 2020 Guggenheim Foundation Fellowship.&nbsp; Roberts's artwork is held in the collections of the Bechtler Museum of Modern Art (Charlotte, NC), Center for Creative Photography (Tucson, AZ), Gregg Museum of Art and Design (Raleigh, NC), Harry Ransom Center (Austin, TX), Mint Museum of Art (Charlotte, NC), Museum of Photographic Arts San Diego, New Orleans Museum of Art, Norton Museum of Art (Palm Beach, FL), North Carolina Museum of Art, and The Ogden Museum of Southern Art (New Orleans, LA).&nbsp;

Linda Foard Roberts: Lament

A concise guide to the creative application of appropriation and remix that offers a set of open-ended guidelines for art and design studio-based projects, this book explores creativity with emerging technology, including artificial intelligence.

Open Guidelines on Appropriation and Remix

Art, Media Design, and Postproduction

William Wegman Favorite Models 2026 Wall Calendar

Covering more than a half century of dramatic social and political change, Ressler’s Photographs is an important document that, through vivid images and an engaging narrative, provides insight and meaning to the complex world we live in today. Global in scope, but with a focus on the Americas, the book begins in the tumultuous 1960s just one year after the Summer of Love (1967), when the author was a young college student who photographed the counterculture, street life on New York City’s gritty Lower East Side, and icons such as Andy Warhol and later Nina Simone, among others. The book then catapults us into a First Nation reserve in Quebec, Canada, as we follow Ressler’s trajectory from novice ethnographic image-maker to mature photographic artist––a career that parallels and comments on the growth of financial empires and consumerism as well as shifting trends in photography itself. 
Susan Ressler Photographs: 50 Years, No End In Sight is an impressive retrospective that traces over fifty years of artistic development. It includes six major bodies of photographic work introduced in her own words, complemented by two interpretive essays: one by Eve Schillo on Ressler’s California work, and the other an afterword by Mark Rice. Although some of the images appear in Ressler’s previous Daylight monographs (Executive Order and Dreaming California), many are published here for the first time. These include “At Owner’s Risk” (her Canadian First Nation photographs), “From Analog to Digital” (an account of photography’s transition from analog film to digital media), and “Beyond Borders” (work from Europe, Asia, and Israel). The book ends with “American Stories,” including South America and the export of US culture abroad, before Ressler comes home to Taos, New Mexico, where she lives and continues to make photographs today.

50 Years: No End in Sight

Retrospective

Through text and full-color illustrations, uncovers the lives and times of the unruly Vorticists, whose innovative abstract artworks shattered early twentieth-century conventions. The Vorticists, a rebellious cohort of young artists in early twentieth-century England, defied the conventions of the art world with their distinctive abstract creations. Despite the brevity of their existence, from 1911 to 1914, their startling innovations left an indelible mark on English art history. In this book James King explores the personalities and lives of these colorful individuals, capturing the tumultuous environment in which they thrived. The narrative presents biographies of the group's members, such as Jessica Dismorr, Wyndham Lewis, William Roberts, Helen Saunders, and Edward Wadsworth--"our little gang," as Ezra Pound called them--highlighting personal conflicts and providing a concise, highly readable history of the movement. This book is ideal for art enthusiasts, historians, and anyone intrigued by avant-garde movements of the early twentieth century.

The Lives of the Vorticists

'Our Little Gang'

From Augusta to Bristol, Brunswick and beyond, Johansson's chronicle of Maine combines humor and emotion with a sense of place In 2023, Swedish photographer Gerry Johansson (born 1945) roamed the state of Maine with a Rolleiflex, curious to make new pictures in a region of America he first encountered in the work of Paul Strand five decades ago--he found Strand's views of New England "boring" at the time--and also wondering, "Why is American photography so focused on the west?" Johansson's Maine echoes the formal restraint of his earlier books, notably American Winter, Spanish Summer, Meloni Meloni and Pontiac, sequencing nearly 200 black-and-white duotones alphabetically by their oddly poetic Northeastern town names (Bath, Friendship, Purgatory, etc). Somehow, none of the Maine pictures draws more attention than any other, and the flawless and playful compositions never seem to repeat. As in all of Johansson's work, endlessly inventive arrangements of architecture and landscape orient the viewer in a specific geographic and cultural place while generously sharing his way of seeing, walking and thinking with a camera.

From Augusta to Bristol, Brunswick and beyond, Johansson’s chronicle of Maine combines humor and emotion with a sense of place In 2023, Swedish photographer Gerry Johansson (born 1945) roamed the state of Maine with a Rolleiflex, curious to make new pictures in a region of America he first encountered in the work of Paul Strand five decades ago—he found Strand’s views of New England “boring” at the time—and also wondering, “Why is American photography so focused on the west?” Johansson’s Maine echoes the formal restraint of his earlier books, notably American Winter, Spanish Summer, Meloni Meloni and Pontiac, sequencing nearly 200 black-and-white duotones alphabetically by their oddly poetic Northeastern town names (Bath, Friendship, Purgatory, etc). Somehow, none of the Maine pictures draws more attention than any other, and the flawless and playful compositions never seem to repeat. As in all of Johansson’s work, endlessly inventive arrangements of architecture and landscape orient the viewer in a specific geographic and cultural place while generously sharing his way of seeing, walking and thinking with a camera.

Gerry Johansson: Maine

DK Tom Ang Photography Guides

This practical guide from photography expert, Tom Ang, will help you achieve the best shot possible in every scenario - from creating a silhouette to impromptu still lifes. In our online world, taking a good photograph has become an essential life skill. Full of essential advice, hints, and tips, How to Photograph Absolutely Everything gives you straightforward step-by-step guidance on what equipment you will need, the best approach for each subject, how to think about composition and find the right light, and how to frame each shot effectively. Checklists allow you to focus on what is important, while "tricks of the trade" show you how to turn a good picture into an amazing one. From cityscapes to landscapes, and tackling children's parties to capturing the magic of seasonal celebrations, How to Photograph Absolutely Everything is the essential guide to improving your digital photography skills and getting the most out of your digital camera (or smartphone).

This practical guide from photography expert, Tom Ang, will help you achieve the best shot possible in every scenario – from creating a silhouette to impromptu still lifes. In our online world, taking a good photograph has become an essential life skill. Full of essential advice, hints, and tips, How to Photograph Absolutely Everything gives you straightforward step-by-step guidance on what equipment you will need, the best approach for each subject, how to think about composition and find the right light, and how to frame each shot effectively. Checklists allow you to focus on what is important, while “tricks of the trade” show you how to turn a good picture into an amazing one. From cityscapes to landscapes, and tackling children’s parties to capturing the magic of seasonal celebrations, How to Photograph Absolutely Everything is the essential guide to improving your digital photography skills and getting the most out of your digital camera (or smartphone).

How to Photograph Absolutely Everything

In a new body of work, a critically acclaimed photographer retraces Berenice Abbott's 1954 photographic journey along the Eastern Seaboard, documenting dislocation, loss, and a shifting American dream. In 1954, American photographer Berenice Abbott set out to document the historic US Route 1, already predicting seismic changes to small towns and major cities along the route brought by the rapidly expanding Interstate Highway System. Spanning all thirteen original colonies and beyond--from Fort Kent, Maine, to Key West, Florida--US Route 1 formed over the course of three hundred years from connecting sections of what was once known as the Atlantic Highway. Inspired by Abbott's acute and poetic observations on life along Route 1 and on the seventieth anniversary of her project, Florida-based photographer Anastasia Samoylova ventures on her own journey to revisit those communities forever transformed by the interstate. Working in color and black and white, Samoylova provides a closer look at the American landscape irreversibly altered by the unrelenting expansion of industry, commerce, and development, as well as the displacement and tenacity of people and wildlife.Copublished by Aperture and Norton Museum of Art.

Anastasia Samoylova: Atlantic Coast, Photographs along Route 1

The Photography Workshop Series

In the seventh installment of The Photography Workshop Series, Catherine Opie--well known for dynamic portraits and landscapes that speak to identity and community--offers insight into creating photographs that navigate the contemporary landscape, as well as the landscape of the body and constructed identity. Aperture Foundation works with the world's top photographers to distill their creative approaches to, teachings on, and insights into photography--offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Through images and words, in this volume Catherine Opie shares her creative process and discusses a wide range of issues, from representing subcultures and marginalized communities, to making confrontational work that reimagines and subverts expectations.

In the seventh installment of The Photography Workshop Series, Catherine Opie—well known for her dynamic portraits and landscapes that speak to identity and community—offers her insight into creating photographs that navigate the contemporary landscape, as well as the landscape of the body and constructed identity. 







Aperture Foundation works with the world’s top photographers to distill their creative approaches to, teachings on, and insights into photography—offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Through images and words, in this volume Catherine Opie shares her creative process and discusses a wide range of issues, from representing subcultures and marginalized communities, to making confrontational work that reimagines and subverts expectations.

Catherine Opie: The Photography Workshop Series

Stills from Life

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

Weitere Titel zum Thema