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Iain Sinclair: Pariah Genius

Pariah Genius

A Psychobiographic Fiction

The first English-language volume of Takuma Nakahira's influential writings on photography. Takuma Nakahira was a crucial figure within the history of Japanese photography, best known outside of Japan as a founding member of Provoke, the experimental magazine of photographs, essays, and poetry, first published in Tokyo in 1968. Through Provoke, Nakahira deepened his artistic and personal connection to Daido Moriyama, with whom he developed a signature style of harsh and grainy black-and-white photography. He would eventually break with this style, and over the course of his decades-long career, maintain an experimental approach to photography. And yet, beyond his photographic practice, Nakahira was also a committed critic, writing on a range of topics hardly limited to photography: art, film, journalism, radical politics, television, and jazz. As a whole, the essays offer insight into the evolution of Nakahira's thinking. As the curator Matthew S. Witkovsky notes, "Nakahira's incisive writing cut apart standing views in literature, film, politics, and especially photography, and he published both articles and photographs at a feverish rate."

Selected writings by Takuma Nakahira

Takuma Nakahira: At the Limits of the Gaze

The Photography Workshop Series

In the seventh installment of The Photography Workshop Series, Catherine Opie--well known for dynamic portraits and landscapes that speak to identity and community--offers insight into creating photographs that navigate the contemporary landscape, as well as the landscape of the body and constructed identity. Aperture Foundation works with the world's top photographers to distill their creative approaches to, teachings on, and insights into photography--offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Through images and words, in this volume Catherine Opie shares her creative process and discusses a wide range of issues, from representing subcultures and marginalized communities, to making confrontational work that reimagines and subverts expectations.

In the seventh installment of The Photography Workshop Series, Catherine Opie—well known for her dynamic portraits and landscapes that speak to identity and community—offers her insight into creating photographs that navigate the contemporary landscape, as well as the landscape of the body and constructed identity. 







Aperture Foundation works with the world’s top photographers to distill their creative approaches to, teachings on, and insights into photography—offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Through images and words, in this volume Catherine Opie shares her creative process and discusses a wide range of issues, from representing subcultures and marginalized communities, to making confrontational work that reimagines and subverts expectations.

Catherine Opie: The Photography Workshop Series

Family Amnesia honors the current and past stories of immigrant workers in the U.S. and examines the impact that the 1882 Chinese Exclusion Act continues to have on the Chinese immigrant experience. This is a painful part of our American history. Betty Yu reclaims that narrative through her own personal family's story.

Family Amnesia honors the current and past stories of immigrant workers in the U.S. and examines the impact that the 1882 Chinese Exclusion Act continues to have on the Chinese immigrant experience. This is a painful part of our American history. Betty Yu reclaims that narrative through her own personal family’s story.

Family Amnesia

A colourful photography book on this visually stunning vernacular artform, the images painted onto these trucks and tuks are a phenomenon, giving a unique insight into the rich cultural traditions of the Indian subcontinent. White stallions and exotic birds frolic around a waterfall, glamorous Bollywood stars sing, a sunset-silhouetted couple bathe in the ocean - such are the images that adorn the trucks and tuks of the Indian subcontinent. These utilitarian vehicles provide a fertile canvas for the vernacular artists whose colour-saturated creativity covers every spare surface. Over four years, photographer Christopher Herwig (author of the Soviet Bus Stops series and Soviet Metro Stations) travelled 10,000 kilometres in his quest to record this overlooked artform. He has documented the characteristics of each region - from Pakistan in the north, where intricately painted trucks often have a curved wooden peak at the front, symbolizing a princess' tiara; to Sri Lanka in the south, where tuk tuks might equally be painted with holy deities or the Joker from Batman. The designs reflect a driver's identity, faith and aspirations and span a bewildering range of themes: ideals of masculinity might be intertwined with expressions of love and longing, while bold typography urges drivers to blow their horns or promotes a campaign for the education of girls. Sadly, as a result of government directives, alongside the proliferation of cheap, mass-produced decorations, this vibrant cultural expression is in decline, making this project all the more vital.

Decorated vehicles of South Asia

Trucks and Tuks

Shadow Boxers captures the lost era of club boxing, the world of real life Rockys that no longer exists.

The Lost Era of Club Fighting

Shadow Boxers

Small garages and service stations are a vital - but fast disappearing - part of Britain's automotive landscape. Often independently owned and sited in idiosyncratic buildings, they are rightfully celebrated and sensitively documented in this essential book. You might use a local garage to change a tyre or replace your exhaust, but when was the last time you pulled over and took a good look at the building itself? In the spirit of Ed Ruscha's Twentysix Gasoline Stations (1963), photographer Philip Butler has done just that. Over six years, he's travelled the length and breadth of Britain photographing these diverse, eccentric and idiosyncratic buildings. As motoring became popular in the early 1900s, the need for mechanical expertise to service, repair, refuel, and sell vehicles soared - and the 'garage' was born. From the Mock-Tudor fad of the 1920s via the Streamline Moderne of the 1930s, to the simple Modernist rationalism of postwar Britain, each era has produced a distinct automotive architecture. With the introduction of the Ministry of Transport (MOT) vehicle test in the 1960s, demand accelerated still further. A diverse array of structures was utilised - churches, cinemas, railway arches, fire stations, shops, factories - all proved versatile enough to find second lives as garages. As the era of the combustion engine draws to a close, Butler's enchanting photographs of 226 Garages and Service Stations document the charm and personality of these survivors of the petrol age.

226 Garages and Service Stations

THE VISUALIST is an entertaining memoir, an experiential narrative, and tale that allows the pop culture fan, filmmaker to be, or budding academic a world view into a mind engaged, an unfiltered dive into image making and narrative for multiple mediums across multiple platforms. The Visualist: Storytelling, Process and Image Making from 1983-2020: MTV to Hollywood, Madison Avenue to the New Digital Era - A visual memoir by Mark Pellington A personal history and first-hand account of image making with amazing pop-culture icons, The Visualist offers a rare narrative of Pellington's creative process, cultural memory, and unique aesthetic experience to inspire creativity across all visual media. The Visualist is a survival guide for image making and storytelling for screen--from iPhone image blasts to IMAX size 360-degree tour visuals--images tell stories, evoke feelings, and leave lasting impressions. And only in The Visualist does Pellington share this hard-earned knowledge. Mark Pellington opens the curtain in this one-of-a-kind art book, photo book, director's memoir, and scrapbook to reveal his Master Videographer's unique and creative prowess in the world of image making, starting with his achievements in the realm of music videos from the birth of the genre in 1983 through the new technologies of 2017. Pellington shares his insights into what makes visual storytelling work: uncanny narrative instincts, revealing personal anecdotes, the structure of powerful images, first-hand telling of countless A-list collaborations, the toll and goal of making an emotional impact, successes and failures in conflict resolution, how and why to access the subconscious, and his unique perspective on balancing the clarity and ambiguity of visual meaning. Obsessed with the role of images and how they mesmerize, entertain, and entice--self-taught and untrained, filmmaker Mark Pellington has navigated the changing landscapes and fickle tastes of multi-media over his 36 years in the entertainment arts industry having directed an impressive 70 music videos, 9 movies, 20 TV episodes, and 6 documentaries among other productions. Through it all Pellington has matured, survived, sometimes thrived, sometimes struggled but always created as an image maker, image sharer...years before those terms existed. As a director, producer, writer, artist, and experimenter Pellington has shifted and adjusted the expectations and appetites of audiences across media platforms.

THE VISUALIST is an entertaining memoir, an experiential narrative, and tale that allows the pop culture fan, filmmaker to be, or budding academic a world view into a mind engaged, an unfiltered dive into image making and narrative for multiple mediums across multiple platforms. The Visualist: Storytelling, Process and Image Making from 1983-2020: MTV to Hollywood, Madison Avenue to the New Digital Era - A visual memoir by Mark Pellington A personal history and first-hand account of image making with amazing pop-culture icons, The Visualist offers a rare narrative of Pellington's creative process, cultural memory, and unique aesthetic experience to inspire creativity across all visual media. The Visualist is a survival guide for image making and storytelling for screen--from iPhone image blasts to IMAX size 360-degree tour visuals--images tell stories, evoke feelings, and leave lasting impressions. And only in The Visualist does Pellington share this hard-earned knowledge. Mark Pellington opens the curtain in this one-of-a-kind art book, photo book, director's memoir, and scrapbook to reveal his Master Videographer's unique and creative prowess in the world of image making, starting with his achievements in the realm of music videos from the birth of the genre in 1983 through the new technologies of 2017. Pellington shares his insights into what makes visual storytelling work: uncanny narrative instincts, revealing personal anecdotes, the structure of powerful images, first-hand telling of countless A-list collaborations, the toll and goal of making an emotional impact, successes and failures in conflict resolution, how and why to access the subconscious, and his unique perspective on balancing the clarity and ambiguity of visual meaning. Obsessed with the role of images and how they mesmerize, entertain, and entice--self-taught and untrained, filmmaker Mark Pellington has navigated the changing landscapes and fickle tastes of multi-media over his 36 years in the entertainment arts industry having directed an impressive 70 music videos, 9 movies, 20 TV episodes, and 6 documentaries among other productions. Through it all Pellington has matured, survived, sometimes thrived, sometimes struggled but always created as an image maker, image sharer...years before those terms existed. As a director, producer, writer, artist, and experimenter Pellington has shifted and adjusted the expectations and appetites of audiences across media platforms.

Storytelling and Image Making From MTV to Movies, Madison Avenue to the New Digital Explosion

The Visualist

Her second monograph with Radius, Victoria Sambunaris: Transformation of a Landscape shares the nuance and majesty of the artist’s practice in a large-scale book format.Based in New York, Victoria Sambunaris structures her life around a photographic journey traversing the American landscape for several months per year. Equipped with a 5×7-inch field camera, a video camera, and research material, she crosses the country alone tenting on top of her car. Her project-based photographs document the continuing transformation of the American landscape with specific attention given to expanding political, technological, and industrial interventions.Part of her ongoing, twenty-four-year series “Taxonomy of a Landscape,” this book encompasses the past decade of work, including collected ephemera that form the essential and incidental elements of her practice as a photographer and researcher. Also featured are archival documentation of experiences and observations on the road, such as snapshots, maps, road logs, journals, geology and history books, mineral specimens, and artifacts. The work of Victoria Sambunaris is held in numerous public collections across the United States, including the Denver Art Museum (CO), Los Angeles County Museum of Art (CA), Art Institute of Chicago (IL), International Center of Photography (NY), Center for Creative Photography (AZ), Buffalo AKG Museum (NY), San Francisco Museum of Modern Art (CA), Museum of Modern Art (NY), National Museum of Women in the Arts (DC), Brigham Young University Museum of Art (UT), Virginia Museum of Fine Arts (VA), Museum of Fine Arts Houston (TX), Nelson-Atkins Museum (MO), and National Gallery of Art (DC).

Her second monograph with Radius, Victoria Sambunaris: Transformation of a Landscape shares the nuance and majesty of the artist’s practice in a large-scale book format.Based in New York, Victoria Sambunaris structures her life around a photographic journey traversing the American landscape for several months per year. Equipped with a 5×7-inch field camera, a video camera, and research material, she crosses the country alone tenting on top of her car. Her project-based photographs document the continuing transformation of the American landscape with specific attention given to expanding political, technological, and industrial interventions.Part of her ongoing, twenty-four-year series “Taxonomy of a Landscape,” this book encompasses the past decade of work, including collected ephemera that form the essential and incidental elements of her practice as a photographer and researcher. Also featured are archival documentation of experiences and observations on the road, such as snapshots, maps, road logs, journals, geology and history books, mineral specimens, and artifacts.

Victoria Sambunaris: Transformation of a Landscape

A visual &amp; lyrical declaration filled with fever &amp; flight, REPRISE, Golden's second collection of poetry &amp; photography maps a personal search for safety in a U.S. that offers none. 
 
Golden's collection illuminates a path through national uprisings, anti-trans violence, family loss, and a global pandemic. These sonically playful poems and assertive, color-saturated portraits reveal a stark vulnerability that invites readers to look deeply at times of great and, possibly, liberatory uncertainty. 
 
At its heart, this collection asks: Where is home? Who is free? What makes a nation? 
 
Golden seeks portals towards self-liberation. In their pursuit, we're invited to witness and learn from their interior revolution, from which they emerge more free to declare themselves in small and large ways: Whether stating I just want to wear my orange dress to the tennis courts &amp; come back home unbothered or I am home in the arms of the armed.&nbsp; 
 
Building on their debut collection, A Dead Name That Learned How to Live and their award-winning self-portraiture series, On Learning How to Live, Golden honors the living siege &amp; sorrow, rage &amp; revival, joy &amp; creation of being Black and trans in America.

Poems and Photographs

Reprise

Fifty years after first publication, one of the most important photobooks of the 20th century returns, offering an intimate glimpse into the daily lives of the Roma community in the 1960s and 1970s. Josef Koudelka's Gypsies remains one of his best-known series, offering a unique survey of the lives of the Roma community across then-Czechoslovakia, Romania, Hungary, France and Spain between 1962 and 1971. Originally published in 1975, five years after Koudelka left Prague following the Soviet Union's invasion, Gypsies is a classic of documentary photography. Now returning in its original, hardback format, this timely new edition is as much a pioneering photoessay as it is a lesson in book making. Carrying only his equipment, a rucksack and sleeping bag, Koudelka journeyed between different village and encampments. His nomadic existence, defined by a sense of displacement, allowed him to gain the trust of the Roma communities he encountered. The resulting series eschews the often-derogatory depictions of the community to instead provide unparalleled insight into their world, shining a light on their traditions, struggles and routines. The Roma in these images were photographed mostly in a state that no longer exists, ruled by a regime that dissolved in 1989. With such few historical depictions, Gypsies is not only a testament to the beauty of photography, but a vital historical document of a community often relegated to the shadows. Arriving at a moment of contemporary unrest and social marginalization, Gypsies is a poignant reminder of the often bleak reality of the disenfranchised, and the power of photography to bear witness.

Pariah Genius

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