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Icons, Legends, and Muses

¿ Minimalismus ist Trend
¿ Expertentipps, wie man umwerfende Fotos macht, die durch Einfachheit bestechen
¿ Enthält berühmte Beispiel-Fotos von Meister*innen des Minimalismus

Wie verwandelt man etwas Gewöhnliches in etwas Außergewöhnliches? Mit Ratschlägen zu Komposition, Ausgewogenheit und Form zeigt dieses Buch, wie die Reduzierung eines Motivs auf das Wesentliche Ihnen helfen kann, einzigartige Bilder zu schaffen. Mit Beispielen von Künstler*innen wie Fan Ho, Monica Kuhn, Michael Kenna, Vivian Maier, William Eggleston und Graciela Iturbide führt dieses Buch durch Schlüsseltechniken des Minimalismus und gibt leicht zu befolgende Tipps, wie Sie eigene minimalistische Bilder machen.

The essential guide to minimalist photography, with expert advice on how to create bold photographs that are striking in their simplicity.

50 techniques for capturing beauty in simplicity

The Minimalist Photographer

The Shankill, a roughly mile long road in Belfast Northern Ireland, is home to a working class, Protestant community. Their history is complex and troubled and yet they have survived with pride and resilience. During the thirty years of sectarian violence, many stories of this community have been told. A Peace Agreement was signed in 1998 and most journalists and photographers packed their bags and left before the ink had dried. But it is still a fragile peace that remains. The Shankill: A Portrait of Pride and Resilience depicts a proud community defined by their traditions, hoping to move beyond their past. It is a portrait of today.

A Portrait of Pride and Resiliance

The Shankill

'True beauty lies in the sum of our qualities, used for positive purposes. In other words, using your power for the good.'This new book delves deeper into the stories behind the captivating images that have made Mihaela Noroc an online sensation. With 500 portraits from over 60 countries, including Japan, India, Peru, Namibia and the United States, The Power of Women is a celebration of courage, resilience and beauty in all its forms.

An Atlas of Beauty Book

The Power of Women

The twentieth anniversary edition of An-My Lê's acclaimed first book Small Wars, reissued with five new images and an afterword by Ocean Vuong.	For the past three decades, An-My Lê has used photography to examine her personal history and the legacies of US military power, probing the tension between experience and storytelling. 	First published in 2005, Small Wars brings together three interconnected series. In Viêt Nam, Lê returns to the country she left in her teens and attempts to reconcile memories of her childhood home with the contemporary landscape; in Small Wars, she engages a small community of Vietnam War reenactors; and in 29 Palms, she documents the preparations of marines in the California desert as they undergo training for conflict in Iraq and Afghanistan. Taken together, this trilogy brilliantly presents a complexly layered exploration of the issues surrounding landscape, memory, and the representation of violence and war. 	With great precision and clarity, Lê is able to evoke the work of nineteenth-century landscapes as well as that of the New Topographics--but by weaving in her own personal narrative of refuge and return, she pushes beyond both to produce a uniquely revelatory body of work. The twentieth anniversary edition of Small Wars is a lush reissue of the original, with five additional images and a new afterword by Ocean Vuong, who discusses how these bodies of work resonate twenty years later.

Twentieth Anniversary Edition

An-My Le: Small Wars

Her second monograph with Radius, Victoria Sambunaris: Transformation of a Landscape shares the nuance and majesty of the artist’s practice in a large-scale book format.Based in New York, Victoria Sambunaris structures her life around a photographic journey traversing the American landscape for several months per year. Equipped with a 5×7-inch field camera, a video camera, and research material, she crosses the country alone tenting on top of her car. Her project-based photographs document the continuing transformation of the American landscape with specific attention given to expanding political, technological, and industrial interventions.Part of her ongoing, twenty-four-year series “Taxonomy of a Landscape,” this book encompasses the past decade of work, including collected ephemera that form the essential and incidental elements of her practice as a photographer and researcher. Also featured are archival documentation of experiences and observations on the road, such as snapshots, maps, road logs, journals, geology and history books, mineral specimens, and artifacts.

Her second monograph with Radius, Victoria Sambunaris: Transformation of a Landscape shares the nuance and majesty of the artist’s practice in a large-scale book format.Based in New York, Victoria Sambunaris structures her life around a photographic journey traversing the American landscape for several months per year. Equipped with a 5×7-inch field camera, a video camera, and research material, she crosses the country alone tenting on top of her car. Her project-based photographs document the continuing transformation of the American landscape with specific attention given to expanding political, technological, and industrial interventions.Part of her ongoing, twenty-four-year series “Taxonomy of a Landscape,” this book encompasses the past decade of work, including collected ephemera that form the essential and incidental elements of her practice as a photographer and researcher. Also featured are archival documentation of experiences and observations on the road, such as snapshots, maps, road logs, journals, geology and history books, mineral specimens, and artifacts.

Victoria Sambunaris: Transformation of a Landscape

A close-up look at 50 artists-their work, their studios, their style-creating a wide variety of art in the HamptonsIt's one thing to admire an artist's work; it's another to get a real feel of the person behind the work. In these pages you'll get a close-up look at 50 painters, sculptors, printmakers, photographers, and mixed-media artists who are living and working on the famed East End of Long Island, New York. Photographer Jaime Lopez has captured each artist both in revealing portraits and at work in their studios, and journalist and curator Coco Myers has contributed insightful interviews. The East End has long been a magnet for artists who are drawn to the inspiring nature of the landscape-the light, the fields, the farms, and of course, the expansive sea. And while the legacy of artists like Jackson Pollock, Lee Krasner, Willem de Kooning, and others remains strong, the area continues to be rich in talent today. Lopez's photographs and Myers's text reveal the creativity, intelligence, and humor of these 50 artists as well as the vibe of their workplaces and the tools of their craft.

Hamptons Artists and Their Studios

Light, Sand, and Sea

Offering a new perspective on Weegee's oeuvre, Weegee: The Society of the Spectacle presents the photographer's iconic images beside lesser-known works.

Society of the Spectacle

Weegee

A vivid showcase of work by more than thirty of the world¿s leading contemporary female documentary photographers. The photographic industry - its exhibitions, galleries, publications and auctions - employs thousands of women, but champions mostly men. To begin to redress the balance, here is a timely presentation of the work of over 30 female photographers working today. This book is predominantly a celebration of some of the most inquisitive, intelligent and daring photography being created now. The stories the photographers tell are the most pressing social, political and personal issues seen through the female lens. Firecracker, established in 2011 by Fiona Rogers, is a platform dedicated to supporting female photographers worldwide by showcasing their work. Building upon Firecracker's foundations, this book brings together photography that encompasses an eclectic variety of styles, techniques and locations, from Alma Haser's futuristic series of portraits that use origami to create 3D sculptures within the frame, to Laura El-Tantawy's filmic and intensely personal series on political protest in Cairo. There is a recurring theme throughout the book that serves to unite these extraordinary women and their work: the exploration of marginalized individuals and under-discussed subjects, seen by fresh eyes. Fiona Rogers and Max Houghton offer insightful and expert authorship and curation. In their respective, well-established roles in the industry they understand, influence and advocate for contemporary documentary photography today.

A vivid showcase of work by more than thirty of the world’s leading contemporary female documentary photographers. The photographic industry - its exhibitions, galleries, publications and auctions - employs thousands of women, but champions mostly men. To begin to redress the balance, here is a timely presentation of the work of over 30 female photographers working today. This book is predominantly a celebration of some of the most inquisitive, intelligent and daring photography being created now. The stories the photographers tell are the most pressing social, political and personal issues seen through the female lens. Firecracker, established in 2011 by Fiona Rogers, is a platform dedicated to supporting female photographers worldwide by showcasing their work. Building upon Firecracker's foundations, this book brings together photography that encompasses an eclectic variety of styles, techniques and locations, from Alma Haser's futuristic series of portraits that use origami to create 3D sculptures within the frame, to Laura El-Tantawy's filmic and intensely personal series on political protest in Cairo. There is a recurring theme throughout the book that serves to unite these extraordinary women and their work: the exploration of marginalized individuals and under-discussed subjects, seen by fresh eyes. Fiona Rogers and Max Houghton offer insightful and expert authorship and curation. In their respective, well-established roles in the industry they understand, influence and advocate for contemporary documentary photography today.

Female Photographers Now

Firecrackers

The first book on Oasis by their trusted chronicler and celebrated photographer, Kevin Cummins, with input from Noel Gallagher. Exploring the run-up to the release of their first album, Definitely Maybe in 1994 and published a few months ahead of their first live concerts for 15 years. 75% of the images previously unseen.

The first book on Oasis by their trusted chronicler and celebrated photographer, Kevin Cummins, with input from Noel Gallagher. Exploring the run-up to the release of their first album, Definitely Maybe in 1994 and published a few months ahead of their first live concerts for 15 years. 75% of the images previously unseen.

Photographs by Kevin Cummins, featuring Noel Gallagher in his own words

Oasis The Masterplan

This definitive monograph surveys the last fifty years of fashion photographer Paolo Roversi's distinctive output, and has been developed and designed in close collaboration with the artist.

Paolo Roversi

Covering more than a half century of dramatic social and political change, Ressler’s Photographs is an important document that, through vivid images and an engaging narrative, provides insight and meaning to the complex world we live in today. Global in scope, but with a focus on the Americas, the book begins in the tumultuous 1960s just one year after the Summer of Love (1967), when the author was a young college student who photographed the counterculture, street life on New York City’s gritty Lower East Side, and icons such as Andy Warhol and later Nina Simone, among others. The book then catapults us into a First Nation reserve in Quebec, Canada, as we follow Ressler’s trajectory from novice ethnographic image-maker to mature photographic artist––a career that parallels and comments on the growth of financial empires and consumerism as well as shifting trends in photography itself. 
Susan Ressler Photographs: 50 Years, No End In Sight is an impressive retrospective that traces over fifty years of artistic development. It includes six major bodies of photographic work introduced in her own words, complemented by two interpretive essays: one by Eve Schillo on Ressler’s California work, and the other an afterword by Mark Rice. Although some of the images appear in Ressler’s previous Daylight monographs (Executive Order and Dreaming California), many are published here for the first time. These include “At Owner’s Risk” (her Canadian First Nation photographs), “From Analog to Digital” (an account of photography’s transition from analog film to digital media), and “Beyond Borders” (work from Europe, Asia, and Israel). The book ends with “American Stories,” including South America and the export of US culture abroad, before Ressler comes home to Taos, New Mexico, where she lives and continues to make photographs today.

50 Years: No End in Sight

Retrospective

A haunting photographic return to adolescent mysteries in the OzarksIn this debut monograph, American photographer Henry O. Head reimagines the peaks and valleys of a defining teenage friendship in the Ozark hills where he spent his adolescence. From spring 2023 through summer 2024, Head revisited the terrain of northwest Arkansas and southwest Missouri--wild country with limestone bluffs shot through with quartz, where cottonmouths coil on exposed roots by slow creeks and alligator gar glide like phantoms through the dark. Twelve Acres recalls a boyhood outside city limits, away from institutions and the pressures of social order. In a progression through the seasons, a restlessness presses in, a longing to stave off the rupture of entering an adult reality, with its mundanity and responsibilities. In this meditation on personal history, worlds quiver in a chaos of past and present forms and stark flashes of image begin to wobble in an opaque well. Tops spin. Animals with thirst cup liquid light. Memory remains an ineffable mystery. Twelve Acres is a reverie, wherein the past reemerges as boys with tick-bitten feet, ears ringing from homemade explosives, clothes stained by the smoke of shoplifted cigarettes and arms stretched toward higher branches.

Henry O. Head: Twelve Acres

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