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Moments

Icons, Legends, and Muses

The first large-scale English language retrospective of one of Poland's leading contemporary artists, arriving at a transformative moment in her career. Zofia Kulik's photographs are a psychic collage of the self. Inspired by eroticism, feminism, and the political and social developments of post-war Poland, her expansive work offers a radical critique of not only what it means to be an artist and a woman, but of what it means to be human. Featuring her most pivotal series - including The Splendor of Myself - this expansive publication charts her rich and varied career, journeying from her earlier collaborations as KwieKulik to the development of her solo work. Shortly after graduating from the Warsaw Academy of Fine Arts in 1971, Kulik formed the artistic duo KwieKulik with her then partner Przemyslaw Kwiek. Running the Studio of Documentation and Propagation Activities (PDDiU) from their home in Warsaw, the pair created avant-garde films, photographs and objects, as well as performances, installations and interventionist texts. After splitting in 1987, Kulik expressed a new-found desire for her work to be present in museums and institutions. Subsequently developing the black-and-white photomontages for which she is now most famous, Kulik would combine complex patterns with often hundreds of images. Painstakingly detailed and often physically imposing, these images reflect an artist committed to exploring the murky terrains of the psyche. Bringing together these pivotal works alongside Kulik's lesser-known but no less radical projects, this book features comprehensive yet accessible texts from leading writers to provide a much needed introduction to one of Poland's most important living artists.

Zofia Kulik

Collaborations

Manuel Alvarez Bravo

Photofile

The perfect primer on American photographer Louis Stettner. Brooklyn-born Louis Stettner (1922-2016) first took up a camera as a teenager and went on to establish an extraordinary career that lasted almost eighty years. After photographing life on the streets of New York, he joined the famous Photo League and befriended Sid Grossman and Weegee. In the Second World War he served as a combat photographer, and the fight against fascism strengthened his faith in Marxism and the working class. Living between New York and Paris, he amassed a huge body of work that combined elements of New York street photography with lyrical humanism in the French style. His subjects were many and varied: passengers on the subway and tourists in the streets, Spanish fishermen and American beatniks, protests and demonstrations, landscapes and trees. But no matter where he found himself, he looked for beauty in the everyday and never lost his fundamental compassion and solidarity with ordinary people.

Louis Stettner

A haunting photographic return to adolescent mysteries in the OzarksIn this debut monograph, American photographer Henry O. Head reimagines the peaks and valleys of a defining teenage friendship in the Ozark hills where he spent his adolescence. From spring 2023 through summer 2024, Head revisited the terrain of northwest Arkansas and southwest Missouri--wild country with limestone bluffs shot through with quartz, where cottonmouths coil on exposed roots by slow creeks and alligator gar glide like phantoms through the dark. Twelve Acres recalls a boyhood outside city limits, away from institutions and the pressures of social order. In a progression through the seasons, a restlessness presses in, a longing to stave off the rupture of entering an adult reality, with its mundanity and responsibilities. In this meditation on personal history, worlds quiver in a chaos of past and present forms and stark flashes of image begin to wobble in an opaque well. Tops spin. Animals with thirst cup liquid light. Memory remains an ineffable mystery. Twelve Acres is a reverie, wherein the past reemerges as boys with tick-bitten feet, ears ringing from homemade explosives, clothes stained by the smoke of shoplifted cigarettes and arms stretched toward higher branches.

Henry O. Head: Twelve Acres

'True beauty lies in the sum of our qualities, used for positive purposes. In other words, using your power for the good.'This new book delves deeper into the stories behind the captivating images that have made Mihaela Noroc an online sensation. With 500 portraits from over 60 countries, including Japan, India, Peru, Namibia and the United States, The Power of Women is a celebration of courage, resilience and beauty in all its forms.

An Atlas of Beauty Book

The Power of Women

Her second monograph with Radius, Victoria Sambunaris: Transformation of a Landscape shares the nuance and majesty of the artist’s practice in a large-scale book format.Based in New York, Victoria Sambunaris structures her life around a photographic journey traversing the American landscape for several months per year. Equipped with a 5×7-inch field camera, a video camera, and research material, she crosses the country alone tenting on top of her car. Her project-based photographs document the continuing transformation of the American landscape with specific attention given to expanding political, technological, and industrial interventions.Part of her ongoing, twenty-four-year series “Taxonomy of a Landscape,” this book encompasses the past decade of work, including collected ephemera that form the essential and incidental elements of her practice as a photographer and researcher. Also featured are archival documentation of experiences and observations on the road, such as snapshots, maps, road logs, journals, geology and history books, mineral specimens, and artifacts. The work of Victoria Sambunaris is held in numerous public collections across the United States, including the Denver Art Museum (CO), Los Angeles County Museum of Art (CA), Art Institute of Chicago (IL), International Center of Photography (NY), Center for Creative Photography (AZ), Buffalo AKG Museum (NY), San Francisco Museum of Modern Art (CA), Museum of Modern Art (NY), National Museum of Women in the Arts (DC), Brigham Young University Museum of Art (UT), Virginia Museum of Fine Arts (VA), Museum of Fine Arts Houston (TX), Nelson-Atkins Museum (MO), and National Gallery of Art (DC).

Her second monograph with Radius, Victoria Sambunaris: Transformation of a Landscape shares the nuance and majesty of the artist’s practice in a large-scale book format.Based in New York, Victoria Sambunaris structures her life around a photographic journey traversing the American landscape for several months per year. Equipped with a 5×7-inch field camera, a video camera, and research material, she crosses the country alone tenting on top of her car. Her project-based photographs document the continuing transformation of the American landscape with specific attention given to expanding political, technological, and industrial interventions.Part of her ongoing, twenty-four-year series “Taxonomy of a Landscape,” this book encompasses the past decade of work, including collected ephemera that form the essential and incidental elements of her practice as a photographer and researcher. Also featured are archival documentation of experiences and observations on the road, such as snapshots, maps, road logs, journals, geology and history books, mineral specimens, and artifacts.

Victoria Sambunaris: Transformation of a Landscape

Family Amnesia&nbsp;is a visual tribute and love letter honoring the artist's Chinese American family roots in the U.S. The art book explores her family's multi-generational resilience and resistance through mixed media collages, her grandfather’s photographs, her own captured images and archival material. The book project honors the past and current lives of Asian Americans and immigrants in the U.S. by examining the incalculable and traumatic impact that historical events like the 1882 Chinese Exclusion Act continue to have on the Asian American experience. This is a painful part of our American history. Betty Yu is reclaiming that narrative through her own personal family’s story. The book will features her grandfather’s role as a founding member of the Chinese Hand Laundry Alliance of NY, her mother’s plight as a garment worker who became a labor organizer, as well as her sister’s legacy as a community activist. Yu knows that her family's story is not unique. It is part of the larger collective Asian-American immigration experience. This book project reminds us that the rise of COVID-related anti-Asian violence is part of a larger history of systemic racism. As the U.S. government and corporate-run media continue to vilify China as a global threat, Family Amnesia&nbsp;recalls the anti-China and anti-Asian paranoia and hysteria that created the policies like the 1882 Chinese Exclusion Act and the 1942 Executive Order that placed Japanese-Americans into internment camps. The book will also draw visually on geo-political history, recalling narratives that mocked China as the "sick man of Asia '' and that demonized Chinese as “Yellow Peril”.

Chinese American Resilience

Family Amnesia

The Reader

Through text and full-color illustrations, uncovers the lives and times of the unruly Vorticists, whose innovative abstract artworks shattered early twentieth-century conventions. The Vorticists, a rebellious cohort of young artists in early twentieth-century England, defied the conventions of the art world with their distinctive abstract creations. Despite the brevity of their existence, from 1911 to 1914, their startling innovations left an indelible mark on English art history. In this book James King explores the personalities and lives of these colorful individuals, capturing the tumultuous environment in which they thrived. The narrative presents biographies of the group's members, such as Jessica Dismorr, Wyndham Lewis, William Roberts, Helen Saunders, and Edward Wadsworth--"our little gang," as Ezra Pound called them--highlighting personal conflicts and providing a concise, highly readable history of the movement. This book is ideal for art enthusiasts, historians, and anyone intrigued by avant-garde movements of the early twentieth century.

The Lives of the Vorticists

'Our Little Gang'

A career-spanning examination of the work of Robert Bergman and its place within the history of American art

Robert Bergman

Fortune of the Spirit

This lavishly illustrated book offers a comprehensive overview of the work of the great Malian photographer Seydou Keïta, one of the most important portraitists of the 20th century.

Seydou Keita

PISSING WOMEN

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