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Icons, Legends, and Muses

In the 21st century the photographic image is increasingly integral to everyday communications, while, simultaneously, the culture of fame is participated in and understood by almost everyone.

Fame and Images

Photography and Celebrity

Candid New York is the first published work on the pioneering American inventor George Bradford Brainerd, once hailed as the "father of instantaneous photography," and includes 125 photographs Brainerd documented of daily life on the streets of New York City in the late nineteenth century, from musicians to dock workers to newsboys and even beggars.

The Pioneering Photography of George Bradford Brainerd

Candid New York

The canonical 1977 American photobook returns to print in a new, definitive edition that most closely resembles the originalIn 1977, American photographers Larry Sultan (1946-2009) and Mike Mandel (born 1950) published a book of photographs titled Evidence. The book was the culmination of a two-year search through the archives of 77 government agencies, educational institutions and corporations, including General Atomic Company, Jet Propulsion Laboratories, the San Jose Police Department and the United States Department of the Interior. The original pictures were made as objective records of activities unfamiliar to the lay public: the scenes of crimes, aeronautical engineering tests, industrial experiments and other subjects. Sifting through some two million images, Mandel and Sultan assembled a careful sequence of 59 pictures. The book was thoughtfully designed to depict the photographs in terms of their "documentary" origins, unaccompanied by identifying captions. Faced with a world of mysterious events and unfathomable activities, the reader is confronted with only the sequential narrative imagery of the book and thus must actively participate in creating its meaning. Following a revised edition of the book in 2003 and a 2017 reprint--both of which sold out quickly and have become highly collectible--Evidence is back in print nearly 50 years after its initial publication. This new, definitive edition features revelatory new scans--many made from the original negatives--which greatly enhance the eerie objectivity conveyed by the book's title. In many cases, the original negatives revealed that crops had been made to the image by the agencies; the complete images are restored here. The jacketless, library-style binding of the original 1977 edition is also restored, further underscoring its impersonal documentlike character and its canonical status.

Larry Sultan & Mike Mandel: Evidence

"A richly illustrated history of the glittering world of queer artistic life in the 1920s and '30sIn Queer Modernism, Alice Friedman tells the fascinating story of the queer avant-garde of the 1920s and '30s in New York, Paris, and Venice, as seen through the eyes of Max Ewing (1903-1934), a young musician, photographer, and man-about-town who, although virtually unknown today, moved in extraordinary circles. In his photographs and letters, we meet the rising stars of modern art, music, dance, and literature and enter a world of interracial friendship, "queer space," and experimentation that shone brightly before being swept away by the Depression. It is a remarkable story that reveals that the history of modernism is more queer and more Black than previously recognized.In the 1920s, Ewing became part of an international coterie of artists led by Carl Van Vechten and Muriel Draper. In Europe, he was entertained by Gertrude Stein, met Stravinsky, and took a road trip with Romaine Brooks and Natalie Barney. In 1928, in a closet in his apartment, Ewing created the Gallery of Extraordinary Portraits, an installation of photos of his favorite celebrities-Black and white, clothed and nude. For his Carnival of Venice, he took portraits of more than a hundred friends-including Paul Robeson, Berenice Abbott, Isamu Noguchi, Agnes de Mille, and E. E. Cummings-posed in front of a backdrop of Saint Mark's Square.Like a character from a story by F. Scott Fitzgerald, Ewing joined the party and then died tragically, unable to accept the end of his era or the lost dream of a new way of living. His story sheds new light on modernism and an artistic milieu that was ahead of its time"--

Max Ewing's Jazz Age New York

Queer Moderns

Every Person Has a Story

Stories from a Stranger

“In the best modernist tradition, [Deschenes] pushes against the basic terms by which photography is conventionally defined: instantaneity, veracity, fixity, or reproducibility.” — curator and critic Matthew WitkovskyDeschenes uses durational photogram exposure to create unique, shifting surfaces that frequently function as sculptural or architectural, rather than photographic, objects. In her recent work, Deschenes exposes photographic paper to the night sky, develops it, and fixes the photogram with silver toner, creating misty silver surfaces brindled with slight changes in hue that are affected either by exposure to ambient light or the hand-application of the toner itself. Some of these photograms remain unframed and oxidize over time, further problematizing the role of the photograph as fixed image on surface. Instead, purged of representational content, the photograph, in Deschenes’s practice, functions as an object that records how it has been, and continues to be, acted upon.Deschenes’ work is held in the permanent collections of Centre Pompidou, Paris; San Francisco Museum of Modern Art; Solomon R. Guggenheim Museum, New York; Whitney Museum of American Art, New York; Museum of Modern Art, New York; Metropolitan Museum of Art, New York; Walker Art Center, Minneapolis; Art Institute of Chicago; ICA/Boston; Pinault Collection, Paris; Montreal Museum of Fine Arts; Milwaukee Art Museum; Princeton University Art Museum; the Hirshhorn Museum and Sculpture Garden, Washington, D.C.

Liz Deschenes

A collaboration between Jess T. Dugan (photographer of To Survive On This Shore) and curator Charlotte Cotton, Love Pictures centers around conversations about themes informing Dugan’s practice, including gender and identity, family and politics, writing and language, relationships and community, the book as object, and the dynamics of the exhibition space. These initial dialogues then prompted subsequent conversations with others in Dugan’s and Cotton’s respective communities: friends, colleagues, mentors, and subjects of Dugan’s work—including Dawoud Bey, Kelli Connell, Dorothy Moss, and Catherine Opie, among others. Transcriptions of these intimate and in-depth exchanges are woven with the first comprehensive survey of Dugan’s work in book form. Dugan's work is in the permanent collections of over sixty museums, including the Denver Art Museum, Getty Research Institute, Harvard Art Museums, International Center of Photography, Leslie/Lohman Museum of Gay and Lesbian Art, Minneapolis Institute of Art, Museum of Fine Arts Boston, Museum of Fine Arts Houston, Nelson-Atkins Museum of Art, National Gallery of Art, and San Francisco Museum of Modern Art.

Jess T. Dugan and Charlotte Cotton: Love Pictures

Jim Marshall took over ten thousand photos of the Grateful Dead throughout their career?from Woodstock to the last free concert on Haight Street and beyond. Marshall's magnificent images chronicle the band's trajectory as hairstyles changed, relationships came and went, and the music evolved into the sound that would become beloved by generations to come.

Photos and Stories from the Formative Years, 1966–1977

The Grateful Dead by Jim Marshall

Here and Now

Henri Cartier-Bresson

Lydia Hudgen's debut photo book, featuring only plus-sized models: a first in fashion publishing. In a landscape where magazine covers are still dominated by skinnier bodies and fashion week runways have moved backward in the models that are walking, Plus breaks with business as usual and features only plus-sized models in a celebration of diverse fashion and a demand for the industry to move forward. Divided into three chapters - Beauty, Editorial, and Body - Lydia Hudgen's photography celebrates the beauty of all bodies, and the figures who've pushed fashion forward to welcome more people in. Alongside shoots of models, Plus features interviews with trailblazers like Kellie Brown who have made their mark on the fashion world. The fashion industry needs to keep evolving, and these icons, models, and Hudgens are helping to make it happen.

Expanding the frame | A fashion photography collection showcasing plus-sized bodies

Plus

The vibrant capital of South Korea, Seoul is a city of contrasts, a unique blend of tradition and modernity, with futuristic skyscrapers blending with traditional, ancient architecture. But at night is when the city really shines. As the sun sets, the city transforms into a dazzling metropolis. The skyline lights up and the bustling streets come alive with bright neon lights, street food vendors, and late night shoppers.&nbsp;Photographer Bal Bhatla - better known online as Mr Whisper - has been traveling to Seoul for years, capturing the photographs in Seoul After Dark, armed only with his camera and a keen eye for detail. A specialist in low-light photography, Bhatla captures the everyday moments of Seoul in a unique and compelling way, showing the city's residents, adventurous and carefree, chasing the night.&nbsp;Whether you're a lover of photography, a fan of Seoul, or simply someone who appreciates the beauty of everyday moments, Seoul After Dark will leave you with a newfound appreciation for your city after dark.

Seoul After Dark

A fascinating biography of the philanthropist Albert Barnes, whose pioneering collection of modern art was meant to transform America’s soulFrom prominent critic and biographer Blake Gopnik comes a compelling new portrait of America’s first great collector of modern art, Albert Coombs Barnes. Raised in a Philadelphia slum shortly after the Civil War, Barnes rose to earn a medical degree and then made a fortune from a pioneering antiseptic treatment for newborns. Never losing sight of the working-class neighbors of his youth, Barnes&nbsp;became a ruthless advocate for their rights and needs. His vast art collection—181 Renoirs, 69 Cézannes, 59 Matisses, 46 Picassos—was dedicated to enriching their cultural lives. A miner was more likely to get access than a mine owner.Gopnik’s meticulous research reveals Barnes as a fierce advocate for the egalitarian ideals of his era’s progressive movement. But while his friends in the movement worked to reshape American society, Barnes wanted to transform the nation’s aesthetic life, taking art out of the hands of the elite and making it available to the average American.The Maverick’s Museum&nbsp;offers a vivid picture of one of America’s great eccentrics. The sheer ferocity of Barnes’s democratic ambitions left him with more enemies than allies among people of all classes, but for a circle of intimates, he was a model of intelligence, generosity, and loyalty. In this compelling portrait, Gopnik reveals a life shaped by contradictions, one that left a lasting impact.

Albert Barnes and His American Dream

The Maverick's Museum

Moments

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