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An updated edition of this classic photography book, with 20 new images.

An updated edition of this classic photography book, with 20 new images.

Stephen Shore

Uncommon Places: The Complete Works

'True beauty lies in the sum of our qualities, used for positive purposes. In other words, using your power for the good.'This new book delves deeper into the stories behind the captivating images that have made Mihaela Noroc an online sensation. With 500 portraits from over 60 countries, including Japan, India, Peru, Namibia and the United States, The Power of Women is a celebration of courage, resilience and beauty in all its forms.

An Atlas of Beauty Book

The Power of Women

This definitive monograph surveys the last fifty years of fashion photographer Paolo Roversi's distinctive output, and has been developed and designed in close collaboration with the artist.

Paolo Roversi

Art Work, by photographer and writer Sally Mann, offers a spellbinding mix of wild and illuminating stories, practical (and some impractical) advice, and life lessons for artists and writers-or anyone interested in the creative path. Written in the same frank, fearless, and occasionally outrageous tone of her bestselling memoir, Hold Still, this new book reaffirms Mann as a unique and resonant voice for our times and is destined to become a classic. Illustrated throughout with photographs, journal entries, and letters that bring immediacy and poignancy to the narrative, Art Work is full of thought-provoking insights about the hazards of early promise; the unpredictable role of luck; the value of work, work, work, and more hard work; the challenges of rejection and distraction; the importance of risk-taking;and the rewards of knowing why and when you say yes. In sparkling prose and thoughtfully juxtaposed visuals and ephemera, Art Work is a generous, provocative, and compulsively readable exploration of creativity by one of our most original thinkers.

On the Creative Life

Art Work

The twentieth anniversary edition of An-My Lê's acclaimed first book Small Wars, reissued with five new images and an afterword by Ocean Vuong.	For the past three decades, An-My Lê has used photography to examine her personal history and the legacies of US military power, probing the tension between experience and storytelling. 	First published in 2005, Small Wars brings together three interconnected series. In Viêt Nam, Lê returns to the country she left in her teens and attempts to reconcile memories of her childhood home with the contemporary landscape; in Small Wars, she engages a small community of Vietnam War reenactors; and in 29 Palms, she documents the preparations of marines in the California desert as they undergo training for conflict in Iraq and Afghanistan. Taken together, this trilogy brilliantly presents a complexly layered exploration of the issues surrounding landscape, memory, and the representation of violence and war. 	With great precision and clarity, Lê is able to evoke the work of nineteenth-century landscapes as well as that of the New Topographics--but by weaving in her own personal narrative of refuge and return, she pushes beyond both to produce a uniquely revelatory body of work. The twentieth anniversary edition of Small Wars is a lush reissue of the original, with five additional images and a new afterword by Ocean Vuong, who discusses how these bodies of work resonate twenty years later.

Twentieth Anniversary Edition

An-My Le: Small Wars

This lavishly illustrated book offers a comprehensive overview of the work of the great Malian photographer Seydou Keïta, one of the most important portraitists of the 20th century.

Seydou Keita

Her second monograph with Radius, Victoria Sambunaris: Transformation of a Landscape shares the nuance and majesty of the artist’s practice in a large-scale book format.Based in New York, Victoria Sambunaris structures her life around a photographic journey traversing the American landscape for several months per year. Equipped with a 5×7-inch field camera, a video camera, and research material, she crosses the country alone tenting on top of her car. Her project-based photographs document the continuing transformation of the American landscape with specific attention given to expanding political, technological, and industrial interventions.Part of her ongoing, twenty-four-year series “Taxonomy of a Landscape,” this book encompasses the past decade of work, including collected ephemera that form the essential and incidental elements of her practice as a photographer and researcher. Also featured are archival documentation of experiences and observations on the road, such as snapshots, maps, road logs, journals, geology and history books, mineral specimens, and artifacts. The work of Victoria Sambunaris is held in numerous public collections across the United States, including the Denver Art Museum (CO), Los Angeles County Museum of Art (CA), Art Institute of Chicago (IL), International Center of Photography (NY), Center for Creative Photography (AZ), Buffalo AKG Museum (NY), San Francisco Museum of Modern Art (CA), Museum of Modern Art (NY), National Museum of Women in the Arts (DC), Brigham Young University Museum of Art (UT), Virginia Museum of Fine Arts (VA), Museum of Fine Arts Houston (TX), Nelson-Atkins Museum (MO), and National Gallery of Art (DC).

Her second monograph with Radius, Victoria Sambunaris: Transformation of a Landscape shares the nuance and majesty of the artist’s practice in a large-scale book format.Based in New York, Victoria Sambunaris structures her life around a photographic journey traversing the American landscape for several months per year. Equipped with a 5×7-inch field camera, a video camera, and research material, she crosses the country alone tenting on top of her car. Her project-based photographs document the continuing transformation of the American landscape with specific attention given to expanding political, technological, and industrial interventions.Part of her ongoing, twenty-four-year series “Taxonomy of a Landscape,” this book encompasses the past decade of work, including collected ephemera that form the essential and incidental elements of her practice as a photographer and researcher. Also featured are archival documentation of experiences and observations on the road, such as snapshots, maps, road logs, journals, geology and history books, mineral specimens, and artifacts.

Victoria Sambunaris: Transformation of a Landscape

Becoming Escher is a literary journey of discovery to the origins of the fascinations of M.C. Escher. Through the eyes of M.C. Escher, the reader experiences the artist's metamorphosis; his development from a young man into a craftsman, into an artist, and finally into the Escher we all know.

Becoming Escher

A fascinating and original biography of Eadward Muybridge, charting how his pioneering work in motion picture ushered in a period of technological innovation.

Eadweard Muybridge and the Technological Wild West

River of Shadows

A haunting photographic return to adolescent mysteries in the OzarksIn this debut monograph, American photographer Henry O. Head reimagines the peaks and valleys of a defining teenage friendship in the Ozark hills where he spent his adolescence. From spring 2023 through summer 2024, Head revisited the terrain of northwest Arkansas and southwest Missouri--wild country with limestone bluffs shot through with quartz, where cottonmouths coil on exposed roots by slow creeks and alligator gar glide like phantoms through the dark. Twelve Acres recalls a boyhood outside city limits, away from institutions and the pressures of social order. In a progression through the seasons, a restlessness presses in, a longing to stave off the rupture of entering an adult reality, with its mundanity and responsibilities. In this meditation on personal history, worlds quiver in a chaos of past and present forms and stark flashes of image begin to wobble in an opaque well. Tops spin. Animals with thirst cup liquid light. Memory remains an ineffable mystery. Twelve Acres is a reverie, wherein the past reemerges as boys with tick-bitten feet, ears ringing from homemade explosives, clothes stained by the smoke of shoplifted cigarettes and arms stretched toward higher branches.

Henry O. Head: Twelve Acres

Photofile

The perfect primer on American photographer Louis Stettner. Brooklyn-born Louis Stettner (1922-2016) first took up a camera as a teenager and went on to establish an extraordinary career that lasted almost eighty years. After photographing life on the streets of New York, he joined the famous Photo League and befriended Sid Grossman and Weegee. In the Second World War he served as a combat photographer, and the fight against fascism strengthened his faith in Marxism and the working class. Living between New York and Paris, he amassed a huge body of work that combined elements of New York street photography with lyrical humanism in the French style. His subjects were many and varied: passengers on the subway and tourists in the streets, Spanish fishermen and American beatniks, protests and demonstrations, landscapes and trees. But no matter where he found himself, he looked for beauty in the everyday and never lost his fundamental compassion and solidarity with ordinary people.

Louis Stettner

Bradford's Jewish community dates from the mid-nineteenth century. Never large, in 2013 its dwindling congregation had to face the prospect of their last synagogue closing down as its 1881 Grade II listed building was in need of expensive and unaffordable repair. The local Muslim community stepped in to help raise funds and eventually a Lottery grant followed. Aware of this and of the local Jewish culture that had earlier thrived in the city, Nudrat Afza, a Muslim woman, decided to document it. With the support of members of the Jewish community she was given access to photograph in both the now demolished Orthodox synagogue and in the remaining Reform synagogue. Entitled Kehillah (Hebrew for congregation or community), the project is an invaluable record of Jewish worship in one of the nation's oldest Reform congregations. It is a collection which captures the everyday spirit of contemporary Jewish Britain with poignancy and elegance, pursuing a path less travelled to reveal Jewish provincial life in the twenty first century.

KEHILLAH

The first English-language volume of Takuma Nakahira's influential writings on photography. Takuma Nakahira was a crucial figure within the history of Japanese photography, best known outside of Japan as a founding member of Provoke, the experimental magazine of photographs, essays, and poetry, first published in Tokyo in 1968. Through Provoke, Nakahira deepened his artistic and personal connection to Daido Moriyama, with whom he developed a signature style of harsh and grainy black-and-white photography. He would eventually break with this style, and over the course of his decades-long career, maintain an experimental approach to photography. And yet, beyond his photographic practice, Nakahira was also a committed critic, writing on a range of topics hardly limited to photography: art, film, journalism, radical politics, television, and jazz. As a whole, the essays offer insight into the evolution of Nakahira's thinking. As the curator Matthew S. Witkovsky notes, "Nakahira's incisive writing cut apart standing views in literature, film, politics, and especially photography, and he published both articles and photographs at a feverish rate."

Selected writings by Takuma Nakahira

Takuma Nakahira: At the Limits of the Gaze

Stephen Shore

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