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Lowe C: Stack, Build, Write

Stack, Build, Write

A Guide to Crafting Modular and Non-Linear Fiction

A workbook designed to guide the bereaved through grief using a clinically-informed, structured storytelling method, this book gives readers the ability to disclose their suffering and work toward healing and reconcile with their loss using narrative writing. Based upon her research and the 'expressive storytelling' method she created, Linita Eapen Mathew calls upon her own experiences losing her father along with carefully structured narrative exercises to teach readers how they can write, re-examine, revise, and re-write their grief story to work towards a point of clarity and release. Leaning into grief theory and trauma-informed and therapeutic writing research, Writing Through Grief allows readers to create a complete and consistent account of their experiences to help them process events that unfolded, release trauma, and relieve the intense reactions and responses to the loss of both the living and the deceased. With each chapter combining Eapen's personal narrative with expressive storytelling exercises alongside discussion of the research behind them for context, this book offers readers a creative, productive but emotionally sensitive approach to handling grief. Whether guided by a trained psychologist, a workshop instructor or writing in the comfort of a personal space, writers can disclose their suffering and work toward healing and reflection through creative writing.

An Expressive Storytelling Workbook

Narrating Your Grief

'I loved it' KIT DE WAAL, author of The Best of Everything'Generous, intelligent, full of wisdom and insight' LILY DUNN, author of Sins of My Father*A transformative guide to creative writing and the power of paying attention.The way we use language to tell stories reveals a lot about who we are and what matters to us. In Between the Lines, Julia Bell draws on almost thirty years of teaching to take us inside the writing workshop, where students from all over the world meet to share and discuss their work. She finds that in this space a kind of alchemy occurs, where&nbsp;paying real attention to one another and what we have to say - the ultimate challenge in our atomised, 'always-on' society - becomes a profound emotional education.&nbsp;Weaving philosophy, psychology and politics together with stories from the workshop, and featuring wise, practical advice on how to go about writing, this generous and thought-provoking book is about the transformative practice of noticing and slowing down. It shows how bad writing teaches us good things, how creativity helps us to see and be seen, and how reading and writing together fosters connection, tolerance, more expansive ways of thinking, richer access to language, new perspectives - and a better understanding of ourselves and others.*'What&nbsp;appears to be a guide to creative writing is actually a brilliant manual for how to exist in groups, to handle painful material, to grow together. Could anything be more necessary or inspiring?' Olivia Laing, author of The Garden Against Time

Life Lessons from the Creative Writing Workshop

Between the Lines

Bloomsbury Spectres, Hauntings and Horrors

Exploring current debates in creative writing about the borders between fiction and creative nonfiction, this collection of essays draws on concepts of the uncanny and hauntology to challenge, subvert and transgress the boundary between forms. Hauntology, as originally defined by Derrida, challenges the certainties of ontology, in a similar way to debates about truth in creative nonfiction; by bringing together authors that undermine the fiction/nonfiction binary, Haunted Writing considers the ways in which real events and experiences haunt writers as they craft their work. Offering insight into how the past - both personal and historical - is experienced and understood in the present, this book includes writing from a diverse group of established and emerging authors who situate their work on genre boundaries and discuss their own creative practice to show how their writing 'haunts' real events.With essays covering a range of ideas from subjectivity, intersectionality and challenging dominant versions of history, to braiding personal and researched stories, playfulness, experimentation and creating stories from archival documents, this beautifully written collection intervenes in contemporary discussions in creative writing and culture surrounding ownership, appropriation and ethics. Bringing a fresh voice and new perspectives to ever-present questions within creative writing, Haunted Writing uncovers how the past is a spectre that disrupts contemporary writing.

Storytelling from the Borders of Fiction and Nonfiction

Haunted Writing

Routledge Environmental Humanities

With particular focus on more-than-human experience, this creative-critical book explores the role of literary storytelling in representing and communicating the oceanic environmental crisis.While investigating the creative potential of scholarship in material ecocriticism and the blue humanities, this book examines the theoretical tools needed while developing the poetic and creative role of scholarship in imagining a livable oceanic future. To overcome anthropocentric views of nature, it argues that a fluid and more-than-human literary form is needed. This is developed in the book as a 'jellyfish poetics': a literary structuring device based on the jellyfish life cycle. The book not only theorises this new form, but also enacts it, presenting original and innovative research that embodies a synthesis between creative and scholarly approaches. With its main focus being more-than-human experience of oceanic environmental issues, central case studies are jellyfish, ecological depletion in the North Sea and recent nature-based Dutch water management.This is an important book for scholars interested in the intersection of blue humanities and creative writing as well as the wider environmental humanities. Additionally, it is relevant to practitioners, writers and educators who grapple with the challenge of representing environmental crisis.

Jellyfish Poetics

Literary Storytelling and the Environmental Crisis of the Oceans

The definitive insider's guide to the business of being a children's book author or illustrator from one of the most respected and decorated voices in children's publishing.You've written your manuscript, you've perfected your portfolio, and moreover, you've spent years refining your craft. You're ready to become a published children's book author or illustrator, but you have yet to learn the business side of publishing-and it can be overwhelming. Drawing on her nearly 50 years in publishing and experience writing more than 100 books, award-winning author Nikki Grimes shares the practical guidance, insider knowledge, and hard-earned lessons every picture book, middle grade, and YA creator needs in order to make their passion a sustainable career. Nikki's encouragement and guidance will enable you to: · Navigate the path from manuscript to publication, including submissions, agents, publishers, contracts, and royalties· Book speaking engagements, establish multiple revenue streams, and implement smart financial planning · Protect your creative voice, advocate for yourself professionally, and avoid common industry pitfalls · Build a supportive community and readership in a rapidly changing landscape of social media, AI, and evolving market realities Featuring essays and advice from a powerhouse lineup of literary agents, editors, art directors, publishers, marketers, and award-winning authors and illustrators, this behind-the-scenes look at children's publishing gets down to the business of being in publishing.

A Guide to the Business of Being a Children's Book Author or Illustrator

K Is for Kidlit

'This book will make you better at your job' - Jonah Berger, bestselling author of Contagious Discover the psychological biases that shape every buying decision - and how to use them in business. Every day we make hundreds of choices, many of them commercial. What shampoo to pick? How much to spend on a bottle of wine? Whether to renew a subscription? These choices might appear to be freely made, but psychologists have shown that subtle changes in the way products are positioned, promoted and marketed can radically alter how customers behave. In The Illusion of Choice, Richard Shotton, author of the acclaimed The Choice Factory, identifies the 16 and a half most important psychological biases that everyone in business needs to be aware of. Drawing on academic research, advertising campaigns and his own original field studies, he shows how any business can utilise these biases to win and retain customers, sell more products and make money. In this fascinating and highly practical guide, you'll learn to take advantage of the peak end rule, the power of precision, the wisdom of wit - and much, much more. Full of marketing insights, The Illusion of Choice is essential for anyone seeking to understand consumer behaviour. Now part of the Harriman House Essentials Collection, a series showcasing the very best of business and finance books.

Harriman House Essentials

The Illusion of Choice

How to Read and Write Poetry Past Fear

Poetry Detective

A Workbook with Tips, Tricks, and Tropes to Bring Your Novel to Life

How to Write a Romance

'Read this, and get your life back' - Daisy Greenwell, co-founder, Smartphone Free ChildhoodStop letting your phone rule your life. Phone Rules will help you break the cycle.Your phone is bad for you. It is harming your mental and physical health, ruining your sleep and limiting true human connection. We all know we need to get off our phones, but most of us are overwhelmed by the scale of the problem and by the many highly addictive ways in which our devices are designed to distract us, delight us and pull us back in.But here is the solution: a set of simple, sensible principles to govern the way we navigate our phone use. On his journey to break up with his smartphone, investigative journalist Luc Rinaldi hits the road and speaks to people at the forefront of the movement, from reformed social media addicts and digital defectors, to tech researchers and phone-free school children. Rinaldi has devised five insightful rules to resist our phones, along with helpful strategies to put them into action, including how to: - Stop obsessing over your screen time, find new mental space and improve your overall health - Protect your children against the harms of the digital world - Deepen your relationships with real people and the things that matter most. Rooted in on-the-ground research and written from the perspective of a tech-savvy, video-game playing millennial, Phone Rules offers a way forward for parents rearing digital natives, children navigating their first phones and anyone perpetually tethered to their devices. There is a way out. This is your invitation to scroll less, and to live more.

Five simple steps to save yourself, your family and the planet

Phone Rules

Skills for Scholars

A playful and irreverent argument for--and practical guide to--writing in a rich and extraordinary style When it comes to literary style, the commonplace wisdom of composition classrooms, newsrooms, and editorial offices has long been that less is more. Students are taught that the best prose is that which eschews ornamentation and rhetorical flourish. But what if sometimes more is more? In Praise of Purple Prose playfully and cheekily contests a century worth of convention that rejects the baroque and byzantine as "purple prose," making the case that fun and joy in language can be as important as concision and comprehension. Part style guide and part manifesto, the book rewrites the rules on writing. Ed Simon encourages writers to embrace the extraordinary, to call upon the classical rhetorical devices, and to relish in the richness of description and the erudition of allusion. He demonstrates that serpentine syntax, eccentric diction, and idiosyncratic punctuation, when used judiciously, can express the complexity of experience, bring out the pleasures of language, and help readers develop a unique voice in a world where AI threatens to make everyone sound alike. To illustrate its arguments, the book features examples of extraordinary prose from dozens of writers, including John Donne, Virginia Woolf, Joan Didion, Salman Rushdie, Marilynne Robinson, and Zadie Smith. Playful and provocative, In Praise of Purple Prose will leave readers with a new appreciation for fancy prose and inspire writers to draw on all of the liveliest and most powerful resources of English in their work.

A Guide to Writing with Elegance, Opulence, and Indulgence

In Praise of Purple Prose

A hands-on guide for poets who want to make work beyond the page. How can a poem become an image, a soundscape, a performance, an erasure, a tactile object, or a digital encounter? A Writer's Guide to Multimodal Poetry brings together poets, visual artists, editors, publishers, and teachers working across the expanding field of multimodal poetics. Pairing examples of artists' work with craft essays and writing exercises, this collection gives readers practical ways to combine poetry with visual art, sound, music, movement, archive, found materials, digital media, and performance. Contributors share the tools, choices, and compositional processes behind their work, from blending text and image to experimenting with rhythm, translating across media, using erasure and collage, and designing interactive or embodied reading experiences. Rather than treating multimodal poetry as an add-on to traditional forms, this book shows how medium itself can become part of the poem's thinking. The essays explore audio-modality, image-text hybrids, musical influence, alphanumeric translation, lyrical improvisation, neo-concrete poetry, archival practice, found poetry, mythic reimagining, tactile experience, and more. Designed for writers, artists, students, and teachers, A Writer's Guide to Multimodal Poetry offers both inspiration and instruction: a field-defining introduction to multimodal poetics and a practical invitation to make poems that move through sight, sound, touch, space, and screen.

Mixtures and Margins

A Writer's Guide to Multimodal Poetry

Mining Midlife for Powerful Writing

Writing Through the Pause

Stack, Build, Write

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