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Kumagai C: Songs for Ghosts

Songs for Ghosts

33 1/3 Japan

Widely recognized as the most innovative and influential Japanese group since the Second World War, Yellow Magic Orchestra (YMO) is seeing a revival among music listeners around the world, along with the works of its three members: Academy Award-winning composer Sakamoto Ryuichi, Hosono Haruomi as the central figure of the Japanese "city pop" revival, and Takahashi Yukihiro, who plays drums for METAFIVE with Towa Tei and Oyamada Keigo (Cornelius). This is the first book in English on Yellow Magic Orchestra, positioning its first album as the nexus of jazz fusion, new wave, and hip hop music. YMO's debut album provides a lens on transpacific dialogue on technology, race, and intellectual history. Examining the cultural negotiations between African American and Japanese musicians since the 1970s, this book considers the album as a nascent work of Afro-Asian futurism.

Widely recognized as the most innovative and influential Japanese group since the Second World War, Yellow Magic Orchestra (YMO) is seeing a revival among music listeners around the world, along with the works of its three members: Academy Award-winning composer Sakamoto Ryuichi, Hosono Haruomi as the central figure of the Japanese “city pop” revival, and Takahashi Yukihiro, who plays drums for METAFIVE with Towa Tei and Oyamada Keigo (Cornelius). This is the first book in English on Yellow Magic Orchestra, positioning its first album as the nexus of jazz fusion, new wave, and hip hop music. YMO’s debut album provides a lens on transpacific dialogue on technology, race, and intellectual history. Examining the cultural negotiations between African American and Japanese musicians since the 1970s, this book considers the album as a nascent work of Afro-Asian futurism.

Yellow Magic Orchestra’s Yellow Magic Orchestra

SOAS Studies in Modern and Contemporary Japan

Contesting Memorial Spaces of Japan's Empire

Enthält Band 01 und 02

More than a Doll - Einstiegsbundle

Untitled To be Confirmed

Untitled

The Making and Unleashing of the Atomic Bomb - By The People Who Were There

The Devil Reached Toward the Sky

My Girlfriend's Child

My Girlfriend's Child 8

Destiny but Incompatible

Destiny but Incompatible 2

Ich könnte versuchen, mich in dich zu verlieben

Der eine, der alles istAmane steht auf Jungs, aber weil sich deshalb immer alle über ihn lustig gemacht haben, nimmt er die Liebe inzwischen selbst nicht mehr ernst. Als er auf die Insel Enoshima umzieht, trifft er unverhofft auf den hübschen Ryuji. Amane spürt schnell, dass, wenn es um Ryuji geht, er sein Herz nicht unter Kontrolle hat. Um nicht wieder verletzt zu werden, versucht er verzweifelt, ihn auf Distanz zu halten. Nur - wie lange kann das gutgehen?Ich könnte versuchen, mich in dich zu verlieben ist eine sanfte Boys-Love-Romanze, die sich ausgiebig Zeit für das Storytelling und die Charakterentwicklung nimmt. Die Geschichte eignet sich sehr gut für Genre-Einsteiger*innen ab 14 Jahren sowie für Fans von Sasaki &amp; Miyano, Ein Fremder im Frühlingswind oder Kirschblüten nach dem Winter.

- Realitätsnahe Themen: Der Boys-Love-Manga setzt sich mit bewegenden und emotionalen Themen wie Homosexualität, Outing, Akzeptanz und Selbstfindung auseinander.

- Bezaubernder Zeichenstil: Die Mangaka Maru Kubato weiß, mit einem klassischen Manga-Zeichenstil gekonnt Emotionen und Gefühle darzustellen, der die Leser*innen in seinen Bann zieht.

- Coming-of-Age: Die jungen Charaktere werden mit Fragen über ihre Identität konfrontiert und müssen herausfinden, wer sie sind und zukünftig sein wollen. Konflikte, Missverständnisse und große Gefühle werden erkundet und neue Beziehungen geknüpft.

Einfühlsame Boys Love über erste Gefühle und alte Wunden - Behutsam erzählt, mit Raum für leise Töne und große Emotionen

Ich könnte versuchen, mich in dich zu verlieben 03

The first effort to reconstruct the history of the Pacific War exclusively from internal Japanese sources, from the renowned historiansA magisterial work of political, social, and military history,&nbsp;Sacred War&nbsp;sets a new standard for understanding the events that forever transformed America, Japan, and the world. Celebrated historians Theodore F. and Haruko Taya Cook, whose oral history of the Pacific war was called "one of the essential books about World War II" (Philadelphia Inquirer), now offer a shattering new history of Japan's long war in the Pacific, told exclusively from the perspective of the Japanese.&nbsp;Sacred War&nbsp;draws on a rich trove of documents, much of it first-person and almost all of it previously inaccessible to Western scholars. Based on painstaking research, here is World War II through the eyes of the Japanese themselves: ordinary people on the home front, soldiers on the front lines, and the military and political leadership who drove Japan to near annihilation by 1945. Sacred War&nbsp;reveals both the internal logic of an authoritarian society bent on victory at all costs-including, in the final twelve months of the war, over one million civilian deaths-as well as heartrending accounts of the unfolding conflict, from the disease-ridden beaches on Guadalcanal to the burnt-out streets of Hiroshima, following the nuclear attacks by the United States that brought the war to its devastating end.

The first effort to reconstruct the history of the Pacific War exclusively from internal Japanese sources, from the renowned historians A magisterial work of political, social, and military history, Sacred War&nbsp;sets a new standard for understanding the events that forever transformed America, Japan, and the world.Celebrated historians Theodore F. and Haruko Taya Cook, whose oral history of the Pacific war was called “one of the essential books about World War II” (Philadelphia Inquirer), now offer a shattering new history of Japan’s long war in the Pacific, told exclusively from the perspective of the Japanese. Sacred War&nbsp;draws on a rich trove of documents, much of it first-person and almost all of it previously inaccessible to Western scholars. Based on painstaking research, here is World War II through the eyes of the Japanese themselves: ordinary people on the home front, soldiers on the front lines, and the military and political leadership who drove Japan to near-annihilation by 1945.

Sacred War&nbsp;reveals both the internal logic of an authoritarian society bent on victory at all costs—including, in the final twelve months of the war, over one million civilian deaths—as well as heart-rending accounts of the unfolding conflict, from the disease-ridden beaches on Guadalcanal to the burnt-out streets of Hiroshima, following the nuclear attacks by the United States that brought the war to its devastating end.

Inside the Japanese Experience, 19371945

"Sacred War"

Dear future us . . . there's something you should know. Nel, Flo, Maggie and Nicole haven't been friends for years. Caught in the limbo summer between college and Uni, each of the girls are at a precipice, deciding the direction of the rest of their lives. Nel has her sights set on a gap year chasing sunsets, but her parents have other ideas. Flo is desperate to make it into art school, but her secret romance is distracting her from her work and making it hard for her to leave. Maggie is desperate to move as far from home as possible, leaving her toxic boyfriend behind. And then there's Nicole who, unbeknown to the other girls, has been hospitalized and may have to re-take the year. That's when the notifications come through. None of them remember the time-capsule text messages they sent each other two years ago. Messages full of confessions, feelings and secrets that force them back together again . . . before they break apart. A love-letter to female friendship, this is the debut novel from Georgina Forsyth-Read (one half of Ally &amp; G), perfect for fans of&nbsp;To All The Boys I've Loved Before&nbsp;and&nbsp;The Sisterhood of the Traveling Pants.

Texts We Never Sent

SOAS Studies in Music

With the abrogation of the Zen Buddhist Fuke sect during Japan's modernisation process in the late nineteenth century, the raison d'être for the shakuhachi (Japanese vertical bamboo flute) as a spiritual tool for mendicant monks suddenly vanished. Thereafter, playing the shakuhachi changed from spiritual practice to professional musicianship or musical hobby. The fact that the instrument had been modified and 'improved' has been a well-kept secret. The old style shakuhachi, now named jinashi shakuhachi, became a marginalised instrument for eccentrics. However, during the past decade it has gained popularity, especially outside Japan, where it is considered to be 'the real thing' as opposed to the modernised jinuri shakuhachi. Kiku Day examines how the jinashi shakuhachi, although constructed according to the principles current prior to the Meiji Restoration, itself has been modified to adapt to the needs of modern players. In order to place the instrument into the modern world in its own right, the author, a professional jinashi shakuhachi player, describes her recent collaboration with five international composers on a performance project with the aim of creating a new repertoire. This process of cross cultural creation is described against the background of action research, Theory U, and the theory of flow.

With the abrogation of the Zen Buddhist Fuke sect during Japan’s modernisation process in the late nineteenth century, the raison d’Ãªtre for the shakuhachi (Japanese vertical bamboo flute) as a spiritual tool for mendicant monks suddenly vanished. Thereafter, playing the shakuhachi changed from spiritual practice to professional musicianship or musical hobby. The fact that the instrument had been modified and ’improved’ has been a well-kept secret. The old style shakuhachi, now named jinashi shakuhachi, became a marginalised instrument for eccentrics. However, during the past decade it has gained popularity, especially outside Japan, where it is considered to be ’the real thing’ as opposed to the modernised jinuri shakuhachi. Kiku Day examines how the jinashi shakuhachi, although constructed according to the principles current prior to the Meiji Restoration, itself has been modified to adapt to the needs of modern players.  In order to place the instrument into the modern world in its own right, the author, a professional jinashi shakuhachi player, describes her recent collaboration with five international composers on a performance project with the aim of creating a new repertoire. This process of cross cultural creation is described against the background of action research, Theory U, and the theory of flow.

The Instrument Today and the Creation of a Contemporary Repertoire

The Jinashi Shakuhachi

Bob Is the Biggest, Strongest, and Smartest

Songs for Ghosts

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