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Lee C: Something Wicked

Something Wicked

The Lives, Crimes and Deaths of the Pendle Witches

Stories from the Frontline of Gang Culture

The Street Clinic

Russian Shorts

Beginning with the 1881 Itinerant Art Exhibition, this book examines the history of modern Russia through the paintings of Vasily Surikov and Viktor Vasnetsov, two of the most important Russian painters of the period. By placing specific paintings and their artists alongside the historical myths and legends depicted in the art, Stephen M. Norris explores in highly readable prose how paintings helped to bring obscure, half-forgotten historical events into the public imagination in the 19th century.

Russia's History Painters reveals how Russian history and national identity came to include Kievan princes, Orthodox Christian knights, Cossacks and Peter the Great, among many others. It also analyzes how critics and commentators interpreted these canvases as living entities, encouraging viewers to immerse themselves into the pasts captured on them, and in doing so, to assimilate notions of honour, bravery, and love for the motherland. 

Analysing 11 pivotal artworks in depth, this accessible book explores how painting has defined Russian history and nationhood up to the present day.

Beginning with the 1881 Itinerant Art Exhibition, this book examines the history of modern Russia through the paintings of Vasily Surikov and Viktor Vasnetsov, two of the most important Russian painters of the period. By placing specific paintings and their artists alongside the historical myths and legends depicted in the art, Stephen M. Norris explores in highly readable prose how paintings helped to bring obscure, half-forgotten historical events into the public imagination in the 19th century.

Russia's History Painters reveals how Russian history and national identity came to include Kievan princes, Orthodox Christian knights, Cossacks and Peter the Great, among many others. It also analyzes how critics and commentators interpreted these canvases as living entities, encouraging viewers to immerse themselves into the pasts captured on them, and in doing so, to assimilate notions of honour, bravery, and love for the motherland. 

Analysing 11 pivotal artworks in depth, this accessible book explores how painting has defined Russian history and nationhood up to the present day.

Vasily Surikov, Viktor Vasnetsov, and the Remaking of the Past

Russia's History Painters

Eyewitness to History

Documents of the Holocaust

Undercover with the Next Generation of Cyber Fraudsters

Scam Nation

Not since Antonia Fraser's major biography (1975) has there been a life of Cromwell so sympathetic to its subject and based on so many years of scholarship and research. As General Editor for Oxford University Press of the five-volume edition of all the recorded words (writings and recorded speech acts) of Oliver Cromwell, Professor Morrill is perfectly equipped to write this biography. He argues that Cromwell has been seriously misinterpreted by historians, not least by left-wing thinkers such as Tony Benn, who claim Cromwell as their own and thus misunderstand the nature of Cromwell's political thought. This was a product of his religious ideas, and, argues the author, in this Cromwell was entirely sincere. After the Siege of Drogheda he murdered 3,000 people and Catholic clergy and the religious were killed on sight. He cast a long shadow over Irish history which appears to many to verge on genocide, but with this and the signing of the act of execution of Charles I, Cromwell never doubted that he was doing God's will. Morrill's book sheds exciting new light on Cromwell, both political and religious, and is based on the latest scholarship of the highest quality. Morrill argues against contemporary critics and claims that Cromwell was a man of fundamental sincerity and devotion to high Puritan principles.

Oliver Cromwell is one of the most significant figures in British history - and one of the most misinterpreted. 

In this major new biography, John Morrill argues that Cromwell has been seriously misinterpreted by historians, not least by left-wing thinkers such as Tony Benn, who claim Cromwell as their own and thus misunderstand the nature of Cromwell's political thought, which was in fact a product of his religious ideas. And in this, asserts Morrill, Cromwell was entirely sincere.

With new research and insight, this exploration of his life reveals a man who never doubted that he was doing God's will - which included murdering over 3,000 people, among them Catholic clergy, after the Siege of Drogheda, ordering the religious killed on sight, and signing Charles I's execution order. Morrill also looks at the long shadow Cromwell cast over Irish history, with policies that have been accused of verging on genocide. 

He sheds exciting new light on Cromwell, both political and religious, with analysis that is based on the latest scholarship of the highest quality, arguing against contemporary critics and claiming that Cromwell was a man of fundamental sincerity and devotion to high Puritan principles.

The brave, bad man of British history

Oliver Cromwell

Routledge Research in Sports History

Since their inception in 1930 as the British Empire Games, the Commonwealth Games have developed into one of the world’s major sporting mega-events, with 5,000 athletes competing in Glasgow 2014 representing countries covering one third of the world’s population. This is the first book to survey the entire history of the Commonwealth Games and to explore their significance in the context of sporting political history. It examines the relationship between the Games and the Commonwealth organisation more generally; evaluates the development of the Games themselves, and analyses the key issues which have shaped their political and historical development.

A Political History

The Commonwealth Games

The Essex Sisters

Ein Schneesturm, ein verlassenes Haus - und ein tödliches Geheimnis ...
 Heather Gudenkauf, New York Times-Bestsellerautorin, entfacht in diesem fesselnden Thriller einen meisterhaft konstruierten Pageturner voller dunkler Geheimnisse und eiskalter Spannung.Sie dachte, sie wäre allein ...
 Krimiautorin Wylie Lark hat sich in ein abgelegenes Farmhaus zurückgezogen, um an ihrem neuen Buch zu arbeiten. Eingeschneit, mit einem knisternden Kaminfeuer und völliger Stille, scheint es der perfekte Rückzugsort - wäre da nicht die grausame Vergangenheit dieses Hauses. Vor Jahrzehnten wurden hier zwei Menschen kaltblütig ermordet, ein junges Mädchen verschwand spurlos.Als der Schneesturm immer heftiger wird, ist Wylie von der Außenwelt abgeschnitten. Doch sie ist nicht allein. Draußen im Schnee entdeckt sie ein Kind - verstört, halb erfroren, wortlos. Sie bringt es ins Warme und versucht herauszufinden, wer es ist. Doch mit jeder Antwort, die sie findet, wächst die Gefahr. Denn Wylie muss erkennen: Das Farmhaus ist nicht so verlassen, wie sie dachte - und jemand ist bereit, alles zu tun, um die Wahrheit für immer zu begraben ...

Ein Schneesturm, ein verlassenes Haus – und ein tödliches Geheimnis …Heather Gudenkauf, New York Times-Bestsellerautorin, entfacht in diesem fesselnden Thriller einen meisterhaft konstruierten Pageturner voller dunkler Geheimnisse und eiskalter Spannung.Sie dachte, sie wäre allein …Krimiautorin Wylie Lark hat sich in ein abgelegenes Farmhaus zurückgezogen, um an ihrem neuen Buch zu arbeiten. Eingeschneit, mit einem knisternden Kaminfeuer und völliger Stille, scheint es der perfekte Rückzugsort – wäre da nicht die grausame Vergangenheit dieses Hauses. Vor Jahrzehnten wurden hier zwei Menschen kaltblütig ermordet, ein junges Mädchen verschwand spurlos.Als der Schneesturm immer heftiger wird, ist Wylie von der Außenwelt abgeschnitten. Doch sie ist nicht allein. Draußen im Schnee entdeckt sie ein Kind – verstört, halb erfroren, wortlos. Sie bringt es ins Warme und versucht herauszufinden, wer es ist. Doch mit jeder Antwort, die sie findet, wächst die Gefahr. Denn Wylie muss erkennen: Das Farmhaus ist nicht so verlassen, wie sie dachte – und jemand ist bereit, alles zu tun, um die Wahrheit für immer zu begraben …

Ein Schneesturm. Ein fremdes Kind. Ein tödliches Geheimnis

Ein unerwarteter Gast

Cornwall

The Living Stones

Popes and the Papal Court, 1503-1655 is the first book-length account of the early modern papal court in English. As well as bringing together art historical, social, and political studies in several languages, it contains a wealth of primary source material, such as advice manuals for cardinals and aspiring courtiers, accounts of Roman festivals, reports of visiting ambassadors and news reports from Rome deposited in the Vatican library. The book argues that during the 16th and 17th centuries, popes were conscious to varying degrees of their responsibilities to conserving and enhancing the status of the monarchy as something larger than themselves as individuals or their families, and as such they exhibited some characteristics of dynastic monarchies. Toby Osborne explores how the culture of the papal court and the ways in which it functioned as a point of contact between the ruler, certain elites, and other princes not only had similarities with dynastic states, but also set the standard for court life around Europe. By bringing to light recent scholarship written by continental historians, Popes and the Papal Court, 1503-1655 represents an important contribution to the scholarly endeavour to better understand the political culture of the papal states and the workings of the papal monarchy. As such, it will be illuminating reading for all students and scholars interested in early modern court history.

Popes and the Papal Court, 1503-1655 is the first book-length account of the early modern papal court in English. As well as bringing together art historical, social, and political studies in several languages, it contains a wealth of primary source material, such as advice manuals for cardinals and aspiring courtiers, accounts of Roman festivals, reports of visiting ambassadors and news reports from Rome deposited in the Vatican library.

The book argues that during the 16th and 17th centuries, popes were conscious to varying degrees of their responsibilities to conserving and enhancing the status of the monarchy as something larger than themselves as individuals or their families, and as such they exhibited some characteristics of dynastic monarchies. Toby Osborne explores how the culture of the papal court and the ways in which it functioned as a point of contact between the ruler, certain elites, and other princes not only had similarities with dynastic states, but also set the standard for court life around Europe.

By bringing to light recent scholarship written by continental historians, Popes and the Papal Court, 1503-1655 represents an important contribution to the scholarly endeavour to better understand the political culture of the papal states and the workings of the papal monarchy. As such, it will be illuminating reading for all students and scholars interested in early modern court history.

The Keys to the Kingdom

Popes and the Papal Court, 1503-1655

Routledge SOLON Explorations in Crime and Criminal Justice Histories

This book examines the gendering of violence from the late 18th century onwards and reflects on the extent to which gender expectations have continued, into the 20th century at least, to shape criminal justice and its attitude towards violence.

This book examines the gendering of violence from the late 18th century onwards and reflects on the extent to which gender expectations have continued, into the 20th century at least, to shape criminal justice and its attitude towards violence.

Gendering Understandings of Violence, Disorder and Protest in England and Wales 1784-2010

Crime, Violence and Visibility

Something Wicked

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