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Something Sensational to Read on the
Train: Mathematics: The First Three Yea

Something Sensational to Read on the Train: Mathematics: The First Three Years

The Diary of a Lifetime

Untitled David Sedaris

Letters to Franca offers an extensive selection from the 500 or so extraordinary letters Louis Althusser addressed to Franca Madonia between 1961 and 1972, the most productive period in Althusser's life and the time when his most characteristic works were being elaborated and first received. This correspondence allows, therefore, a unique insight into Althusser's theoretical and political trajectory, giving an intimate account of the establishment of Althusserian Marxism and the intellectual, historical and institutional milieu within which it came to prominence. It also charts the singular story of Althusser's relationship with Franca, whom he encountered in 1961 and who became his lover, intellectual confidante and Italian translator; the letters thus have a quasi-novelistic dimension and afford a gripping vision of a remarkable couple, the chronicle of a passion. Their correspondence consequently exhibits an exceptionally diverse tonal range, alternately analytical, lyrical, ludic and sombre, displaying an investment in language and expressionbarely suggested by Althusser's previously published work. At once the diary of an intellectual-political existence and the narrative of a coup de foudre, these letters also uniquely provide an astonishingly self-reflexive account of Althusser's experience of manic depression, inviting the reader to witness its sometimes exhilarating, sometimes devastating effects upon his private and public being. Featuring an extensive record of Althusser's long-term engagement with the thought and practice of psychoanalysis, Letters to Franca bids the reader, here and throughout, to accompany Althusser on a fascinating journey - between theory and life.

Letters to Franca offers an extensive selection from the 500 or so extraordinary letters Louis Althusser addressed to Franca Madonia between 1961 and 1972, the most productive period in Althusser’s life and the time when his most characteristic works were being elaborated and first received. This correspondence allows, therefore, a unique insight into Althusser’s theoretical and political trajectory, giving an intimate account of the establishment of Althusserian Marxism and the intellectual, historical and institutional milieu within which it came to prominence. It also charts the singular story of Althusser’s relationship with Franca, whom he encountered in 1961 and who became his lover, intellectual confidante and Italian translator; the letters thus have a quasi-novelistic dimension and afford a gripping vision of a remarkable couple, the chronicle of a passion. Their correspondence consequently exhibits an exceptionally diverse tonal range, alternately analytical, lyrical, ludic and sombre, displaying an investment in language and expressionbarely suggested by Althusser’s previously published work. At once the diary of an intellectual-political existence and the narrative of a coup de foudre, these letters also uniquely provide an astonishingly self-reflexive account of Althusser’s experience of manic depression, inviting the reader to witness its sometimes exhilarating, sometimes devastating effects upon his private and public being. Featuring an extensive record of Althusser’s long-term engagement with the thought and practice of psychoanalysis, Letters to Franca bids the reader, here and throughout, to accompany Althusser on a fascinating journey - between theory and life.

Letters to Franca (1961–1972)

Untitled Essays

At some point between living alone and becoming single, Hwang Sunwoo and Kim Hana found each other, and decided to live together in a nice apartment where their four cats would finally have the freedom to run around. Together they became a family - and redefined it. At a time housing costs have skyrocketed whilst the birth rates plummets, these two independent Korean women in their late forties share their views on society and its expectations of them. And, intent neither to marry or to live alone, they reflect on the comfort of their cohabiting friendship as it blossoms into a life full of joy and meaning. From housing insecurity and access to health care, to solo dining and stigmatised cat ladies, the loaded, self-sacrificing demands of filial piety and obligations to in-laws, TWO WOMEN LIVING TOGETHER impugns social scripts by spelling them out plainly. But also, and especially, by showing what it's like to choose differently. Quietly radical, full of warmth and wit, WOMEN LIVING TOGETHER celebrates carving out your own path, cats, female friendship, and a different kind of family.

Two Women Living Together

Nemonte's writing is as provocative as it is inspiring' EMMA THOMPSON 'One of the most effective leaders for indigenous rights and environmental justice' LAURENE POWELL JOBS 'I'm here to tell you my story, which is also the story of my people and the story of this forest.' Born into the Waorani tribe of Ecuador's Amazon rainforest, Nemonte Nenquimo was taught about plant medicines, foraging, oral storytelling, and shamanism by her elders. Age 14, she left the forest for the first time to study with an evangelical missionary group in the city. Eventually, her ancestors began appearing in her dreams, pleading with her to return and embrace her own culture. She listened. Two decades later, Nemonte has emerged as one of the most forceful voices in climate-change activism. She has spearheaded the alliance of indigenous nations across the Upper Amazon and led her people to a landmark victory against Big Oil, protecting over a half million acres of primary rainforest. Her message is as sharp as the spears that her ancestors wielded - honed by her experiences battling loggers, miners, oil companies and missionaries. In this astonishing memoir, she partners with her husband Mitch Anderson, founder of Amazon Frontlines, digging into generations of oral history, uprooting centuries of conquest, hacking away at racist notions of Indigenous peoples, and ultimately revealing a life story as rich, harsh and vital as the Amazon rainforest herself. More praise for We Will Not Be Saved: 'A radical manifesto for our times' VANESSA KIRBY 'An act of storytelling generosity' NATHALIE KELLY 'Inspiring, moving and unforgettable' ROWAN HOOPER 'Truly Inspiring and humbling' CAROLINE SANDERSON ** Publishing in the US as WE WILL BE JAGUARS**

The first memoir by an indigenous tribal leader in the Amazon, who fought Big Oil to preserve her tribe's territories, and thousands of acres of pristine rainforest.

A memoir of hope and resistance in the Amazon rainforest (Reese Witherspoon's Book Club Pick)

We Will Not Be Saved

366 Lives, One Day at a Time

Diaries of Note

A fever-dream journal documenting the making of cinema's most infamous production, from the world's most infamously visionary director: Werner Herzog. In 1982, the visionary film director, Werner Herzog, released Fitzcarraldo, a lavish film about a would-be rubber baron who pulls a 320-ton steamship over a mountain. Hailed instantly by critics around the globe as a masterpiece, Fitzcarraldo won Herzog the 1982 Outstanding Director Prize at the Cannes Film Festival, affirming Herzog's reputation as one of the most revered and enigmatic filmmakers of his time. Conquest of the Useless is the diary Herzog kept during the making of Fitzcarraldo, compiled from June 1979 to November 1981. Emerging as if out of an Amazonian fever dream during filming, Herzog's writings are an extraordinary documentary unto themselves. Strange and otherworldly events are recounted by the filmmaker. The crew's camp in the heart of the jungle is attacked and burned to the ground; the production of the film clashes with a border war; and, of course, Herzog unravels the impossible logistics of moving a 320-ton steamship over a hill without the use of special effects. In his preface, Herzog warns that the diary entries collected in Conquest of the Useless do not represent "reports on the actual filming" but rather "inner landscapes, born of the delirium of the jungle." Thus begins an extraordinary glimpse into the mind of a genius during the making of one of his greatest achievements.

A fever-dream journal documenting the making of cinema’s most infamous production, from the world's most infamously visionary director: Werner Herzog. In 1982, the visionary film director, Werner Herzog, released Fitzcarraldo, a lavish film about a would-be rubber baron who pulls a 320-ton steamship over a mountain. Hailed instantly by critics around the globe as a masterpiece, Fitzcarraldo won Herzog the 1982 Outstanding Director Prize at the Cannes Film Festival, affirming Herzog's reputation as one of the most revered and enigmatic filmmakers of his time.Conquest of the Useless is the diary Herzog kept during the making of Fitzcarraldo, compiled from June 1979 to November 1981. Emerging as if out of an Amazonian fever dream during filming, Herzog's writings are an extraordinary documentary unto themselves. Strange and otherworldly events are recounted by the filmmaker. The crew's camp in the heart of the jungle is attacked and burned to the ground; the production of the film clashes with a border war; and, of course, Herzog unravels the impossible logistics of moving a 320-ton steamship over a hill without the use of special effects. In his preface, Herzog warns that the diary entries collected in Conquest of the Useless do not represent "reports on the actual filming" but rather "inner landscapes, born of the delirium of the jungle." Thus begins an extraordinary glimpse into the mind of a genius during the making of one of his greatest achievements.

Fever Dreams in the Jungle

Conquest of the Useless

You're falling through time so all I can do is fall with you.The numbness had set in long before I sat at your bedside. But even with senses impaired as the flight touches down at Belfast City I can somehow still feel the screeching of wheels on tarmac scorching something deep into me.

The Forest Is the Path

Routledge Revivals

Originally published in 1926, this volume provides an analysis of the history of social conditions in England during the nineteenth century, as well as a discussion of the development of social affairs and the inertia of political psychology.

Originally published in 1926, this volume provides an analysis of the history of social conditions in England during the nineteenth century, as well as a discussion of the development of social affairs and the inertia of political psychology.

Lord Shaftesbury and Social-Industrial Progress

The perfect companion for Part Time Working Mummy fans, this is a guide filled with life lessons so you can find your power to turn your dark days into sunlight.

The perfect companion for Part Time Working Mummy fans, this is a guide filled with life lessons so you can find your power to turn your dark days into sunlight.

How to Live and Love Your Life

The Power in You

'Really funny &amp; engaging. A breeze and a pleasure to read' Katherine Ryan 'As hilarious and outrageous as you might expect' Rosie Ramsey 'Funny. Poignant. Fascinating. Just the sort of hilarious, disrespectful, ribald book I love to get stuck into' Jo Brand *** How did little Jenny Hargreaves become Jenny Eclair and elbow her way into the male dominated world of 1980s stand-up? Daughter of Major Derek Hargreaves (spy?) and June Hargreaves (spy's wife?) sister of Sara (born to be Head Girl) and Ben (the usurper), Jenny's comedy career took off via drama school, cider, sausage rolls, sleeping with men who looked like they lived under a carpet, punk poetry, anorexia, bedsit misery, waitressing and not really having a clue about anything. This was a world before microphones, mobile phones, before everyone gave up smoking or started taking coke. Jenny Eclair was on the comedy circuit before there really was a comedy circuit and was the first woman to win the Perrier Award along the way. Still gigging to sell-out crowds forty years later, Jenny Eclair's memoir charts her childhood, her career and the changing face of women in comedy, all told with hilarious brilliance in Jokes, Jokes, Jokes, her very funny memoir. MORE PRAISE FOR JOKES, JOKES, JOKES ''Laugh out loud and moved to tears. Highly recommended' Josie Lawrence 'Rude, honest and funny' Dom Joly 'I love this book!' Helen Lederer 'A tonic for the soul' Jennie Godfrey 'Hilarious' Julian Clary 'You'll love it!' Anthea Turner

How did little Jenny Hargreaves become Jenny Eclair and elbow her way into the male dominated world of 1980s stand-up? Daughter of Major Derek Hargreaves (spy?) and June Hargreaves (spy's wife?) sister of Sara (born to be Head Girl) and Ben (the usurper), Jenny's comedy career took off via drama school, cider, sausage rolls, sleeping with men who looked like they lived under a carpet, punk poetry, anorexia, bedsit misery, waitressing and not really having a clue about anything. This was a world before microphones, mobile phones, before everyone gave up smoking or started taking coke. Jenny Eclair was on the comedy circuit before there really was a comedy circuit and was the first woman to win the Perrier Award along the way. Still gigging to sell-out crowds forty years later, Jenny Eclair's memoir charts her childhood, her career and the changing face of women in comedy, all told with hilarious brilliance in Jokes, Jokes, Jokes, her very funny memoir.

My Very Funny Memoir

Jokes, Jokes, Jokes

Before Anna Delvey, before the Tinder Swindler, there was 'Hipster Grifter' Kari Ferrell

You'll Never Believe Me

Something Sensational to Read on the Train: Mathematics: The First ...

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