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Sanjuan E: Silent Snow

Silent Snow

Hokkaido

Experience the wild beauty of birds around the Bay.Having explored San Francisco neighborhoods in three celebrated books, Dick Evans turns here to the avian species that call the Bay Area home. With his photographer's eye, he finds art and drama in the lives of birds, from the smallest sparrows to long-legged Great Blue Herons. He captures the pockets of wilderness in our cities that make the area a birder's paradise: from a marsh full of endangered birds wading in the reeds near the Oakland Airport to the isolated refuge of the Farallon Islands, home to a quarter-million seabirds and a handful of visiting scientists; from Crissy Field, flocked with egrets, to the pasturelands birds share with cattle. His vibrant images are interspersed with text by Hannah Hindley that weaves us more deeply into relationship with our avian neighbors, introducing readers to the natural history of the region, to themes of interdependence and ecology, and to the evolving challenges for birds in a densely settled urban environment. At the heart of these images and stories is love for the living descendants of dinosaurs as they soar and parade, and awe at their ephemerality and endurance. Evans's photos highlight the wonder of a world on the wing and the rich biodiversity of Bay Area birds.

Birds of the Bay Area

In the Shadow of the Bridge

Frank Scholten in British Mandate Palestine

Photographing Biblical Modernity

Mr. Men & Little Miss Celebrations

Mr Men Little Miss Celebrations Mr Men Little Miss In Wales

Mark Klett and William L. Fox: Marshall Islands

Collins Road Atlas

Folded Map

2027 Collins Road Map of Britain

Mr Men Little Miss Celebrations Mr Men Little Miss Easter Bunny

Hal Fischer: Seminal Works collects Gay Semiotics with Fischer's rarely seen early photography and features a range of essays that provide vital perspectives on the enduring themes of his work.In the late 1970s, as gay men in San Francisco were enjoying a new era of liberation following the Stonewall Riots, Hal Fischer made a signal photo-text project that categorized denizens of the Castro and Haight-Ashbury neighborhoods by social type. Sly and systematic, Fischer's Gay Semiotics portrays the sartorial codes of queer street style--earrings, handkerchiefs, jeans, or leather--that broadcast a range of desires to potential sexual prospects. Fischer annotated his black-and-white photographs with commentary about gay archetypes, such as the jock or the hippie, with an occasional sense of irreverence. The series was published as an artist's book in 1978 and quickly became an influential record of a libertine era before AIDS, the rise of internet dating apps, and tech industry-accelerated gentrification transformed queer life in San Francisco forever. Hal Fischer: Seminal Works includes Gay Semiotics together with Fischer's rarely seen early photography and features essays that offer vital new perspectives on the enduring themes of his work, from the history of San Francisco to the gay rights movement's impact on shifting visions of race and masculinity.

Hal Fischer: Seminal Works

The first English-language volume of Takuma Nakahira's influential writings on photography. Takuma Nakahira was a crucial figure within the history of Japanese photography, best known outside of Japan as a founding member of Provoke, the experimental magazine of photographs, essays, and poetry, first published in Tokyo in 1968. Through Provoke, Nakahira deepened his artistic and personal connection to Daido Moriyama, with whom he developed a signature style of harsh and grainy black-and-white photography. He would eventually break with this style, and over the course of his decades-long career, maintain an experimental approach to photography. And yet, beyond his photographic practice, Nakahira was also a committed critic, writing on a range of topics hardly limited to photography: art, film, journalism, radical politics, television, and jazz. As a whole, the essays offer insight into the evolution of Nakahira's thinking. As the curator Matthew S. Witkovsky notes, "Nakahira's incisive writing cut apart standing views in literature, film, politics, and especially photography, and he published both articles and photographs at a feverish rate."

Selected writings by Takuma Nakahira

Takuma Nakahira: At the Limits of the Gaze

Icons, Legends, and Muses

Moments

A celebration of international book-loving cats.

Bookshop Cats

“In the best modernist tradition, [Deschenes] pushes against the basic terms by which photography is conventionally defined: instantaneity, veracity, fixity, or reproducibility.” — curator and critic Matthew WitkovskyDeschenes uses durational photogram exposure to create unique, shifting surfaces that frequently function as sculptural or architectural, rather than photographic, objects. In her recent work, Deschenes exposes photographic paper to the night sky, develops it, and fixes the photogram with silver toner, creating misty silver surfaces brindled with slight changes in hue that are affected either by exposure to ambient light or the hand-application of the toner itself. Some of these photograms remain unframed and oxidize over time, further problematizing the role of the photograph as fixed image on surface. Instead, purged of representational content, the photograph, in Deschenes’s practice, functions as an object that records how it has been, and continues to be, acted upon.Deschenes’ work is held in the permanent collections of Centre Pompidou, Paris; San Francisco Museum of Modern Art; Solomon R. Guggenheim Museum, New York; Whitney Museum of American Art, New York; Museum of Modern Art, New York; Metropolitan Museum of Art, New York; Walker Art Center, Minneapolis; Art Institute of Chicago; ICA/Boston; Pinault Collection, Paris; Montreal Museum of Fine Arts; Milwaukee Art Museum; Princeton University Art Museum; the Hirshhorn Museum and Sculpture Garden, Washington, D.C.

Liz Deschenes

Kinship and Community: Highlights from the Texas African American Photography Archive celebrates the rich history of photography created by and for Black communities in Texas. From eighteenth-century ambrotype portraits by unidentified photographers to the work of self-employed photographers serving segregated towns and neighborhoods in the mid-twentieth century, a rich body of photography was created by and for Black communities in Texas. The Texas African American Photography Archive (TAAP), founded in 1995 by Alan Govenar and Kaleta Doolin, contains more than sixty thousand negatives and prints from this history. Kinship and Community distills the archive's remarkable photographs into a moving testament to the medium and its transformative power. Filled with joy and pride, the images in this volume portray exemplary individuals and groups while documenting the parades, church services, graduations, and sporting events that punctuated everyday life. These positive depictions of Black life, by countering the mainstream media's racist stereotypes, played a quiet but powerful role in the struggle for civil rights.	Today, community photography provides a model for collaborative image-making, its vitality stemming from this union of ethics and aesthetics. Many of the photographers featured in Kinship and Community learned their trade in the military or from other Black photographers. As the civil rights era progressed, their aptitude and artistry enabled them to develop an affirmative vision for African American communities in a deeply segregated state. Decades later, the time has come to celebrate the accomplishments of these talented photographers, who include A. B. Bell, Marion Butts, Rodney Evans, Elnora Frazier, Alonzo Jordan, Benny Joseph, and Eugene Roquemore.Copublished by Aperture and Documentary Arts.

Kinship & Community: Highlights from the Texas African American Photography Archive

Silent Snow

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