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Nice James: Shadowplayers / LF

Shadowplayers

The Rise and Fall of Factory Records

Roc Nation exec and lifelong fan and curator of hip-hop culture "Lenny S." Santiago presents dynamic photos of today's most popular celebrities and influencers, set on the iconic gold couch in his office, offering a fresh lens on what excellence—the gold standard—means in today's pop culture landscape. Lenny S. has helped shape modern hip-hop culture as we know it. A veteran music biz executive as well-known for his love of photography—nicknamed "Kodak Lens"—as for his ability to craft successful marketing campaigns for stars like Jay-Z, DJ Khaled, and the brightest names in music, sports, fashion, film, and television. With friends like the Carters, LeBron James, and A$AP Rocky, he has been inspired to captured key moments in their glamorous lives with his camera. And when his illustrious guests stop by his Roc Nation office, Lenny picks up his camera and asks them to strike a pose on the gold leather sofa where he holds court. &nbsp; &nbsp;In THE GOLD STANDARD, Lenny S. presents these rare pics of today's brightest stars—inspired, playful, standing on business, and elevating the game. In this stunning four-color hardcover, readers can explore and celebrate what excellence looks like in today’s world of glamour and glitz.

Roc Nation exec and lifelong fan and curator of hip-hop culture "Lenny S." Santiago presents dynamic photos of today's most popular celebrities and influencers, set on the iconic gold couch in his office, offering a fresh lens on what excellence—the gold standard—means in today's pop culture landscape. Lenny S. has helped shape modern hip-hop culture as we know it. A veteran music biz executive as well-known for his love of photography—nicknamed "Kodak Lens"—as for his ability to craft successful marketing campaigns for stars like Jay-Z, DJ Khaled, and the brightest names in music, sports, fashion, film, and television. With friends like the Carters, LeBron James, and A$AP Rocky, he has been inspired to captured key moments in their glamorous lives with his camera. And when his illustrious guests stop by his Roc Nation office, Lenny picks up his camera and asks them to strike a pose on the gold leather sofa where he holds court. &nbsp; &nbsp;In THE GOLD STANDARD, Lenny S. presents these rare pics of today's brightest stars—inspired, playful, standing on business, and elevating the game. In this stunning four-color hardcover, readers can explore and celebrate what excellence looks like in today’s world of glamour and glitz.

The Gold Standard

33 1/3 Japan

Widely recognized as the most innovative and influential Japanese group since the Second World War, Yellow Magic Orchestra (YMO) is seeing a revival among music listeners around the world, along with the works of its three members: Academy Award-winning composer Sakamoto Ryuichi, Hosono Haruomi as the central figure of the Japanese "city pop" revival, and Takahashi Yukihiro, who plays drums for METAFIVE with Towa Tei and Oyamada Keigo (Cornelius). This is the first book in English on Yellow Magic Orchestra, positioning its first album as the nexus of jazz fusion, new wave, and hip hop music. YMO's debut album provides a lens on transpacific dialogue on technology, race, and intellectual history. Examining the cultural negotiations between African American and Japanese musicians since the 1970s, this book considers the album as a nascent work of Afro-Asian futurism.

Widely recognized as the most innovative and influential Japanese group since the Second World War, Yellow Magic Orchestra (YMO) is seeing a revival among music listeners around the world, along with the works of its three members: Academy Award-winning composer Sakamoto Ryuichi, Hosono Haruomi as the central figure of the Japanese “city pop” revival, and Takahashi Yukihiro, who plays drums for METAFIVE with Towa Tei and Oyamada Keigo (Cornelius). This is the first book in English on Yellow Magic Orchestra, positioning its first album as the nexus of jazz fusion, new wave, and hip hop music. YMO’s debut album provides a lens on transpacific dialogue on technology, race, and intellectual history. Examining the cultural negotiations between African American and Japanese musicians since the 1970s, this book considers the album as a nascent work of Afro-Asian futurism.

Yellow Magic Orchestra’s Yellow Magic Orchestra

Music and Material Culture

In the early twenty-first century we are inundated with technologies and discourses that privilege the apparently liberating immaterial aspects of digital culture. Despite, or perhaps because, of this, the making of material objects continues to be of importance in people’s everyday lives. Including case studies on guitar makers, homemade recording equipment, car audio culture, and 3D printing of musical instruments, Gavin Carfoot critically examines the ways that musical objects are produced through social and cultural practices and forms of labour, in co-constitutive ways between human makers and non-human objects.

The Culture and Practice of Making Musical Objects

Making Things Musical

Focus on World Music Series

Focus: Native American Music leans heavily toward Native peoples of the United States, but also includes information on First Nations of Canada. It synthesizes current research on Native American music, illustrated by photographs, figures, music notations, audio examples, and personal narratives of active performers. The outstanding features are its treatment of contemporary Native American/First Nations musical life, its overview of the history of Native American music, and its focus on the musical life of Woodland peoples in Oklahoma. It is distinctive in the range of styles and genres discussed, featuring sde-bar profiles of Native American singers, musicians, and dancers.

Focus: Native American Music

Routledge Television Guidebooks

This Routledge Television Guidebook on Television Music provides a comprehensive overview of the engagement between music and television since the inception of network television broadcasting in the United States in the late 1940s. In this book, Norma Coates presents a "how-to" guide, providing examples and case studies of many approaches to making sense of how music functions on television. Music plays many roles on television-it can function as a soundtrack, comment on the narrative, or be part of the narrative itself. Music can be foundational to a genre and industrial structure like music television, or it can be the organizing principle for a type of program such as the televised singing contest. Music can provide content in the form of band or individual performances across a range of television genres. With case studies of popular shows like American Idol and Glee, this Television Guidebook aims to help students explore and understand how music contributes to television style, narrative, genre, and history.

This Routledge Television Guidebook on Television Music provides a comprehensive overview of the engagement between music and television since the inception of network television broadcasting in the United States in the late 1940s. In this book, Norma Coates presents a "how-to" guide, providing examples and case studies of many approaches to making sense of how music functions on television. Music plays many roles on television—it can function as a soundtrack, comment on the narrative, or be part of the narrative itself. Music can be foundational to a genre and industrial structure like music television, or it can be the organizing principle for a type of program such as the televised singing contest. Music can provide content in the form of band or individual performances across a range of television genres. With case studies of popular shows like American Idol and Glee, this Television Guidebook aims to help students explore and understand how music contributes to television style, narrative, genre, and history.

Television Music

Nadine Shah. Singer, songwriter, musician, activist, mixed-race, thirtysomething, successful, outspoken. That's the tagline, at least... As a professional musician, I decided long ago what truly defines success. Everything else it just a bonus. Famous enough to be scrutinised in the supermarket, but not famous enough to enjoy the perks that come with 'celebrity', I don't know any other life.From my various accolades and media presence, it might seem like I've it made it, but really I just try my best to do what I do best. I imagine that much of my story is yours, too, even if you're not a musician. I know you sometimes feel just as inadequate as I do scrolling through Instagram, viewing 'better' depictions of ourselves. But none of it is real. To me, what makes a good lyricist is the ability to speak for everyone and to everyone. I don't claim to be unique; I don't have any answers to the big questions. But I am willing to share my thoughts on the world with anyone who is willing to listen. This book is a collection of musings on what makes me jump out of bed and what makes me hide under the covers. Sometimes we need to read other people's stories in order to process our own. In this memoir, I will hang out my dirty laundry for all to see in the hope that perhaps you'll find the confidence to do the same. This is not your regular rock-star tale of debauchery; it's just my everyday life ­- the rank and the glamorous, the mundane and the ridiculous, the demons and the angels. My version of events.

Critically Acclaimed, Sort of Famous

Music and Sound on the International Screen

Throughout the Cold War, the films produced on both sides of the Iron Curtain both reflected and were shaped by the ideologies of their respective countries. Music played a key role defining the messages sent by these films. The essays in this book offer the first extended look at the relationship between music and ideology in the European cinema of the Cold War era. With contributions from an international array of scholars, this volume examines cinematic productions from Britain, East and West Germany, France, Yugoslavia, Poland, the Soviet Union, and Francoist Spain. The contributors explore the interactions between music, ideology, and cinema that shaped mass culture in the Cold War.

Throughout the Cold War, the films produced on both sides of the Iron Curtain both reflected and were shaped by the ideologies of their respective countries. Music played a key role defining the messages sent by these films. The essays in this book offer the first extended look at the relationship between music and ideology in the European cinema of the Cold War era. With contributions from an international array of scholars, this volume examines cinematic productions from Britain, East and West Germany, France, Yugoslavia, Poland, the Soviet Union, and Francoist Spain. The contributors explore the interactions between music, ideology, and cinema that shaped mass culture in the Cold War.

1940s to 1980s

Music, Ideology, and Commerce in European Popular Cinema

Out of the cocaine-fuelled, rock'n'roll debauchery of the 1970s came an iconic collaboration between an influential rocker and a visionary filmmaker. From The Last Waltz to The Wolf of Wall Street and The Irishman, the creative legacy of Robbie Robertson and Martin Scorcese has spanned decades. Filled with high octane exploits, bacchanalian parties and untold amounts of debauchery, this is the intimate and unvarnished behind-the-scenes story of a partnership that has shaped American culture like no other. PRAISE FOR TESTIMONY 'A book of memories and wonders, a personal testament of a magical time in American music from someone who was there, at the center of it all . . . Robbie brings you along with him, keeps you right by his side first to last, just the way his songs do, drawing you close, spellbound by his easy sorcery. You can feel the music in every word' Martin Scorsese 'Robust, wry, gritty and wise' Wall Street Journal 'Confident and well oiled. At times it has the mythic sweep of an early Terrence Malick movie' New York Times 'Captivating... this is essential reading' Rolling Stone 'Robertson is an immensely capable storyteller and a keen observer' New Yorker

Insomnia

Electronic Dreams, Desiring Machines and Tomorrow’s Music Today

Futuromania

A fully revised edition of the Fender bible for 2025 - with brand new information and unseen images.

A fully revised edition of the Fender bible for 2025 - with brand new information and unseen images.

Fender The Golden Age 1946-1970

Fender: The Golden Age

The Mixtape Series

<div>In&nbsp;Go All The Way, today's best and brightest writers go deep on what certain Power Pop bands and songs mean and have meant to them. </div><div> </div><div>Fun, bright, and playful, Power Pop is a sometimes adored, sometimes maligned, often misunderstood genre of music. From its heyday in the 70s and 80s to its resurgence in the 90s and 00s, Power Pop has meant many things to many people. Whether they love or hate it, Go All The Way is a dive into the Beatles-inspired pop rock of the last five decades. Featuring: Heather Havrilesky on Blondie Carrie Courogen on Liz Phair Michael Chabon on Big Star Jeff Rougvie on Cheap Trick David Yaffe on XTC Kate Sullivan on Jeff Lynne and ELO Dylan Champion on Guided By Voices Joe Clifford on The Hold Steady David Bash on His So-Called (Power Pop) Life Justin Fielding on The Road to Power Pop Paul Myers on Sloan Jeff Whalen on Power Pop as Beatles Obsession S. W. Lauden on Fountains of Wayne Ira Elliot on Putting the Pow! in Power Pop Rex Weiner on September Gurls Marko DeSantis on Surrender Ken Sharp on The Secret Power Pop History of KISS's Paul Stanley Tom Petty on The Strange Magic of Jeff Lynne (as told to Ken Sharp) John M. Borack on The Women of Power Pop Dave Holmes on Tommy Keene Daniel Brummel on Weezer Nancy Rommelmann on Analog Anthems Allison Anders on Nick Lowe's Pub Rock Roots Annie Zaleski on How Jelly Fish Changed the Game Chris Holm on The Brainy Power Pop of Allan Carl Newman Scott Miller excerpts from Music: What Happened? Kurt Baker on Pop Punk to Power Pop </div>

<div>In&nbsp;Go All The Way, today's best and brightest writers go deep on what certain Power Pop bands and songs mean and have meant to them. </div><div> </div><div>Fun, bright, and playful, Power Pop is a sometimes adored, sometimes maligned, often misunderstood genre of music. From its heyday in the 70s and 80s to its resurgence in the 90s and 00s, Power Pop has meant many things to many people. Whether they love or hate it, Go All The Way is a dive into the Beatles-inspired pop rock of the last five decades. Featuring: Heather Havrilesky on Blondie Carrie Courogen on Liz Phair Michael Chabon on Big Star Jeff Rougvie on Cheap Trick David Yaffe on XTC Kate Sullivan on Jeff Lynne and ELO Dylan Champion on Guided By Voices Joe Clifford on The Hold Steady David Bash on His So-Called (Power Pop) Life Justin Fielding on The Road to Power Pop Paul Myers on Sloan Jeff Whalen on Power Pop as Beatles Obsession S. W. Lauden on Fountains of Wayne Ira Elliot on Putting the Pow! in Power Pop Rex Weiner on September Gurls Marko DeSantis on Surrender Ken Sharp on The Secret Power Pop History of KISS's Paul Stanley Tom Petty on The Strange Magic of Jeff Lynne (as told to Ken Sharp) John M. Borack on The Women of Power Pop Dave Holmes on Tommy Keene Daniel Brummel on Weezer Nancy Rommelmann on Analog Anthems Allison Anders on Nick Lowe's Pub Rock Roots Annie Zaleski on How Jelly Fish Changed the Game Chris Holm on The Brainy Power Pop of Allan Carl Newman Scott Miller excerpts from Music: What Happened? Kurt Baker on Pop Punk to Power Pop </div>

A Literary Appreciation of Power Pop

Go All The Way

Shadowplayers

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