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New Cambridge Music Handbooks

"Offers an introduction to one of the most important and influential piano concertos in the history of Western music. It combines an account of the work's genesis with a detailed yet accessible analysis of each movement and new research into its reception and performance history"--

Horton Julian: Robert Schumann: Piano
Concerto

Robert Schumann: Piano Concerto

Introduction: situating Schumann's piano concerto; 1. Rethinking the romantic piano concerto; 2. The genesis of Schumann's piano concerto; 3. Analysis (1): the first movement; 4. Analysis (2): the slow movement and Rondo Finale; 5. Reception and Legacy; Appendix I: Glossary of Technical Terms and Symbols; Appendix II.

As well as being a virtuoso pianist, Louise Farrenc became the first woman to hold a permanent position as Professor at the Paris Conservatoire while continuing to compose symphonic and chamber music. This handbook introduces readers to Farrenc and her contemporaries with a focus on professional women musicians in nineteenth-century Paris. Farrenc's music was much admired by her contemporaries including Robert Schumann and Hector Berlioz, The acclaimed Nonet (1849) incorporated playful dialogue within the ensemble, virtuosic display, and an artful balance of newer and older compositional methods, garnering critical and artistic success and official recognition for the composer. Its performance history shows how musicians managed the logistics of professional life: forming and sustaining relationships, organizing concerts and tours, and promoting their work in the musical press. The book's nuanced analytical approach and historical insights will allow students, performers and listeners a fresh appreciation of Farrenc's work.

Louise Farrenc: Nonet for Winds and Strings

Originally dismissed as curiosities, J. S. Bach's Cello Suites are now understood as the pinnacle of composition for unaccompanied cello. This handbook examines how and why Bach composed these highly innovative works. It explains the characteristics of each of the dance types used in the suites and reveals the compositional methods that achieve cohesion within each suite. The author discusses the four manuscript copies of Bach's lost original and the valuable evidence they contain on how the Suites might be performed. He explores how, after around 1860, the Cello Suites gradually entered the concert hall, where they initially received a mixed critical and audience reception. The Catalan cellist Pablo Casals extensively popularized them through his concerts and recordings, setting the paradigm for several generations to follow. The Cello Suites now have a global resonance, influencing music from Benjamin Britten's Cello Suites to J-pop, and media from K-drama to Ingmar Bergman's films.

Bach: The Cello Suites

The String Quartet in E flat major (1834) by Fanny Hensel, née Mendelssohn, is one of the most important works by a female composer written in the nineteenth century. Composed at a turning point in her life (as Hensel was not only grappling with her own creative voice but also coming to terms with her identity as a married woman, and the role her family expected of her), the quartet is significant in showing a woman composing in a genre that was then almost exclusively the domain of male artists. Benedict Taylor's illuminating book situates itself within developing scholarly discourse on the music of women composers, going beyond apologetics - or condemnation of those who hindered their development - to examine the strength and qualities of the music and how it responded to the most progressive works of the period.

Hensel: String Quartet in E flat

Berlioz: Symphonie Fantastique

"Synthesising and refocusing the wealth of recent research into two of Schoenberg's major compositions and highlighting modernist aesthetics that remained fundamental to Schoenberg's musical thought, this handbook reveals how music became a crucial contributor to early twentieth-century modernism in the arts"--

Schoenberg: ‘Night Music' – Verklärte Nacht and Erwartung

Margaret Bonds: The Montgomery Variations and Du Bois Credo

"An incisive exploration of two works whose revival is a milestone in modern musical life: Margaret Bonds's Montgomery Variations and Credo - now receiving the recognition long denied them. This brief, yet informative, appraisal introduces readers to masterworks that, though originating in the mid-twentieth century, speak directly to our own age"--

Ashgate Popular and Folk Music Series

What musical elements define the unmistakable, yet constantly evolving, 'U2 sound'? This book addresses this question in a three-tiered music -theoretical dissection of the band's unique sound. Endrinal's analyses reach beyond the traditional focus on melody, harmony and rhythm, drawing on new computer assisted analytical techniques to explore texture, timbre and instrumentation. More than a study of one band, then, this book offers new analytical methods for the study of popular music.

What musical elements define the unmistakable, yet constantly evolving, 'U2 sound'? How is their enormously engaging music constructed? How have U2 maintained their prominent position in the  ever-shifting world of popular music? Let Me In The Sound: The Sonic Signature of U2 addresses  these questions in a three-tiered music-theoretical dissection of the band's unique sound. Endrinal begins by identifying the salient sonic characteristics that combine to form U2's distinctive musical autograph.  With those characteristics established, the book examines the various approaches to formal organization found in the band's oeuvre. Finally, detailed analyses of several songs from across the band's career demonstrate how U2 construct songs and how each member of the band contributes his own unique musical perspective to these formal designs. Endrinal's analyses reach beyond the traditional focus on melody, harmony and rhythm, drawing on new computer assisted analytical techniques to explore texture, timbre and instrumentation.  More than a study of one band, then, this book offers new analytical methods for the study of popular music.

Let Me In The Sound

The Sonic Signature of U2

* INSTANT NEW YORK TIMES BESTSELLER *A sweeping and evocative memoir from the Rock &amp; Roll Hall of Famer, Grammy Award-winning, platinum selling singer-songwriter Michael McDonald, written with his friend, Emmy Award-nominated actor, comedian, and&nbsp;#1 New York Times&nbsp;bestselling author Paul Reiser. Doobie Brothers. Steely Dan. Chart topping soloist. Across a half-century of American music, Michael McDonald's unmistakably smooth baritone voice defined an era of rock and R&amp;B with hit records like "What A Fool Believes," "Takin' It to the Streets," "I Keep Forgettin'," "Peg," "It Keeps You Running," "You Belong to Me," and "Yah Mo B There."In his candid, freewheeling memoir, written with his friend, the Emmy Award-nominated actor and comedian Paul Reiser, Michael tells the story of his life and music. A high school dropout from Ferguson, Missouri, Michael chased his dreams in 1970's California, a heady moment of rock opportunity and excess. As a rising session musician and backing vocalist, a series of encounters would send him on a wild ride around the world and to the heights of rock stardom-from joining Steely Dan and becoming a defining member of The Doobie Brothers to forging a path as a breakout solo R&amp;B artist. Interwoven with the unforgettable tales of the music, Michael tells a deeply affecting story of losing and finding himself as a man. He reckons with the unshakeable insecurities that drove him, the drug and alcohol addictions that plagued him, and the highs and lows of popularity. Along the way he relays the lessons he's learned, and that if he's learned anything at all it's that there's often little correlation between what you get and what you deserve. Filled with unbelievable stories and a matchless cast of music greats including James Taylor, Ray Charles, Carly Simon, and Quincy Jones, What a Fool Believes is a moving and entertaining memoir that is sure to be a classic.&nbsp;

What a Fool Believes

Buddenbrooks

Be More

New Rules to Dance the Night Away and Fill You with Radical Optimism

Be More Dua Lipa

The Bloomsbury History of Modern Germany Series

Dictatorships and Authoritarianism in Modern German History provides readers with a comprehensive overview of the history of dictatorships in Germany since the French Revolution. Dictatorships have been a defining feature of modern German history. The Nazi dictatorship between 1933 and 1945, which brought about the Second World War and the Holocaust, is still taught in schools and universities as the prime example of the destructiveness of ideologically driven regimes in the 20th century; the state-socialist regime in the German Democratic Republic that lasted for over 40 years bore many of the same dictatorial features. Understanding the factors that made these two regimes possible, their inner workings, but also their impact on the lives of many people, is key to understanding the course of modern German history as a whole and this is discussed at length in this absorbing volume. The book moves beyond the familiar historical narratives to incorporate analysis of key political thinkers and their interpretations of the problem of authoritarian and totalitarian rule. The discussion of these political dimensions is given further depth with the examination of the impact of dictatorship on German society as well as key figures of the 20th century.

Dictatorships and Authoritarianism in Modern German History

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Opera and Drama

The Magic Mountain

Elliot Carter

Cultural Histories of Theatre and Performance

Drama and Utopianism in the Nineteenth Century

Performing Citizenship and German Amateur Theatricals

A History of Collaboration

The Hohenzollerns and the Nazis

New Directions in Critical Criminology

Theorizing Resistance examines the extent to which music constructions provide windows for opposition and resistance to forms of state crime and violence such as war, human rights abuses, oppression, and corruption. Drawing on the work of Michel Maffesoli, the Birmingham Centre for Contemporary Cultural Studies and more recently Jeff Ferrell, this book makes a unique and original contribution to ongoing academic debates about power, alienation and resistance and will be fascinating reading for courses in cultural and critical criminology, state crime, human rights and the sociology of popular music.

Theorizing Resistance examines the extent to which music constructions provide windows for opposition and resistance to forms of state crime and violence such as war, human rights abuses, oppression, and corruption. The analysis is based on rich ethnographic, documentary, and participant observation research with politically active independent punk rock musicians. Drawing on the work of Michel Maffesoli, the Birmingham Centre for Contemporary Cultural Studies and more recently Jeff Ferrell, this book makes a unique and original contribution to ongoing academic debates about power, alienation and resistance and will be fascinating reading for courses in cultural and critical criminology, state crime, human rights and the sociology of popular music.

Music, Politics, and the Crimes of the Powerful

Theorizing Resistance

Thomas Mann and the Making of "The Magic Mountain"

The Master of Contradictions

Robert Schumann: Piano Concerto

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