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Klorman Edward: Bach: The Cello Suites

Bach: The Cello Suites

The AI Music Problem: Why Machine Learning Conflicts With Musical Creativity asks why producing and constructing music is difficult for AI, with an investigation that straddles the technical, the musical, and the aesthetic.

Why Machine Learning Conflicts With Musical Creativity

The AI Music Problem

'Events do not come naked into the world. They come clothed - in attitudes, assumptions, values, memories of the past, anticipations of the future, hopes and fears and many other emotions. To understand events, it is necessary to describe the perceptions that accompany them, for the two are inseparable.'When a Parisian crowd stormed the Bastille in July 1789, it triggered an event of global consequence: the overthrow of the monarchy and the birth of a new society. Most historians account for the French Revolution by viewing it as the outcome of underlying conditions such as a faltering economy, class conflict or Enlightenment ideology. Without denying any of these, Robert Darnton offers a different explanation: what Parisians themselves, those at the centre of the Revolution, thought was happening at the time and how it guided their actions. To understand the rise of what he calls 'the revolutionary temper', Darnton draws on a lifetime's study of pamphlets, books, underground newsletters, songs and public performances, exploring Paris as an information society not unlike our own. Its news circuits were centred in cafes and market-places, on park benches, and under the Palais-Royal's Tree of Cracow, a favourite gathering-place for gossips. He shows how the events of forty years - from disastrous treaties, official corruption and royal scandal to thrilling hot-air balloon ascents and a new conception of the nation - all entered the collective consciousness of ordinary Parisians. As news and opinion travelled across this profoundly unequal society, public trust in royal authority eroded, its legitimacy was undermined, and the social order unravelled. Much of Robert Darnton's work has explained the hidden dynamics of history, never more so than in this exceptional book. It is a riveting narrative, but it adds a new dimension, the perceptions of contemporary Parisians, which allows us to see these momentous decades afresh.

Paris, 1748–1789

The Revolutionary Temper

This is the extensive legacy of grime, as told by a pioneer of the scene. Experience the 140BPM beating heartbeat of grime - not just as a music genre, but as a living, breathing culture that continues to thrive, inspire, and boldly challenge the status quo.

Documenting the Scene’s Rise and Reign

Grime

An Introduction to Music Technology, Third Edition provides a clear overview of the essential elements of music technology for today's musician. This book focuses on the topics that underlie the hardware and software in use today: Sound, Audio, Sequencing and Software Instruments, Computer Notation and Computer-Assisted Instruction. Appendices cover detailed aspects of MIDI software and hardware. Written for both music technology majors and non-majors, this textbook introduces students to a wide range of principles and practices so students can learn how to work with a wide range of software programs, adapt to new music technologies, and apply music technology in their performance, composition, teaching, and analysis.Features:<ul> <li>Thorough explanations of key topics in music technology </li> <li>Content applicable to all software and hardware, not linked to just one piece of software or gear </li> <li>In-depth discussion of digital audio topics, such as sampling rates, resolutions, and file formats </li> <li>Explanations of standard audio plug-ins including dynamics processors, EQs, and delay based effects </li> <li>Coverage of synthesis and sampling in software instruments </li> <li>Pedagogical features, including: </li> <ul> <li>Further Reading sections that allow the student to delve deeper into topics of interest </li> <li>Suggested Activities that can be carried out with a variety of different programs </li> <li>Key Terms at the end of each chapter </li> <li>What Do I Need? chapters covering the types of hardware and software needed in order to put together audio systems </li> <li>A companion website with links to audio examples that demonstrate various concepts, step-by-step tutorials, relevant hardware, software, and additional audio and video resources. </li> </ul> The third edition has been fully updated to cover shifts in technology since the publication of the second edition, including increased coverage of mobile and cloud-based apps, updated graphics representing current software and hardware, and reorganized coverage of computer hardware and software topics.
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An Introduction to Music Technology, Third Edition provides a clear overview of the essential elements of music technology for today’s musician. This book focuses on the topics that underlie the hardware and software in use today: Sound, Audio, Sequencing and Software Instruments, Computer Notation and Computer-Assisted Instruction. Appendices cover detailed aspects of MIDI software and hardware. Written for both music technology majors and non-majors, this textbook introduces students to a wide range of principles and practices so students can learn how to work with a wide range of software programs, adapt to new music technologies, and apply music technology in their performance, composition, teaching, and analysis.Features:<ul> <li>Thorough explanations of key topics in music technology </li> <li>Content applicable to all software and hardware, not linked to just one piece of software or gear </li> <li>In-depth discussion of digital audio topics, such as sampling rates, resolutions, and file formats </li> <li>Explanations of standard audio plug-ins including dynamics processors, EQs, and delay based effects </li> <li>Coverage of synthesis and sampling in software instruments </li> <li>Pedagogical features, including: </li> <ul> <li>Further Reading sections that allow the student to delve deeper into topics of interest </li> <li>Suggested Activities that can be carried out with a variety of different programs </li> <li>Key Terms at the end of each chapter </li> <li>What Do I Need? chapters covering the types of hardware and software needed in order to put together audio systems </li> <li>A companion website with links to audio examples that demonstrate various concepts, step-by-step tutorials, relevant hardware, software, and additional audio and video resources. </li> </ul> </ul>The third edition has been fully updated to cover shifts in technology since the publication of the second edition, including increased coverage of mobile and cloud-based apps, updated graphics representing current software and hardware, and reorganized coverage of computer hardware and software topics.

An Introduction to Music Technology

A vital re-examination of Canadian cultural and commercial history told through key fashion objects from First Nations, colonial settlers, and contemporary Canadian culture.

Traditional narratives of fashion tend to ignore sophisticated pre-colonial networks, First Nation innovations and techniques, and their contributions to colonial dress. From exquisite Chilkat weavings to the iconic Hudson's Bay Company blanket coat, by way of ribbon skirts, quilts, and a beaver-fur top hat, this rich study uses Canadian fashion objects as a research tool to illuminate neglected areas in North American fashion history.

Using vivid object-based research, O'Connell maps out pre-colonial economic networks spanning the entire continent, global colonial textile and fur trades, and the material culture of French and English migrant populations in the 'New World', and equips readers with a framework for more nuanced and inclusive histories of Canadian culture and commerce.

Unexpected, overlooked stories emerge as central to Canada's fashion history, from hybrid fashion cultures to re-used textiles in settler communities, and O'Connell highlights contemporary Canadian artists and designers who point to new possibilities to reclaim and preserve this cultural heritage.

A vital re-examination of Canadian cultural and commercial history told through key fashion objects from First Nations, colonial settlers, and contemporary Canadian culture.

Traditional narratives of fashion tend to ignore sophisticated pre-colonial networks, First Nation innovations and techniques, and their contributions to colonial dress. From exquisite Chilkat weavings to the iconic Hudson’s Bay Company blanket coat, by way of ribbon skirts, quilts, and a beaver-fur top hat, this rich study uses Canadian fashion objects as a research tool to illuminate neglected areas in North American fashion history.

Using vivid object-based research, O’Connell maps out pre-colonial economic networks spanning the entire continent, global colonial textile and fur trades, and the material culture of French and English migrant populations in the ‘New World’, and equips readers with a framework for more nuanced and inclusive histories of Canadian culture and commerce.

Unexpected, overlooked stories emerge as central to Canada’s fashion history, from hybrid fashion cultures to re-used textiles in settler communities, and O’Connell highlights contemporary Canadian artists and designers who point to new possibilities to reclaim and preserve this cultural heritage.

A Select History of Fashion Culture, Commerce, and Colonization

Canadian Fashion Economies

"Combining feminist, materialist, and comparatist approaches, Jillian Heydt-Stevenson reveals evocative and hidden information about objects like diamonds, hats, and statues, demonstrating women's life-preserving ecological, social, and political connections to material things in literature from the late eighteenth and early nineteenth centuries"--

Combining feminist, materialist, and comparatist approaches, Jillian Heydt-Stevenson reveals evocative and hidden information about objects like diamonds, hats, and statues, demonstrating women's life-preserving ecological, social, and political connections to material things in literature from the late eighteenth and early nineteenth centuries.

Women and Belonging

Embodied Experience in British and French Literature, 1778–1814

Ashgate Contemporary Thinkers on Critical Musicology Series

This collection of studies represents the range of Rosand's contribution to the history and criticism of music of the seventeenth and eighteenth centuries. Varied in focus and scope, each of these studies is directed toward developing an understanding of the ways in which music works. Taken together, the articles demonstrate how Rosand has opened entirely new prospects on seventeenth-century music and offered new insight into the more canonical repertoire of the eighteenth century.

This collection of studies by Ellen Rosand represents the range of her contribution to the history and criticism of music of the seventeenth and eighteenth centuries.  Varied in focus and scope, each of these studies is directed toward developing an understanding of the ways in which music works--from its function in representing the ideals of the Republic of Venice through its essential role in the emerging genre of opera, from the expressive mechanics of Monteverdi and Cavalli to those of Handel and Vivaldi.  With methodological flexibility, Rosand's analyses are responsive to the works themselves.  Exploring the mimetic significance of particular formal motifs and scenic conventions, the intimate relationship of music and text, or a composer's dramatic choices, discovering a new musical personality (Barbara Strozzi) or the historical and cultural circumstances, the practical and creative dynamics of an emerging dramatic art (opera in Venice), she has opened entirely new prospects on seventeenth-century music and offered new insight into the more canonical repertoire of the eighteenth century.

Selected Essays

Baroque Resonances

An Intimate History of Rough Trade

Document And Eyewitness

Routledge Studies in Evangelicalism

From the transatlantic revivals of the 1730s and 1740s through to the tumultuous years of the Napoleonic Wars, evangelicals thought a great deal about church history and the relationship of the past with recent events. In this ground-breaking study, Darren Schmidt considers the emergence and development of evangelical Protestantism in the North Atlantic context during the long eighteenth century, through the lens of history-writing by evangelicals themselves. Considering the writings of prominent early evangelicals such as Jonathan Edwards, John Newton and John Wesley, along with lesser known historians with evangelical connections, the volume asks why these individuals, amidst busy lives of pastoral ministry, study, and guidance to a fledgling religious movement, would devote their attention to the pages of the past. In so doing, Schmidt draws out new and intriguing connections between evangelicalism and the wider enlightenment world.

From the transatlantic revivals of the 1730s and 1740s through to the tumultuous years of the Napoleonic Wars, evangelicals thought a great deal about church history and the relationship of the past with recent events. In this ground-breaking study, Darren Schmidt considers the emergence and development of evangelical Protestantism in the North Atlantic context during the long eighteenth century, through the lens of history-writing by evangelicals themselves. Considering the writings of prominent early evangelicals such as Jonathan Edwards, John Newton and John Wesley, along with lesser known historians with evangelical connections, the volume asks why these individuals, amidst busy lives of pastoral ministry, study, and guidance to a fledgling religious movement, would devote their attention to the pages of the past. In so doing, Schmidt draws out new and intriguing connections between evangelicalism and the wider enlightenment world.

Evangelical History-Writing and the Construction of Identity, 1735-1810

A celebration of the life of trailblazing music journalist Tom Hibbert in this definitive anthology of his writing.

A celebration of the life of trailblazing music journalist Tom Hibbert in this definitive anthology of his writing.

The Life and Writing of Tom Hibbert

Phew, Eh Readers?

Musical Composition in Max/MSP: Strategies for Digital Creativity offers a music-centered introduction to the widely used music programming language Max/MSP. Placing creative results at the core of its approach, this book guides readers through the process of composing a complete musical work.

Musical Composition in Max/MSP: Strategies for Digital Creativity offers a music-centered introduction to the widely used music programming language Max/MSP. Placing creative results at the core of its approach, this book guides readers through the process of composing a complete musical work.

Strategies for Digital Creativity

Musical Composition in Max/MSP

The Abolition of the Slave Trade to the United States

Proscription by Degrees

Bach: The Cello Suites

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Bibliografische Angaben

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