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Robert B Pippin: Robert Bresson

Robert Bresson

Cinematic Style as Philosophy

Architecture Exchange: Engagements with Contemporary Theory and Philosophy

Leading architectural theorists exchange ideas with the contemporary philosopher Jacques Rancière in order to debate what architecture's fundamental relationship is with aesthetics.

Jacques Rancière is one of the leading thinkers not only of contemporary aesthetic theory but contemporary philosophy in general. After his break from Althusser, Rancière developed the radical and axiomatic principal of the absolute equality of intelligences and capacities that defined his entire body of work, from his critique of philosophy, to his historical studies of emancipated modes of labor and education, to the articulation of dissensus from the order of the police. Rancière’s trajectory as a philosopher led him towards aesthetics where offered a radical reinterpretation of the political meaning of aesthetics and with it, of modernism and postmodernism that, having shaken the world of art, is now shaking the world of architecture. This book brings Jacques Rancière’s demand for equality and his reformulation of aesthetics into direct dialogue with architecture. In doing so, it inquires into the role that architecture plays in distributing the sensible, in creating aesthetic experiences, in creating order or dissensus, in serving as a mode of critique, and in emancipating or stultifying its users and subjects. Through this detailed exchange between Rancière and four of the world’s leading architectural thinkers; Anthony Vidler, Joan Ockman, Peggy Deamer and Michael Young, a debate unfolds within the book that tests the implications of Rancière’s aesthetic philosophy for architectural practice today; questioning the way we write architectural history, how architects draw, what the labor of the architect is, and that questions key architectural ideas such as the distribution, function, use, ornament, discipline and design.

Engaging Jacques Rancière

How does Architecture Distribute the Sensible?

The Psychology of Environmental Attunement

Alone with Nature

Ensure your movie stays on schedule and within budget by learning how to draft professional grade storyboards. Whether you're an independent filmmaker new to the task or an artist aspiring to launch a career as a movie storyboard artist, this book is for you.Featuring the work and insight of the legendary Trevor Goring (Watchmen; The Cabin in the Woods; Thor: The Dark World), Storyboarding Fundamentals (KEEP?) is laced with invaluable information and techniques that simply can't be found anywhere else. The authors cover: * Creating different kinds of storyboards for different stages of your movie (pitch, financing, shooting, etc) * Analyzing scripts, breaking down scenes, and how these impact your storyboard vision * Working with digital tools (Wacom, 3D and other software) * Filmmaking techniques and styles (camera angles and movements, etc) The authors also provide a trove of practical career advice for those looking to launch a career as a professional storyboard artist, with lessons on freelancing, promoting your work, networking, visiting studios and much more.

Ensure your movie stays on schedule and within budget by learning how to draft professional grade storyboards. Whether you're an independent filmmaker new to the task or an artist aspiring to launch a career as a movie storyboard artist, this book is for you.Featuring the work and insight of the legendary Trevor Goring (Watchmen; The Cabin in the Woods; Thor: The Dark World), Storyboarding Fundamentals (KEEP?) is laced with invaluable information and techniques that simply can't be found anywhere else. The authors cover: * Creating different kinds of storyboards for different stages of your movie (pitch, financing, shooting, etc) * Analyzing scripts, breaking down scenes, and how these impact your storyboard vision * Working with digital tools (Wacom, 3D and other software) * Filmmaking techniques and styles (camera angles and movements, etc) The authors also provide a trove of practical career advice for those looking to launch a career as a professional storyboard artist, with lessons on freelancing, promoting your work, networking, visiting studios and much more. ADD TO THIS

Visualizing story in film, tv, advertising and games

Storyboards, Animatics and PreViz

Trish and Chris Meyer and Lee Lanier share over 20 years of hard-earned, real-world film and video production experience inside the sixth edition of this critically-acclaimed text. Far more than a step-by-step review of the features in AE, readers will learn how the program thinks so that they can realize their own visions more quickly and efficiently. This comprehensive, full-color book is packed with tips, shortcuts, and sage advice that will help users thrive no matter what projects they might encounter.Creating Motion Graphics has been thoroughly revised to reflect the latest features of After Effects CC, incorporating new and redesigned exercises and projects with HD footage, further coverage on AE integration with Cinema4D, using stereoscopic 3D and 360 VR in your projects, visual effects, and much more. The book is also accompanied by an extensive companion website including the project files and source materials for all the techniques demonstrated in the book, as well as several bonus chapters on subjects like expressions, scripting, effects, and integration with other software.

Trish and Chris Meyer and Lee Lanier share over 20 years of hard-earned, real-world film and video production experience inside the sixth edition of this critically-acclaimed text. Far more than a step-by-step review of the features in AE, readers will learn how the program thinks so that they can realize their own visions more quickly and efficiently. This comprehensive, full-color book is packed with tips, shortcuts, and sage advice that will help users thrive no matter what projects they might encounter.Creating Motion Graphics has been thoroughly revised to reflect the latest features of After Effects CC, incorporating new and redesigned exercises and projects with HD footage, further coverage on AE integration with Cinema4D, using stereoscopic 3D and 360 VR in your projects, visual effects, and much more. The book is also accompanied by an extensive companion website including the project files and source materials for all the techniques demonstrated in the book, as well as several bonus chapters on subjects like expressions, scripting, effects, and integration with other software.

Essential and Advanced Techniques

Creating Motion Graphics with After Effects

Andere Ästhetik – Koordinaten

Der Band zielt darauf, vormoderne Phänomene von Norm und Abweichung als dynamische Situationen eines Aushandelns des Ästhetischen und als ein ästhetisches Aushandeln zu betrachten. Zwar zielt jede Formulierung einer Norm auf Allgemeingültigkeit, zugleich existiert aber eine Pluralität von Normen und wird ihr Geltungsanspruch durch eine vielfältige Praxis reflektiert und immer wieder neu zur Diskussion gestellt. Die Beiträge dokumentieren die Diskussionen um den Querschnittsbereich "Norm und Diversität" des Tübinger Sonderforschungsbereichs 1391 "Andere Ästhetik".

Der Band zielt darauf, vormoderne Phänomene von Norm und Abweichung als dynamische Situationen eines Aushandelns des Ästhetischen und als ein ästhetisches Aushandeln zu betrachten. Zwar zielt jede Formulierung einer Norm auf Allgemeingültigkeit, zugleich existiert aber eine Pluralität von Normen und wird ihr Geltungsanspruch durch eine vielfältige Praxis reflektiert und immer wieder neu zur Diskussion gestellt. Die Beiträge dokumentieren die Diskussionen um den Querschnittsbereich „Norm und Diversität" des Tübinger Sonderforschungsbereichs 1391 „Andere Ästhetik".

Ästhetisches Aushandeln in der Vormoderne

Norm und Diversität

"A vast treasury of ideas, observations and innovation." - Francis Ford Coppola The triple-Oscar winner of the Godfather films, Apocalypse Now and The English Patient presents a masterclass on movies and how they are made. Highly lauded film editor, director, writer and sound designer Walter Murch reflects on the six decades of cinematic history he has been a considerable contributor to - and on what makes great films great.Together with Francis Coppola and George Lucas, Murch abandoned Hollywood in 1969 and moved to San Francisco to create the Zoetrope studio. Their vision was of a new kind of cinema for a new generation of film-goers. Murch's subsequent contributions in film editing rooms and sound-mixing theatres were responsible for ground-breaking technical and creative innovations.In this book, Murch invites readers on a voyage of discovery through film, with a mixture of personal stories, meditations on his own creative tactics and strategies, and reminiscences from working on The Godfather films, Apocalypse Now, Lucas' American Graffiti, and Anthony Minghella's The English Patient and The Talented Mr Ripley.Suddenly Something Clicked is a book that will change the way you watch movies.

The triple-Oscar winner of the Godfather films, Apocalypse Now and The English Patient presents a masterclass on movies and how they are made.

The Languages of Film Editing and Sound Design

Suddenly Something Clicked

Sound Design for the Visual Storyteller is an overview of the sound design process for the beginner filmmaker or storyteller, providing the foundational knowledge needed to succeed at utilizing and designing sound for visual stories, films, and even podcasts.

Creating Sound for Visual Media

Sound Design for the Visual Storyteller

In Visual Effects Foundations, celebrated visual effects veteran and VES member Noel Hooper offers a thorough explanation of the tools, techniques, and workflows aspiring visual effects artists and students require to create engaging visual effects and break into today's film, television, and wider entertainment industries. Accessible, full-color tutorials examine pre-production considerations, visual effects on set, imaging data, color management, lighting, integration concepts, postproduction workflows, career skills, and visual effects artistry. An extensive companion website features video demonstrations of the techniques described in the book, project materials, and instructor resources.

In Visual Effects Foundations, celebrated visual effects veteran and VES member Noel Hooper offers a thorough explanation of the tools, techniques, and workflows aspiring visual effects artists and students require to create engaging visual effects and break into today’s film, television, and wider entertainment industries. Accessible, full-color tutorials examine pre-production considerations, visual effects on set, imaging data, color management, lighting, integration concepts, postproduction workflows, career skills, and visual effects artistry. An extensive companion website features video demonstrations of the techniques described in the book, project materials, and instructor resources.

Core Concepts, Techniques, and Workflows

Visual Effects Foundations

Why X Matters S.

A poignant consideration of the material aspect of sound and how it fundamentally shapes our experience of the world, both in its presence and absence &nbsp; From the joyous communal connections fostered through shared auditory experience to the devastating impact of noise pollution in the deep sea, musician and author Damon Krukowski urges readers to reconsider the significance of sound and its role in both our personal and collective well-being. He looks despairingly at how the multipronged efforts of urban dwellers to mitigate city noise have led to increased isolation, loss of community, and a sense of physical detachment from one’s surroundings. He considers the consequences of the commodification of sound in the digital era. And he looks at what’s at stake in trying to preserve the world’s dwindling quiet places. &nbsp; Interspersed with personal reflections from years of working in the music business, this book investigates sound’s role in the environment, its value as a material, its relationship to labor, and how it affects our interactions with one another. Krukowski invites you to hear the world anew and renew your relationship with one of our most precious natural resources. So listen up!

Why Sound Matters

Object Lessons

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.

Our ability to make a fist is what distinguishes humans from every other species, including primates. The fist played a crucial role in the birth of language and appears in nearly every form of nonverbal communication, particularly haptics and kinesiology. We use our fist to protest oppression, give pleasure, knock on doors, give daps, and (inaccurately) measure our hearts-yet we see them as a sign of someone on the edge. 

This book asks what happens when we lean over the edge of what a fist can do and symbolize. Fist uses historical moments and artifacts, primary interviews, and personal narratives to explore the fist's polysemous and divisive nature. Fist examines knuckle tattoos, the Black Power salute, Obama's fist bumps, the Fig, and fisting, the last sexual taboo. Fist uncovers what flexing our knuckles says, not just about us, but the world in which we live.

Object Lessons is published in partnership with an essay series in The Atlantic.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.

Our ability to make a fist is what distinguishes humans from every other species, including primates. The fist played a crucial role in the birth of language and appears in nearly every form of nonverbal communication, particularly haptics and kinesiology. We use our fist to protest oppression, give pleasure, knock on doors, give daps, and (inaccurately) measure our hearts—yet we see them as a sign of someone on the edge. 

This book asks what happens when we lean over the edge of what a fist can do and symbolize. Fist uses historical moments and artifacts, primary interviews, and personal narratives to explore the fist's polysemous and divisive nature. Fist examines knuckle tattoos, the Black Power salute, Obama’s fist bumps, the Fig, and fisting, the last sexual taboo. Fist uncovers what flexing our knuckles says, not just about us, but the world in which we live.

Object Lessons is published in partnership with an essay series in The Atlantic.

Fist

This collection analyzes Joshua Oppenheimer's diptych The Act of Killing and The Look of Silence as a cinematic event that invites interrelated questions on historical memory, truth and reconciliation, and the limits of documentary filmmaking. 

Featuring a new interview with Joshua Oppenheimer himself, On the Act of Looking affirms Oppenheimer's use of fiction and manipulation as a technique to expose, contrary to the classic documentary form, not so much a reality behind the appearance of things, but how appearance as such can become a site of intervention or truth-telling. Contributors to this collection, including film scholars, art historians, historians, political scientists, philosophers, and Indonesian human rights activists, answer why Oppenheimer's documentary films not only have received near universal praise and admiration, but also why this praise is often qualified by surprise and fascination.

This collection analyzes Joshua Oppenheimer’s diptych The Act of Killing and The Look of Silence as a cinematic event that invites interrelated questions on historical memory, truth and reconciliation, and the limits of documentary filmmaking. 

Featuring a new interview with Joshua Oppenheimer himself, On the Act of Looking affirms Oppenheimer’s use of fiction and manipulation as a technique to expose, contrary to the classic documentary form, not so much a reality behind the appearance of things, but how appearance as such can become a site of intervention or truth-telling. Contributors to this collection, including film scholars, art historians, historians, political scientists, philosophers, and Indonesian human rights activists, answer why Oppenheimer's documentary films not only have received near universal praise and admiration, but also why this praise is often qualified by surprise and fascination.

Reading Joshua Oppenheimer’s Diptych: The Act of Killing and The Look of Silence

On the Act of Looking

Robert Bresson

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