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Gething's journey from self-professed couch potato to competitor in the World Marathon Challenge, in which seven marathons occur across seven continents over the course of a week, is related intimately here.

The World Marathon Challenge-seven marathons on seven continents in seven days-is the ultimate race for adventurous runners. This book is David Gething's candid story of what it is like to compete in one of the most demanding amateur sporting events on the planet, including the sacrifices made just to get to the start and what it takes to win.

Gething David: Relentless

Relentless

Seven Marathons, Seven Continents, Seven Days

ACKNOWLEDGMENTS
INTRODUCTION: The Story of the Beginning

Chapter 1: THE STARTING LINE
Chapter 2: MARATHON 1: ANTARCTICA: Union Glacier: A Trial byFire in the Coldest Place on Earth
Chapter 3: MARATHON 2: SOUTH AMERICA: Punta Arenas, Chile: The Shakedown
Chapter 4: MARATHON 3: NORTH AMERICA: Miami, United States of America: The Forging of the Alliance
Chapter 5: MARATHON 4: EUROPE: Madrid, Spain: The Painful Test
Chapter 6: MARATHON 5: AFRICA: Marrakech, Morocco: The Unraveling
Chapter 7: MARATHON 6: ASIA: Dubai, United Arab Emirates: When to Win Alone Would Have Been a Loss
Chapter 8: MARATHON 7: OCEANIA: Sydney, Australia: The Final Showdown

EPILOGUE
APPENDIX: The Final Standings
INDEX
ABOUT THE AUTHOR

This is a personal account of the being a lifeboat volunteer and an insight into the crews who keep it afloat.

Lifeboat at the End of the World

Undercover with the Next Generation of Cyber Fraudsters

Scam Nation

This book is about something special that we all desire - love. And it is also a book about what keeps us apart - the desire to be seen but being unwilling to do what needs to be done to see. This book will change your life. It wull give you all the wings you need to fly again.

His friends called him V. He used to feel intimidated by the fashion world but he got over it. He designed his first Louis Vuitton collection in three hours. He cared more about pageantry than clothes. He wasn’t precious about his ideas. He sometimes made work and added the meaning later. He contradicted himself all the time but he saw no problem with that. Fashion for him was one big art project, and also kind of a joke. He believed in God. He believed in logos. He thought insisting on novelty in fashion was farcical; a critique meant to keep people like him out. Some nights when he couldn’t sleep he wondered how people would remember him once he was gone. Virgil Abloh, who died unexpectedly in 2021 at age 41, defied categorization. Born in Rockford, Illinois to Ghanaian immigrants, he learned to sew as child, studied civil engineering in college and then architecture in graduate school. He entered the world of fashion sideways, without formal training, upsetting the status quo first with the stratospheric success of Off-White and then with his appointment as Artistic Director of menswear at Louis Vuitton. He pierced the divisions between pop culture and couture, fashion, music, and design, and was as influenced by Marcel Duchamp and Mies van der Rohe, Albert Murray, Rammellzee, Drake, DJ Benji B, Kylie Jenner, and Bella Hadid, as by the storied histories of high fashion houses. He was fascinated by the commodification of culture and the dialectic between appropriation and reappropriation, between ‘high’ and ‘low’. He admired the ready-made and the imitative for the way in which they force you to think carefully about the context in which they were created. He felt originality was a sham, and saw clearly the way Fashion, with a capital F, depends on the policing of who is allowed the mantle of ‘genius’. The establishment bridled at his approach even as they celebrated his work. He, in turn, understood that people wanted him to be a symbol, to fit an idea of the Black Designer, but he refused any kind of easy definition. Here, in Work in Progress, is a blueprint for a way to live, a conversation between friends, a challenge to any idea of black and white thinking. A portrait of an iconoclast, WORK IN PROGRESS takes us inside the mind of one of the most visionary and transformational designers of our time.

335876 TBA

Life as a Member of ADHD’s Lost Generation

Nowhere Girl

How do we raise our sons to be compassionate, responsible men in a world where toxic masculinity is still the norm? And why are young men today more troubled, less confident and more radicalized than ever before?

How do we raise our sons to be compassionate, responsible men in a world where toxic masculinity is still the norm? And why are young men today more troubled, less confident and more radicalized than ever before?

Raising Boys in an Age of Toxic Masculinity

BoyMum

You Don't Need a Dick to DJ

Becoming a Voice for Young People

Surviving Playboy and finding myself

Only Say Good Things

Flesh

An extraordinary account of James Lawrence's record-breaking feat of endurance ? completing 100 triathlons in 100 days ? with inspiring lessons on how we can all achieve the seemingly impossible.

Lessons Learned from Conquering the Impossible

Iron Hope

Out of the cocaine-fuelled, rock'n'roll debauchery of the 1970s came an iconic collaboration between an influential rocker and a visionary filmmaker. From The Last Waltz to The Wolf of Wall Street and The Irishman, the creative legacy of Robbie Robertson and Martin Scorcese has spanned decades. Filled with high octane exploits, bacchanalian parties and untold amounts of debauchery, this is the intimate and unvarnished behind-the-scenes story of a partnership that has shaped American culture like no other. PRAISE FOR TESTIMONY 'A book of memories and wonders, a personal testament of a magical time in American music from someone who was there, at the center of it all . . . Robbie brings you along with him, keeps you right by his side first to last, just the way his songs do, drawing you close, spellbound by his easy sorcery. You can feel the music in every word' Martin Scorsese 'Robust, wry, gritty and wise' Wall Street Journal 'Confident and well oiled. At times it has the mythic sweep of an early Terrence Malick movie' New York Times 'Captivating... this is essential reading' Rolling Stone 'Robertson is an immensely capable storyteller and a keen observer' New Yorker

Insomnia

Relentless

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