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Refashioning Bill Gibb for the 21st
Century

Refashioning Bill Gibb for the 21st Century

List of Illustrations Foreword, Dame Zandra Rhodes, Fashion and Textile Designer Acknowledgements Introduction, Shane Strachan, University of Aberdeen, UK and Josephine Steed, Robert Gordon University, UK Part One: Gibb's design process: influences and collaborations 1. An interview with Bill Gibb's sisters 2. Disciplined flamboyance: Gibb's drawing and design process, Christine Rew, Former Manager of Aberdeen Archives, Gallery and Museums Service, UK 3. Britain's fashion education revolution: Bricolage and Historicism in the work of Bill Gibb, Marie McLoughlin, University of Brighton, UK 4. Folkloric revivals and exoticism in fashion: Bill Gibb and the vanguard of designers in 1960s-1970s France, Elizabeth Fischer, University of Art and Design HEAD - Genève, Switzerland 5. An interview with Kaffe Fassett, Artist 6. Gibb's knitwear in the 1970s: collaboration, innovation and 'slow' fashion, Josephine Steed, Robert Gordon University, UK Part Two: Gibb's fashion legacy 7. The show must go on: was Bill Gibb the greatest showman?, Iain R Webb, Kingston University, UK 8. Souvenirs of style: a web of memory association, NJ Stevenson, London College of Fashion, University of the Arts London, UK 9. An interview with Morna Annandale of Aberdeen Archives, Gallery and Museums Restyled and reimagined: exploring Bill Gibb's digital legacy on Instagram, Madeleine Marcella-Hood, Christina Stewart and Peter Reid, Robert Gordon University, UK 10. From Gibb to Gucci: how folklore fashions comfort in turbulent times, Karen Cross, Robert Gordon University, UK Part Three: Reinterpreting Gibb today 12. Bill Gibb through the lens of cultural appropriation, Jeena Sharma, Fashion Journalist 13. Addressing climate change through Bill Gibb's design legacy, Lynn Wilson, University of Glasgow, UK 14. An interview with Giles Deacon, Fashion Designer 15. Exploring Gibb's design process within fashion education, Shane Strachan, University of Aberdeen, UK and Josephine Steed, Robert Gordon University, UK 16. The Bill Gibb Line: creative crossovers in fashion and poetry, Shane Strachan, University of Aberdeen, UK Notes Selected References List of Contributors Index

Inclusive Sizing, Pattern Drafting, and Fitting

Plus-size Patternmaking for Womenswear

A Colouring Collection Inspired by Chanel

Shades of Fashion

Learn to create lasting impact for global fashion brands through branding, marketing and consumer engagement.

Strategic Management and Promotion for Global Fashion Brands

International Fashion Marketing

The iconic fashion house through its finest creations

Dior in 50 Objects

The Fashion Book is designed to be a one-stop textbook and reference for students of fashion and textile studies in the English-speaking world. This inter-disciplinary introduction to theories, debates, methodologies and case studies in fashion studies will suit students in degrees, modules and majors including cultural studies, art, communications/media, cultural geography, anthropology and cultural history.

The Fashion Book is an exciting, readable and comprehensive, all-in-one resource for students of fashion across the English-speaking world. It is designed as an introduction to fashion studies that can be used in a range of fashion courses from fashion studies degrees to fashion modules, and majors in disciplines including cultural studies, cultural sociology, cultural geography, communications and media, anthropology and cultural history. The book will present current writings and research on major topics debates in fashion studies drawing on the literature on fashion theory and incorporating many global case studies (as easy-to-read boxed material). Graphs, tables and diagrams will add texture to the written material. Approximately 200 colour images are planned to generously illustrate the historical and the contemporary tapestry of fashion. A dedicated interactive website will complement the text and ensure that students are in touch with the latest news, issues and trends.

The Fashion Studies Book

A History of Fashion in 21 Cats

An exploration of the ways dress and dressed appearance have been used to express identity.

Dress as Biography

A Practical Guide for Designers and Buyers

Textile Product Performance

Stickerbomb Sneakers

Fashion in Action

What is cultural appropriation in fashion and how can understanding its causes, consequences and reoccurrences help us to challenge it in the future? As part of the Fashion in Action series of short books aimed at rallying readers on global issues in fashion, Benjamin Linley Wild highlights the long and complicated history of appropriation, guiding us on the pressing question of where we go next. Chapter one considers where we have been - what are the words we have used and what theories continue to frame and potentially hinder discussions about appropriation within the fashion industry? Chapter two moves on to where we are now - what does appropriation look like in the fashion industry and how can understanding this help both educators and consumers overcome the circularity of the current debates? Chapter three draws together the theories and their potential implications to unravel the riddle of appropriation and enable us to look to the future with suggested calls for action. This timely book equips readers with the tools to navigate and reshape the conversation around cultural appropriation, encouraging meaningful action for a more conscious and inclusive fashion industry.

Appropriation

A History of Myself

Red, Red Robin

Refashioning Bill Gibb for the 21st Century

Bibliografische Angaben

Inhaltsverzeichnis

Schlagworte

Bibliografische Angaben

Inhaltsverzeichnis

Schlagworte

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