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Refashioning Bill Gibb for the 21st
Century

Refashioning Bill Gibb for the 21st Century

List of Illustrations Foreword, Dame Zandra Rhodes, Fashion and Textile Designer Acknowledgements Introduction, Shane Strachan, University of Aberdeen, UK and Josephine Steed, Robert Gordon University, UK Part One: Gibb's design process: influences and collaborations 1. An interview with Bill Gibb's sisters 2. Disciplined flamboyance: Gibb's drawing and design process, Christine Rew, Former Manager of Aberdeen Archives, Gallery and Museums Service, UK 3. Britain's fashion education revolution: Bricolage and Historicism in the work of Bill Gibb, Marie McLoughlin, University of Brighton, UK 4. Folkloric revivals and exoticism in fashion: Bill Gibb and the vanguard of designers in 1960s-1970s France, Elizabeth Fischer, University of Art and Design HEAD - Genève, Switzerland 5. An interview with Kaffe Fassett, Artist 6. Gibb's knitwear in the 1970s: collaboration, innovation and 'slow' fashion, Josephine Steed, Robert Gordon University, UK Part Two: Gibb's fashion legacy 7. The show must go on: was Bill Gibb the greatest showman?, Iain R Webb, Kingston University, UK 8. Souvenirs of style: a web of memory association, NJ Stevenson, London College of Fashion, University of the Arts London, UK 9. An interview with Morna Annandale of Aberdeen Archives, Gallery and Museums Restyled and reimagined: exploring Bill Gibb's digital legacy on Instagram, Madeleine Marcella-Hood, Christina Stewart and Peter Reid, Robert Gordon University, UK 10. From Gibb to Gucci: how folklore fashions comfort in turbulent times, Karen Cross, Robert Gordon University, UK Part Three: Reinterpreting Gibb today 12. Bill Gibb through the lens of cultural appropriation, Jeena Sharma, Fashion Journalist 13. Addressing climate change through Bill Gibb's design legacy, Lynn Wilson, University of Glasgow, UK 14. An interview with Giles Deacon, Fashion Designer 15. Exploring Gibb's design process within fashion education, Shane Strachan, University of Aberdeen, UK and Josephine Steed, Robert Gordon University, UK 16. The Bill Gibb Line: creative crossovers in fashion and poetry, Shane Strachan, University of Aberdeen, UK Notes Selected References List of Contributors Index

Fashion in Action

What is cultural appropriation in fashion and how can understanding its causes, consequences and reoccurrences help us to challenge it in the future? As part of the Fashion in Action series of short books aimed at rallying readers on global issues in fashion, Benjamin Linley Wild highlights the long and complicated history of appropriation, guiding us on the pressing question of where we go next. Chapter one considers where we have been - what are the words we have used and what theories continue to frame and potentially hinder discussions about appropriation within the fashion industry? Chapter two moves on to where we are now - what does appropriation look like in the fashion industry and how can understanding this help both educators and consumers overcome the circularity of the current debates? Chapter three draws together the theories and their potential implications to unravel the riddle of appropriation and enable us to look to the future with suggested calls for action. This timely book equips readers with the tools to navigate and reshape the conversation around cultural appropriation, encouraging meaningful action for a more conscious and inclusive fashion industry.

Appropriation

Raid

Dramatically illustrated, this is an expert account of America's biggest surface battle since World War II, when the US Navy took on Iran's navy and air force in open combat.

The US Navy Takes on Iran's Fleet

Operation Praying Mantis 1988

Learn to create lasting impact for global fashion brands through branding, marketing and consumer engagement.

Strategic Management and Promotion for Global Fashion Brands

International Fashion Marketing

A History of Myself

Red, Red Robin

Dress and Fashion Research

Sustainable Fashion, Migrants, Embroidery: Ateliers of 'Social Integration' tells of community-led 'solidarity ateliers' engaged in sewing and embroidery activities which, in the Global North and Global South, are providing a vital alternative to neoliberal and neo-colonial fashion paradigms. On encountering several ateliers solidaires/sartorie sociali during her immersive fieldwork, for which she travelled to Morocco and Southern Italy, and contrasting her findings with her knowledge of parallel and analogous initiatives in London, Alessandra Lopez y Royo suggests that despite their different outlook and approach these ateliers can be inscribed within an ever-growing economy of solidarity and sharing. With a uniquely combined focus on sustainability, fashion and migration, Lopez y Royo examines how the ateliers foreground a powerful social inclusion agenda, encouraging migrants (and refugees) to collaborate, exchange knowledge, and foster communities on a level playing field with locals. Questioning widely accepted notions of 'empowerment' and 'social integration', and drawing on her background in archaeology and material culture studies, Lopez y Royo uses micro-studies to illuminate a broader path to a more inclusive, sustainable, and socially conscious industry, presenting a fresh perspective on repurposing and upcycling. In a world grappling with the need to shift away from fast fashion's wasteful practices, this thought-provoking exploration shows how slow-growth 'solidarity ateliers' can challenge the widely accepted notions of both 'fashion' and 'social integration'.

Ateliers of 'Social Integration'

Sustainable Fashion, Migrants, Embroidery

Little Books of Fashion

The story of the iconic jewellery brand

Little Book of Cartier

Hats! is an exploration of headwear from around the world. Divided into four parts reflecting the key reasons why we make and wear hats - Practical, Symbolic, Aesthetic and Transformative - the book covers a broad range of iconic headgear from firemen's helmets to beautiful traditional lace Mantillas from Spain, to bionic visors worn by celebrities. Drawing on various collections and in particular the archives of the Culture Trust, which boasts 'the most complete collection of hats and headwear in the world, as well as contributions from today's most inspiring milliners, this compendium is a fantastic resource for accessory designers, as well as a perfect gift for hat lovers.

Hats!

Studies in Design and Material Culture

Fashion, Textiles, and Gender in Asia in the Long Twentieth Century

Threads of Globalization

A Practical Guide for Designers and Buyers

Textile Product Performance

Stickerbomb Sneakers

Fundamentals

How can judicious use of online marketing, social media, video, mobile and in-store technologies help fashion brands reach and engage with their audience?

The Fundamentals of Digital Fashion Marketing uses industry examples, including Burberry and creative agency ODD, to demonstrate how creative digital marketing practices can build vibrant, loyal communities. Covering the vital roles of influencers, analytics, pop-up stores and user-generated content, Harris, Edwards and Watt offer a practical guide to building a successful fashion brand online. 

This revised edition includes two new chapters on reaching underserved markets, including people with disabilities and mature consumers, and a guide to legal issues like managing consumer data &amp; privacy. Each chapter also now concludes with a project to help you build an e-commerce website to start experimenting with your own online marketing campaigns.

The Fundamentals of Digital Fashion Marketing

What can one city tell us about the global textile waste problem? This Open Access study is the first detailed ethnography of clothing waste infrastructures that starts where the problem starts - the Global North. Based on more than 100 interviews, cultural anthropologist Heike Derwanz follows the journey of fast fashion in Hamburg, Germany: starting with two women from different socio-economic backgrounds sorting through their wardrobes, travelling through local flea markets, eBay, church clothes banks, upcycling brands and recycling sites, only to end up in homes and waste heaps in the Global South. Bringing together human agents such as designers, social workers and vintage sellers with objects from containers, plastic sacks and internet platforms to piles of sorted textiles, this on-the-ground cultural study reveals how the global economic system of fast fashion shapes local infrastructures entangled in everyday lives. Combining material culture, waste studies and economic perspectives to scrutinize the so-called circular economy of today's global textile recycling market, Derwanz investigates what agency modern consumers really have in the lifecycle of their clothes. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by the Bloomsbury Open Collections Library Collective.

The Circulation of Used Clothes in the Global North

Sorting Out Clothes

Refashioning Bill Gibb for the 21st Century

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