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Borum C: Radical Reality

Radical Reality

Documentary Storytelling and the Global Fight for Social Justice

Unmask one of the most memorable villains of all time and discover the incredible story behind the creation and the legacy of the galaxy's most complex character, Darth Vader.

Unmask one of the most memorable villains of all time and discover the incredible story behind the creation and the legacy of the galaxy’s most complex character, Darth Vader.

Star Wars Icons: Darth Vader

Routledge Contemporary Introductions to Philosophy

The book provides a critical overview of the most important issues in the philosophy of film, from "What is Film?" to "Can Film Do Philosophy?" It provides an objective analysis of the principal arguments on each side of each issue. The set of issues includes all of the most important topics as well as some that are less well represented in the discipline, such as whether the power of cinema derives from its similarity to dreams. The coverage is more comprehensive and up to date than its chief competitors, and the presentation is more objective than the existing monographs that survey the area. Philosophy of Film: A Contemporary Introduction consists of 11, similarly sized and structured chapters, plus an introduction and a final References list. Each chapter begins with an overview and ends with a summary and an annotated bibliography to guide students' further readings. Each chapter also includes a short annotated filmography of illustrative examples. A companion website provides actual film clips, more extensive bibliographies, and other external resources, for each of the 11 chapters.

The book provides a critical overview of the most important issues in the philosophy of film, from "What is Film?" to "Can Film Do Philosophy?" It provides an objective analysis of the principal arguments on each side of each issue. The set of issues includes all of the most important topics as well as some that are less well represented in the discipline, such as whether the power of cinema derives from its similarity to dreams. The coverage is more comprehensive and up to date than its chief competitors, and the presentation is more objective than the existing monographs that survey the area.Philosophy of Film: A Contemporary Introduction consists of 11, similarly sized and structured chapters, plus an introduction and a final References list. Each chapter begins with an overview and ends with a summary and an annotated bibliography to guide students‘ further readings. Each chapter also includes a short annotated filmography of illustrative examples. A companion website provides actual film clips, more extensive bibliographies, and other external resources, for each of the 11 chapters.

An Introduction

Philosophy of Film

The first biography of the infamous Time Lord, written by one of the most well respected cultural critics at work in the UK today

The first biography of the infamous Time Lord, written by one of the most well respected cultural critics at work in the UK today

The Story of Doctor Who

Exterminate/Regenerate

Black Screens, White Frames offers a new understanding of cinematic blankness. Drawing on Gilles Deleuze's philosophy and pursuing an affirmative approach to non-images through the concept of the filmmaking machine, Tanya Shilina-Conte shows how absence as a productive mode alters the ways in which we study film.

Black Screens, White Frames offers a new understanding of cinematic blankness. Drawing on Gilles Deleuze's philosophy and pursuing an affirmative approach to non-images through the concept of the filmmaking machine, Tanya Shilina-Conte shows how absence as a productive mode alters the ways in which we study film.

Gilles Deleuze and the Filmmaking Machine

Black Screens, White Frames

Routledge Advances in Film Studies

Through a geographically expansive series of case studies, tracking film performers from the United States, the Americas, Europe and parts of the Pacific Rim, this book explores the varieties and meanings of contemporary Hollywood stardom as it has become increasingly deterritorialized.

Through a geographically expansive series of case studies, tracking film performers from the United States, the Americas, Europe and parts of the Pacific Rim, this book explores the varieties and meanings of contemporary Hollywood stardom as it has become increasingly deterritorialized.

Stardom in Contemporary Global Hollywood

Bloomsbury Studies in Digital Cultures

"This book explores a phenomenon which it calls the new A.I. cinema and television, arguing that since the mid-2010s a distinctly new phase in the representation of A.I. has occurred. Discussing films such as Blade Runner 2049, Ex Machina and Ghost in the Shell alongside television series such as Westworld and Humans it argues that they have moved away from apocalyptic scenarios towards questions of personhood, consciousness, and social inclusion and exclusion. In doing so, it intervenes in some of today's most pressing debates, including gender representation, A.I. ethics, climate catastrophe, and the rights of artificially intelligent beings"--

The 21st-century has witnessed rapid advances in artificial intelligence, giving rise to a society at once hopeful but also mistrustful of the possibilities that this technology offers. Our hopes and anxieties have played out across a variety of media in recent times, but arguably nowhere more significantly than on our screens. This book explores a phenomenon which it calls the new A.I. cinema and television, arguing that since the mid-2010s a distinctly new phase in the representation of A.I. has occurred. Discussing films such as Blade Runner 2049, Ex Machina and Ghost in the Shell alongside television series such as Westworld and Humans it argues that they have moved away from apocalyptic scenarios towards questions of personhood, consciousness, and social inclusion and exclusion. In doing so, it intervenes in some of today's most pressing debates, including gender representation, A.I. ethics, climate catastrophe, and the rights of artificially intelligent beings.

Representing the New AI in Film and Television

Marvel Studios' The Infinity Saga

Marvel Studios' The Infinity Saga - Thor: Ragnarok - The Art of the Movie

The Television Series

The first comprehensive study of Sally Wainwright, this book examines the celebrated British screenwriter, director and producer through the lens of feminist television criticism and the concept of emotion, offering a detailed exploration of Wainwright's significant contributions to British television drama. Drawing on original interview material with Wainwright, the book opens with a biographical overview, situating Wainwright's work and sensibilities in Northern England alongside other Northern women writers such as Key Mellor and Lynda LaPlante. A central focus of the study is Wainwright's creation of heroic female characters, exemplified by Catherine Cawood in Happy Valley and Janet Scott and Rachel Bailey in Scott &amp; Bailey. The book focuses extensively on the global success of Gentleman Jack, not only considering the contribution Wainwright has made to feminist and lesbian history but also the impact the series had on its fans through a discussion on Gentleman Jack Changed my Life. The book concludes by examining Wainwright's structuring of 'home' in both regional and national contexts. Essential reading for scholars of feminist television, British television, and drama, as well as fans of Sally Wainwright, this book illuminates how Wainwright's influential work engages with and contributes to feminist discourse in television.

Sally Wainwright

Film Theory in Practice

The Film Theory in Practice series fills a gaping hole in the world of film theory. By marrying the explanation of a film theory with the interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. This book provides a broad introduction to network theory and shows how this theory can motivate a close reading of Robert Altman's 1975 film Nashville. By offering a tour of the expansive intellectual network we can now call network theory, the book demonstrates how analyzing the ubiquitous characteristics of networks changes the way film fans, students, and scholars might understand cinema's storytelling possibilities. It models a method of interpretation (focusing on character, cinematography, and sound) that students can practice with other feature films. Moreover, it situates film within a larger discourse about art and society, offering students the tools for analyzing other large-form cultural objects. Organized into two parts, the first section of the book presents an overview of network theory, its various facets as a still-emerging discourse, and its historical context in post-industrial life, before turning to Altman's Nashville. It then explores the film's narrative style and character system as a special case of network cinema, to show how there is more than "connectedness" alone to the network form.

Network Theory and Nashville

Marvel Studios' The Infinity Saga - Black Panther: The Art of the Movie

Theory Across Disciplines

Surveying the extraordinary scope of contemporary theory, this book brings together contributors from around the world to speak to the ways in which theoretical concerns from a variety of disciplines operate within their respective fields of concern. Contemporary theory is a multi- and inter-disciplinary endeavour that operates within and among the humanities, the social sciences, and many of the professions. In addition to its now somewhat more standard-fare work in these areas, it has also made substantial inroads into the natural sciences and the formal sciences. To be sure, more disciplines from across the academy have integrated theory into their practice than at any other time in history. This book surveys the workings of contemporary theory within and among the humanities, sciences, and professions, including contributions on literary studies, film studies, gender studies, visual art, law, biology and geology. It brings together distinguished theorists whose work spans the academy to speak to the ways in which theoretical concerns from a variety of disciplines work within their respective fields of concern."

"A personal and cultural exploration of the struggles between art and business at the heart of modern Hollywood, through the eyes of the talent that shaped it Matthew Specktor grew up in the film industry: the son of legendary CAA superagent Fred Specktor, his childhood was one where Beau Bridges came over for dinner, Martin Sheen's daughter was his close friend, and Marlon Brando left long messages on the family answering machine. He would eventually spend time working in Hollywood himself, first as a reluctant studio executive and later as a screenwriter. Now, with The Golden Hour, Specktor blends memoir, cultural criticism, and narrative history to tell the story of the modern motion picture industry--illuminating the conflict between art and business that has played out over the last seventy-five years in Hollywood. Braiding his own story with that of his father, mother (a talented screenwriter whose career was cut short), and figures ranging from Jack Nicholson to CAA's Michael Ovitz, Specktor reveals how Hollywood became a laboratory for the eternal struggle between art, labor, and capital. Beginning with the rise of Music Corporation of America in the 1950s, The Golden Hour lays out a series of clashes between fathers and sons, talent agents and studio heads, artists, activists, unions, and corporations. With vivid prose and immersive scenes, Specktor shows how Hollywood grew from the epicenter of American cultural life to a full-fledged multinational concern-and what this shift has meant for the nation's place in the world. At once a book about the movie business and an intimate family drama, The Golden Hour is a sweeping portrait of the American Century"--

A Story of Family and Power in Hollywood

The Golden Hour

Radical Reality

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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