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The Korean Cinema Book

The Korean Cinema Book.- Contents.- Preface (800 words).- Author TBC.- Introduction (10, 000 words).- Nikki J.Y. Lee and Julian Stringer.- Part I: Historical Trajectories.- 1. Modern History and Cultural Production in Korea (8000 words).- Michael Robinson.- 2. Film Policy and Censorship (8000 words).- Darcy Paquet.- 3. The Culture of Film Exhibition: History and Characteristics (7000 words) Cho Jun-hyung.- 4. Technology and Film Style (10,000 words).- Chung Chong-hwa.- 5. Film Stars and Performance: Historicizing Cultural Engagement (7000 words).- Chung-kang Kim.- 6. Independent Filmmaking in South Korea (6000 words).- Nohchool Park.- 7. South Korean Political Documentaries (6000 words).- Eunkwang Huh.- Part II: Colonial Korean Cinema.- 8. Film Audiences without Movie Theaters: Early Korean Film Culture, 1897-1919 (6000 words).- Dong Hoon Kim.- 9. Melodic Variations of Colonial Modernity: From Itinerant Byeonsa to the Talkies, 1907-1937 (6000 words).- Roald Maliangkay and Brian Yecies.- 10. Invaded Homeland: Colonialism and Cinema Technology in Early Cinema (6000 words).- Baek Moon-im.- 11. The Urban Life of Colonial Chosun and Crossroads of Youth (1934) (6000 words).- Jeong Min-Ah.- 12. The Mother in Chos?n (Korean) Cinema: Between Realism and Wartime Propaganda (5000 words).- Kyeong-Hee Choi and Hyun-Hee Park.- Part III: Post-War South Korean Genres.- 13. 1950s Korean Cinema and the Culture of the Cold War (5000 words).- Yom Chan Hee.- 14. Korean Melodrama: Dynamics of the Melodramatic, the Sinpa-tic, and the National (6000 words).- Eunsun Cho.- 15. State, Family and Laughter: The Historical Development of Korean Comedy from the Late 1950s to the 1970s (5000 words).- Moon Gwan-gyu.-p 16. Sex-Exploitation Movies in the 1970s: The Politics of Decadence and the Military Regime's Hypernationalization Project (6000 words).- Sun-Young You.- 17. Gangster Films (5000 words).- Author TBC.- 18. Some 'R' Points: Repression, Repulsion, Revelation, and Redemption in South Korean Horror Films (6000 words).- David Scott Diffrient.- 19. Regional Hits: Korean Blockbusters (5000 words).- Jinhee Choi.- Part IV: North Korean Cinema.- 20. North Korean Cinema: An Historical Overview (5000 words) Hyangjin Lee.- 21. The Birth of North Korean Cinema and Joo In-gyu (6000 words).- Han Sang Eon.- 22. Cinema and the Formation of North Korean Style Socialism, 1958-1966 (7000 words).- Ham Chung Beom .- 23. The Representation of Femininity in North Korean Juche Films (5000 words).- Lee Myung-ja.- 24. My North Korean Cinema (5000 words).- Author TBC.- Part V: Contemporary South Korean Film Cultures: Transnational Dimensions.- 25. The Development of Korean Cinema Studies in North America (6000 words).- Kyung Hyun Kim.- 26. What Price Glory?: Transnational Canon Formations and the Local Reception of Korean Cinema (6000 words).- Hye Seung Chung.- 27. The Promotion and Reception of Korean Cinema in the UK (6000 words).- Daniel Martin.- 28. Hollywood in Korea/Korea in Hollywood (6000 words).- Julian Stringer.- 29. Inter-Asia Film Studies: The Case of Korea/Japan (5000 words).- Kim Soyoung.- 30. The 'Asianization' of South Korean Cinema (6000).- Nikki J. Y. Lee.- Appendices: Bibliography, Electronic Resources, Film Availability (DVD), Glossary.- TOTAL = 187, 800 words (excluding Appendices).

Iconic Filmmakers Series

Wes Anderson&nbsp;celebrates the work of one of the most revered cult filmmaker working in contemporary cinema.

The Iconic Filmmaker and his Work

Wes Anderson

A celebration of the world's most cherished cinemas, from vintage movie houses to quirky start-ups.

Spectacular Cinemas from Hollywood to Hong Kong

Silver Screens

The Study of Sound

Bringing concepts from early film theory into dialogue with the vibrant field of contemporary sound studies, Wild Sound turns an analytic eye and ear to the role of the soundscape in cinema, particularly the way that film soundtracks capture, create, represent, and even critique our sonic environment. 

Listening beyond music and dialogue, this book draws attention to the oft-ignored background soundscape-film's "wild sound"-which plays a quiet but substantial role in determining how film audiences feel about certain places, people, and processes. It explores the relationship between location sound and wider practices of phonographic field recording in the creation of a cinematic sonic environment.

The latter half of the book shifts attention from from the controlled soundscapes of cinema to the relatively chaotic sonic environments of the world around us. Michael Pigott ultimately demonstrates how a theory of cinematic soundscapes helps us develop practical strategies for investigating the sonic environment in our personal and natural sound worlds, beyond the cinema auditorium.

Wild Sound

Bloomsbury Adaptation Histories

Noted scholar Imelda Whelehan looks at key adaptations released during this period and considers the impact of social change, film consumption and film tastes, as well as noting the most popular genres at this time. The latter part of the 20th century saw cinema becoming increasingly significant as an art-form, even while its status as 'art' was still openly contested. This installment in the Bloomsbury Adaptation Histories series discusses a rich and exciting period of cinema history: Hollywood in the latter stages of its golden age, releasing masterpiece adaptations such as It's A Wonderful Life (1946), The Treasure of the Sierra Madre (1948), The Third Man (1949), All About Eve (1950), Rear Window (1954), The Night of the Hunter (1955) and Vertigo (1958).

The latter part of the 20th century saw cinema becoming increasingly significant as an art-form, even while its status as 'art' was still openly contested. This installment in the Bloomsbury Adaptation Histories series discusses a rich and exciting period of cinema history: Hollywood in the latter stages of its golden age, releasing masterpiece adaptations such as It's A Wonderful Life (1946), The Treasure of the Sierra Madre (1948), The Third Man (1949), All About Eve (1950), Rear Window (1954), The Night of the Hunter (1955) and Vertigo (1958). Noted scholar Imelda Whelehan looks at key adaptations released during this period and considers the impact of social change, film consumption and film tastes, as well as noting the most popular genres at this time.

1946-59

Post-war Adaptations

How a Doll Remade the World

Barbieland

Library of Gender and Popular Culture

Has a global queer popular culture emerged at the expense of local queer artists? In this book, Helton Levy argues that global queer culture is indebted to specific, local references that artists carry from their early experiences in life, which then become homogenized by contemporary media markets. The assumption that queer publics live and consume only through a global set of references, including gay parades and rainbow flags, for example, erases many personal complexities.

Levy revisits media characters that have caught the attention of the broader public - such as Calamity Jane (1953), the Daffyd Thomas character from the BBC comedy Little Britain (2003-2007), Brazilian drag queen Pabblo Vittar, French singer Christine and the Queens, and the Italian-Egyptian rapper Mahmood - and argues that they have gradually blended in the public's perception. This has often obscured the individual struggles faced by these characters, such as immigration, homophobia, poverty and societal exclusion. Levy also questions what happens when global media flows take queer culture to regions wherein the notion of LGBTQ+ rights are not entirely acceptable.
 
Utilizing insights from media reports published across the world's ten biggest media markets, Levy argues that there are a series of conditions which artists and cultural actors negotiate once they achieve any kind of success in mainstream media, while local queer references remain unseen in the wider media world. For that reason, he argues for stronger incentives for communities to accept and acknowledge the work of queer people before and after commoditization.

Has a global queer popular culture emerged at the expense of local queer artists? In this book, Helton Levy argues that global queer culture is indebted to specific, local references that artists carry from their early experiences in life, which then become homogenized by contemporary media markets. The assumption that queer publics live and consume only through a global set of references, including gay parades and rainbow flags, for example, erases many personal complexities.

Levy revisits media characters that have caught the attention of the broader public – such as Calamity Jane (1953), the Daffyd Thomas character from the BBC comedy Little Britain (2003-2007), Brazilian drag queen Pabblo Vittar, French singer Christine and the Queens, and the Italian-Egyptian rapper Mahmood – and argues that they have gradually blended in the public's perception. This has often obscured the individual struggles faced by these characters, such as immigration, homophobia, poverty and societal exclusion. Levy also questions what happens when global media flows take queer culture to regions wherein the notion of LGBTQ+ rights are not entirely acceptable.
 
Utilizing insights from media reports published across the world's ten biggest media markets, Levy argues that there are a series of conditions which artists and cultural actors negotiate once they achieve any kind of success in mainstream media, while local queer references remain unseen in the wider media world. For that reason, he argues for stronger incentives for communities to accept and acknowledge the work of queer people before and after commoditization.

Identities and Commodities in Queer Popular Culture

Globalized Queerness

How do film and television makers around the world depict public housing? Why is public housing so often chosen as the backdrop for drama, horror, social critique, rebellion, violence, artistic creativity, explorations of race relations and political intrigue?

Home Screens answers these questions by examining the ways in which socialized housing projects around the world are represented on screen. The volume brings together a diverse group of interdisciplinary scholars, who explore documentary and fictional portrayals of the architecture of public housing, and the communities that inhabit it, ranging from the 1950s to the present. Examining international film and media texts such as Die Architekten (1990), Swagger (2016), Cooley High (1975), Mee-Pok Man (1995), Treme (2010-2013), Mamma Roma (1962), The Pruitt-Igoe Myth (2011), and Below the Lion Rock (1972-1976), essays within this book consider public and private attitudes toward socialised housing, explaining how onscreen representations shape perceptions of these ubiquitous, often-stigmatized urban locations.

How do film and television makers around the world depict public housing? Why is public housing so often chosen as the backdrop for drama, horror, social critique, rebellion, violence, artistic creativity, explorations of race relations and political intrigue?

Home Screens answers these questions by examining the ways in which socialized housing projects around the world are represented on screen. The volume brings together a diverse group of interdisciplinary scholars, who explore documentary and fictional portrayals of the architecture of public housing, and the communities that inhabit it, ranging from the 1950s to the present. Examining international film and media texts such as Die Architekten (1990), Swagger (2016), Cooley High (1975), Mee-Pok Man (1995), Treme (2010–2013), Mamma Roma (1962), The Pruitt-Igoe Myth (2011), and Below the Lion Rock (1972–1976), essays within this book consider public and private attitudes toward socialised housing, explaining how onscreen representations shape perceptions of these ubiquitous, often-stigmatized urban locations.

Public Housing in Global Film & Television

Home Screens

BFI Screen Guides

Ever felt stumped for a film to watch with your family? Would you like to discover films from countries you've never visited, set in fantastical worlds or in a local neighbourhood that looks very different to your own, or silent films, or films from Hollywood's heyday? 100 Films to Watch Before You Grow Up is an essential and accessible guide to one hundred films from over a century of cinema and from around the world, from the United States and countries across Europe as well as Japan, Iran, Australia and New Zealand, India, Senegal and Saudi Arabia.

Ever felt stumped for a film to watch with your family? Would you like to discover films from countries you've never visited, set in fantastical worlds or in a local neighbourhood that looks very different to your own, or silent films, or films from Hollywood's heyday? 100 Films to Watch Before You Grow Up is an essential and accessible guide to one hundred films from over a century of cinema and from around the world, from the United States and countries across Europe as well as Japan, Iran, Australia and New Zealand, India, Senegal and Saudi Arabia.

100 Films to Watch Before You Grow Up

Habitats of the World

"An abundantly illustrated field guide to 85 African habitats and their distinctive flora and fauna"--

A richly illustrated field guide to all of Africa’s major habitats—packed with invaluable information to help you understand these habitats and their wildlife With breathtaking wildlife and stunningly beautiful locales, Africa is a premier destination for birders, conservationists, ecotourists, and ecologists. This compact, easy-to-use guide provides an unparalleled treatment of the continent’s wonderfully diverse habitats. Incisive and up-to-date descriptions cover the unique features of each habitat, from geology and climate to soil and hydrology, and require no scientific background. Knowing the surrounding environment is essential to getting the most out of your travel experiences. Habitats of Africa offers quick and reliable information for anyone who wants a deeper understanding and appreciation of the habitats around them. <ul><li>Covers 73 major African habitats, including oceanic habitats</li><li>Features hundreds of color photos of habitats and their wildlife, a wealth of helpful diagrams and illustrations, and a detailed distribution map for each land habitat</li><li>Concise text provides all the information you need to identify and understand habitats anywhere in Africa quickly and accurately</li><li>Discusses iconic and indicator species of birds, mammals, and plants</li><li>Includes an in-depth section on habitat classification—invaluable for ecologists</li><li>Representative habitat accounts include a feature describing what you can expect to see and experience there</li><li>Formatted like a field guide for easy reference</li></ul>

A Field Guide for Birders, Naturalists, and Ecologists

Habitats of Africa

Handbooks in International Art Business

The Valuation of Fine Art and Design provides a detailed analysis of the art and science of valuation, focussing on the process of assigning monetary values to artworks. The book sets out to educate art-world stakeholders in the nuances of pricing in the broadest sense. Construction of appropriate values requires an understanding of the international art market infrastructure in which these values will be applied; for this reason, the book explores the major sales venues in some detail. Additionally, it requires the appraiser to establish the importance of the work in question; to this end, the book presents fine and decorative-arts research sources. Finally, all value conclusions are based upon evidence derived from previous sales of similar items. The book concludes by demonstrating, through case studies, the impact on an artwork's value of factors including authenticity, style, artist's stature, publication and exhibition record, medium, rarity, and inclusion of related works in museum collections.

The Valuation of Fine Art and Design provides a detailed analysis of the art and science of valuation, focussing on the process of assigning monetary values to artworks. The book sets out to educate art-world stakeholders in the nuances of pricing in the broadest sense. Construction of appropriate values requires an understanding of the international art market infrastructure in which these values will be applied; for this reason, the book explores the major sales venues in some detail. Additionally, it requires the appraiser to establish the importance of the work in question; to this end, the book presents fine and decorative-arts research sources. Finally, all value conclusions are based upon evidence derived from previous sales of similar items. The book concludes by demonstrating, through case studies, the impact on an artwork's value of factors including authenticity, style, artist’s stature, publication and exhibition record, medium, rarity, and inclusion of related works in museum collections.

A Handbook for Professionals

The Valuation of Fine Art and Design

The Korean Cinema Book

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