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The Korean Cinema Book

The Korean Cinema Book.- Contents.- Preface (800 words).- Author TBC.- Introduction (10, 000 words).- Nikki J.Y. Lee and Julian Stringer.- Part I: Historical Trajectories.- 1. Modern History and Cultural Production in Korea (8000 words).- Michael Robinson.- 2. Film Policy and Censorship (8000 words).- Darcy Paquet.- 3. The Culture of Film Exhibition: History and Characteristics (7000 words) Cho Jun-hyung.- 4. Technology and Film Style (10,000 words).- Chung Chong-hwa.- 5. Film Stars and Performance: Historicizing Cultural Engagement (7000 words).- Chung-kang Kim.- 6. Independent Filmmaking in South Korea (6000 words).- Nohchool Park.- 7. South Korean Political Documentaries (6000 words).- Eunkwang Huh.- Part II: Colonial Korean Cinema.- 8. Film Audiences without Movie Theaters: Early Korean Film Culture, 1897-1919 (6000 words).- Dong Hoon Kim.- 9. Melodic Variations of Colonial Modernity: From Itinerant Byeonsa to the Talkies, 1907-1937 (6000 words).- Roald Maliangkay and Brian Yecies.- 10. Invaded Homeland: Colonialism and Cinema Technology in Early Cinema (6000 words).- Baek Moon-im.- 11. The Urban Life of Colonial Chosun and Crossroads of Youth (1934) (6000 words).- Jeong Min-Ah.- 12. The Mother in Chos?n (Korean) Cinema: Between Realism and Wartime Propaganda (5000 words).- Kyeong-Hee Choi and Hyun-Hee Park.- Part III: Post-War South Korean Genres.- 13. 1950s Korean Cinema and the Culture of the Cold War (5000 words).- Yom Chan Hee.- 14. Korean Melodrama: Dynamics of the Melodramatic, the Sinpa-tic, and the National (6000 words).- Eunsun Cho.- 15. State, Family and Laughter: The Historical Development of Korean Comedy from the Late 1950s to the 1970s (5000 words).- Moon Gwan-gyu.-p 16. Sex-Exploitation Movies in the 1970s: The Politics of Decadence and the Military Regime's Hypernationalization Project (6000 words).- Sun-Young You.- 17. Gangster Films (5000 words).- Author TBC.- 18. Some 'R' Points: Repression, Repulsion, Revelation, and Redemption in South Korean Horror Films (6000 words).- David Scott Diffrient.- 19. Regional Hits: Korean Blockbusters (5000 words).- Jinhee Choi.- Part IV: North Korean Cinema.- 20. North Korean Cinema: An Historical Overview (5000 words) Hyangjin Lee.- 21. The Birth of North Korean Cinema and Joo In-gyu (6000 words).- Han Sang Eon.- 22. Cinema and the Formation of North Korean Style Socialism, 1958-1966 (7000 words).- Ham Chung Beom .- 23. The Representation of Femininity in North Korean Juche Films (5000 words).- Lee Myung-ja.- 24. My North Korean Cinema (5000 words).- Author TBC.- Part V: Contemporary South Korean Film Cultures: Transnational Dimensions.- 25. The Development of Korean Cinema Studies in North America (6000 words).- Kyung Hyun Kim.- 26. What Price Glory?: Transnational Canon Formations and the Local Reception of Korean Cinema (6000 words).- Hye Seung Chung.- 27. The Promotion and Reception of Korean Cinema in the UK (6000 words).- Daniel Martin.- 28. Hollywood in Korea/Korea in Hollywood (6000 words).- Julian Stringer.- 29. Inter-Asia Film Studies: The Case of Korea/Japan (5000 words).- Kim Soyoung.- 30. The 'Asianization' of South Korean Cinema (6000).- Nikki J. Y. Lee.- Appendices: Bibliography, Electronic Resources, Film Availability (DVD), Glossary.- TOTAL = 187, 800 words (excluding Appendices).

The essential illustrated compendium of ornithischian dinosaurs, from the tanklike Stegosaurus to duck-billed hadrosaursThe Princeton Encyclopedia of Dinosaurs: Ornithischians brings together every species of armored and horn-faced dinosaur known to have roamed the prehistoric world, with a dedicated entry for each species describing its key characteristics, taxonomic classification, location, and known remains along with a concise history of its discovery. Each species is beautifully brought to life with vivid illustrations and is supported by meticulously detailed diagrams of all known fossils. These visual aids enable readers to explore how scientists reconstruct these incredible creatures from fossilized remains. Whether you're curious about Stegosaurus, Triceratops, or the multitude of less familiar ornithischian species, this encyclopedia covers them all. The Princeton Encyclopedia of Dinosaurs is a comprehensive three-volume resource for anyone who is fascinated by dinosaurs. Packed with engaging dino facts and original, full-color reconstructions, drawings, and graphics, this one-of-a-kind encyclopedia strikes a perfect balance between depth and accessibility-detailed enough to captivate professionals yet clear and exciting enough for beginners eager to dive into the amazing lost world of the dinosaurs. The three volumes, which are available individually or as a set, are Theropods, Sauropods, and Ornithischians. Organized for easy reference, these books are perfect for casual browsing or in-depth study. Together, this encyclopedia invites dinosaur lovers of all ages to walk among the wonderous beasts of the Mesozoic era.

The Princeton Encyclopedia of Dinosaurs: Ornithischians

Magic Rays of Light is an original and ambitious history of the largely unknown early years of television in Britain. A detailed cultural study of the first demonstrations, of the extensive experimental broadcasts between 1928 and 1935, and of the BBC's richly varied daily service starting in November 1936 from Alexandra Palace, the book overturns the popular mis-conception that television in Britain effectively began with Elizabeth II's Coronation in 1953. In tracing this history, John Wyver chronicles the process by which a technology became a medium. He argues that much of what that television as we knew it in the late twentieth century was created within the fluid and at times unstable forms of the interwar medium. Most fundamentally the basics of television's screen language and grammar were developed. As this emerged, television drama flourished in the staging of more than 400 plays, from Shakespeare and Agatha Christie to Pirandello and P.G. Wodehouse, starring luminaries including Laurence Olivier, Sybil Thorndike and Peggy Ashcroft. Outside broadcasts of state occasions, and of Wimbledon and Test matches, were pioneered, along with transmissions of the Derby (from 1931 onwards) and the FA Cup Final. Light entertainment formats, quiz shows and the direct ancestor of countless magazine programmes were devised, alongside ambitious presentations of classical ballet and grand opera. As a striking counterpoint to this story, Magic Rays of Light also celebrates the inchoate, indeterminate nature of interwar television. In certain key ways, from the first imaginaries and sci-fi visions of television, and in aspects of how it was made, of what was produced and how this was seen, early television was entirely distinct from what the medium later became. The book reveals television's forgotten pasts and unrealised futures, including the low resolution, vertical format transmissions of John Logie Baird's first systems, and the live, large-screen electronic projection systems known as 'cinema television'. Relaying sports events and pageantry to cinemas, this pre-war sensation was seen by the BBC as a serious threat to its monopoly. By attending closely to the transmissions of the first fifteen years, to the emerging medium's industrial context, and to its intermedial links with radio, theatre, cinema, music hall, sport and more, Magic Rays of Light illuminates television's place in the cultural and social histories of Britain between the wars.

The Early Years of Television in Britain

Magic Rays of Light

Spanish and Latin-American Filmmakers

Feminism and Francoism

The Cinema of Cecilia Bartolomé

Inspired Recipes Using Canned, Jarred & Bottled Ingredients

The Kitchen Cupboard Chef

Shakespeare and Adaptation

Shakespeare, Race and Anglophone Popular Culture

The essential illustrated compendium of sauropod dinosaurs, from the towering Brachiosaurus to small, long-necked herbivoresThe Princeton Encyclopedia of Dinosaurs: Sauropods brings together every species of long-necked dinosaur known to have roamed the prehistoric world, with a dedicated entry for each species describing its key characteristics, taxonomic classification, location, and known remains along with a concise history of its discovery. Each species is beautifully brought to life with vivid illustrations and is supported by meticulously detailed diagrams of all known fossils. These visual aids enable readers to explore how scientists reconstruct these incredible creatures from fossilized remains. Whether you're curious about Brachiosaurus, Titanosaurus, or the multitude of less familiar sauropod species, this encyclopedia covers them all. The Princeton Encyclopedia of Dinosaurs is a comprehensive three-volume resource for anyone who is fascinated by dinosaurs. Packed with engaging dino facts and original, full-color reconstructions, drawings, and graphics, this one-of-a-kind encyclopedia strikes a perfect balance between depth and accessibility-detailed enough to captivate professionals yet clear and exciting enough for beginners eager to dive into the amazing lost world of the dinosaurs. The three volumes, which are available individually or as a set, are Theropods, Sauropods, and Ornithischians. Organized for easy reference, these books are perfect for casual browsing or in-depth study. Together, this encyclopedia invites dinosaur lovers of all ages to walk among the wonderous beasts of the Mesozoic era.

The Princeton Encyclopedia of Dinosaurs: Sauropods

What does feminist filmmaking in the 21st century look like? This book assesses the influence of Western feminist theory on contemporary film and television - nearly fifty years after Claire Johnston and Laura Mulvey called for a feminist counter-cinema - highlighting the cross-fertilization between feminist film theory and practice. Is there a #Metoo genre? Have traditional Hollywood genres been reframed? How has intersectional feminist film theory been explored on screen? In essays spanning film and television in a broad range of genres from the US, the UK and India, contributors renew definitions of feminist filmmaking since second wave feminist film scholars first grappled with the image of women in film and the role of women in the film industry. Feminist Visions provides an insightful space for discussion of feminist film theory as applied to recent TV series such as Devious Maids (2013-2016), Unbelievable (2019), Greenleaf (2016-2020), I May Destroy You (2020) and Insecure (2016-2021) and films including Maid in Manhattan (2002), Night Moves (2014), Gone Girl (2014), I Care a Lot (2020) and The Discreet Charm of the Savarnas (2020).

Theory in Practice in Contemporary Film and Television

Feminist Visions

This book examines a range of systems and structures that film and video artists have developed in works spanning the late 1960s to the present, often in response to the changing technologies and medium of cinema. Simon Payne considers the affinities that film and video works share with aspects of painting, sculpture and music. He argues that the evolution of methodical strategies in artists' cinema can be traced back to the first avant-garde films made a century ago between 1921-1924. Tracing the lineage of key figures and international groups that have formed part of the picture since then, he posits that the most thorough formal exploration of cinema can be credited to a generation of artists that began making films in Britain in the late 1960s and early 1970s. He goes on to analyse the work of key filmmakers including Peter Gidal, David Hall, Malcolm Le Grice, Annabel Nicolson, Lis Rhodes and Guy Sherwin. Paying close attention to their recent films and videos as well as those of diverse younger artists working in a similar tradition. Experimental Cinema, Structures and Systems traces a unique and influential lineage that has defined some of the central preoccupations of experimental film and video, which tests our expectations of cinema, television and the moving image.

Structures, Systems and Strategies

Experimental Cinema

Ensure your movie stays on schedule and within budget by learning how to draft professional grade storyboards. Whether you're an independent filmmaker new to the task or an artist aspiring to launch a career as a movie storyboard artist, this book is for you.Featuring the work and insight of the legendary Trevor Goring (Watchmen; The Cabin in the Woods; Thor: The Dark World), Storyboarding Fundamentals (KEEP?) is laced with invaluable information and techniques that simply can't be found anywhere else. The authors cover: * Creating different kinds of storyboards for different stages of your movie (pitch, financing, shooting, etc) * Analyzing scripts, breaking down scenes, and how these impact your storyboard vision * Working with digital tools (Wacom, 3D and other software) * Filmmaking techniques and styles (camera angles and movements, etc) The authors also provide a trove of practical career advice for those looking to launch a career as a professional storyboard artist, with lessons on freelancing, promoting your work, networking, visiting studios and much more.

Ensure your movie stays on schedule and within budget by learning how to draft professional grade storyboards. Whether you're an independent filmmaker new to the task or an artist aspiring to launch a career as a movie storyboard artist, this book is for you.Featuring the work and insight of the legendary Trevor Goring (Watchmen; The Cabin in the Woods; Thor: The Dark World), Storyboarding Fundamentals (KEEP?) is laced with invaluable information and techniques that simply can't be found anywhere else. The authors cover: * Creating different kinds of storyboards for different stages of your movie (pitch, financing, shooting, etc) * Analyzing scripts, breaking down scenes, and how these impact your storyboard vision * Working with digital tools (Wacom, 3D and other software) * Filmmaking techniques and styles (camera angles and movements, etc) The authors also provide a trove of practical career advice for those looking to launch a career as a professional storyboard artist, with lessons on freelancing, promoting your work, networking, visiting studios and much more. ADD TO THIS

Visualizing story in film, tv, advertising and games

Storyboards, Animatics and PreViz

The essential illustrated compendium of therapod dinosaurs, from the mighty Tyrannosaurus to fierce feathered raptorsThe Princeton Encyclopedia of Dinosaurs: Theropods brings together every species of predatory dinosaur known to have roamed the prehistoric world, with a dedicated entry for each species describing its key characteristics, taxonomic classification, location, and known remains along with a concise history of its discovery. Each species is beautifully brought to life with vivid illustrations and is supported by meticulously detailed diagrams of all known fossils. These visual aids enable readers to explore how scientists reconstruct these incredible creatures from fossilized remains. Whether you're curious about Tyrannosaurus rex, Velociraptor, or the multitude of less familiar therapod species, this encyclopedia covers them all. The Princeton Encyclopedia of Dinosaurs is a comprehensive three-volume resource for anyone who is fascinated by dinosaurs. Packed with engaging dino facts and original, full-color reconstructions, drawings, and graphics, this one-of-a-kind encyclopedia strikes a perfect balance between depth and accessibility-detailed enough to captivate professionals yet clear and exciting enough for beginners eager to dive into the amazing lost world of the dinosaurs. The three volumes, which are available individually or as a set, are Theropods, Sauropods, and Ornithischians. Organized for easy reference, these books are perfect for casual browsing or in-depth study. Together, this encyclopedia invites dinosaur lovers of all ages to walk among the wonderous beasts of the Mesozoic era.

The Princeton Encyclopedia of Dinosaurs: Theropods

This book examines the integral role that makeup plays in the construction and promotion of female stardom, focusing on the transitional Hollywood period, between 1950 and 1970, a time of great change in Hollywood with the advent of television, the break-up of the studios and the break-down of the production code. Cathy Lomax's compelling study features in-depth case studies of stars Vivien Leigh, Marilyn Monroe, Natalie Wood, Dorothy Dandridge and Joan Crawford alongside archival images of make-up promotional material and the make up used by stars and their fans to interrogate the role of makeup in defining and adjusting the appearance of race, beauty, ageing, naturalness, and sexual appeal in the star image. Makeup is a vital technical material in film and photography; correcting skin-tones for different film stocks and making features visible under bright lights. But it is also a component of a film's mise-en-scene, intrinsically linked to the visual allure of cinema and helps to shape and refine the female star image, both on- and off-screen. Lomax's case studies show how makeup was used to create female figures such as the femme fatale played by Marilyn Monroe in Niagara (1953); how in various roles Natalie Wood's makeup was used to suggest a youthful, natural and openly sexual young woman, or, when as a white actress she was cast in 'ethnic' roles, to create an impression of a Hispanic, Native American or Black identity; how Dorothy Dandridge's light skin challenged codes around inter-racial relationships, with the result that her skin was darkened for love scenes with Black actors, and how the transition to colour impacted Joan Crawford's star persona as she aged, and how ideas about the grotesque nature of female ageing were represented in the 1960s cycle of 'hag horror' movies such as 1962's Whatever Happened to Baby Jane? Drawing on film studies, feminist debates on masquerade theory, celebrity studies and fashion and cultural studies, alongside information from biographies, fan magazines, archives, and practical experience from her own work as a makeup artist, Lomax reveals the vital and under-examined role that makeup plays in the display of femininity on film, and how this is exemplified through the construction of individuated stardom. By making visible a material, that because of its connection with feminine adornment has been overlooked or disregarded, this book highlights undervalued labour, and foregrounds the female agency that was articulated by the design and application of makeup.

The Korean Cinema Book

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