<div class="raw-html-embed"> Newsletteraktion: Abonnieren Sie jetzt unseren Newsletter und sichern Sie sich bis zum 8. August 2025 10% Rabatt auf Ihre Onlinebestellungen. <a href="/newsletter">Infos und Anmeldung.</a></div>

NL_Doormat: Hintergrundfarbe des Newsletter Banners unten in der Doormat. Mit # eingeben z.B. #1405BE

NL_Doormat: Verlinkung zur Newsletter Seite

Über uns

À propos de nous

Zahlung und Lieferung

Paiement et livraison

Nachhaltigkeit

Durabilité

Open Access

Datenschutz

Protection des données

Karriere

Carrière

Impressum

Mentions légales

LEXIA

LEXIA Arbeitsrecht

Was ist LEXIA?

C'est quoi LEXIA ?

LEXIA Familienrecht

Zeitschriften

Revues

recht

Pflegerecht

ZBJV

forumpoenale

ZStrR

Anwaltsrevue

Revue de l'avocat

RSAS

FamPra.ch

ASYL

Life Science Recht

BlAR

Sachbuch

Livres spécialisés

LOKI

Semaphor

Fokusthemen

Focus

Thema

Recht studieren

Arbeitsrecht

Droit du travail

Studium

Études

Familienrecht

Droit de la famille

Sozialversicherungsrecht

Droit des assurances sociales

Strafrecht

Droit pénal

Publikationen

Publications

Literatur

Onlinemodule LEXIA

Modules en ligne LEXIA

Bücher

Livres

Buchreihen

Collections

Datenbanken

recht.ch

Studienliteratur

Littérature pour les études

Services

Dienstleistungen für

Corporate Books

Publishing Lösungen

Aktuelles

Geschäftskunden

Professionnels

Corporate Publishing

Content solutions

Buchhandlungen

Librairies

Veranstaltungen

Événements

Presse

Dozierende

Enseignants

Studierende

Étudiants

Inserierende

Annonceurs

Newsletter

Blog

Autorinnen/Autoren

Auteurs

Unsere Schreibenden

Hilfe

Unsere Autorinnen und Autoren

Liste

Autorenlounge

Espace des auteurs

Bei uns publizieren

Publier chez nous

Autorenstimmen

Témoignages

Verlag

Éditions

Themen

Mehr wissen

Mitarbeitende

Collaborateurs

Geschichte

Histoire

Vision und Mission

Vision et mission

Unser Magazin

Notre magazine

Unternehmenskultur

Culture d'entreprise

Partner

Partenaires

Kontakt

Contact

Shop

Schweizer Recht

Ausländisches Recht

Über unseren Shop

Neuerscheinungen

Nouveautés

Sortiment und Funktionen

Assortiment et recherche

Vorankündigungen

À paraître

Nach Rechtsgebiet

Par domaine juridique

Kommentare

Commentaires

The Korean Cinema Book

The Korean Cinema Book.- Contents.- Preface (800 words).- Author TBC.- Introduction (10, 000 words).- Nikki J.Y. Lee and Julian Stringer.- Part I: Historical Trajectories.- 1. Modern History and Cultural Production in Korea (8000 words).- Michael Robinson.- 2. Film Policy and Censorship (8000 words).- Darcy Paquet.- 3. The Culture of Film Exhibition: History and Characteristics (7000 words) Cho Jun-hyung.- 4. Technology and Film Style (10,000 words).- Chung Chong-hwa.- 5. Film Stars and Performance: Historicizing Cultural Engagement (7000 words).- Chung-kang Kim.- 6. Independent Filmmaking in South Korea (6000 words).- Nohchool Park.- 7. South Korean Political Documentaries (6000 words).- Eunkwang Huh.- Part II: Colonial Korean Cinema.- 8. Film Audiences without Movie Theaters: Early Korean Film Culture, 1897-1919 (6000 words).- Dong Hoon Kim.- 9. Melodic Variations of Colonial Modernity: From Itinerant Byeonsa to the Talkies, 1907-1937 (6000 words).- Roald Maliangkay and Brian Yecies.- 10. Invaded Homeland: Colonialism and Cinema Technology in Early Cinema (6000 words).- Baek Moon-im.- 11. The Urban Life of Colonial Chosun and Crossroads of Youth (1934) (6000 words).- Jeong Min-Ah.- 12. The Mother in Chos?n (Korean) Cinema: Between Realism and Wartime Propaganda (5000 words).- Kyeong-Hee Choi and Hyun-Hee Park.- Part III: Post-War South Korean Genres.- 13. 1950s Korean Cinema and the Culture of the Cold War (5000 words).- Yom Chan Hee.- 14. Korean Melodrama: Dynamics of the Melodramatic, the Sinpa-tic, and the National (6000 words).- Eunsun Cho.- 15. State, Family and Laughter: The Historical Development of Korean Comedy from the Late 1950s to the 1970s (5000 words).- Moon Gwan-gyu.-p 16. Sex-Exploitation Movies in the 1970s: The Politics of Decadence and the Military Regime's Hypernationalization Project (6000 words).- Sun-Young You.- 17. Gangster Films (5000 words).- Author TBC.- 18. Some 'R' Points: Repression, Repulsion, Revelation, and Redemption in South Korean Horror Films (6000 words).- David Scott Diffrient.- 19. Regional Hits: Korean Blockbusters (5000 words).- Jinhee Choi.- Part IV: North Korean Cinema.- 20. North Korean Cinema: An Historical Overview (5000 words) Hyangjin Lee.- 21. The Birth of North Korean Cinema and Joo In-gyu (6000 words).- Han Sang Eon.- 22. Cinema and the Formation of North Korean Style Socialism, 1958-1966 (7000 words).- Ham Chung Beom .- 23. The Representation of Femininity in North Korean Juche Films (5000 words).- Lee Myung-ja.- 24. My North Korean Cinema (5000 words).- Author TBC.- Part V: Contemporary South Korean Film Cultures: Transnational Dimensions.- 25. The Development of Korean Cinema Studies in North America (6000 words).- Kyung Hyun Kim.- 26. What Price Glory?: Transnational Canon Formations and the Local Reception of Korean Cinema (6000 words).- Hye Seung Chung.- 27. The Promotion and Reception of Korean Cinema in the UK (6000 words).- Daniel Martin.- 28. Hollywood in Korea/Korea in Hollywood (6000 words).- Julian Stringer.- 29. Inter-Asia Film Studies: The Case of Korea/Japan (5000 words).- Kim Soyoung.- 30. The 'Asianization' of South Korean Cinema (6000).- Nikki J. Y. Lee.- Appendices: Bibliography, Electronic Resources, Film Availability (DVD), Glossary.- TOTAL = 187, 800 words (excluding Appendices).

World Cinema

Departing from standard histories, this book draws on the theory of excess in film to provide a re-examination of Polish cinema history, following emancipatory impulses that emerged in Polish culture between the great crisis of 1968-marked by the expulsion of Polish Jews and persecution of students-and the conservative revolution of the Solidarity movement in the 1980s. Employing a transnational and decolonial lens, Sebastian Jagielski argues that beyond the binary of state-endorsed and official 'opposition' media, there exists a range of subversive and radical films. He provides close readings of key examples such as The Devil (Diabel)(1972), A Story of Sin (Dzieje grzechu)(1975) and The Palace (Palac)(1980), considering their depiction and transformation of emancipatory ideals born out of Western countercultural movements. He also explores the filmmaking practices of directors like Andrzej Wajda to Andrzej Zulawski, examining their use of subtext, seemingly lurid narratives and subversive embedded gestures, produced against the backdrop of Communist Poland's censorship practices. In doing so he proposes a critical revision of the normative cinema of moral anxiety. He goes on to consider how on screen depictions of sexuality intersect with various modes of difference, highlighting the impact of racism, homophobia, misogyny, and classism. Rejecting a linear narrative in favour of a fragmented history, Jagielski uncovers the untold stories of Polish cinema's subversive influences.

The Politics of Excess in Polish Cinema

John Ford's America

Through a re-examination of the theoretical study of time and embodiment, this collection proposes an innovative new discourse in which to situate film. Each of its essays, written by a host of renowned international scholars, demonstrate the embodiment of time to be a vital part of the aesthetic experience of cinema. Analysing a broad range of films such as Beasts of the Southern Wild (USA, 2012), Talk to Her (Spain, 2002), Millennium Actress (Japan, 2001), Jab Tak Hai Jaan (India, 2012), and Jinpa (China, 2018), they each draw specific attention to moments of change and transformation, so as to explore how films operate as dynamic carriers of social meaning. Contributors examine key questions of embodied time as represented on screen; as a way of rethinking the centrality of the individual, of depicting gendered differences, of decentring western perspectives to consider embodied time in a widened global context, and as a way of expanding what embodiment means in post-human narratives. In doing so, this study not only highlights specific discourses of radical, lived experience in film, but also considers how distinctions of race and class, gender and sexuality, migration, religion, and indigeneity affect these depictions of embodied subjectivity.

Time and the Cinematic Body

Radical Embodiment on Film

The essential illustrated compendium of sauropod dinosaurs, from the towering Brachiosaurus to small, long-necked herbivoresThe Princeton Encyclopedia of Dinosaurs: Sauropods brings together every species of long-necked dinosaur known to have roamed the prehistoric world, with a dedicated entry for each species describing its key characteristics, taxonomic classification, location, and known remains along with a concise history of its discovery. Each species is beautifully brought to life with vivid illustrations and is supported by meticulously detailed diagrams of all known fossils. These visual aids enable readers to explore how scientists reconstruct these incredible creatures from fossilized remains. Whether you're curious about Brachiosaurus, Titanosaurus, or the multitude of less familiar sauropod species, this encyclopedia covers them all. The Princeton Encyclopedia of Dinosaurs is a comprehensive three-volume resource for anyone who is fascinated by dinosaurs. Packed with engaging dino facts and original, full-color reconstructions, drawings, and graphics, this one-of-a-kind encyclopedia strikes a perfect balance between depth and accessibility-detailed enough to captivate professionals yet clear and exciting enough for beginners eager to dive into the amazing lost world of the dinosaurs. The three volumes, which are available individually or as a set, are Theropods, Sauropods, and Ornithischians. Organized for easy reference, these books are perfect for casual browsing or in-depth study. Together, this encyclopedia invites dinosaur lovers of all ages to walk among the wonderous beasts of the Mesozoic era.

The Princeton Encyclopedia of Dinosaurs: Sauropods

Ensure your movie stays on schedule and within budget by learning how to draft professional grade storyboards. Whether you're an independent filmmaker new to the task or an artist aspiring to launch a career as a movie storyboard artist, this book is for you.Featuring the work and insight of the legendary Trevor Goring (Watchmen; The Cabin in the Woods; Thor: The Dark World), Storyboarding Fundamentals (KEEP?) is laced with invaluable information and techniques that simply can't be found anywhere else. The authors cover: * Creating different kinds of storyboards for different stages of your movie (pitch, financing, shooting, etc) * Analyzing scripts, breaking down scenes, and how these impact your storyboard vision * Working with digital tools (Wacom, 3D and other software) * Filmmaking techniques and styles (camera angles and movements, etc) The authors also provide a trove of practical career advice for those looking to launch a career as a professional storyboard artist, with lessons on freelancing, promoting your work, networking, visiting studios and much more.

Ensure your movie stays on schedule and within budget by learning how to draft professional grade storyboards. Whether you're an independent filmmaker new to the task or an artist aspiring to launch a career as a movie storyboard artist, this book is for you.Featuring the work and insight of the legendary Trevor Goring (Watchmen; The Cabin in the Woods; Thor: The Dark World), Storyboarding Fundamentals (KEEP?) is laced with invaluable information and techniques that simply can't be found anywhere else. The authors cover: * Creating different kinds of storyboards for different stages of your movie (pitch, financing, shooting, etc) * Analyzing scripts, breaking down scenes, and how these impact your storyboard vision * Working with digital tools (Wacom, 3D and other software) * Filmmaking techniques and styles (camera angles and movements, etc) The authors also provide a trove of practical career advice for those looking to launch a career as a professional storyboard artist, with lessons on freelancing, promoting your work, networking, visiting studios and much more. ADD TO THIS

Visualizing story in film, tv, advertising and games

Storyboards, Animatics and PreViz

Global Exploitation Cinemas

Discourses of cult cinema primarily centre around the West, with a particular emphasis upon Anglo-American cinema and fandom. Meanwhile, scholarship on world cinema privileges art cinema traditions and downplays those areas of popular cinema that intersect with cult. Global Cult Cinemas makes a decisive intervention by specifically addressing the transnational dynamics underpinning cult cinema. From studies of film reception that trace the international spread of cult film practices through to accounts of cult filmmaking traditions from a diverse range of film cultures, Global Cult Cinemas works towards the goal of de-Westernizing the discipline.

With contributors and topics from across the globe, Global Cult Cinemas explores this de-Westernization through filmmakers and current events such as Alejandro Jodorowsky in the era of #MeToo, cinephilia in Pakistan, and the reception of the Czech Crazy Comedy. While broadening the study of cult cinema beyond its predominant US focus, this book disrupts the realm of traditional cult cinema scholarship.

Global Cult Cinemas calls for a decolonisation of cult film studies. 
 
To date, discourses of cult cinema have predominantly focused upon Anglo-American cinema and its reception in the West. Even when cult scholarship has expanded to include non-English language cinema from regions such as East and Southeast Asia, what nevertheless tends to define these cinemas as cult has been the subcultural fandom for those films in the West. Shifting the focus onto cult film traditions and fandoms beyond the Anglosphere, Global Cult Cinemas makes a decisive intervention in the field by calling for a decolonisation of cult film studies. 
 
This volume therefore interrogates both the coloniality and gendered nature of much cult scholarship and the extent to which an implicit white male perspective needs challenging in an age of decolonising the academy. Our contributors focus their research on circuits of cult film production and reception beyond the predominant Anglophone centres, with particular attention to cult practices across the Global South. Chapters include investigations of specific cult film traditions within countries such as Brazil, Indonesia and Pakistan, alongside explorations of the politics of indigenous cult filmmaking, the global circulation of cult icons such as El Santo, and the status of auteurs such as Alejandro Jodorowsky in the era of #MeToo. In sum, this collection critiques the Eurocentric assumptions that lie at the heart of much existing cult film scholarship, and offers new ways of theorizing global cult cinemas to work towards the goal of decolonising cult film studies.

Decolonising Cult Film Studies

Global Cult Cinemas

This showcases the production art, character and vehicle designs, planets, storyboards, and other breathtaking work created during the production of the hit Disney+ series.

The Art of Star Wars: The Acolyte

Magic Rays of Light is an original and ambitious history of the largely unknown early years of television in Britain. A detailed cultural study of the first demonstrations, of the extensive experimental broadcasts between 1928 and 1935, and of the BBC's richly varied daily service starting in November 1936 from Alexandra Palace, the book overturns the popular mis-conception that television in Britain effectively began with Elizabeth II's Coronation in 1953. In tracing this history, John Wyver chronicles the process by which a technology became a medium. He argues that much of what that television as we knew it in the late twentieth century was created within the fluid and at times unstable forms of the interwar medium. Most fundamentally the basics of television's screen language and grammar were developed. As this emerged, television drama flourished in the staging of more than 400 plays, from Shakespeare and Agatha Christie to Pirandello and P.G. Wodehouse, starring luminaries including Laurence Olivier, Sybil Thorndike and Peggy Ashcroft. Outside broadcasts of state occasions, and of Wimbledon and Test matches, were pioneered, along with transmissions of the Derby (from 1931 onwards) and the FA Cup Final. Light entertainment formats, quiz shows and the direct ancestor of countless magazine programmes were devised, alongside ambitious presentations of classical ballet and grand opera. As a striking counterpoint to this story, Magic Rays of Light also celebrates the inchoate, indeterminate nature of interwar television. In certain key ways, from the first imaginaries and sci-fi visions of television, and in aspects of how it was made, of what was produced and how this was seen, early television was entirely distinct from what the medium later became. The book reveals television's forgotten pasts and unrealised futures, including the low resolution, vertical format transmissions of John Logie Baird's first systems, and the live, large-screen electronic projection systems known as 'cinema television'. Relaying sports events and pageantry to cinemas, this pre-war sensation was seen by the BBC as a serious threat to its monopoly. By attending closely to the transmissions of the first fifteen years, to the emerging medium's industrial context, and to its intermedial links with radio, theatre, cinema, music hall, sport and more, Magic Rays of Light illuminates television's place in the cultural and social histories of Britain between the wars.

The Early Years of Television in Britain

Magic Rays of Light

The European Handbook of Gifted Education and Talent Development

Spanish and Latin-American Filmmakers

Feminism and Francoism

The Cinema of Cecilia Bartolomé

Film festivals, once seen as a matter for journalism, are now increasingly the subject of attention within scholarly Film Studies. They are, as Mar Diestro-Dopido argues, not only of cultural value in themselves but are also sites of cinematic, artistic, social, political and economic exchange.

Film festivals, once seen as a matter for journalism, are now increasingly the subject of attention within scholarly Film Studies. They are, as Mar Diestro-Dopido argues, not only of cultural value in themselves but are also sites of cinematic, artistic, social, political and economic exchange.

Cinema and Cultural Exchange

Film Festivals

The essential illustrated compendium of ornithischian dinosaurs, from the tanklike Stegosaurus to duck-billed hadrosaursThe Princeton Encyclopedia of Dinosaurs: Ornithischians brings together every species of armored and horn-faced dinosaur known to have roamed the prehistoric world, with a dedicated entry for each species describing its key characteristics, taxonomic classification, location, and known remains along with a concise history of its discovery. Each species is beautifully brought to life with vivid illustrations and is supported by meticulously detailed diagrams of all known fossils. These visual aids enable readers to explore how scientists reconstruct these incredible creatures from fossilized remains. Whether you're curious about Stegosaurus, Triceratops, or the multitude of less familiar ornithischian species, this encyclopedia covers them all. The Princeton Encyclopedia of Dinosaurs is a comprehensive three-volume resource for anyone who is fascinated by dinosaurs. Packed with engaging dino facts and original, full-color reconstructions, drawings, and graphics, this one-of-a-kind encyclopedia strikes a perfect balance between depth and accessibility-detailed enough to captivate professionals yet clear and exciting enough for beginners eager to dive into the amazing lost world of the dinosaurs. The three volumes, which are available individually or as a set, are Theropods, Sauropods, and Ornithischians. Organized for easy reference, these books are perfect for casual browsing or in-depth study. Together, this encyclopedia invites dinosaur lovers of all ages to walk among the wonderous beasts of the Mesozoic era.

The Princeton Encyclopedia of Dinosaurs: Ornithischians

The Korean Cinema Book

Bibliografische Angaben

Inhaltsverzeichnis

Schlagworte

Bibliografische Angaben

Inhaltsverzeichnis

Schlagworte

Weitere Titel zum Thema