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No Tomorrow

Sei rebellisch, das Leben kriegt dich so oder so
 Tully und James, der eine bereit für das Leben, der andere offen, sich von seinem Freund mitreißen zu lassen, wachsen in den Achtzigern&nbsp;in einer schottischen Kleinstadt auf. Einer Stadt ohne Perspektiven und Zukunft, mit vorgezeichneten Lebensläufen und Schicksalen. Die Musik ist ihnen Zuflucht und Ausweg, Manchester im Jahr 86 ihr Mekka. Ein Wochenende lang spielen dort ihre Heroen, Bands wie The Smiths, New Order oder Joy Division. Mit ihrer Clique ziehen die beiden durch die Clubs, getragen von den Riffs der Gitarren, der Magie des Fortseins von&nbsp;zu Hause und von einem Rausch, wie nur&nbsp;die Jugend ihn kennt.
 
 Dreißig Jahre später erhält James einen Anruf. Es ist Tully. Er hat Neuigkeiten.&nbsp;Und er hat eine letzte Bitte.
 
 »Lebensbejahend und elegisch« Observer

Sei rebellisch, das Leben kriegt dich so oder so&nbsp;Tully und James, der eine bereit für das Leben, der andere offen, sich von seinem Freund mitreißen zu lassen, wachsen in den Achtzigern in einer schottischen Kleinstadt auf. Einer Stadt ohne Perspektiven und Zukunft, mit vorgezeichneten Lebensläufen und Schicksalen. Die Musik ist ihnen Zuflucht und Ausweg, Manchester im Jahr 86 ihr Mekka. Ein Wochenende lang spielen dort ihre Heroen, Bands wie The Smiths, New Order oder Joy Division. Mit ihrer Clique ziehen die beiden durch die Clubs, getragen von den Riffs der Gitarren, der Magie des Fortseins von zu Hause und von einem Rausch, wie nur die Jugend ihn kennt. Dreißig Jahre später erhält James einen Anruf. Es ist Tully. Er hat Neuigkeiten. Er wird sterben. Und er hat eine letzte Bitte.&nbsp;Maifliegen
 setzt der Euphorie der Jugend ein Denkmal, und ist zugleich eine bewegende Reflexion über Freundschaft und die Zerbrechlichkeit des Lebens.&nbsp;
 
 »Lebensbejahend und elegisch« 
 The Observer&nbsp;
 »Uhren anhalten, Handys aus und dann: lesen. 
 Maifliegen
 ist eines jener Bücher, an die man ein Leben lang denkt.« 
 The Australien&nbsp;

Roman | »Ein unvergessliches Buch!« Cólm Toibín

Maifliegen

Here be Draken

Falling in love could be the biggest risk of all . . . A captivating tale of love and loss, set on the wild coast of Ireland and in glamorous 1960s London. From Lucinda Riley, the internationally bestselling author of the Seven Sisters series. 'I adored it' - Santa Montefiore, author of Shadows in the Moonlight When Sorcha O'Donovan encounters struggling musician Con Daly - the strikingly handsome outcast in their small village on West Cork's windswept coastline - her days will never be the same. Con strikes gold with rock band The Fishermen in London, but their lives change beyond recognition as the dark side of fame rears its head and secrets from the past threaten to destroy everything he has worked for. Twenty years later, The Fishermen agree to re-form for the Music for Life charity concert at Wembley Stadium. But Con has been missing for more than a decade. There's only one person who can find out what happened; only one person who knows how vital it is to uncover the truth. Because should Con Daly reappear before the facts emerge, then history could repeat itself with even more tragic consequences . . . 'I couldn't turn the pages fast enough' - Karen Swan, author of The Stolen Hours Lucinda Riley wrote The Last Love Song as Lucinda Edmonds, now reworked and revived by Harry Whittaker, Lucinda's son and co-author of Atlas: The Story of Pa Salt.

The Last Love Song is a compelling story of love and devastating loss set on the rural west coast of Ireland and in glamourous 1960s London, from the internationally bestselling author of The Seven Sisters series, Lucinda Riley.

The Last Love Song

How a Color Tells the Story of My People

Black in Blues

Histories of Electronic Musical Instruments

The Roland x0x Series: A History of Early Roland Synthesizers and Drum Machines from SH-101 to TR-909 offers an authoritative but accessible investigation of how the design of these most influential musical instruments is shaped by technological factors, institutional contexts, market forces and imagined users and uses. Drawing on the perspectives of designers and engineers along with musicians and producers from around the world, the book explores how these iconic instruments both enable and constrain the creative work made with them.Providing detailed analysis of these seminal instruments, this book combines archival research that draws on contemporary reviews, instruction and service documentation, advertising and marketing materials, and technical analysis of the underlying analogue and digital circuits, with discussion of creative composition and performance practice, hardware and software modifications and modern remakes, emulations and clones. The Roland x0x Series is dedicated to demystifying these mainstays of popular music, and revealing the 'hidden histories' of the creation, lives and afterlives of these most important, recognisable, yet often misunderstood, synthesizers and drum machines.This is an essential reference for music producers and music technology enthusiasts, as well as those studying music technology, instrument design and human interaction in the context of electronic music.

A History of Early Roland Synthesizers and Drum Machines from SH-101 to TR-909

The Roland x0x Series

Evolution (Digisleeve)

The Wow! Signal

Epic in scope and personal recollection, The Music Is Black is the story of British imperial and colonial histories, the African diaspora, and contemporary British social history put into song.Black British music has been the soundtrack to periods of profound political, social, cultural, and demographic change. It is the music of identity, indefatigability, resistance, anger, celebration, love, loss; it is the music of possibility and hope.Opening with an exploration of the sound and identity of the African diaspora as shaped by the tumultuous forces of British imperialism and colonialism from the 1400s to 1900, Jacqueline Springer then surveys the black musical landscape in Britain from 1900 to 1970. Two major imports-American rap and Jamaican ragga-are singled out for their vital contributions to the homegrown genres central to the publication: lovers rock, Brit funk, 2 tone, jungle, drum &amp; bass, trip-hop, and UK garage and grime.Each genre is then considered with an academic framing of its social and political landscape and artist interviews that include Carroll Thompson, Neville Staple, Kenny Wellington, Bluey Maunick, Fabio and Grooverider, Skye Edwards and Ross Godfrey of Morcheeba, Megaman, DJ Target, and Slimzee.The Music Is Black bears witness to the resilience, ingenuity, and heart of all those who create.

A British Story

The Music Is Black

Alles Endet (2CD Mediabook)

Jack White Complete Lyrics and Selected Writing collects lyrics from The Raconteurs, The Dead Weather, his solo recordings, and collaborations, including the Grammy nominated 2024 album NO NAME.Presented as a full‑color hardcover companion to The White Stripes Complete Lyrics, this volume pairs the songs with never‑before‑published poems, essays, social posts, and personal notes, plus exclusive photographs and rare ephemera from the Third Man archives. Essays by Pulitzer Prize finalist Adrian Matejka, award‑winning filmmaker and writer dream hampton, and Third Man Records co‑founder Ben Blackwell add fresh perspective on White’s craft, career, and the experiences that shaped him.

Jack White Complete Lyrics and Selected Writing

DEAD AND (Boy in Chic ver.)

33 1/3

Through rare access to the Violent Femmes and their archives, this book investigates the creation of such iconic songs as "Blister in the Sun", "Kiss Off", "Add it Up" and "Prove My Love", as well as the album's recording process. The self-titled debut from Milwaukee post-punk acoustic trio the Violent Femmes is one of those rare albums that seems to have altered the course of popular music and influenced just about everyone who heard it while also managing to operate almost entirely outside of the mainstream. Released in 1983 to little sales or attention, the band was so iconoclastic that it couldn't even engender support from Milwaukee's anti-establishment punk scene. Over the ensuing years, though, Violent Femmes managed to exert itself as an unstoppable cultural force, ascending the college radio charts and spreading through word-of-mouth. Violent Femmes didn't sound like anything else when it was made, and it still doesn't sound like anything else. The album somehow exists both outside of time and as one of the most evocative and enduring artifacts of the alternative '80's.

Violent Femmes' Violent Femmes

No Tomorrow

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