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No Tomorrow

Die Grammy- und BRIT-Award-Gewinner Mumford &amp; Sons kehren mit ihrem sechsten Studioalbum 'Prizefighter' zurück, das am 13. Februar 2026 veröffentlicht wird. Ihr letztes Album 'Rushmere' erschien Anfang 2025 und landete in Großbritannien auf Patz #1 der Album Charts und bei uns in Deutschland auf Platz #5. 'Prizefighter' wurde von Mumford &amp; Sons und Aaron Dessner (The National) gemeinsam produziert und enthält unteranderem ihre Single mit Hozier 'Rubber Band Man' und weitere Features von Gracie Abrams, Gigi Perez und Chris Stapleton.

Prizefighter

Full Circle

Your Favorite Toy

One of the world’s greatest bassists lays down the heart of Black music, revealing how its rhythmic structures and the long history of the African diaspora made it the world’s most popular form.&nbsp; &nbsp; “A&nbsp;revelatory new book.”—New York Times Why do Bob Marley, John Coltrane, Aretha Franklin, and Nina Simone move us the way they do? What drives the worried notes of the Delta blues? What makes Beyoncé’s triumph Cowboy Carter inescapably great? &nbsp; &nbsp; &nbsp; As Melvin Gibbs shows in How Black Music Took Over the World, it is the musical inheritance of Africa. Beginning with two rhythmic building blocks he calls the cell and the frame, Gibbs shows how those tools can transport listeners to “a realm where sounds become vehicles for human movement.” Reforged in the African diaspora in the Americas, they are played today on church organs, electric guitars, computers, telephones, or a simple gourd. Kool &amp; the Gang called Black musicians the “scientists of sound”—and Gibbs shows how they discovered the world’s music. &nbsp;&nbsp; &nbsp; &nbsp; Gibbs’s vantage is unique. A world-class musician fluent in many genres, Gibbs is as comfortable in an old-school Times Square record shop as he is breaking down mathematics and music theory with university professors. Imbued with his own journey and a sharp eye for the sins and triumphs of history, How Black Music Took Over the World is an unforgettable revelation of one of humanity’s greatest achievements. &nbsp; &nbsp;

How Black Music Took Over the World

Live From Asbury Park 2024

Four

Über ihre Kraft, unser Leben glücklicher und unsere Gesellschaft gerechter zu machen - Ein SPIEGEL-Buch

Die Macht der Musik

Solaire

The Roaring Waves

The first publication to focus on a rarely seen series of jazz-infused collages that explore the African American experience and the artist’s lifelong relationship to jazz music, by one of the most important and influential visual artists of the twentieth&nbsp;century. Bearden (1911–1988) was a prominent African American artist often described as the consummate jazz painter, known for his innovative collages that explored themes of Black American culture, history, and personal experiences. This publication reexamines Bearden’s life and work in the context of jazz, tracing the musician’s impact from the artists’ earliest oil paintings to his iconic collages. In 1981, Bearden created nineteen collages that the artist called his “Paris Blues,” or simply “Jazz,” series. Conceived as pages for an oversized book that would be a response to the Hollywood movie Paris Blues (1961)—though featuring Harlem and New Orleans along with Paris—the series has been little known until now. Here the wildly colorful illustrations are set alongside Bearden’s encounters with iconic jazz musicians, clubs, and cities. Examined for the first time in depth, the Paris Blues series makes a major statement on the relationships between visual art, jazz music, and urban spaces. The book also includes poignant photographs of Bearden and musicians in the 1950s–70s, such as Duke Ellington and Louis Armstrong.

Paris Blues: Painting Jazz

Romare Bearden

I Made It All Up For You

A Short History of Decay

No Tomorrow

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