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Braund Simon: Night of the Living Dead:
The Official Story of the Film

Night of the Living Dead: The Official Story of the Film

This book aims to provide readers with a systematic understanding of traditional visual effects production, covering both internal VFX studio operations and external collaborations. It is divided into six chapters covering a range of topics.

This book aims to provide readers with a systematic understanding of traditional visual effects production, covering both internal VFX studio operations and external collaborations. It is divided into six chapters covering a range of topics.

An Enlightenment Education Book on Film Visual Effects

Invisible Visual Effects

Film and Culture Series

Brian Jacobson traces the surprising and inextricable connections between extractive industries and cinema, developing new ways to read films in light of the typically unseen material practices out of which they are built.

Brian Jacobson traces the surprising and inextricable connections between extractive industries and cinema, developing new ways to read films in light of the typically unseen material practices out of which they are built.

Film Materials and Their Forms

The Cinema of Extractions

Cinema Cultures in Contact

"I have been waiting for this publication for what feels like decades. But today, as we face ever-growing migration for numerous forms of exile, José Miguel Palacios's book is more important than ever for the story it tells of survivance as a collective undertaking across cultures. Moving beyond the discourse of solidarity to open the lens into the vectors and vibrancies of friendship and what he terms 'cinematic kinship, ' Palacios tells of the broad and deep transits for Chilean film and filmmakers in exile, with women filmmakers at the center of the book. The prose is lovely, the author's voice is compelling, and the research detail, the archival treasures, and the argumentation will be a great gift to readers."--Susan Lord, Professor of Film &amp; Media and Director of the Vulnerable Media Lab, Queen's University "A rich and timely exploration of the intertwined relationship of exile, solidarity, and the archive in Chilean cinema. Meticulously researched, and going far beyond the usual canon, this book is both a treat and indispensable reading for any scholar of political and transnational cinema, as well as anyone interested in the issues of construction of cinematic heritage through exhibition and preservation practices."--Masha Salazkina, author of Romancing Yesenia: How a Mexican Melodrama Shaped Global Popular Culture "In this significant contribution, Palacios presents a rare and compelling case for the vital role of film archives, underscoring the urgent need for collaboration between film scholars and archivists. Adopting a transnational perspective across cultures and geographies rooted in solidarity, Palacios's research actively contributes to the preservation of film heritage and directly shapes the discourse on archival return and the rewriting of film history."--Giovanna Fossati, Professor of Media Heritage, Technology, and Culture, Utrecht University, and author of From Grain to Pixel: The Archival Life of Film in Transition "As an investigation of the production and the international exhibition history of Chilean exile films, Transnational Cinema Solidarity reveals connections across cultures, among institutions such as festivals, museums, and archives, and between individual artists. In doing so, it addresses two projects: a new mapping of global film history of the last fifty years and potential transnational digital futures."--Kathleen Newman, Associate Professor of Spanish, University of Iowa

Chilean Exile Film and Video after 1973

Transnational Cinema Solidarity

The iconic Star Trek character's lifestory appears for the first time in his own words; perfect for fans of the upcoming Star Trek: Strange New Words.

The iconic Star Trek character's lifestory appears for the first time in his own words; perfect for fans of the upcoming Star Trek: Strange New Words.

The Autobiography of Mr. Spock

Horror Studies

This is a historical and structural study of the Stalker Film. As a subcategory of the more general Slasher Film, the Stalker Film is often characterised by an off-screen presence that dominates the visual field, and by a recuring combination of character and plot functions. The Stalker Film responds to an ongoing cultural conflict narrativised as the fight to protect self and community, and does so within a specific 1978-81 historical period. As a postmodern work, the surface material of the Stalker Film alludes to past and ongoing cultural forms, to Alfred Hitchcock's Psycho, for example, to the theories of Sigmund Freud, or even to Laura Mulvey on the male gaze. These forms are not used to enlighten but are exploited to maximum visceral effect. Positioned at the rise of the Reagan era, the Stalker Film questions the Horror Film genre and engages a mass audience response.

Halloween, Friday the 13th and the Films of the Stalker Cycle

Games of Terror

"I adored Anita, as did the entire fashion and literary world. She was four feet nine inches of lithe, slender, dramatic chic."--Carol Channing "This book celebrates a character as memorable as any Anita Loos created in her writing. She was an indomitable, wise-cracking prodigy who not only helped create Hollywood, but managed to survive it."--John Sayles "If we can't have the wonderful Anita Loos-smart, witty, literate and fun- writing today's Hollywood movies, at least we can get reacquainted with her and her work through this delightful book. Filled with previously unpublished material, it shows that while gentlemen may have preferred blondes, everyone else in town wisely preferred the irresistible Ms. Loos."--Kenneth Turan, film critic for the Los Angeles Times "This is a wonderful book about a talented, fascinating, and groundbreaking woman. Her life epitomizes a certain era in show business and describes a Hollywood in which few women were allowed to rise to the top. Anita Loos did and we were all the beneficiaries. I loved the book!"--Peter Duchin "Not only is it valuable to have these delightful Anita Loos pieces, but the biographical chapters are fascinating too."--Kevin Brownlow, author of David Lean: A Biography

Film Treatments and Fiction by Anita Loos, Creator of Gentlemen Prefer Blondes

Anita Loos Rediscovered

How a Doll Remade the World

Barbieland

For generations, Ed Wood has been known as “the worst director of all time.” This sympathetic critical study repositions the director of Plan 9 from Outer Space as a maverick independent whose work challenges the boundary between “bad” and “good.”
In 1978, Edward D. Wood, Jr. died aged fifty-four, days after being evicted from his home. Two years later, he was rescued from obscurity when he was voted “Worst Director of All Time.” By the time Tim Burton’s biopic Ed Wood was released in 1994, Wood’s low-budget films, including Plan 9 from Outer Space, Glen or Glenda, and Bride of the Monster, had become entrenched as “so bad they’re good” anti-classics. That was then. In the years since, the rediscovery of lost and neglected films has enriched Wood’s legacy, while new generations of viewers have grown more sympathetic to his eccentric style and offbeat take on gender and sexuality.
Ed Wood: Made in Hollywood USA is a critical study that takes Wood seriously, positioning him as a true independent whose work complicates the barrier between “bad” and “good.” Will Sloan follows Wood’s career on the margins of Hollywood, from his cult films with Bela Lugosi to his eventual fate in pornography, locating the artistic personality that unites his subterranean oeuvre.
Sloan situates Wood’s films in their cultural context, showing how he infused old styles and genres with his contemporary concerns; how his freewheeling approach to film grammar blurred the line between the grindhouse and the avant-garde; how his bringing together of faded stars, novelty celebrities, and showbiz amateurs created evocative Hollywood dreamscapes; and how his art explored cross-dressing and gender fluidity when these subjects were taboo. It also charts Wood’s place in the “bad movie” cult, from The Golden Turkey Awards to Mystery Science Theater 3000 and beyond.
Marking the centennial of Wood’s birth, Ed Wood: Made in Hollywood USA assesses the full scope of Wood’s career, considering how radical ideas grow on the fringes and interrogating the ideology of “bad.” This is a timely intervention in the politics of taste, and a fond salute to an independent spirit whose films tell us so much about our world.

Made in Hollywood USA

Ed Wood

"Global Movie Magazine Networks&nbsp;powerfully demonstrates the national, transnational, and networked nature of film culture and the role print publications have played in the development of a global film culture. Featuring leading film historians, this thorough and expertly researched volume is a must-read for film scholars and a must-assign for film history courses."—Allyson Nadia Field, University of Chicago “This expansive collection opens innovative vistas for researching film cultures around the world. The contributors’ richly detailed investigations of rare archival cinema trade journals, fan magazines, pressbooks, and reviews spark exciting new questions for international historical exploration."—Kathryn Fuller-Seeley, University of Texas at Austin "Kudos to Hoyt and Conway for gathering this amazing collection of essays on the little-studied phenomenon of movie magazines throughout the twentieth century, not only those in North America and Western Europe but also many perhaps less familiar in Asia, Africa, and South America. Along with the wide-ranging introduction and informative essays, the appendix of nearly a hundred magazines digitized and available on the Media History Digital Library website should prove invaluable for further research and for teaching cinema history."—Richard Abel, University of Michigan

A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit <a href="https://doi.org/10.1525/luminos.212">www.luminosoa.org</a> to learn more. This groundbreaking collection of essays from leading film historians features&nbsp;original research on movie magazines published in China, France, Germany, India, Iran, Latin America, South Korea, the U.S., and beyond. Vital resources for the study of film history and culture, movie magazines are frequently cited as sources, but rarely centered as objects of study. Global Movie Magazine Networks does precisely that, revealing the hybridity,&nbsp;heterogeneity, and connectivity of movie magazines and the important role they play in the intercontinental exchange of information&nbsp;and ideas about cinema. Uniquely, the contributors in this book have developed their critical analysis alongside the&nbsp;collaborative work of building digital resources, facilitating the digitization&nbsp;of&nbsp;more than&nbsp;a&nbsp;dozen of these historic magazines on an open-access basis.&nbsp; &nbsp;

Global Movie Magazine Networks

"Josslyn Luckett's lovingly detailed history of UCLA's Ethno-Communications Program (1969-1973) will permanently alter the way '1970s film' is understood and taught. It also makes a definitive case for approaches to cultural history that do not replicate siloed racial logics but are attentive to racial/ethnic/gender intersections and alliances."--Gayle Wald, Professor of American Studies, George Washington University, author of It's Been Beautiful: "Soul!" and Black Power Television "A brilliant, long-overdue account of UCLA's legendary Ethno-Communications Program and the multiracial 'New Los Angeles' it radically envisioned, between the insurrectionist fires of 1965 and 1992, in contrast to its more prestigious peers of New Hollywood. A must-read for independent media artists and activists and their ardent communities."--Glen Mimura, author of Ghostlife of Third Cinema: Asian American Film and Video

Multiracial Media Activism Made in L.A

Toward a More Perfect Rebellion

Observing the Body in Physical and Visual Culture

Soviet Spectatorship

Routledge Media and Cultural Studies Handbooks

The Routledge Handbook of Motherhood on Screen offers a comprehensive global analysis of the representation of Mothers and Motherhood in contemporary screen industries and online spaces. Over five distinct sections, this handbook examines how the complexities and realities of contemporary motherhood are translated to the screen.

The Routledge Handbook of Motherhood on Screen

Night of the Living Dead: The Official Story of the Film

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