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Stiegler Z: Musical Intimacy

Musical Intimacy

Construction, Connection, and Engagement

An Introduction to Music Technology, Third Edition provides a clear overview of the essential elements of music technology for today's musician. This book focuses on the topics that underlie the hardware and software in use today: Sound, Audio, Sequencing and Software Instruments, Computer Notation and Computer-Assisted Instruction. Appendices cover detailed aspects of MIDI software and hardware. Written for both music technology majors and non-majors, this textbook introduces students to a wide range of principles and practices so students can learn how to work with a wide range of software programs, adapt to new music technologies, and apply music technology in their performance, composition, teaching, and analysis.Features:<ul> <li>Thorough explanations of key topics in music technology </li> <li>Content applicable to all software and hardware, not linked to just one piece of software or gear </li> <li>In-depth discussion of digital audio topics, such as sampling rates, resolutions, and file formats </li> <li>Explanations of standard audio plug-ins including dynamics processors, EQs, and delay based effects </li> <li>Coverage of synthesis and sampling in software instruments </li> <li>Pedagogical features, including: </li> <ul> <li>Further Reading sections that allow the student to delve deeper into topics of interest </li> <li>Suggested Activities that can be carried out with a variety of different programs </li> <li>Key Terms at the end of each chapter </li> <li>What Do I Need? chapters covering the types of hardware and software needed in order to put together audio systems </li> <li>A companion website with links to audio examples that demonstrate various concepts, step-by-step tutorials, relevant hardware, software, and additional audio and video resources. </li> </ul> The third edition has been fully updated to cover shifts in technology since the publication of the second edition, including increased coverage of mobile and cloud-based apps, updated graphics representing current software and hardware, and reorganized coverage of computer hardware and software topics.
</ul>

An Introduction to Music Technology, Third Edition provides a clear overview of the essential elements of music technology for today’s musician. This book focuses on the topics that underlie the hardware and software in use today: Sound, Audio, Sequencing and Software Instruments, Computer Notation and Computer-Assisted Instruction. Appendices cover detailed aspects of MIDI software and hardware. Written for both music technology majors and non-majors, this textbook introduces students to a wide range of principles and practices so students can learn how to work with a wide range of software programs, adapt to new music technologies, and apply music technology in their performance, composition, teaching, and analysis.Features:<ul> <li>Thorough explanations of key topics in music technology </li> <li>Content applicable to all software and hardware, not linked to just one piece of software or gear </li> <li>In-depth discussion of digital audio topics, such as sampling rates, resolutions, and file formats </li> <li>Explanations of standard audio plug-ins including dynamics processors, EQs, and delay based effects </li> <li>Coverage of synthesis and sampling in software instruments </li> <li>Pedagogical features, including: </li> <ul> <li>Further Reading sections that allow the student to delve deeper into topics of interest </li> <li>Suggested Activities that can be carried out with a variety of different programs </li> <li>Key Terms at the end of each chapter </li> <li>What Do I Need? chapters covering the types of hardware and software needed in order to put together audio systems </li> <li>A companion website with links to audio examples that demonstrate various concepts, step-by-step tutorials, relevant hardware, software, and additional audio and video resources. </li> </ul> </ul>The third edition has been fully updated to cover shifts in technology since the publication of the second edition, including increased coverage of mobile and cloud-based apps, updated graphics representing current software and hardware, and reorganized coverage of computer hardware and software topics.

An Introduction to Music Technology

Combining a grounding in music notation and theory concepts with a foundation in essential technologies, The Craft of Contemporary Commercial Music offers an innovative approach that addresses the needs of students preparing for music careers.

Combining a grounding in music notation and theory concepts with a foundation in essential technologies, The Craft of Contemporary Commercial Music offers an innovative approach that addresses the needs of students preparing for music careers.

The Craft of Contemporary Commercial Music

California Studies in Music, Sound, and Media

Negotiating Musical Creativity in a Technological Age

Automatic Artistry

First published in 1945, this historic collection of songs composed by Jewish victims of the Holocaust is being made available for the first time in English, complete with introductory essays and biographies of the composers.

The First Collection of Holocaust Songs

Out of the Depths

Oxford Studies in Music Theory

Seeing Voices explores the phenomenon of music created in a signed language and argues that music can exist beyond sound and the sense of hearing, instead involving all of our senses, including vision and touch. Using a blend of tools from music theory, cognitive science, musicology, and ethnography, author Anabel Maler presents the history of music in Deaf culture from the early nineteenth century, contextualizes contemporary Deaf music through ethnographic interviews with Deaf musicians, and provides detailed analyses of a wide variety of genres of sign language music.

We often think of music in terms of sounds intentionally organized into patterns, but music performed in signed languages poses considerable challenges to this sound-based definition. Performances of sign language music are defined culturally as music, but they do not necessarily make sound their only--or even primary--mode of transmission. How can we analyze and understand sign language music? And what can sign language music tell us about how humans engage with music more broadly?

In Seeing Voices: Analyzing Sign Language Music, author Anabel Maler argues that music is best understood as culturally defined and intentionally organized movement, rather than organized sound. This re-definition of music means that sign language music, rather than being peripheral or marginal to histories and theories about music, is in fact central and crucial to our understanding of all musical expression and perception. Sign language music teaches us a great deal about how, when, and why movement becomes musical in a cultural context, and urges us to think about music as a multisensory experience that goes beyond the sense of hearing. Using a blend of tools from music theory, cognitive science, musicology, and ethnography, Maler presents the history of music in Deaf culture from the early nineteenth century and contextualizes contemporary Deaf music through ethnographic interviews with Deaf musicians. She also provides detailed analyses of a wide variety of genres of sign language music--showing how Deaf musicians create musical parameters like rhythm and melody through the movement of their bodies.

The book centers the musical experience and knowledge of Deaf persons, bringing the long and rich history of sign language music to the attention of music scholars and lovers, and challenges the notion that music is transmitted from the hearing to the Deaf. Finally, Maler proposes that members of the Deaf, DeafBlind, hard-of-hearing, and signing communities have a great deal to teach us about music. As she demonstrates, sign language music shows us that the fundamental elements of music such as vocal technique, entrainment, pulse, rhythm, meter, melody, meaning, and form can thrive in visual and tactile forms of music-making.

Analyzing Sign Language Music

Seeing Voices

Anthem Impact in Music Business, Technology and Culture

When people develop technologies to distribute music, records act like it will destroy music. This book shows these narratives are about reconfiguring power.

From Taping to Napster to TikTok

Music Technology Panic Narratives Beyond Piracy

Musical Composition in Max/MSP: Strategies for Digital Creativity offers a music-centered introduction to the widely used music programming language Max/MSP. Placing creative results at the core of its approach, this book guides readers through the process of composing a complete musical work.

Musical Composition in Max/MSP: Strategies for Digital Creativity offers a music-centered introduction to the widely used music programming language Max/MSP. Placing creative results at the core of its approach, this book guides readers through the process of composing a complete musical work.

Strategies for Digital Creativity

Musical Composition in Max/MSP

An Intimate History of Rough Trade

Document And Eyewitness

This book explores the goals and limitations of twentieth-century art studies (Kunstwissenschaft) as a field, and aims to contribute to future academic research. It is structured around several representative art scientists and their key texts, exploring the theories of influential figures in the field, such as Erwin Panofsky and Aby Warburg (art researchers). This approach allows the book to present the universal construction goals, theoretical sources, thinking logic and academic dilemmas of art history in an interdisciplinary context at that time.

Time, Transcendence and Boundaries

The Ends of Art Studies

New Directions in Critical Criminology

Theorizing Resistance examines the extent to which music constructions provide windows for opposition and resistance to forms of state crime and violence such as war, human rights abuses, oppression, and corruption. Drawing on the work of Michel Maffesoli, the Birmingham Centre for Contemporary Cultural Studies and more recently Jeff Ferrell, this book makes a unique and original contribution to ongoing academic debates about power, alienation and resistance and will be fascinating reading for courses in cultural and critical criminology, state crime, human rights and the sociology of popular music.

Theorizing Resistance examines the extent to which music constructions provide windows for opposition and resistance to forms of state crime and violence such as war, human rights abuses, oppression, and corruption. The analysis is based on rich ethnographic, documentary, and participant observation research with politically active independent punk rock musicians. Drawing on the work of Michel Maffesoli, the Birmingham Centre for Contemporary Cultural Studies and more recently Jeff Ferrell, this book makes a unique and original contribution to ongoing academic debates about power, alienation and resistance and will be fascinating reading for courses in cultural and critical criminology, state crime, human rights and the sociology of popular music.

Music, Politics, and the Crimes of the Powerful

Theorizing Resistance

The Rejects takes an intimate, thoughtful look at people who've been kicked out of bands, what they experienced and what came afterwards.

'Very readable . . . the history of the late 20th century empire music business' Bret Easton Ellis Imagine you've made it. You and your friends have hit the big time in music and you're going to be a star. But then, quite suddenly, it's over. Your best friends don't want you anymore, and you're on the outside. Perhaps they're tired of your bad habits, they think you're not good enough, or they sense you just don't want it as much as they do. Whatever the cause, you're a reject. So, what do you do next? Featuring a player rejected by both Nirvana and Soundgarden who became a decorated special forces soldier, Britpoppers who spiralled into addiction before becoming novelists and missionaries, the terrifying story of Guns N' Roses' first drummer, super-rejecting band leaders, self-destroying rappers, troubled hard rock bassists and girl-band burnouts, The Rejects takes an intimate, thoughtful look at people who've been kicked out of bands, what they experienced and what came afterwards. Coming from a writer with twenty years' music industry experience, The Rejects is a sympathetic study of some of music's most fascinating characters, and what happens when the dream comes crashing to an end. The result is a compelling alternative history of popular music.

An Alternative History of Popular Music

The Rejects

Elements in Music since 1945

This Element explores the rethinking of rhythmic skill in the contemporary world, focusing on modern flamenco guitar. It uses examples from local guitar traditions and an online guitar contest during the COVID-19 pandemic to explore how rhythm can shape new ways of understanding and performing heritage in the global and digital age.

This Element explores the rethinking of rhythmic skill in the contemporary world, focusing on modern flamenco guitar. It uses examples from local guitar traditions and an online guitar contest during the COVID-19 pandemic to explore how rhythm can shape new ways of understanding and performing heritage in the global and digital age.

Rhythm and Heritage in Modern Flamenco Guitar

Musical Intimacy

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Bibliografische Angaben

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