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This book explores the relationship between dissent and social media to understand the role both play in enacting cultural change.&nbsp;

T. Pifer M: Dissent and Social Media

Dissent and Social Media

The Role of Social Media in Facilitating Cultural Change

Blood on the Battlefield

Existentialism and Superhero Ethics

Celebrating the Music, Fashion, Artists and Songs

Country Music Forever

Fire Inna Dancehall

Little Books of Fashion

There is one brand that is immediately recognized as the last word in luxury Swiss watchmaking - Patek Philippe. For over 180 years, the watchmaker has been creating some of the most sought-after, finely crafted and innovative models in the luxury watch market. From its origins in Geneva as an artisan business to its position today as a brand of global renown, Little Book of Patek Philippe tells the story of these masterpieces of design. One hundred images showcase every iconic model - Nautilus, Calatrava, Aquanaut, Golden Ellipse and more - and celebrity fans from Albert Einstein to Drake. Expert text reveals the brand's history, key moments and future.

The story of the iconic fashion brand

Little Book of Patek Philippe

Avatar the Last Airbender Composition Notebook Set (Set of 2)

This book examines the ways in which popular culture has entertained the notion of a female U.S. presidency through portrayals in film, television, and literature dating back to the 1930s.

Representations from 1932 to 2024

The Fictional Female Presidency in Film, Television, and Literature

Witchcraft in Movies, Television, and Popular Culture

Something Wicked

How We Entertained Ourselves Into a State of Emergency

Screen People

The Rules That Make Us: How Culture Shapes the Way We Act, Think, Believe, and Buy

Bloomsbury Comics Studies

A complete introduction to the comics of Lynda Barry, this book maps her historical and biographical contexts, key texts, the critical themes and debates surrounding her publications and the lasting impact of her work on the comics medium.

A Critical Guide

Lynda Barry

Joss Marsh's stirring book traces the international phenomenon that is cinema's Dickens obsession, from its origins in Dickens's celebrity, through Dickens impact on the pioneers, first masters, and later innovators of the cinema and his enmeshment in the complex of technologies and cultural formations that made up the world of late-Victorian fantasy - from the photograph to the magic lantern, from celebrity to time travel.

As Joss Marsh observes in her stirring book on Dickens and cinema, Dickens was the first mass-mediated photographic celebrity of the modern era, more intimately "familiar" than any person in Britain besides the royal family. Suggesting Dickens's celebrity, as much as his work, contributed to the international phenomenon that is cinema's Dickens obsession, Marsh begins with  J. J. E. Mayall's famous celebrity portraits to trace Dickens's impact on the pioneers, first masters, and later innovators of the cinema. At the same time, Marsh uncovers a larger issue: to understand Dickens's place in cinema is to understand his enmeshment in the whole complex of technologies and cultural formations that made up the world of late-Victorian fantasy-from the photograph to the magic lantern, from celebrity to time travel.  Each of the six chapters unfolds a century-long cultural story that maps the Dickensian points of inspiration in the history of cinema. Marsh's cinematic geography of Dickensland transports the reader from Dickens's experiences with the early-Victorian portraitist's camera to Sunset Boulevard, Billy Wilder's remake of Great Expectations as a satire on the vampiric celebrity "celluloid self"; from actor-manager Martin-Harvey's 1899 manufacture of the "cast-iron" Victorian stage play to Dirk Bogarde's 1958 inheritance of the sacrificial gay role of Sydney Carton; from Charley Dickens Jnr.'s attempt to cash in on his father's knowledge of London to the history of production design as a medium of historical tourism and virtual experience; from Dickens's "impersonation" of Fagin, anti-Semitic and inherently theatrical, to the transformations of "the Jew" by Chaplin and David Lean and his musical apotheosis as magician and Pied Piper; from Dickens's 1868 return, in his last public reading, to the murder of Nancy to the contemporary slasher movie; and finally from the time travel enabled by the magic lantern's "dissolving views" through the role of Dickens's lantern-inspired Christmas tales of the 1840s in the lantern's development of pre-cinematic visual storytelling.  Informed by extensive archival research, deftly written, and beautifully illustrated, Joss Marsh's book shows film's fascination with Dickens was the trace of a persisting desire”fueled by decades of Dickensian impersonation and enabled by the medium's capacity to make still images live”to bring back the most extraordinary literary artist and personality of the nineteenth and early twentieth centuries”to make Dickens live again.

Dissent and Social Media

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