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Stiegler Z: Musical Intimacy

Musical Intimacy

Construction, Connection, and Engagement

Anthem Impact in Music Business, Technology and Culture

When people develop technologies to distribute music, records act like it will destroy music. This book shows these narratives are about reconfiguring power.

From Taping to Napster to TikTok

Music Technology Panic Narratives Beyond Piracy

An Introduction to Music Technology, Third Edition provides a clear overview of the essential elements of music technology for today's musician. This book focuses on the topics that underlie the hardware and software in use today: Sound, Audio, Sequencing and Software Instruments, Computer Notation and Computer-Assisted Instruction. Appendices cover detailed aspects of MIDI software and hardware. Written for both music technology majors and non-majors, this textbook introduces students to a wide range of principles and practices so students can learn how to work with a wide range of software programs, adapt to new music technologies, and apply music technology in their performance, composition, teaching, and analysis.Features:<ul> <li>Thorough explanations of key topics in music technology </li> <li>Content applicable to all software and hardware, not linked to just one piece of software or gear </li> <li>In-depth discussion of digital audio topics, such as sampling rates, resolutions, and file formats </li> <li>Explanations of standard audio plug-ins including dynamics processors, EQs, and delay based effects </li> <li>Coverage of synthesis and sampling in software instruments </li> <li>Pedagogical features, including: </li> <ul> <li>Further Reading sections that allow the student to delve deeper into topics of interest </li> <li>Suggested Activities that can be carried out with a variety of different programs </li> <li>Key Terms at the end of each chapter </li> <li>What Do I Need? chapters covering the types of hardware and software needed in order to put together audio systems </li> <li>A companion website with links to audio examples that demonstrate various concepts, step-by-step tutorials, relevant hardware, software, and additional audio and video resources. </li> </ul> The third edition has been fully updated to cover shifts in technology since the publication of the second edition, including increased coverage of mobile and cloud-based apps, updated graphics representing current software and hardware, and reorganized coverage of computer hardware and software topics.
</ul>

An Introduction to Music Technology

The Rejects takes an intimate, thoughtful look at people who've been kicked out of bands, what they experienced and what came afterwards.

An Alternative History of Popular Music

The Rejects

The Study of Sound

Bringing concepts from early film theory into dialogue with the vibrant field of contemporary sound studies, Wild Sound turns an analytic eye and ear to the role of the soundscape in cinema, particularly the way that film soundtracks capture, create, represent, and even critique our sonic environment. Listening beyond music and dialogue, this book draws attention to the oft-ignored background soundscape-film's "wild sound"-which plays a quiet but substantial role in determining how film audiences feel about certain places, people, and processes. It explores the relationship between location sound and wider practices of phonographic field recording in the creation of a cinematic sonic environment. The latter half of the book shifts attention from from the controlled soundscapes of cinema to the relatively chaotic sonic environments of the world around us. Michael Pigott ultimately demonstrates how a theory of cinematic soundscapes helps us develop practical strategies for investigating the sonic environment in our personal and natural sound worlds, beyond the cinema auditorium.

Wild Sound

Gentrification and Black Sonic Life in Washington, DC

Intersectional Listening

Combining a grounding in music notation and theory concepts with a foundation in essential technologies, The Craft of Contemporary Commercial Music offers an innovative approach that addresses the needs of students preparing for music careers.

The Craft of Contemporary Commercial Music

Elements in Music since 1945

This Element explores the rethinking of rhythmic skill in the contemporary world, focusing on modern flamenco guitar. It uses examples from local guitar traditions and an online guitar contest during the COVID-19 pandemic to explore how rhythm can shape new ways of understanding and performing heritage in the global and digital age.

Rhythm and Heritage in Modern Flamenco Guitar

This book explores the goals and limitations of twentieth-century art studies (Kunstwissenschaft) as a field, and aims to contribute to future academic research. It is structured around several representative art scientists and their key texts, exploring the theories of influential figures in the field, such as Erwin Panofsky and Aby Warburg (art researchers). This approach allows the book to present the universal construction goals, theoretical sources, thinking logic and academic dilemmas of art history in an interdisciplinary context at that time.

Time, Transcendence and Boundaries

The Ends of Art Studies

Elements in Twenty-First Century Music Practice

This Element explores embodied, embedded, extended, and enactive cognition, challenging computational approaches. It draws from paradigms like enactive cognition, cybernetic and systems-theoretical approaches, phenomenological perspectives, Gibson's affordances theory, and multi-instrumentalist practice to understand music performance.

Musical Performance and the Post-cognitivist Turn

What Musicking Affords

The strange tale of the death, life and legacy of the hugely successful band - updated with new material for the 10th anniversary of publication

Chaos, Magic and the Band who Burned a Million Pounds

The KLF

How do we study the sonic nature of war when very few of these sounds remain? World War One has left little sonic trace other than the popular music of the time. The sounds of World War One extended beyond sounds of entertainment and into the killing fields of the Western Front, the oceans of the world, and for the first time into the skies with the development of aviation. But beyond this, they entered into peoples homes, their streets, and indeed their thoughts, emotions, and feelings. Book-length studies exist on the sounds of many other recent major wars, but there is a lack of sonic coverage of World War One. Here, Michael Bull investigates the sounds of war as experienced by those who participated in it by drawing upon a wide range of written testament of the time. These written "voices" are subjective, living memories expressed as fragmentary, often unreliable testimony but provide us with the only living sonic testimony of the time. The book filters these accounts through the technologies of "total war," from the trench whistle to the tank, from the newly developed airplane to the submarine. It asks: how did the wartime population experience these sounds and what were the physical and cognitive consequences of the implementation and use of these often invasive technologies of destruction, instruction and sometimes protection? In doing so, the the book re-evaluates just how we should understand the sounds of World War One and the sounds of war more generally.

The Sonic Experience of World War One

Thomas Morley (1557/8-1602) has long been regarded as the most important English music theorist of the early modern period. His treatise, A Plaine and Easie Introduction to Practicall Musicke was published in a luxurious folio format in 1597 and a second edition appeared in 1608. The three parts of the treatise set forth elementary music ('teaching to sing') and beginning and advanced counterpoint ('treating of descant' and 'treating of composing or setting of songs'). The text, written in dialogue format, is enlivened by remarkable descriptions of music, musicians, musical performance and compositional practice. Jessie Ann Owens introduces the facsimile, explaining why the 1608 version has been chosen.

A Facsimile of the 1608 Edition

Thomas Morley's Plaine and Easie Introduction to Practicall Musicke

Musical Intimacy

Informations bibliographiques

Mots-clés

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