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Brown A: Stained Class

Stained Class

Exploring Class Consciousness in Heavy Metal Music

1. Where the Cows Drink Industrial Sewage: Classification and Class Disgust in the Critical Reception of Heavy Metal
2. Nary a Plaque or a Tea Towel: Or How Wrong We Were About Black Sabbath
3. Denim and Leather: The Proud Pariah as Folk Devil
4. Born To Lose: The Paradox of the Politics of No Class
5. Six-Ton Budgie: An Interpretative Analysis of Class in Music and Lyrics
6. Between Heaven and Hell: The Politics and the Poetics of Biblical Allusion  
7. Victim of Changes or Never Say Die? Charting Metal’s Global Class Profile

Dr Stuart Campbell provides here the first English translation of Tchaikovsky's critical writings on music. Much of the material originates from the numerous articles written by the composer for the Moscow periodical press between 1868 to 1875, and affords a survey of eminent performers to be heard there, including Auer, von BÃ¿low, Nilsson, Patti and the Rubinstein brothers. As well as following Tchaikovsky's reaction to the Russian musical scene much material is devoted to the operas then being experienced by Moscow audiences, with reviews of works by Halévy, Meyerbeer, Mozart, Rossini, Thomas, Verdi and Wagner and orchestral works by Beethoven, Berlioz, Saint-SaÃ'ns, Schubert and Schumann. The volume also covers Tchaikovsky's first visit to the Bayreuth Festival of 1876, the autobiographical account of his European concert tour in 1888, and his attitude to the music of his great contemporaries Brahms, Verdi and Wagner. The collection therefore offers valuable insight into Tchaikovsky's views on music, performance and repertoire that are relevant to the study of his own compositions, and extends our understanding of nineteenth-century music in general.

Tchaikovsky's Writings about Music

Why X Matters S.

A poignant consideration of the material aspect of sound and how it fundamentally shapes our experience of the world, both in its presence and absence &nbsp; From the joyous communal connections fostered through shared auditory experience to the devastating impact of noise pollution in the deep sea, musician and author Damon Krukowski urges readers to reconsider the significance of sound and its role in both our personal and collective well-being. He looks despairingly at how the multipronged efforts of urban dwellers to mitigate city noise have led to increased isolation, loss of community, and a sense of physical detachment from one’s surroundings. He considers the consequences of the commodification of sound in the digital era. And he looks at what’s at stake in trying to preserve the world’s dwindling quiet places. &nbsp; Interspersed with personal reflections from years of working in the music business, this book investigates sound’s role in the environment, its value as a material, its relationship to labor, and how it affects our interactions with one another. Krukowski invites you to hear the world anew and renew your relationship with one of our most precious natural resources. So listen up!

Why Sound Matters

This book brings together for the first time a wealth of information about the UK cultural. It explains how the whole UK cultural sector operates; exploring the contribution of both publicly funded cultural activity and the "creative industries".

A Guide to Organisations, Policy and Funding

Culture and Media in the UK

Human–Computer Interaction Series

This book covers key topics regarding the research and creation of personas across cultures for human-computer interaction (HCI).&nbsp;Through empirical cases studies, it examines a breadth of approaches, challenges and reflections on personas deployed in different locales over time.Personas&nbsp;have been artefacts of&nbsp;enquiry&nbsp;and praxis since Alan Cooper brought them to mainstream technology design.&nbsp;Yet, their&nbsp;study&nbsp;and emergence across cultures have been little explored –least of all synthesised in a monograph,&nbsp;this book fills that gap.It consolidates the body of work on persona studies conducted in a variety of locations in India, Brazil, Kyrgyzstan, Namibia, Vietnam, Chile, Mozambique, Malaysia and South Africa, drawing upon two somewhat competing, if complementary methodologies: User-Centred Design and Participatory Design. Rather than prescribing tools, techniques, methods or methodologies, it illustrates thehistorical versatility and epistemological plasticity of personas in the design of technologies shaped by dominant, situated, inclusive or culturally nuanced representations of people. It draws from the author's extensive knowledge of case studies as well as from his own work to provide examples, reflections and audiovisual illustrations of relevant concepts and issues.&nbsp; Personas Across Cultures: Representing the Next Billion Users&nbsp;is designed for early and seasoned career researchers in HCI who might approach the design of personas across cultures for the first time, and scholars and practitioners in related fields such as&nbsp;interaction design,&nbsp;usability, user experience and co-design.

Representing the Next Billion Users

Personas Across Cultures

Still Into You

Women's Culinary Agency and Everyday Creativity in Rural Mali

Cooking Culture

Pornography: Anthropological Perspectives on the Manufacture of Intimacy shows how pornography functions as a cultural object.

Anthropological Perspectives on the Manufacture of Eroticism

Pornography

33 1/3

Marvin Gaye sang like he lived in bed. He could croon, deliver a political commentary, and sing to you like you were the only other soul on this earth. And in 1976 he gave us a taste of his erotic imagination with I Want You. An album made in honor of his ongoing love affair with Janis (Jan) Hunter, Gaye delivered excess and restraint to sound his desire. I Want You is an album that stands apart from Gaye's earlier collaborations with Diana Ross, Tammi Terrell, Mary Wells, and Kim Weston. Though not technically a duet, Gaye forges another kind of collaboration with Jan, the result of which is an album that provides an intimate portrait of an artist in love and lust. Using interviews, visual art, poetry, criticism, and gossip, this book explores ecstasy, funk, sensation, and a host of other delicious and fleshy concerns that animate I Want You. It does not attempt a strict historicization of the album as that would do it a disservice. Instead, this book seeks fidelity to the album by centering Gaye's fantasies, his engagement with Ernie Barnes' painting Sugar Shack, and sonic expression of desire for Jan.

Marvin Gaye's I Want You

Discourses of Law

Focusing upon the representations that take place in law, forensic medicine, criminology and culture, Crime Scenes examines the ways in which knowledge about crime, death and the dead body is produced. The formal 'forensic' image, it is argued, is a site of conjecture.

Forensics and Aesthetics

Crime Scenes

Routledge Research in Museum Studies

Over the past few years an increasing number of museums have experimented with social media to demonstrate that they are listening and engaging in the world outside. While a number of new publications describe the rise of social media as a potential panacea for dwindling audiences, this book is unique in its recognition that participation has not, for the most part, affected the majority of museum practices. Using a number of global examples to describe and map the ways in which social media has been explored within communication programs, authors Russo and Kelly offer a window into the challenges which face future communication strategies and curatorial practices within museums. In this way new essential lessons for museum professionals, museum studies students, and potential collaborators are made accessible.

Museums, Social Inclusion, and Online Networks

Futures Theory

What are the most radical transformations on the horizon of our world? Shining a light on the many possibilities of the future from multiple astonishing perspectives, this book explores how new ages are imagined in our century. Bringing together over 20 prominent thinkers from a variety of disciplines, it examines the potential dimensions of the future and how they will affect everything from our culture to our politics, from our bodies to our minds. As future eras remain cloaked in relative obscurity, they compel the invention of new techniques for navigating those realms of visionary speculation. With deeply immersive entries on captivating phenomena occurring across all regions of our global reality, this book brings novel theoretical interpretations of transpiring events and the great ciphers they reveal. This includes hidden questions surrounding artificial intelligence, virtual reality, mass migration, speed, climate, geo-engineering, automation, and many more. Moreover, this book skilfully tethers inexhaustible abstract concepts like the infinite and the illusory to the emergence of new knowledge systems that allow analysis of the unknown, ultimately offering insight on the rarest features of futurity. Filled with original impressions from experts in the domains of literature, philosophy, visual art, architecture, design, media studies, ecology, anthropology, and more, Futures Theory contemplates the new variables that will expand and distort such fields in irreversibly compelling ways, opening up discussion of the steps toward a new atmosphere for thought itself in the epochs to come.

Philosophies of the World to Come

Future's Theory

Stained Class

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