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Commentaires

Brown A: Stained Class

Stained Class

Exploring Class Consciousness in Heavy Metal Music

1. Where the Cows Drink Industrial Sewage: Classification and Class Disgust in the Critical Reception of Heavy Metal
2. Nary a Plaque or a Tea Towel: Or How Wrong We Were About Black Sabbath
3. Denim and Leather: The Proud Pariah as Folk Devil
4. Born To Lose: The Paradox of the Politics of No Class
5. Six-Ton Budgie: An Interpretative Analysis of Class in Music and Lyrics
6. Between Heaven and Hell: The Politics and the Poetics of Biblical Allusion  
7. Victim of Changes or Never Say Die? Charting Metal’s Global Class Profile

Women's Culinary Agency and Everyday Creativity in Rural Mali

Cooking Culture

The book reviews recent cosmopolitan thinking and theorizing from the perspective of the twenty-first century. It queries the social bases of cosmopolitanism and evaluates how cosmopolitan theories may be biased.

The book reviews recent cosmopolitan thinking and theorizing from the perspective of the twenty-first century. It queries the social bases of cosmopolitanism and evaluates how cosmopolitan theories may be biased.

From European Integration to Global Hopes and Fears

Cosmopolitanism and Belonging

A Year in Motherhood Around the World

Four Mothers

This book brings together for the first time a wealth of information about the UK cultural. It explains how the whole UK cultural sector operates; exploring the contribution of both publicly funded cultural activity and the "creative industries".

This book brings together for the first time a wealth of information about the UK cultural. It explains how the whole UK cultural sector operates; exploring the contribution of both publicly funded cultural activity and the "creative industries".

A Guide to Organisations, Policy and Funding

Culture and Media in the UK

Feminism and Identity in Contemporary Chinese Art

Invisible Ink

Kids, Wait Till You Hear This!

An Intimate History of Rough Trade

Document And Eyewitness

This book explores central issues of religion in an age of globalization, questioning how religion speaks to us in contemporary society, and how representations of religion impact in popular culture. Focusing on Japanese popular culture, MacWilliams examines Japanese comic books in particular: Japanese manga or 'comic books' often explicitly deal with religion, and commercially published manga account for over 40% of total number of books and magazines published in Japan. The magic of manga lies in their potential "to dramatise and exaggerate information and simplify a complex reality", and just like the religious iconography of an earlier age, modern manga offer a powerful visual theology of sacred reality for their audience. What 'imagined selves and worlds' do manga construct? What are some of the important visual theologies that they can convey? These are some of the questions explored in this book. Historians of religion have largely ignored popular culture as a medium of religious experience and expression; yet by neglecting popular genres, such as Japanese manga, they ignore one of the principal ways people day wrestle with contemporary moral and spiritual issues. This book redresses this neglected area, raising profound religious and moral issues that are immediately relevant for those exploring Japanese religion, media and cultural studies, and anyone trying to imagine the sacred today.

This book explores central issues of religion in an age of globalization, questioning how religion speaks to us in contemporary society, and how representations of religion impact in popular culture.  Focusing on Japanese popular culture, MacWilliams examines Japanese comic books in particular: Japanese manga   or 'comic books' often explicitly deal with religion, and commercially published manga account for over 40% of total number of books and magazines published in Japan. The magic of manga  lies in their potential 'to dramatise and exaggerate information and simplify a complex reality', and just like the religious iconography of an earlier age, modern manga  offer a powerful visual theology of sacred reality for their audience. What 'imagined selves and worlds' do manga construct? What are some of the important visual theologies that they can convey? These are some of the questions explored in this book.  Historians of religion have largely ignored popular culture as a medium of religious experience and expression; yet by neglecting popular genres, such as Japanese manga, they ignore one of the principal ways people day wrestle with contemporary moral and spiritual issues.  This book redresses this neglected area, raising profound religious and moral issues that are immediately relevant for those exploring Japanese religion, media and cultural studies, and anyone trying to imagine the sacred today.

Visual Representations in Japanese Religion

Imagining the Sacred in Popular Culture

Joss Marsh's stirring book traces the international phenomenon that is cinema's Dickens obsession, from its origins in Dickens's celebrity, through Dickens impact on the pioneers, first masters, and later innovators of the cinema and his enmeshment in the complex of technologies and cultural formations that made up the world of late-Victorian fantasy - from the photograph to the magic lantern, from celebrity to time travel.

As Joss Marsh observes in her stirring book on Dickens and cinema, Dickens was the first mass-mediated photographic celebrity of the modern era, more intimately "familiar" than any person in Britain besides the royal family. Suggesting Dickens's celebrity, as much as his work, contributed to the international phenomenon that is cinema's Dickens obsession, Marsh begins with  J. J. E. Mayall's famous celebrity portraits to trace Dickens's impact on the pioneers, first masters, and later innovators of the cinema. At the same time, Marsh uncovers a larger issue: to understand Dickens's place in cinema is to understand his enmeshment in the whole complex of technologies and cultural formations that made up the world of late-Victorian fantasy-from the photograph to the magic lantern, from celebrity to time travel.  Each of the six chapters unfolds a century-long cultural story that maps the Dickensian points of inspiration in the history of cinema. Marsh's cinematic geography of Dickensland transports the reader from Dickens's experiences with the early-Victorian portraitist's camera to Sunset Boulevard, Billy Wilder's remake of Great Expectations as a satire on the vampiric celebrity "celluloid self"; from actor-manager Martin-Harvey's 1899 manufacture of the "cast-iron" Victorian stage play to Dirk Bogarde's 1958 inheritance of the sacrificial gay role of Sydney Carton; from Charley Dickens Jnr.'s attempt to cash in on his father's knowledge of London to the history of production design as a medium of historical tourism and virtual experience; from Dickens's "impersonation" of Fagin, anti-Semitic and inherently theatrical, to the transformations of "the Jew" by Chaplin and David Lean and his musical apotheosis as magician and Pied Piper; from Dickens's 1868 return, in his last public reading, to the murder of Nancy to the contemporary slasher movie; and finally from the time travel enabled by the magic lantern's "dissolving views" through the role of Dickens's lantern-inspired Christmas tales of the 1840s in the lantern's development of pre-cinematic visual storytelling.  Informed by extensive archival research, deftly written, and beautifully illustrated, Joss Marsh's book shows film's fascination with Dickens was the trace of a persisting desire”fueled by decades of Dickensian impersonation and enabled by the medium's capacity to make still images live”to bring back the most extraordinary literary artist and personality of the nineteenth and early twentieth centuries”to make Dickens live again.

Stained Class

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