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Hjorth Larissa: Mourning on Mobile Media

Mourning on Mobile Media

Everyday Affective Witnessing

Joss Marsh's stirring book traces the international phenomenon that is cinema's Dickens obsession, from its origins in Dickens's celebrity, through Dickens impact on the pioneers, first masters, and later innovators of the cinema and his enmeshment in the complex of technologies and cultural formations that made up the world of late-Victorian fantasy - from the photograph to the magic lantern, from celebrity to time travel.

As Joss Marsh observes in her stirring book on Dickens and cinema, Dickens was the first mass-mediated photographic celebrity of the modern era, more intimately "familiar" than any person in Britain besides the royal family. Suggesting Dickens's celebrity, as much as his work, contributed to the international phenomenon that is cinema's Dickens obsession, Marsh begins with  J. J. E. Mayall's famous celebrity portraits to trace Dickens's impact on the pioneers, first masters, and later innovators of the cinema. At the same time, Marsh uncovers a larger issue: to understand Dickens's place in cinema is to understand his enmeshment in the whole complex of technologies and cultural formations that made up the world of late-Victorian fantasy-from the photograph to the magic lantern, from celebrity to time travel.  Each of the six chapters unfolds a century-long cultural story that maps the Dickensian points of inspiration in the history of cinema. Marsh's cinematic geography of Dickensland transports the reader from Dickens's experiences with the early-Victorian portraitist's camera to Sunset Boulevard, Billy Wilder's remake of Great Expectations as a satire on the vampiric celebrity "celluloid self"; from actor-manager Martin-Harvey's 1899 manufacture of the "cast-iron" Victorian stage play to Dirk Bogarde's 1958 inheritance of the sacrificial gay role of Sydney Carton; from Charley Dickens Jnr.'s attempt to cash in on his father's knowledge of London to the history of production design as a medium of historical tourism and virtual experience; from Dickens's "impersonation" of Fagin, anti-Semitic and inherently theatrical, to the transformations of "the Jew" by Chaplin and David Lean and his musical apotheosis as magician and Pied Piper; from Dickens's 1868 return, in his last public reading, to the murder of Nancy to the contemporary slasher movie; and finally from the time travel enabled by the magic lantern's "dissolving views" through the role of Dickens's lantern-inspired Christmas tales of the 1840s in the lantern's development of pre-cinematic visual storytelling.  Informed by extensive archival research, deftly written, and beautifully illustrated, Joss Marsh's book shows film's fascination with Dickens was the trace of a persisting desire”fueled by decades of Dickensian impersonation and enabled by the medium's capacity to make still images live”to bring back the most extraordinary literary artist and personality of the nineteenth and early twentieth centuries”to make Dickens live again.

Multi-Media 'Boz' and the Culture of Celebrity

Starring Charles Dickens

Documentary Photography: A Creative Guidebook guides photographers through creating well-informed and creative documentary projects.

Documentary Photography: A Creative Guidebook guides photographers through creating well-informed and creative documentary projects.

A Creative Guidebook

Documentary Photography

The Routledge Hollywood Centenary Series

Hollywood Centenary

Universal

Key Ideas in Criminology

This agenda-setting book argues that Trial by Media is redefining the meaning and nature of justice in a multi-media world. Through a multi-disciplinary analysis of the anatomy, production, consumption, impact, and normative and legal boundaries of this new form of media justice, Trial by Media develops an original framework for examining the moral politics of crime, control and criminal justice in the post-trust society.

Trial by Media is a form of interactive, mediatised justice in which individuals and institutions are accused, tried, judged and sentenced in the ‘court of public opinion’. This agenda-setting book argues that Trial by Media is redefining the meaning and nature of justice in a multi-media world. First, the authors map the neoliberal transformations and cultural dynamics that have given rise to this new form of media justice. Then, systematically analysing the anatomy, production, consumption, impact, and normative and legal boundaries of trial by media, they examine the proliferation of high-profile celebrity trials, press campaigns in the name of crime victims, the exposure of transgression, scandal and cover-up by powerful individuals and institutions, and the growing influence of media justice on criminal justice policy and practice. Drawing from a diversity of multi-disciplinary resources, Trial by Media looks beyond mainstream understandings of crime and media to develop an original framework for examining the moral politics of crime, control and criminal justice in the post-trust society.

Trial by Media

A Philosophical Guide to Our Most Misunderstood Emotion

How to Love

An inside account of the recent scandals which have engulfed Ireland's national broadcaster, RTÉ.

An inside account of the recent scandals which have engulfed Ireland's national broadcaster, RTÉ.

Den of Inequity

Smart Thinking

Psychological answers to life’s key questions

How To Spot A Narcissist

Routledge Research in Museum Studies

Over the past few years an increasing number of museums have experimented with social media to demonstrate that they are listening and engaging in the world outside. While a number of new publications describe the rise of social media as a potential panacea for dwindling audiences, this book is unique in its recognition that participation has not, for the most part, affected the majority of museum practices. Using a number of global examples to describe and map the ways in which social media has been explored within communication programs, authors Russo and Kelly offer a window into the challenges which face future communication strategies and curatorial practices within museums. In this way new essential lessons for museum professionals, museum studies students, and potential collaborators are made accessible.

Over the past few years an increasing number of museums have experimented with social media to demonstrate that they are listening and engaging in the world outside. While a number of new publications describe the rise of social media as a potential panacea for dwindling audiences, this book is unique in its recognition that participation has not, for the most part, affected the majority of museum practices. Participation programs have certainly been introduced to a number of museums and as this book will show, some have been tremendously successful. Yet, for the most part, participation has been limited and the bulk of engagement has tended to be around new forms of publication from within rather than discussions with diverse audiences. Based on research conducted with international museums over the past 6 years, this book explores three key areas: engagement, participation, and co-creation as the keystones for understanding the value of the "social" museum. Using a number of global examples to describe and map the ways in which social media has been explored within communication programs, authors Russo and Kelly offer a window into the challenges which face future communication strategies and curatorial practices within museums. This book develops models for new partnerships, based on critical analysis of both the impact of social media and evaluations of some of the most successful examples in the sector to date. In this way new essential lessons for museum professionals, museum studies students, and potential collaborators are made accessible.

Museums, Social Inclusion, and Online Networks

Reflections on War, Tyranny, and Artificial Intelligence

Psychology After Capitalism

Discourses of Law

Focusing upon the representations that take place in law, forensic medicine, criminology and culture, Crime Scenes examines the ways in which knowledge about crime, death and the dead body is produced. The formal 'forensic' image, it is argued, is a site of conjecture.

Focusing upon the representations that take place in law, forensic medicine, criminology and culture, Crime Scenes examines the ways in which knowledge about crime, death and the dead body is produced. The formal ‘forensic’ image, it is argued, is a site of conjecture.

Forensics and Aesthetics

Crime Scenes

The Fashion Book is designed to be a one-stop textbook and reference for students of fashion and textile studies in the English-speaking world. This inter-disciplinary introduction to theories, debates, methodologies and case studies in fashion studies will suit students in degrees, modules and majors including cultural studies, art, communications/media, cultural geography, anthropology and cultural history.

The Fashion Book is an exciting, readable and comprehensive, all-in-one resource for students of fashion across the English-speaking world. It is designed as an introduction to fashion studies that can be used in a range of fashion courses from fashion studies degrees to fashion modules, and majors in disciplines including cultural studies, cultural sociology, cultural geography, communications and media, anthropology and cultural history. The book will present current writings and research on major topics debates in fashion studies drawing on the literature on fashion theory and incorporating many global case studies (as easy-to-read boxed material). Graphs, tables and diagrams will add texture to the written material. Approximately 200 colour images are planned to generously illustrate the historical and the contemporary tapestry of fashion. A dedicated interactive website will complement the text and ensure that students are in touch with the latest news, issues and trends.

The Fashion Studies Book

Mourning on Mobile Media

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Bibliografische Angaben

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