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Gesamtkatalog

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Museums and Narrative

Mesoamerican Narratives at the British
Museum

Mesoamerican Narratives at the British Museum

Ancient Writing, Contemporary Voices

In October 2021, Imperial War Museums (IWM) opened its new Holocaust Galleries in its London branch, replacing its first Holocaust Exhibition (from 2000) that had become a landmark in British Holocaust memory. Because of its comprehensive nature and intricate scenography, the new Holocaust Galleries are at the centre of almost all recent major narrative, political, and ethical debates about Holocaust representation in museums. The book provides an ideal global case-study understanding the possibilities and limitations of re-presenting trauma and violence in museums today and whether Holocaust exhibitions can promote democratic, civic, or human rights values, making it an important resource for museum practitioners, public history educators, and university researchers alike, interested in Historical, Museum, Memory, Holocaust, Genocide, or Cultural Studies. The volume brings together texts written by museum practitioners and academic scholars. It is divided in three parts: a long essay by James Bulgin, Head of Content for the new Holocaust Galleries, about the genesis and implementation of the exhibition, supplemented with briefer essays by educators and community members involved in the development of the exhibition, an extensive interview by Stephan Jaeger with IWM researchers James Bulgin and Suzanne Bardgett, and an extensive part with six critical essays by university scholars analysing the new Holocaust Galleries from numerous theoretical angles.

Conception, Design, Interpretation

The New Holocaust Galleries at the Imperial War Museum London

Bloomsbury Advances in Critical Discourse Studies

A Critical Approach

Analysing Environmental Discourse

Little Books of Fashion

There is one brand that is immediately recognized as the last word in luxury Swiss watchmaking - Patek Philippe. For over 180 years, the watchmaker has been creating some of the most sought-after, finely crafted and innovative models in the luxury watch market. From its origins in Geneva as an artisan business to its position today as a brand of global renown, Little Book of Patek Philippe tells the story of these masterpieces of design. One hundred images showcase every iconic model - Nautilus, Calatrava, Aquanaut, Golden Ellipse and more - and celebrity fans from Albert Einstein to Drake. Expert text reveals the brand's history, key moments and future.

The story of the iconic fashion brand

Little Book of Patek Philippe

"This book traces the development of Pushkin's heroines from his youthful Southern Poems to his last published work The Captain's Daughter, placing them within the context of the author's dominant genre models and his own life circumstances"-- Provided by publisher.

Freedom in a Female Frame

Pushkin's Heroines and the Life-Art Connection

From Posthumanism to Cyberfascism

An Introduction to Contemporary Italian Thought

The Cross-Cultural Parenting Playbook

Classical Continuum

The Narrative Performance of Anarkali

Through the Looking Glass

This book straddles disciplines that are usually separated to provide an overview of how food both shapes and is shaped by interpersonal, psycho-social, socio-political and historical dynamics in South Africa. It courageously acknowledges and respects a very wide range of disciplinary and theoretical approaches to food in South Africa. Desiree Lewis, Professor, University of the Western Cape Food is never just food. This interdisciplinary volume examines the cultural politics of food in South Africa, revealing how nourishment is bound up with histories of colonialism, apartheid, migration and enduring inequality. Drawing on perspectives from media studies, sociology, history and cultural studies, the chapters explore how food functions as a site of identity, resistance, memory and aspiration. From Indigenous food systems and missionary food regimes to television, advertising and social media, the book traces how meanings around food are produced, contested and mediated. It considers the everyday and the symbolic, from home-cooked meals and community cookbooks to performances of culinary capital within foodie cultures. Through this diverse and critical lens, the volume argues that food in South Africa cannot be separated from the power structures and social dynamics that shape it. In doing so, it offers a vital counterpoint to dominant narratives from the Global North, contributing to a richer understanding of how food intersects with representation, access and cultural expression in the Global South.

Media, Nourishment, Inequality

The Cultural Politics of Food in South Africa

De Gruyter Contemporary Social Sciences Handbooks

De Gruyter Handbook of Political Parties of the Global South

A Coursebook on Translation

In Other Words

Understanding the source of our current political and social malaise through our emotional responses to it We are in an explosive cultural moment. Whatever explanation for this is offered—inequalities, disaffection of political institutions, traumatic memory, woke culture, the rise of populism, the dominance of technology—it is the inescapable fact that we are in a period of palpable malaise. In Explosive Emotions, sociologist Eva Illouz explores the source of our discontent through a number of key emotions. Hope, disappointment, envy, resentment, jealousy, anger, fear, anxiety, shame, nostalgia, jealousy, and love are all embedded in the institutions of social life. These institutions—corporations, the consumer market, the university, the nation-state, marriage, and sexuality—shape our emotional lives. Illouz argues that hope was the emotional foundation of modernity—shaping ambition and promising improvement. But today, this hope has morphed into disappointment, envy, anger, or nostalgia—because, she contends, advanced techno-capitalism has overseen both a series of transformations in modern democracies and the decay of nationalism. Drawing on the insights of literature and philosophy, Illouz outlines the psychological structure of these emotions; mobilizing data from sociology and political science, she examines how and why they are deployed in society. Unbeknownst to us, she explains, emotions contain and enact the key ingredients of society. Norms, rules, social structures, and cultural guidelines are the invisible yet burning magma of emotions, the heart of their energy. Emotions continue the work of society inside the self. Mapping our epochal malaise, Illouz shows how and why all our previously established structures are unraveling.

How Modern Society Shapes What We Feel

Explosive Emotions

How a lifelong engagement with experimental art informed the brilliant Czech-Brazilian philosopher Vilém Flusser’s early vision of a world dominated by glowing screens. Predicting the importance of technology and images in the twenty-first century as early as the 1970s, Vilém Flusser warned, “the basic structure of our thinking is about to experience a mutation.” The bewitching images and screens that surround us could lead toward a centrally programmed, totalitarian society—or another, better one characterized by dialogue and collaboration among humans and new forms of intelligence. In this book on the idiosyncratic and prescient Czech-Brazilian philosopher, art historian and critic Martha Schwendener explores the profound effect of art on Flusser’s thought. The Society of the Screen reveals how Flusser’s lifelong engagement with experimental practices—from abstract painting and concrete poetry in Brazil to video, cybernetics, and photography in Europe and the United States—as well as his extensive involvement with the São Paulo Biennial informed his belief that we were moving from “history”—a civilization informed by linear writing—into “post-history,” dominated by technical images. The book delves deeply into how Flusser’s ideas evolved, particularly in correspondence and collaboration with artists like Mira Schendel, Fred Forest, Wen-Ying Tsai, Harun Farocki, Louis Bec, and Karl Gerstner.

How a lifelong engagement with experimental art informed the brilliant Czech-Brazilian philosopher Vilém Flusser’s early vision of a world dominated by glowing screens. Predicting the importance of technology and images in the twenty-first century as early as the 1970s, Vilém Flusser warned, “the basic structure of our thinking is about to experience a mutation.” The bewitching images and screens that surround us could lead toward a centrally programmed, totalitarian society—or another, better one characterized by dialogue and collaboration among humans and new forms of intelligence. In this book on the idiosyncratic and prescient Czech-Brazilian philosopher, art historian and critic Martha Schwendener explores the profound effect of art on Flusser’s thought. The Society of the Screen reveals how Flusser’s lifelong engagement with experimental practices—from abstract painting and concrete poetry in Brazil to video, cybernetics, and photography in Europe and the United States—as well as his extensive involvement with the São Paulo Biennial informed his belief that we were moving from “history”—a civilization informed by linear writing—into “post-history,” dominated by technical images. The book delves deeply into how Flusser’s ideas evolved, particularly in correspondence and collaboration with artists like Mira Schendel, Fred Forest, Wen-Ying Tsai, Harun Farocki, Louis Bec, and Karl Gerstner.

Vilém Flusser’s Radical Prescience

The Society of the Screen

A Rare Book Collector's Quest to Find the Women Writers Who Shaped a Legend

Jane Austen's Bookshelf

Mesoamerican Narratives at the British Museum

Weitere Titel der Reihe: Museums and Narrative

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