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Kosta M: Lucky Loser / LF

Lucky Loser

Paulina Rubio, the Mexican singer, songwriter, actress, model, and businesswoman known as the ?Queen of Latin Pop? opens her heart to her millions of fans in this soul-baring memoir.With her infectious pop songs, Paulina Rubino has taken the world of Latin Pop by storm, and her popularity knows no borders. In this no-holds-barred memoir, she chronicles the incredible highs (sold out tours worldwide) and soul-shattering lows (two divorces, both on account of cheating husbands) that have defined her life. For the first time the pop star speaks openly about the events that have shaped her and the challenges she has overcome. Paulina shares crucial moments in her past, reveals her battles with body image issues, recalls how she made her way to the top in a male-dominated industry, shares the joys and pitfalls of raising her children as a single mother, and divulges how she learned the hard lesson that she could depend only on herself.Includes 8-pages of color and black-and-white photos.

Paulina Rubio, the Mexican singer, songwriter, actress, model, and businesswoman known as the “Queen of Latin Pop” opens her heart to her millions of fans in this soul-baring memoir.   With her infectious pop songs, Paulina Rubino has taken the world of Latin Pop by storm, and her popularity knows no borders.

A Little More of Me

'The best novel I've ever read about comedy' Megan Nolan

Running the Light

Untitled Bogdanovich Memoir

Mainline Mama

Three Wild Dogs (and the truth)

Grandma, Me and Our Diaries at 23

Life Is Rosi

This book sets out a fresh approach to stand-up comedy. By constructing a theoretical framework using laughter theory, phenomenology and contemporary performance theory, it provides not only a new analytical tool for this genre of performance, but also a means by which it can be understood, discussed and taught. Tim Miles combines empirical research into the 'lived experience' of live stand-up with a strong theoretical model, to explore the importance of performance expectations; perceptions of space; sensory perceptions; liveness; the lived experience; inter-subjectivity; memory; interactions; collectively; and perceptions of truth and trust.

This book sets out a fresh approach to stand-up comedy. By constructing a theoretical framework using laughter theory, phenomenology and contemporary performance theory, it provides not only a new analytical tool for this genre of performance, but also a means by which it can be understood, discussed and taught. Tim Miles combines empirical research into the 'lived experience' of live stand-up with a strong theoretical model to explore the importance of performance expectations; perceptions of space; sensory perceptions; liveness; the lived experience; inter-subjectivity; memory; interactions; collectively; and perceptions of truth and trust.

Stand-Up Comedy

The Search for Black Mecca

A fun, sophisticated illustrated collection of essays that catalogs the simple and not so simple pleasures of the eclectic world of candy from the award-winning author of After the Eclipse. With illustrations by Forsyth Harmon.A taxonomy of sweetness, a rhapsody of artificial flavors, and a multi-faceted theory of pleasure,&nbsp;Sweet Nothings&nbsp;is made up of one hundred illustrated micro essays organized by candy color, from the red of Pop Rocks to the purple Jelly Bonbon in the Whitman’s Sampler. Each entry is a meditation on taste and texture, a memory unlocked. Everyone’s favorites—and least favorites—are carefully considered, including Snickers and Trader Joe’s Peanut Butter Cups, as well as the beloved Good n’ Plenty and Werther’s Originals.An expert guide and exquisite writer, Sarah Perry asks such pressing questions as: Twizzlers or Red Vines? Why are Mentos eaters so maniacally happy?&nbsp;And in The Lion, the Witch and the Wardrobe, how could Edmund sell out his siblings for, of all things, Turkish delight? She rejects the dreaded “What is your favorite candy?” question and counters: Under what circumstances? F The question itself is flawed—favorite under what circumstances? In what weather? On the road, or at home? In what mood? For candy is inextricably tied to the seasons of our lives.&nbsp; Sweet Nothings moves associatively, touching on pop culture, art, culinary history, philosophy, body image, and class-based food moralism. It challenges the very idea of “junk” food and posits taking pleasure seriously as a means of survival.Sarah Perry’s pure love of candy weaves together elegiac glimpses of her 90s childhood—and the loss at its center—with stories of love and desire. Surprisingly smart and frequently funny, Sweet Nothings&nbsp;is a tart and sweet ode to finding small joys where you can.&nbsp;Yes, even in black licorice.&nbsp;

Lucky Loser

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