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Kunié Sugiura

Omaha Sketchbook (Second Edition)

Routledge Environmental Literature, Culture and Media

This book explores the garden and its agency in the history of the built and natural environments, as evidenced in landscape architecture, literature, art, archaeology, history, photography, and film. It reveals the significant ways in which women write themselves into the accounts of garden design, practice, and history.

From Antiquity to the Present

Women and the Collaborative Art of Gardens

An easy-to-follow, how-to guide to the art of outdoor light painting from Instagram sensations Eric Paré (400k followers) and Kim Henry (22k followers).

From First Principles to Pro Results

The Ultimate Guide to Light Painting Photography

A vivid showcase of work by more than thirty of the world¿s leading contemporary female documentary photographers. The photographic industry - its exhibitions, galleries, publications and auctions - employs thousands of women, but champions mostly men. To begin to redress the balance, here is a timely presentation of the work of over 30 female photographers working today. This book is predominantly a celebration of some of the most inquisitive, intelligent and daring photography being created now. The stories the photographers tell are the most pressing social, political and personal issues seen through the female lens. Firecracker, established in 2011 by Fiona Rogers, is a platform dedicated to supporting female photographers worldwide by showcasing their work. Building upon Firecracker's foundations, this book brings together photography that encompasses an eclectic variety of styles, techniques and locations, from Alma Haser's futuristic series of portraits that use origami to create 3D sculptures within the frame, to Laura El-Tantawy's filmic and intensely personal series on political protest in Cairo. There is a recurring theme throughout the book that serves to unite these extraordinary women and their work: the exploration of marginalized individuals and under-discussed subjects, seen by fresh eyes. Fiona Rogers and Max Houghton offer insightful and expert authorship and curation. In their respective, well-established roles in the industry they understand, influence and advocate for contemporary documentary photography today.

A vivid showcase of work by more than thirty of the world’s leading contemporary female documentary photographers. The photographic industry - its exhibitions, galleries, publications and auctions - employs thousands of women, but champions mostly men. To begin to redress the balance, here is a timely presentation of the work of over 30 female photographers working today. This book is predominantly a celebration of some of the most inquisitive, intelligent and daring photography being created now. The stories the photographers tell are the most pressing social, political and personal issues seen through the female lens. Firecracker, established in 2011 by Fiona Rogers, is a platform dedicated to supporting female photographers worldwide by showcasing their work. Building upon Firecracker's foundations, this book brings together photography that encompasses an eclectic variety of styles, techniques and locations, from Alma Haser's futuristic series of portraits that use origami to create 3D sculptures within the frame, to Laura El-Tantawy's filmic and intensely personal series on political protest in Cairo. There is a recurring theme throughout the book that serves to unite these extraordinary women and their work: the exploration of marginalized individuals and under-discussed subjects, seen by fresh eyes. Fiona Rogers and Max Houghton offer insightful and expert authorship and curation. In their respective, well-established roles in the industry they understand, influence and advocate for contemporary documentary photography today.

Female Photographers Now

Firecrackers

Few styles are more iconic than the finery donned by the crowds at Churchill Downs. For the last decade, Lili Kobielski has photographed Kentucky Derby spectators for Vogue as if they were models on a runway. Enjoy this close-up look at America’s most inimitable sports fashion event! Twenty horses—120 seconds—150 years—timeless fashion. From the hats in the grandstands to the silks on the track, fashion is as much a part of the Kentucky Derby as the thoroughbreds, the jockeys, and the mint juleps. Lili Kobielski has been photographing the Kentucky Derby for Vogue for a decade. She aptly captures the vibrant colors, jovial festivities, and, of course, the fantastic headwear of this iconic day in sports. Kentucky Derby Fashion celebrates the spectators of this epic event and illustrates how their creativity and style make the Derby what it is. The passion for the sport is best displayed by the fashion in the grandstands. With an introduction written by Helmut Lang and contributions from Churchill Downs and the Vogue editorial team, readers get a sense of the Derby’s hallowed place in the worlds of fashion and sports.

A Decade en Vogue

Kentucky Derby Fashion

A stunning, official book of pictures from George Michael's life by renowned music photographer Brian Aris. It includes many unseen images of George at different stages of his career.

George Michael: A Life in Pictures

Routledge Research in Art and Race

This study demonstrates how African American artists active since the 1970s have instrumentalized performance for the camera to intervene in existing representations of Black and Brown people in America and beyond.

This study demonstrates how African American artists active since the 1970s have instrumentalized performance for the camera to intervene in existing representations of Black and Brown people in America and beyond.

Against Transparency

African American Artists Performing for the Camera After 1970

An expansive look at the significant role of Hungarian immigrants in shaping American photographic culture and practice in the twentieth century

Kertesz, Capa, and the Hungarian American Photographic Legacy

American, Born Hungary

An environmental history of chemical photography through the lens of its deep connections to empire and industry. Dependent on the extractive practices of fossil-fueled industrial capitalism, chemical photography's emulsions and films were highly sensitive to polluted atmospheres, and photographic companies had to work hard to control this sensitivity. Drawing on histories of empire, coal, and chemistry and from the archives of British photographic manufacturer Ilford Limited, Michelle Henning exposes the ways photography shaped how we see and understand the atmosphere while leaving its toxic residues in the air, soil, and water. Structured as thirty-six short chapters and with over seventy illustrations, this innovative book begins in interwar London, follows the supply of Ilford products to photographers on the West African coast, and considers photography as a military technology linked to the development of chemical warfare. Combining close readings of photographs with discussions of low-light, tropical, and aerial photography, Henning examines the extraction and development of photographic materials, their role in the current environmental crisis, and how they have shaped experiences of time and the environment.

Chemistry, Fog, and Empire

A Dirty History of Photography

Lenscratch: Topics in Contemporary Photography

This book is the first of its kind to bring together and showcase contemporary photographers' bodies of work, moving beyond the survey approach so often seen in photography today.

This book is the first of its kind to bring together and showcase contemporary photographers’ bodies of work, moving beyond the survey approach so often seen in photography today.

Kunié Sugiura

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