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Spaceman J: JUNK

JUNK

The classic thrillers of Alfred Hitchcock, including Vertigo, North by Northwest and Psycho, achieved much of their power from the music of legendary Academy Award winner Bernard Herrmann (Citizen Kane, Taxi Driver). In this book, author Steven C. Smith delivers an intimate account of how the reserved, but deeply anxious, Hitchcock found his ideal creative partner in the cantankerous, but deeply romantic, Herrmann. Their collaboration ended in a bitter break; but today, the music from their movies is more popular than ever, heard in Quentin Tarantino blockbusters and Lady Gaga music videos. Smith takes us inside the friendship between "Benny and Hitch," and explains why Herrmann's pulse-quickening music has become the soundtrack of our own anxious times.

The Friendship and Film Scores That Changed Cinema

Hitchcock and Herrmann

A New Life of Russia's Greatest Composer

Tchaikovsky's Empire

Kids, Wait Till You Hear This!

A Memoir

Fearless and Free

In Common

Using the metaphor of the Grateful Dead's music and community spirit, this book analyses the processes of political transformation in the USA from Fordist capitalism to today's platform capitalism.

This book pays homage to a rock band that has most influenced alternative culture, the Grateful Dead. It critically discussing the evolution of the libertarian spirit in the USA, which was born and developed in the 1960s and merged in the last three decades into a libertarian ideology, based on individual freedom, antistatalism and the primacy of the spirit of the self-made man. Examining how this transition was functional, on the one hand, to high-tech digital innovation and, on the other, to the spirit of new platform capitalism. Andrea Fumagalli suggests that the process of capturing the libertarian spirit for capitalist purposes, which represents one of the clearest examples of "life subsumption", the acknowledgment that the life of individuals at the very moment that it triggers processes of social cooperation is a potential source of subversive behaviour, and how this can turn into a powerful tool for today's capitalist valorisation.

Financial Psychedelia and the Commons

The Beatles, the Beach Boys, and the Invention of the Sixties —or, No Sense Makes Sense

The Musical Lives of Charles Manson

The Meaning of George Michael

Tonight the Music Seems So Loud

From child prodigy to global superstar, Celine Dion's career has been nothing short of extraordinary. This charming book is a celebration of her dazzling journey - packed with fabulous facts, standout quotes and unforgettable milestones. Trace Celine's path from her childhood experiences and legendary Eurovision win to her chart-topping hits and game-changing Las Vegas residencies. Relive her bold fashion choices and discover the profound influence she continues to have on fans and fellow artists around the globe. Whether you've followed the singer from the beginning or are just discovering her powerhouse vocals, this delightful guide captures the spirit, talent and charisma of a true pop and style icon. Sample Content: "I worked really hard, and I surpassed myself... I didn't have, visually, what it took. I was not pretty, I had teeth problems, and I was very skinny. I didn't fit the mould." Celine Dion "I'm not looking for career attention, for more success, more money. I'm just singing songs I chose because I love them." Celine Dion "If I can't run I'll walk. If I can't walk. I'll crawl. But I won't stop." Celine Dion Celine Dion recorded her very first song at just 12 years old. The song, titled Ce n'était qu'un rêve ("It Was Only a Dream"), was co-written by her mother Thérèses and brother Jacques, showcasing the family's early belief in her talent. That single track caught the attention of her future manager, launching a career that would soon take the world by storm.

My Voice Will Go On: The Little Guide to Celine Dion

One Hundred Lyrics and a Poem

This book pays homage to a rock band that has most influenced alternative culture, the Grateful Dead. It critically discussing the evolution of the libertarian spirit in the USA, which was born and developed in the 1960s and merged in the last three decades into a libertarian ideology, based on individual freedom, antistatalism and the primacy of the spirit of the self-made man. Examining how this transition was functional, on the one hand, to high-tech digital innovation and, on the other, to the spirit of new platform capitalism. Andrea Fumagalli suggests that the process of capturing the libertarian spirit for capitalist purposes, which represents one of the clearest examples of "life subsumption", the acknowledgment that the life of individuals at the very moment that it triggers processes of social cooperation is a potential source of subversive behaviour, and how this can turn into a powerful tool for today's capitalist valorisation.

A History of Black People and Alternative Music

We Were Here

33 1/3 Japan

Widely recognized as the most innovative and influential Japanese group since the Second World War, Yellow Magic Orchestra (YMO) is seeing a revival among music listeners around the world, along with the works of its three members: Academy Award-winning composer Sakamoto Ryuichi, Hosono Haruomi as the central figure of the Japanese "city pop" revival, and Takahashi Yukihiro, who plays drums for METAFIVE with Towa Tei and Oyamada Keigo (Cornelius). This is the first book in English on Yellow Magic Orchestra, positioning its first album as the nexus of jazz fusion, new wave, and hip hop music. YMO's debut album provides a lens on transpacific dialogue on technology, race, and intellectual history. Examining the cultural negotiations between African American and Japanese musicians since the 1970s, this book considers the album as a nascent work of Afro-Asian futurism.

Widely recognized as the most innovative and influential Japanese group since the Second World War, Yellow Magic Orchestra (YMO) is seeing a revival among music listeners around the world, along with the works of its three members: Academy Award-winning composer Sakamoto Ryuichi, Hosono Haruomi as the central figure of the Japanese “city pop” revival, and Takahashi Yukihiro, who plays drums for METAFIVE with Towa Tei and Oyamada Keigo (Cornelius). This is the first book in English on Yellow Magic Orchestra, positioning its first album as the nexus of jazz fusion, new wave, and hip hop music. YMO’s debut album provides a lens on transpacific dialogue on technology, race, and intellectual history. Examining the cultural negotiations between African American and Japanese musicians since the 1970s, this book considers the album as a nascent work of Afro-Asian futurism.

Yellow Magic Orchestra’s Yellow Magic Orchestra

JUNK

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