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Myers Paul: John Candy

John Candy

A Life in Comedy

My Unexpected Life on Page, Stage and Screen

Getting Away with Murder

<div><div>Audible's Best of the Year in Well-Being YOU ARE ENOUGH EXACTLY AS YOU ARE. ​&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;From the time we’re born, a litany of do’s and don’ts are placed on us by our families, our communities, and society. We’re required to fit into boxes based on our race, gender, sexuality, and other parts of our identities, being told by others how we should behave, who we should date, or what we should be interested in. For so many of us, those boxes begin to feel like shackles when we realize they don’t fit our unique shape, yet we keep trying because we crave acceptance and validation. But is “fitting in” worth the time, energy, and suffering? Actor, writer, and activist Brandon Kyle Goodman says, Hell no it ain’t! &nbsp; As a Black nonbinary, queer person in a dark-skinned 6’1”, 180-pound male body born into a religious immigrant household, Brandon knows the pain of having to hide one’s true self, the work of learning to love that true self, and the freedom of finally being your true self. &nbsp; In You Gotta Be You, Brandon affectionately challenges you to consider, “Who would I be if society never got its hands on me?” This question set Brandon on a mission to dropkick societal shackles by unlearning all the things he was told he should be in order to step into who he really is. It required him to reexamine messy but ultimately defining moments in his life—his first time being followed in a store, navigating his mother’s born-again Christianity, and regretfully using soap as lube (yes, you read that right!)—to find the lessons that would guide him to his most authentic self. &nbsp; Compassionate and soulful, funny and revealing, You Gotta Be You is an unapologetic call to self-freedom. It’s about turning rejection (from others and yourself) into a roadmap to self-love. It’s a guide to setting boundaries and fostering self-growth. And most importantly, it’s an affirmation that we are enough exactly as we are. </div><div> &nbsp; </div>
</div>

<div><div>Audible's Best of the Year in Well-Being YOU ARE ENOUGH EXACTLY AS YOU ARE. ​&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;From the time we’re born, a litany of do’s and don’ts are placed on us by our families, our communities, and society. We’re required to fit into boxes based on our race, gender, sexuality, and other parts of our identities, being told by others how we should behave, who we should date, or what we should be interested in. For so many of us, those boxes begin to feel like shackles when we realize they don’t fit our unique shape, yet we keep trying because we crave acceptance and validation. But is “fitting in” worth the time, energy, and suffering? Actor, writer, and activist Brandon Kyle Goodman says, Hell no it ain’t! &nbsp; As a Black nonbinary, queer person in a dark-skinned 6’1”, 180-pound male body born into a religious immigrant household, Brandon knows the pain of having to hide one’s true self, the work of learning to love that true self, and the freedom of finally being your true self. &nbsp; In You Gotta Be You, Brandon affectionately challenges you to consider, “Who would I be if society never got its hands on me?” This question set Brandon on a mission to dropkick societal shackles by unlearning all the things he was told he should be in order to step into who he really is. It required him to reexamine messy but ultimately defining moments in his life—his first time being followed in a store, navigating his mother’s born-again Christianity, and regretfully using soap as lube (yes, you read that right!)—to find the lessons that would guide him to his most authentic self. &nbsp; Compassionate and soulful, funny and revealing, You Gotta Be You is an unapologetic call to self-freedom. It’s about turning rejection (from others and yourself) into a roadmap to self-love. It’s a guide to setting boundaries and fostering self-growth. And most importantly, it’s an affirmation that we are enough exactly as we are. </div></div><div> &nbsp; </div>

How to Embrace This Messy Life and Step Into Who You Really Are

You Gotta Be You

Essays on Women

A Life of Paul Gauguin

Wild Thing

The third novel from Eleni Kyriacou, author of BBC Between the Covers pick The Unspeakable Acts of Zina Pavlou. Set on the casting couches of 1950s Hollywood and London, it follows the story of three women before and after their rise to fame during the heyday of film and celebrity.

A Beautiful Way to Die

Never before has Marcia Lucas sat down for an interview about Star Wars until now! Pulling all the extra content from The Nacelle Company's hit docuseries Icons Unearthed, comes the Marcia Lucas Interview, the expanded interviews and extra content that never made it to screen. This collection of interviews covers it all from Marcia's humble beginnings as an assistant editor, to her meeting George Lucas while he was in film school, to ultimately working with the likes of Francis Ford Coppola and eventually her pivotal role in the making of Star Wars. This is the story of a woman whose behind the scenes presence turned a little sci-fi film into the incredible franchise that we know it as today.&nbsp;

Never before has Marcia Lucas sat down for an interview about Star Wars until now! Pulling all the extra content from The Nacelle Company's hit docuseries Icons Unearthed, comes the Marcia Lucas Interview, the expanded interviews and extra content that never made it to screen. This collection of interviews covers it all from Marcia's humble beginnings as an assistant editor, to her meeting George Lucas while he was in film school, to ultimately working with the likes of Francis Ford Coppola and eventually her pivotal role in the making of Star Wars. This is the story of a woman whose behind the scenes presence turned a little sci-fi film into the incredible franchise that we know it as today.&nbsp;

Marcia Lucas, The Icons Unearthed Star Wars Interview

*GIRL, INTERRUPTED FOR THE 21ST CENTURY* *A JENNETTE MCCURDY BOOKCLUB PICK* 'The story is extraordinary, but more importantly, the storytelling is exceptional... If you read one memoir this year, make it this one.' - PANDORA SYKES 'An impressive feat of writing.' - THE DAILY TELEGRAPH 'Written elegantly with humor and compassion... Alice manages to tell her story with insight and forgiveness for her parents and herself, and we root for them all, all the way.' - SUSAN SARANDON 'I spent a feverish few days devouring it with a mixture of anguish and awe.' - SOPHIE WHITE, IRISH INDEPENDENT 'Mind-blowing' - LENA DUNHAM This exceptional memoir and love story tells of a young woman's harrowing coming-of-age amid glamour, excess, and neglect, and her journey, against the odds, to find herself. Alice Carrière tells the story of her unconventional upbringing in Greenwich Village as the daughter of a remote mother, the renowned artist Jennifer Bartlett and a charismatic father, European actor Mathieu Carrière. Her days are a mixture of privilege, neglect, loneliness, and danger-a child living in an adult's world, with little-to-no enforcement of boundaries or supervision. Alice begins to lose her grasp on reality as a dissociative disorder erases her identity and overzealous doctors medicate her further away from herself. She inhabits various roles: as a patient in expensive psychiatric hospitals, a denizen of the downtown New York music scene, the ingenue in destructive encounters with older men-ricocheting from experience to experience until a medication-induced psychosis brings these personas crashing down. With gallows humor and brutal honesty, Everything/Nothing/Someone explores what it means for our body and mind to belong to us wholly, irrevocably, and on our own terms. In pulsing, energetic prose that is both precise and probing, Alice manages to untangle the stories told to her by her parents, the American psychiatric complex, and her own broken mind to craft a unique and mesmerizing narrative of emergence and, finally, cure. 'Spellbinding' - JENNETTE MCCURDY 'It's extraordinary... make your way to this book.' - SARAH JESSICA PARKER 'Remarkable' - NEW YORK TIMES

Everything/Nothing/Someone

Isms

The description for this book, Lennon-isms, will be forthcoming.

The description for this book, Lennon-isms, will be forthcoming.

Lennon-isms

Library of Gender and Popular Culture

What are the barriers to women's participation in live comedy, and how are these barriers maintained in the digital era? In this book, Ellie Tomsett considers how the origins of stand-up comedy still impact on current live comedy production, and explains how the contemporary stand-up scene continues to reflect wider societal stereotypes about the capabilities of women. Using primary data collected from women-only comedy nights and immersive research with the UK Women in Comedy Festival in Manchester, Tomsett analyses examples of stand-up performed by contemporary comedians - including Bridget Christie, Luisa Omielan, Lolly Adefope and Gráinne Maguire - and provocatively questions how these performances relate to conceptions of feminist and postfeminist humour, as well as notions of backlash against contemporary feminisms. She focuses on live comedy that is explicitly feminist to consider how social attitudes to women, the increasing visibility of female labour outside the home, and the emergence of multiple (and sometimes contradictory) feminisms has influenced the comedy produced by women comedians in 21st century Britain.

What are the barriers to women’s participation in live comedy, and how are these barriers maintained in the digital era?

In this book, Ellie Tomsett considers how the origins of stand-up comedy still impact on current live comedy production, and explains how the contemporary stand-up scene continues to reflect wider societal stereotypes about the capabilities of women.
 
Using primary data collected from women-only comedy nights and immersive research with the UK Women in Comedy Festival in Manchester, Tomsett analyses examples of stand-up performed by contemporary comedians - including Bridget Christie, Luisa Omielan, Lolly Adefope and Gráinne Maguire - and provocatively questions how these performances relate to conceptions of feminist and postfeminist humour, as well as notions of backlash against contemporary feminisms. She focuses on live comedy that is explicitly feminist to consider how social attitudes to women, the increasing visibility of female labour outside the home, and the emergence of multiple (and sometimes contradictory) feminisms has influenced the comedy produced by women comedians in 21st century Britain.

Sexism, Stereotypes and Structural Inequalities

Stand-up Comedy and Contemporary Feminisms

A bestselling biographer takes on the most successful female broadcaster of all time, a woman whose insecurity fueled an ambition that broke all the rules and finally gave women a permanent place on the air.

A bestselling biographer takes on the most successful female broadcaster of all time, a woman whose insecurity fueled an ambition that broke all the rules and finally gave women a permanent place on the air.

The Life and Times of Barbara Walters

The Rulebreaker

The essential book for new dads by an award-winning comedy writer and his friends, preparing you for the confusing, emotional - and funny - rollercoaster ahead. A must-have gift for new dads!

All the Stuff the Expectant Dad Needs to Know by ‘the funniest dad on Instagram’ (Sara Cox BBC Radio2)

DON'T PANIC!

edition suhrkamp

Wer wissen möchte, wie es um den Westen bestellt ist, muss nur die James-Bond-Reihe befragen. 
 50 Shades of Grey
 lässt ein Aufblühen der Prüderie erkennen, und die Rückkehr des Autoritarismus haben bereits 
 Star Wars
 und die diversen Verfilmungen von Marvel-Comics vorweggenommen. Vor allem große Blockbuster führen uns die herrschenden Ideologien unserer Zeit vor Augen. Doch wenn wir bloß schauen, sehen wir sie nicht.
 
 Wolfgang M. Schmitt zeigt, wie uns der Film - gerade dank seiner Künstlichkeit, der Montage, Stars und Spezialeffekte - einen anderen, mit der Brille der Fiktion geschärften Blick auf die Realität und auf uns selbst eröffnet. Sein ungewöhnlicher Ratgeber ist eine Liebeserklärung an Hollywood und zugleich ein flammendes Plädoyer für ein ideologiekritisches, kontraintuitives Sehen.

Wer wissen möchte, wie es um den Westen bestellt ist, muss nur die James-Bond-Reihe befragen. 
 50 Shades of Grey
 lässt ein Aufblühen der Prüderie erkennen, und die Rückkehr des Autoritarismus haben bereits 
 Star Wars
 und die diversen Verfilmungen von Marvel-Comics vorweggenommen. Vor allem große Blockbuster führen uns die herrschenden Ideologien unserer Zeit vor Augen. Doch wenn wir bloß schauen, sehen wir sie nicht.
 
 Wolfgang M. Schmitt zeigt, wie uns der Film – gerade dank seiner Künstlichkeit, der Montage, Stars und Spezialeffekte – einen anderen, mit der Brille der Fiktion geschärften Blick auf die Realität und auf uns selbst eröffnet. Sein ungewöhnlicher Ratgeber ist eine Liebeserklärung an Hollywood und zugleich ein flammendes Plädoyer für ein ideologiekritisches, kontraintuitives Sehen.

Mit Filmen sehen lernen

John Candy

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