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Salomon W: Jazz Writing, Race, and the
Ethics and Aesthetics of Modern Jazz, 1

Jazz Writing, Race, and the Ethics and Aesthetics of Modern Jazz, 1945-1970

My Memories Of Public Image Ltd

POPTOME

New Approaches to Sound, Music, and Media

1984-2016

David Bowie and the Transformation of Music Video

Bloomsbury Handbooks

The Bloomsbury Handbook of Hip Hop Pedagogy is the first reference work to cover the theory, history, research methodologies, and practice of Hip Hop pedagogy. Including 20 chapters from activist-oriented and community engaged scholars, the handbook provides perspectives and studies from across the world, including Brazil, the Caribbean, Scandinavia, and the USA. Organized into four topical sections focusing on the history and cultural roots of Hip Hop; theories and research methods in Hip Hop pedagogy; and Hip Hop pedagogy in practice, the handbook offers theoretical, analytical, and pedagogical insights emerging across sociology, literacy, school counselling and youth organizing. The chapters reflect the impact of critical Hip Hop pedagogies and Hip Hop-based research for educators and scholars interested in radical, transformative approaches to education. Ultimately, the many voices included in the handbook show that Hip Hop pedagogy is a humanizing and emancipatory approach which is redefining the purposes and practices of education.

The Bloomsbury Handbook of Hip Hop Pedagogy

Teenage Dreamer: The Little Guide to Olivia Rodrigo

Ashgate Popular and Folk Music Series

What musical elements define the unmistakable, yet constantly evolving, 'U2 sound'? This book addresses this question in a three-tiered music -theoretical dissection of the band's unique sound. Endrinal's analyses reach beyond the traditional focus on melody, harmony and rhythm, drawing on new computer assisted analytical techniques to explore texture, timbre and instrumentation. More than a study of one band, then, this book offers new analytical methods for the study of popular music.

What musical elements define the unmistakable, yet constantly evolving, 'U2 sound'? How is their enormously engaging music constructed? How have U2 maintained their prominent position in the  ever-shifting world of popular music? Let Me In The Sound: The Sonic Signature of U2 addresses  these questions in a three-tiered music-theoretical dissection of the band's unique sound. Endrinal begins by identifying the salient sonic characteristics that combine to form U2's distinctive musical autograph.  With those characteristics established, the book examines the various approaches to formal organization found in the band's oeuvre. Finally, detailed analyses of several songs from across the band's career demonstrate how U2 construct songs and how each member of the band contributes his own unique musical perspective to these formal designs. Endrinal's analyses reach beyond the traditional focus on melody, harmony and rhythm, drawing on new computer assisted analytical techniques to explore texture, timbre and instrumentation.  More than a study of one band, then, this book offers new analytical methods for the study of popular music.

Let Me In The Sound

The Sonic Signature of U2

Science Fiction, Fantasy and Reality in the Circuitry of Hip Hop

Electro Rap

Popular Musics Matter: Social, Political and Cultural Interventions

Subjectivity, Emotions, and Authenticity in Bhawaiya Folk Songs of North Bengal

Songs of Desire and Defiance

Critical Approaches to Transmedia Storytelling in K-Pop

Black Music, Racism and Criminal Injustice

Policing the Beats

From child prodigy to global superstar, Celine Dion's career has been nothing short of extraordinary. This charming book is a celebration of her dazzling journey - packed with fabulous facts, standout quotes and unforgettable milestones. Trace Celine's path from her childhood experiences and legendary Eurovision win to her chart-topping hits and game-changing Las Vegas residencies. Relive her bold fashion choices and discover the profound influence she continues to have on fans and fellow artists around the globe. Whether you've followed the singer from the beginning or are just discovering her powerhouse vocals, this delightful guide captures the spirit, talent and charisma of a true pop and style icon. Sample Content: "I worked really hard, and I surpassed myself... I didn't have, visually, what it took. I was not pretty, I had teeth problems, and I was very skinny. I didn't fit the mould." Celine Dion "I'm not looking for career attention, for more success, more money. I'm just singing songs I chose because I love them." Celine Dion "If I can't run I'll walk. If I can't walk. I'll crawl. But I won't stop." Celine Dion Celine Dion recorded her very first song at just 12 years old. The song, titled Ce n'était qu'un rêve ("It Was Only a Dream"), was co-written by her mother Thérèses and brother Jacques, showcasing the family's early belief in her talent. That single track caught the attention of her future manager, launching a career that would soon take the world by storm.

My Voice Will Go On: The Little Guide to Celine Dion

33 1/3

Marvin Gaye sang like he lived in bed. He could croon, deliver a political commentary, and sing to you like you were the only other soul on this earth. And in 1976 he gave us a taste of his erotic imagination with I Want You. An album made in honor of his ongoing love affair with Janis (Jan) Hunter, Gaye delivered excess and restraint to sound his desire. I Want You is an album that stands apart from Gaye's earlier collaborations with Diana Ross, Tammi Terrell, Mary Wells, and Kim Weston. Though not technically a duet, Gaye forges another kind of collaboration with Jan, the result of which is an album that provides an intimate portrait of an artist in love and lust. Using interviews, visual art, poetry, criticism, and gossip, this book explores ecstasy, funk, sensation, and a host of other delicious and fleshy concerns that animate I Want You. It does not attempt a strict historicization of the album as that would do it a disservice. Instead, this book seeks fidelity to the album by centering Gaye's fantasies, his engagement with Ernie Barnes' painting Sugar Shack, and sonic expression of desire for Jan.

Marvin Gaye sang like he lived in bed. He could croon, deliver a political commentary, and sing to you like you were the only other soul on this earth. And in 1976 he gave us a taste of his erotic imagination with I Want You. An album made in honor of his ongoing love affair with Janis (Jan) Hunter, Gaye delivered excess and restraint to sound his desire. I Want You is an album that stands apart from Gaye’s earlier collaborations with Diana Ross, Tammi Terrell, Mary Wells, and Kim Weston. Though not technically a duet, Gaye forges another kind of collaboration with Jan, the result of which is an album that provides an intimate portrait of an artist in love and lust.

Using interviews, visual art, poetry, criticism, and gossip, this book explores ecstasy, funk, sensation, and a host of other delicious and fleshy concerns that animate I Want You. It does not attempt a strict historicization of the album as that would do it a disservice. Instead, this book seeks fidelity to the album by centering Gaye’s fantasies, his engagement with Ernie Barnes’ painting Sugar Shack, and sonic expression of desire for Jan.

Marvin Gaye's I Want You

60 Country Music-Inspired Drinks for Sippin’ Pretty

Cowgirls & Cocktails

Jazz Writing, Race, and the Ethics and Aesthetics of Modern Jazz, ...

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