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'Old poisons decanted into new bottles': where does criticism of Israel end and where does antisemitism begin?

'This is an important and necessary book by a superb and subtle writer. There's no one more qualified to write it than Jake Wallis Simons, both as ground-breaking Middle East security correspondent and Editor of the Jewish Chronicle. It analyses the often prejudiced coverage and intense scrutiny of Israel that so often veers into obsession and outright demonisation; and traces its origins from Medieval European and Stalinist antisemitism to the present day. It discusses why this nation is judged so differently from others in a supposedly rational and progressive era. A companion in some ways to David Baddiel's Jews Don't Count, it is a book that fascinatingly analyses the dark sides of our world today -political, national, cultural and digital - and exposes uncomfortable truths' SIMON SEBAG MONTEFIORE '"I can't be anti-Semitic: I have nothing against Jews individually, I only hate them by the country." Such is the delusion that Jake Wallis Simons sets out to discredit in this excellent and fearless book, dismantling its mendacities with a scholarly and logical thoroughness that makes you wonder if there will ever be an Israelophobe left standing again. Buy copies to distribute to your kindergarten groups and universities, anyway, just in case. And then buy another copy for yourself. It does the heart good to see one of the greatest expressions of collective animus exposed for the sanctimonious posturing it is. Israelophobia&nbsp;is a book we all need' HOWARD JACOBSON 'Timely and important' TELEGRAPH 'Fascinating' SPECTATOR In the Middle Ages, Jews were hated for their religion. In the twentieth century, they were hated because of their race. Today, Jews are hated for something else entirely, their nation-state of Israel. Antisemitism has morphed into something both ancient and modern: Israelophobia. But how did this transformation occur? And why? Award-winning journalist Jake Wallis Simons answers these questions, clarifying the line between criticism and hatred, exploring game-changing facts and exposing dangerous discourse. Urgent, incisive and deeply necessary,&nbsp;Israelophobia&nbsp;reveals why the Middle East's only democracy, which uniquely respects the rights of women and sexual and religious minorities, attracts such disproportionate levels of slander. Rather than defending Israel against all criticism, it argues for reasonable disagreement based on reality instead of bigotry. Through charting the history of Israelophobia - starting in Nazi Germany, travelling via the Kremlin to Tehran and along fibre optic cables to billions of screens - and using it to understand contemporary prejudice, this timely book will restore much-needed sanity to the debate, creating the space for mutual understanding, tolerance and peace.

Simons Jake Wallis: Israelophobia

Israelophobia

The Newest Version of the Oldest Hatred and What To Do About It

The story of trade is the story of humanity. From the copper in Mesopotamian ploughs to the silicon atoms within the chip inside your smartphone, intricate global trading networks have evolved over millennia to fulfil the distinctly human desire to buy and sell. Today, the volume of trade bestriding the planet is unprecedented. Yet, as fractures in the global order emerge - from an era of globalisation and untrammelled flows of goods and money to a new world of restrictions, intervention and, possibly, war - understanding this fundamental shift to the dominant economic consensus is more important than ever. In TRADE WORLD, bestselling, award-winning author Ed Conway tells this extraordinary story through these three commonplace products - bread, cloth and cars. With a compelling blend of economic history and first-hand access to key figures and institutions, he takes us from policy treaties to ground level to show us the people who make, ship and sometimes smuggle the products we buy on a daily basis. Discover the hidden, shifting trade world behind everything you see around you.

A Transporting Story of Our Past and Future

Trade World

Kaum ein biblisches Zitat ist so bekannt - und zugleich so missverstanden - wie 'Auge um Auge, Zahn um Zahn...'. Vor allem aufgrund der Auslegungsgeschichte seiner Rezeption im Matthäusevangelium wurde die Talionsformel zur Chiffre für Vergeltung. Diese Studie zeigt jedoch, dass die Formel weder in der Hebräischen Bibel noch im antik-jüdischen Diskurs als Chiffre für Vergeltung eingesetzt wurde. In den Schriften vom Toten Meer, bei Philo von Alexandrien, Flavius Josephus und in tannaitischer Literatur erscheint sie vielmehr in rechtlichen Debatten über angemessene Sanktionen und Verfahrensnormen. Das matthäische Zitat fällt allein durch die sonst nicht belegte paränetische Auslegung der talio aus dem Rahmen. Few biblical quotations are as familiar - and as misunderstood - as "an eye for an eye, a tooth for a tooth...". Owing largely the history of interpretation of its reception in the Gospel of Matthew, the talionic formula became a shorthand for retribution. This study demonstrates, however, that neither the Hebrew Bible nor Ancient Jewish discourse employed the formula as a code for retribution. In the Dead Sea Scrolls, Philo of Alexandria, Flavius Josephus, and Tannaitic literature, it functions within legal debates on appropriate sanctions and procedural norms. Matthew's use is distinctive only in genre, offering a parenetic interpretation of the talio.

Eine Rezeptionsgeschichte Der Biblischen Talionsformel Im Antiken Judentum

'Auge Um Auge...'

Vom Zählstein zum Computer

Leonhard Euler (1707-1783) ist nicht nur einer der größten Mathematiker, sondern gleichfalls einer der schöpferischsten Menschen überhaupt gewesen. Seine rastlose Tätigkeit; die auch durch Blindheit nicht beeinträchtigt wurde, beschränkte sich jedoch nicht nur auf die Mathematik, denn er war ebenso universaler Naturwissenschaftler wie tiefgehender Philosoph, seine Arbeiten reichen von technischen Anwendungen der Naturwissenschaften bis zur Kartographie ebenso wie von der Musik bis zur Landwirtschaft. Respektvoll sahen bereits seine Zeitgenossen in ihm die lebendige Personifizierung der Analysis, aber darüber hinaus verkörperte er das wissenschaftliche Bewusstsein seiner Zeit wie kein anderer. Seine Arbeiten reichen von technischen Anwendungen der Naturwissenschaften&nbsp;bis zur Kartographie ebenso wie von der Musik bis zur Landwirtschaft. Respektvoll&nbsp;sahen bereits seine Zeitgenossen in ihm die lebendige Personifizierung&nbsp;der Analysis, aber darüber hinaus verkörperte er das wissenschaftliche Bewusstseinseiner Zeit wie kein anderer. Die vorliegende Biographie geht daher über eine reine Lebensbeschreibung hinaus und zeichnet ein faszinierendes Bild jenes an geistigen Auseinandersetzungen und Kämpfen so reichen 18. Jahrhunderts, in das Eulers Leben und Werk eingebettet ist und auf dem unsere moderne Welt wesentlich fußt.

Sein Leben, sein Werk, seine Zeit

Leonhard Euler (1707-1783)

Routledge Studies in the European Economy

The book argues that economic credibility should be assessed not only on the basis of financial stability and economic growth, but also on the state's ability to maintain democracy and long-term social cohesion.Why do some countries maintain economic stability and investor confidence, while others experience credibility crises? This book examines how political decisions, institutional integrity and public trust shape economic policy. The authors highlight the consequences of populist governments, which often undermine economic efficiency and democratic stability. The book analyses how populist governments affect a country's economic credibility and long-term stability. It offers a comprehensive framework for assessing a country's economic credibility that goes beyond conventional financial indicators, advocating for a more holistic approach that supports democracy. Supported by research contained in reports on Poland's economic credibility index, the book benefits from data visualisations, policy recommendations and comparative analyses of state models, resources which provide the reader with practical tools for assessing economic credibility in various contexts.This book will be of interest to policy makers, economists, political scientists and business leaders, among others. With its multidisciplinary approach to the links between economic policy and institutional credibility, it provides valuable insights for those seeking to understand the complexity of modern governance.

Governance, Institutions, and the Challenge of Populism

The Economic Credibility of the State

New York Times Notable Book“A smart, crackling chronicle of fast game, the ’80s art market, [and] the attraction of destruction.”— Village Voice&nbsp;A bold and vivid biography that chronicles the dazzling rise and tragic death of Neo-expressionist artist Jean-Michel Basquiat.In less than a decade, Jean-Michel Basquiat went from being a teenage graffiti artist to an international art star. His meteoric rise to fame coincided with the outrageous excess of the heady ’80s art boom. A fixture of the downtown scene, with its explosive mix of music, fashion, art, and drugs, he soon became involved with some of its most celebrated personalities, including Keith Haring, Andy Warhol, and Madonna.&nbsp;Basquiat fulfilled that cynical aphorism: Die young and leave a beautiful corpse. But Basquiat did more than that: he left a beautiful corpus. With each passing year, the remarkable energy, perspicacity and originality of his work increases in power.&nbsp;In a world where Black Lives Matter and the imperative need for diversity are among the driving forces of our time, Basquiat’s success in the 1980s white art world, and his ongoing universal celebrity, have made him a significant role model for generation of artists to come.&nbsp;From the rise and fall of the graffiti movement, to the East Village art scene, to the art dealers and out-of-control auction houses, Basquiat: A Quick Killing in Art, the definitive biography of the young painter, is a vivid portrait of both the artist and his time.&nbsp;Basquiat: A Quick Killing in Art includes 12-14 photographs.

New York Times Notable Book“A smart, crackling chronicle of fast game, the ’80s art market, [and] the attraction of destruction.”— Village Voice&nbsp;A bold and vivid biography that chronicles the dazzling rise and tragic death of Neo-expressionist artist Jean-Michel Basquiat.In less than a decade, Jean-Michel Basquiat went from being a teenage graffiti artist to an international art star. His meteoric rise to fame coincided with the outrageous excess of the heady ’80s art boom. A fixture of the downtown scene, with its explosive mix of music, fashion, art, and drugs, he soon became involved with some of its most celebrated personalities, including Keith Haring, Andy Warhol, and Madonna.&nbsp;Basquiat fulfilled that cynical aphorism: Die young and leave a beautiful corpse. But Basquiat did more than that: he left a beautiful corpus. With each passing year, the remarkable energy, perspicacity and originality of his work increases in power.&nbsp;In a world where Black Lives Matter and the imperative need for diversity are among the driving forces of our time, Basquiat’s success in the 1980s white art world, and his ongoing universal celebrity, have made him a significant role model for generation of artists to come.&nbsp;From the rise and fall of the graffiti movement, to the East Village art scene, to the art dealers and out-of-control auction houses, Basquiat: A Quick Killing in Art, the definitive biography of the young painter, is a vivid portrait of both the artist and his time.&nbsp;Basquiat: A Quick Killing in Art includes 12-14 photographs.

A Quick Killing in Art

Basquiat

Christopher Isherwood Inside Out

As the Sun sets on the age of virtue, the shadows gather for a final dance... The Mathuran Republic and Magadhan Empire are locked in mortal struggle, but they are not the only pieces on the board. Over the Eastern horizon, storm clouds gather. The Rakshasan Tree Cities have opened their borders for the first time in centuries, gathering kings, clerics, matriarchs and merchant lords to a Conclave of Peace... all the better to carve up the future without having to worry about either Empire or Republic. After all, a season of peace is the time to plant anew the seeds of war. But in this world drenched in oil, three women emerge, each the spark that might light the fire. A Pirate Queen discovers the only gold around is in the bars of her cage. A Temple Courtesan's heart dances for the lowborn archer she was tasked to destroy. A Librarian Princess steals from deathless witches and legendary thieves to save the world from an ancient plague. As smouldering conflicts reignite, intimate betrayals unwind and ancient evils awake, our cast of spoilt heroes and lovesick princes, immortal assassins and their apprentices, deaf swordswomen and exiled snakelings will find no sun to light their path. For the Son of Darkness rises, boiling over with a wrath that all the oracles in the world cannot appease. Seeing the future is one thing, changing it is quite another... Unless it is through a heist.

Dance of Shadows

'"I liked the Jewish jokes," she says. "Oh, it's OK", I say. "I'm allowed to make them." Her eyes light up. And so it all begins.' When Max meets Eliana, a dazzling modern Orthodox Jewish girl, in a bar in Edinburgh one night, he never expected it to kickstart an agonising identity crisis. While their connection is instant and deep, Max discovers a devastating truth: that despite his upbringing, to millions around the world, including the girl he's fallen for, he is deemed non-Jewish. Determined to build a future with her, comedian and writer (and uncircumcised liberal Jew) Max Olesker embarks on one of the world's most demanding religious conversion processes. He attempts to navigate the dizzying complexities of Jewish law, the challenges of maintaining a relationship without physical contact, and the looming prospect of a date with a scalpel. From moving into the home of an Orthodox family for eight months to enduring gruelling interrogations by a high court of Rabbis, Max's journey is a rollercoaster of humour, heartbreak, and self-discovery. A hilarious and moving true account of one man's quest to marry the love of his life, Making the Cut will make you laugh, cry, and believe in the transformative power of love.

An Unorthodox Love Story

Making the Cut

The language of the far right is now in the mouths of our mainstream political leaders, from Labour to the Conservatives. In 2025 we saw the biggest far-right march in Britain's history, after a summer of flag-waving protest. The year before, racist mobs tried to attack mosques and hotels housing asylum seekers. Something incredibly dangerous has been unleashed and yet our political class seems at best indifferent and at worst to welcome it. In this short, urgent and brilliantly illuminating book, Daniel Trilling explains how we arrived at this extraordinary moment and what we can do to change course before it's too late. Praise for Daniel Trilling: 'Racism and the rise of the far right in Britain are often discussed but rarely understood. Daniel Trilling is an exception . . . his voice must be heard' - Owen Jones, author of Chavs: The Demonization of the Working Class 'Combining forensic enquiry with moral passion, Daniel Trilling has emerged as one of our most intrepid and resourceful reporters' - Pankaj Mishra, Windham-Campbell Prize-winning author of The World After Gaza

How the British establishment made the far right respectable

If We Tolerate This

To paraphrase Sir Winston Churchill, never has so much pornography been available to so many people for so little. This is the story of how the online adult industry has plummeted from its lofty heights of the late 1990s, when a savvy Web entrepreneur could charge premium prices to thousands of eager subscribers. It is also the story of how the law has completely failed to keep pace with the technological innovations that boosted and then savaged the online adult industry. It concludes by analysing the social impact of virtually unlimited pornography of every description, available to all ages at the click of a button. Useful reading for the general reader and for students and researchers involved with business strategy, the history of technology, cultural studies, sexuality, media studies and technology more generally.

Traditionally, the presence of pornography in American society has been mediated by two primary factors: legal restrictions and the relatively high cost of the product. The degree of legal restrictions on adult material has varied from era to era and community to community, but the porn premium has remained relatively constant. Given this, these should be heady days for adult business owners. Thanks to the Internet, distribution costs are virtually nil and even the most hardcore content is easily accessible in the smallest coastal hamlet and most rural farmhouse in America. Adult industry balance sheets should be bulging with profit. But in reality, far from it. The World Wide Web has completely eradicated both the legal restrictions and premium cost that used to govern adult industry economics. To paraphrase Sir Winston Churchill, never has so much pornography been available to so many people for so little. This is the story of how the online adult industry has plummeted from its lofty heights of the late 1990s, when a savvy Web entrepreneur could charge thousands of eager subscribers premium prices. It is also the story of how the law has completely failed to keep pace with the technological innovations that boosted and then savaged the online adult industry. It concludes with a detailed analysis of the social impact of virtually unlimited pornography of every description, available to all ages at the click of a button.Accessible to the general reader, this book will appeal to those who want to know more about the adult entertainment industry in America and will prove useful reading for students and researchers involved with a wide variety of academic disciplines including business strategy, the history of technology, cultural studies, sexuality, media studies and technology more generally.

The Pornography Business

Mini Rough Guides

Rough Guides Mini Slovenia: Travel Guide with eBook

I freed myself from your father, I thought this would be a new life for me and now it's starting all over, everything's starting all over again. The blazing new book from once-in-a-generation writer Édouard Louis, as he helps his mother escape from an abusive partner SELECTED AS A BOOK TO READ FOR 2026 BY THE FINANCIAL TIMES AND NEW STATESMAN One evening, during a writers' residency in Athens, Édouard receives a tearful phone call from his mother, Monique. She tells him that the man she lives with in Paris is abusive, inflicting upon her the same drunken behaviour as Édouard's father, repeating the same cycles of violence, shame and humiliation she fled from before. Step by step, they plan her escape, celebrating each small victory of Monique's new beginning. But how do you rebuild your life when you've never truly known freedom? Monique Escapes is an intimate and gripping portrait of a mother fighting for her self-determination, and of the son who becomes her ally. It is a story of reinvention, the price of liberty and the remaking of the relationship between a mother and a son who, despite the weight of their shared history, manage to find each other again. Translated by John Lambert 'One of the most important, politically vital and morally bracing writers of his generation' GUARDIAN 'I feel so lucky to be living and writing at the same time as Édouard Louis' MAGGIE NELSON 'One of the major writers of our time' GARTH GREENWELL

Monique Escapes

Israelophobia

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