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Juan José Rodríguez

Insolvencia empresarial, derecho concursal y pandemia

Four starred reviews! Based on the true story of the author’s great-grandmother, this “affectingly gentle” (Kirkus Reviews, starred review) picture book about surviving the Armenian Genocide sparkles with hope and heart even amid unspeakable tragedy—perfect for readers of The Proudest Blue and Yuyi Morales’s Dreamers. Rose is what my parents call me: Dzovinar, their rose by the sea. Dzovinar (“zill-ven-ar”) lives with her family in Armenia, where the hillside is dotted with sheep and the apricot trees bloom every spring. She loves her home—but one day, soldiers storm her village, and she returns to an empty house. Their parents gone, Dzovinar and her sister are forced to flee. Afraid and alone, they journey across the desert, then over the ocean: first to France and then to America, where they hope a new future will bloom. Changed but not lost, Dzovinar takes root in a new land…forever a rose by the sea.

An Armenian Journey of Courage and Hope

Rose by the Sea

Alpe Adria e dintorni, itinerari mediterranei

L'immagine un tempo radiosa delle regioni mediterranee si è visibilmente offuscata negli ultimi decenni a causa dei drastici effetti prodotti dal cambiamento climatico, dal riscaldamento globale e dalla siccità, a cui si affiancano emergenze economiche e sanitarie. In questa ottica, non sorprende come la natura minacciata dall'uomo sia stata e sia tuttora al centro di numerose rappresentazioni mediatiche ed estetiche dell'area mediterranea. In differenti forme di espressione artistica, tra film e opere d'arte e tra manifestazioni letterarie ed installazioni di varia natura, si riflette sulla dislocazione ecologica, se ne descrivono gli effetti passati e presenti e si ipotizzano conseguenze allarmanti per il futuro. Da ciò deriva una serie di quesiti di varia natura e portata quali il potenziale conflitto tra l'epistemologia tradizionale del Mediterraneo e i nuovi temi legati all'ambiente (con lo sfruttamento della natura e degli esseri umani) e la ricerca di possibili vie d'uscita dall'attuale crisi. Al centro dei quattordici saggi del volume - che si muovono nel solco dell'ecocritica attuale e dei più recenti studi mediterranei - si situano le diverse rappresentazioni estetiche dei fragili ecosistemi mediterranei.

L’immagine un tempo radiosa delle regioni mediterranee si è visibilmente offuscata negli ultimi decenni a causa dei drastici effetti prodotti dal cambiamento climatico, dal riscaldamento globale e dalla siccità, a cui si affiancano emergenze economiche e sanitarie. In questa ottica, non sorprende come la natura minacciata dall'uomo sia stata e sia tuttora al centro di numerose rappresentazioni mediatiche ed estetiche dell’area mediterranea. In differenti forme di espressione artistica, tra film e opere d’arte e tra manifestazioni letterarie ed installazioni di varia natura, si riflette sulla dislocazione ecologica, se ne descrivono gli effetti passati e presenti e si ipotizzano conseguenze allarmanti per il futuro. Da ciò deriva una serie di quesiti di varia natura e portata quali il potenziale conflitto tra l’epistemologia tradizionale del Mediterraneo e i nuovi temi legati all'ambiente (con lo sfruttamento della natura e degli esseri umani) e la ricerca di possibili vie d’uscita dall’attuale crisi. Al centro dei quattordici saggi del volume – che si muovono nel solco dell’ecocritica attuale e dei più recenti studi mediterranei – si situano le diverse rappresentazioni estetiche dei fragili ecosistemi mediterranei.

Per un’ecocritica del Mediterraneo

Fragili idilli

'Deeply moving and necessary'ANNE ENRIGHT'A must-read'iPAPER'Remarkable ... affecting'NEW STATESMAN'Original and heart-warming' LINDSEY HILSUMFrom the Orwell Prize-winning author of My Fourth Time, We Drownedcomes a powerful account of human resilience, capturing our capacity for love and connection against all odds.We live in an era defined by crisis - whether it be war and displacement, or climate collapse and rapidly widening inequality. Acclaimed international correspondent Sally Hayden has spent her career covering some of the darkest moments of our time, and yet even in the face of unimaginable adversity, she's witnessed the love and care of everyday people.Hayden introduces us to a couple separated by the Russian invasion of Ukraine and a mother in northeast Nigeria who risks everything to save her daughter from forced marriage to Boko Haram militants. We meet a group of Syrian women searching tirelessly for their missing spouses and children, while launching a call for justice, and learn about letters from the bereaved to the dead, still being written over a decade after the tsunami that devastated Japan.In stories that crisscross the globe, from Uganda to Lebanon, Rwanda to Iraq, Hayden asks us: what if news was recounted through the actions people take for those they love? Would it become harder to dehumanise those who seem different to us? This is Also a Love Story dares us to recognise how love can be found in even the most difficult of times, and to question what might be needed to create a better world.'Moving ... Hayden is an excellent journalist'SUNDAY TIMES'Beautiful, painful and in many ways restorative ... I recommend it highly'MARIAN KEYES, author of My Favourite Mistake'Remarkable ... the perfect antidote to our times'CHRISTINA LAMB, author Our Bodies, Their Battlefields'A beautiful meditation on love ... [Hayden] is our most vital journalist'IRISH TIMES'Shows us that in the midst of war, around the most acute suffering, there is also tremendous heroism' NATHAN THRALL, author of A Day in the Life of Abed Salama'A reporter of the first order ... A searching, deeply moving work' JONATHAN BLITZER, author of Everyone Who Is Gone Is Here'Hayden uncovers miracles. She may be one herself' ALEX PERRY, author of Blood Will Flow

Searching for Good in a Divided World

This is Also a Love Story

SHORTLISTED FOR THE SCOTLAND'S NATIONAL BOOK AWARD FOR DEBUT FICTION FINALIST FOR THE LOS ANGELES TIMES BOOK PRIZE FOR FIRST FICTION 'Ambitious, wildly original ... it will trick and tease you to the bitter end.' THE TIMES 'Singular and potent ... Unsettling and sharply funny with carefully built-up layers of dis-ease in a comic deadpan.' GUARDIAN 'A masterclass in misdirection.' FINANCIAL TIMES 'Unsettling, puckish, and brilliantly written, this novel is an absolute one-off.' CLAIRE FULLER, Women's Prize shortlisted author of Unsettled Ground 'Magical, perplexing, and funny in a wholly original way.' RACHEL YODER, author of Nightbitch 'A remarkable, preternatural study of a family reckoning with its own history.' THE TELEGRAPH 'An acid trip of a novel. Weird, sinister and darkly funny.' AMY TWIGG, author of Spoilt Creatures 'An unforgettable narrative voice.' FRANCINE TOON, bestselling author of Pine As always with these things, it started with a birthday party. On a bright summer day in 1989 New England, Abi, three years old, vanishes from her aunt's secluded home. Upstairs, her young cousins are looking out of the window. Something is unfolding in the distance at the edge of the forest - something sinister that is watching them back. The adults don't seem to notice that the youngest of the group has disappeared. Too busy bickering over politics and reminiscing about the family's domineering late matriarch, Beezy, they leave the children with no choice but to get Abi back themselves. As the cousins embark on a quest through their grandmother's sprawling estate, buried family secrets come to light and long-awaited plans are set in motion. Will they lose themselves while trying to find her? Idle Grounds is a chilling, evocative and darkly comic debut about childhood, legacy, and the burdens and privileges we carry with us.

Idle Grounds

Universitäre Bildung seit Corona

Bedrohte Freiheit

Lina and her father arrive at an enclave called The Sea, a staging post between migrations, with only a few possessions. In this mysterious and shape-shifting place, a building made of time, pasts and futures collide. Lina befriends her neighbors: Bento, a Jewish scholar in seventeenth-century Amsterdam; Blucher, a philosopher in 1930s Germany fleeing Nazi persecution; and Jupiter, a poet of Tang Dynasty China.Memory, political revolution, generational change, and the ethical imagination are at the heart of Lina's illuminating conversations with her fellows in the Sea: how we come to believe what we believe, and how every person is an irreplaceable, unique vessel of history. Through the guidance of these great thinkers, Lina equips herself to reckon with difficult questions of guilt, responsibility, and the possibility of redemption when her ailing father begins to reveal his role in their family's tragic past.As Lina confronts her father's troubling admissions, she begins to reconceptualize the world around her, gaining a deeper understanding of how our individual futures are shaped by our political circumstances, and she relies on the collective joy of art and intellectual endeavors to carry her through difficulty. A novel that voyages between centuries, generations, and ideas, The Book of Records is an indelible testament to the migratory nature of humanity and our ceaseless search for a home-in the physical world, in cyberspace, in history, and in the imagination-in the wake of catastrophe.

A Novel

The Book of Records

TRANSitions / Transdisciplinary, Transmedial and Transnational Cultural Studies / Transdisziplinäre, transmediale und transnationale Studien zur Kultu

This volume is a collection of studies on the experience of being ill as represented in a diverse range of literary and film works, offered by Polish scholars with an interest in the combination of medical, cultural and social contexts (disease, illness, sickness). The focus is on narrative strategies that condition the idiomatic styles of writing (about) disease. The analyses also cover extra-individual codes for expressing the experience of illness, arising from cultural orders or literary genres. The contributors examine cultural representations of melancholy, depression, Parkinson's disease and other boundary situations (e.g., mourning or COVID-19 pandemic). With its diversity of study approaches, the book inscribes itself in the widely defined Polish maladic discourse criticism.

Being Ill: Idioms, Registers and Styles

***THE INSTANT NEW YORK TIMES BESTSELLER*** Winner of the PEN/John Kenneth Galbraith Award for Nonfiction In Peter Beinart's view, one story dominates Jewish communal life: that of persecution and victimhood. It is a story that erases much of the nuance of Jewish religious tradition and warps our understanding of Israel and Palestine. After Gaza, where Jewish texts, history and language have been deployed to justify mass slaughter and starvation, Beinart argues, Jews must tell a new story. After this war, whose horror will echo for generations, they must do nothing less than offer a new answer to the question: What does it mean to be a Jew? Beinart imagines an alternate narrative, which would draw on other nations' efforts at moral reconstruction and a different reading of Jewish tradition. A story in which Israeli Jews have the right to equality, not supremacy, and in which Jewish and Palestinian safety are not mutually exclusive but intertwined. One that recognizes the danger of venerating states at the expense of human life. Being Jewish After the Destruction of Gaza is a provocative argument that will expand and inform one of the defining conversations of our time. It is a book that only Peter Beinart could write: a passionate yet measured work that brings together his personal experience, his commanding grasp of history, his keen understanding of political and moral dilemmas, and a clear vision for the future.

Being Jewish After the Destruction of Gaza

His Eyes

He was the second choice. The quiet one. The one I wasn’t supposed to touch. Until I did—and couldn’t stop.Er war alles, was ich anfassen wollte, aber jetzt hast du mich berührt.Er hat mich verlassen, aber du bist geblieben.Ich habe ewig auf ihn gewartet, aber du warst immer da.Ich wollte dich nicht berühren. Ich durfte dich nicht berühren. Aber du hast mir keine Wahl gelassen. Du hast mein zerbrochenes Herz wieder zusammengesetzt, obwohl deines so vernarbt ist.Du kannst mich befreien. Du kannst mich erlösen. Du kannst mich retten. Du kannst mir zeigen, wer ich wirklich bin.Mit deinen grünen Augen.Einst ein Junkie, von der ganzen Menschheit missbraucht und in Einzelteile zerfetzt. Das ist Maxim Petrowkin. Er hat schon lange die Hoffnung auf Heilung verloren. Bis er Kyrill Romano traf – seine persönliche Sonne. Eine so reine Seele, die er nicht beschmutzen durfte. Er weiß, ein Schuss von ihm könnte ihn erlösen. Aber er würde Kyrill auch kaputtmachen. Er hat sich ferngehalten. Jetzt kann er nicht mehr. Er will nicht. Denn er will frei sein. Von der Droge namens Schmerz.

+++ Aufwendig gestaltete Ausgabe mit Farbschnitt +++LIMITIERTE AUFLAGE! Das Overlay ist nur in der ersten Auflage enthalten.Eine intensive M/M Dark Romance über Sucht, tiefe seelische Verletzungen und eine Liebe, die selbst ein zerbrochenes Herz wieder zusammensetzen kann.Maxim Petrowkin hat Missbrauch, Abhängigkeit und Selbstzerstörung überlebt – doch die Hoffnung auf Heilung längst verloren. Bis Kyrill Romano in sein Leben tritt: seine persönliche Sonne und der eine Mann, den er niemals mit seiner Dunkelheit belasten wollte.Während Kyrill noch an einer verlorenen Liebe festhält, ist Maxim derjenige, der geblieben ist. Doch als verdrängte Gefühle und unausgesprochene Sehnsucht sie immer näher zusammenführen, müssen beide entscheiden, ob ihre Liebe stärker sein kann als Schmerz, Schuld und Vergangenheit.Der hochemotionale Abschluss der „His Eyes“ Dilogie – eine düstere M/M Slow-Burn-Romance über Sucht, Erlösung und zwei verletzte Männer, die einander Halt geben.

Mit wunderschönem Farbschnitt

His Green Eyes

Part life philosophy, part financial clarity, and part real-world wisdom from a hugely popular estate planning attorney who has seen what happens when families plan and when they don't. I'm Sorry I'm Dead helps readers confront the reality of life's end, not in a morbid way, but in a deeply empowering one. Estate planning attorney, entrepreneur, and best-selling author Pamela Maass Garrett aka Law Mother has helped thousands of families navigate what happens when someone dies. She has seen firsthand that the biggest problems families face are rarely legal: they are emotional, relational, and the result of decisions never made . . . siblings that stop speaking over a dispute about their parent's home, a grieving widow locked out of bank accounts because she didn't know how to get access, and families forced to guess about critical medical decisions. All of these problems can be easily avoided. In this book, Garrett introduces a powerful mindset shift: when you face the end of life honestly, you begin living more intentionally today. Through compelling stories from real families, practical financial insights, and simple decision-making frameworks, readers learn how to take control of their lives before circumstances take control of them. The book guides readers through the most important life decisions most people avoid: · how to organize finances and build real wealth · how to protect loved ones legally and emotionally · how to make difficult family decisions before crisis strikes · how to prevent conflict, confusion, and regret after death · how to create a legacy that strengthens future generations rather than unintentionally burdening them with a huge tax bill · what you really can and can't do Rather than overwhelming readers with technical legal details, I'm Sorry I'm Dead offers a clear philosophy and practical tools for making the decisions that matter most. The result is a life lived with greater clarity, stronger relationships, and the peace of knowing the people you love will be protected. This book is for anyone who wants to stop drifting through life and start deciding it.

Estate Planning for Peace of Mind, Protection and a Life Well Lived

I’m Sorry I’m Dead . . . Now What?

Pandemics, Power, and Parliaments

Asia in Times of Crisis

Kulturen der Gesellschaft

Welche gesellschaftlichen Auswirkungen hatte die Covid-19-Pandemie? Die Beiträger*innen aus Gesundheits-, Politik- und Medienwissenschaft sowie Soziologie und Pädagogik betrachten die Ausnahmesituation aus interdisziplinärer Perspektive und zeichnen ein facettenreiches Bild. Covid-19 erweist sich dabei nicht nur als Katalysator bestehender Krisendynamiken, sondern auch als Beleg für die Multidimensionalität gesellschaftlicher Krisen. Besonders im Fokus steht die krisenhafte Nähe heterogener Gesellschaftsbereiche, die einen fundierten Einblick in die Transversalität und Interdependenz zeitgenössischer Krisen zulässt - auch über den akademischen Tellerrand hinaus.

Welche gesellschaftlichen Auswirkungen hatte die Covid-19-Pandemie? Die Beiträger*innen aus Gesundheits-, Politik- und Medienwissenschaft sowie Soziologie und Pädagogik betrachten die Ausnahmesituation aus interdisziplinärer Perspektive und zeichnen ein facettenreiches Bild. Covid-19 erweist sich dabei nicht nur als Katalysator bestehender Krisendynamiken, sondern auch als Beleg für die Multidimensionalität gesellschaftlicher Krisen. Besonders im Fokus steht die krisenhafte Nähe heterogener Gesellschaftsbereiche, die einen fundierten Einblick in die Transversalität und Interdependenz zeitgenössischer Krisen zulässt – auch über den akademischen Tellerrand hinaus.

Rückblick und Konsequenzen für die Post-Covid-Gesellschaft

Pandemie als transversale Krise

Insolvencia empresarial, derecho concursal y pandemia

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