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'It's the screaming that cuts you deepest, on your first night in prison. Screaming like someone is hurt. Like they need help. Like someone is dying.'

Becker B: Inside / LF

Inside

How I Made — and Lost — a Million Dollars

Generation Desperation

Routledge Studies in Crime and Society

Shifting Paradigms in Collective Violence explores the shortcomings of the individualistic and collectivist models of collective violence, and proposes a groundbreaking hybridization model. This model seeks to bridge the gap between the rival schools of thought, and offers a framework for comparing the effectiveness of different strategies for prosecuting large-scale crimes.

Shifting Paradigms in Collective Violence explores the shortcomings of the individualistic and collectivist models of collective violence, and proposes a groundbreaking hybridization model. This model seeks to bridge the gap between the rival schools of thought, and offers a framework for comparing the effectiveness of different strategies for prosecuting large-scale crimes.

From Individualism to Hybridization

Shifting Paradigms in Collective Violence

A Jewish Story of Survival in 1940s France

Ninette's War

Monique Escapes

We Are Each Other

Society disables us more than autism ever could

A Memoir and Manifesto About Autism

Danny's People

This book offers a review and analysis of contemporary forensic investigation, written for students, from the perspective of the practitioner, focusing on the core functions of forensic investigation and the impact of change in the forensic context.

This book offers a review and analysis of contemporary forensic investigation, written for students, from the perspective of the practitioner, focusing on the core functions of forensic investigation and the impact of change in the forensic context.

Contemporary Forensic Investigation

Rough Edges

A quietly powerful exploration of memory and forgetting, from one of France’s leading feminist public intellectuals &nbsp; In 2021, the award-winning French writer Lola Lafon was granted permission to stay overnight—alone for ten hours—in the Annex in Amsterdam where Anne Frank and her family had hidden from the Nazis between 1942 and 1944. Lafon’s visit to this space, where Anne Frank wrote her famous diary, evoked the confinement and constant danger suffered by the Franks, and the family’s ghostly presence as well. “The night was inhabited, lit by reflections,” Lafon writes. “Some urgency dwelled at the heart of the Annex, crouched there, ready to be discovered.” &nbsp; Lafon introduces a new vision of Anne Frank, not as a venerated and exploited myth but as the precocious, ambitious, and beloved girl she was, as well as a disciplined writer whose well-loved diary is in fact a carefully constructed literary work. Throughout, Lafon reflects on what it means to lose loved ones, both Lafon’s own family in the Holocaust and her childhood friend to the Khmer Rouge. A prize-winner and best-seller in France, this book asks us to consider the stories we tell ourselves about tragedy, how we grapple with loss, and why, in the face of danger and confinement, women write. Winner of France’s Grand prix des lectrices ELLE 2023, the Prix Décembre 2022, and the Prix Les Inrockuptibles 2022

On Memory, Loss, and Writing

When You Listen to This Song

What Humans and 81 Other Species Expect When They're Expecting

40 Weeks

From the International Man Booker Prize-winning author of Can't and Won't and The End of the Story - a crystalline collection of literary essays for fans of Susan Sontag and Joan Didion 'Among my most favourite writers. Read her now!' A. M. Homes The visionary, fearless Lydia Davis presents a dazzling collection of essays on reading and writing, exploring the full scope of possibility within existing forms of literature and considering how we might challenge and reinvent these forms. Through Thomas Pynchon, Michel Leiris, Maurice Blanchot, Lucia Berlin, Joan Mitchell and others, he author considers her many creative influences. And, through these lenses, she returns to her own writing process, her relationship to language and the written word. Beautifully formed, thought-provoking, playful and illuminating, these pieces are a masterclass in reading and writing.

From the International Man Booker Prize-winning author of Can't and Won't and The End of the Story - a crystalline collection of literary essays for fans of Susan Sontag and Joan Didion 'Among my most favourite writers. Read her now!' A. M. Homes The visionary, fearless Lydia Davis presents a dazzling collection of essays on reading and writing, exploring the full scope of possibility within existing forms of literature and considering how we might challenge and reinvent these forms. Through Thomas Pynchon, Michel Leiris, Maurice Blanchot, Lucia Berlin, Joan Mitchell and others, he author considers her many creative influences. And, through these lenses, she returns to her own writing process, her relationship to language and the written word. Beautifully formed, thought-provoking, playful and illuminating, these pieces are a masterclass in reading and writing.

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