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J.B. Metzler Humanities (German Language)

Sebastian Speth

Eric Achermann

Peter Oestmann

In dubio - Zweifel vor Gericht im Pitaval

&lt;p&gt;1. In dubio pro dubio: Einleitende Bemerkungen zum Zweifel in Pitavalgeschichten aus der Perspektive von Recht und Literatur.- 2. Recht und Literatur im Wettstreit. Das Parlement de Paris als Hort beredter Billigkeit.- 3. Justizaff&amp;auml;ren im Raum der &amp;Ouml;ffentlichkeit. Die Causes c&amp;eacute;l&amp;egrave;bres im Kontext literarischer und publizistischer Diskurse im Frankreich des 18. Jahrhunderts.- 4. Martin Guerre: zur anhaltenden Faszination einer Betrugsgeschichte.- 5. Le faux Martin Guerre &amp;ndash; Zweifel an der Identit&amp;auml;t der Person.- 6. Betrug, Standesanma&amp;szlig;ung, Bigamie &amp;ndash; und Konversionspolitik Anmerkungen zu Peter Mege giebt sich f&amp;uuml;r den Herrn von Caille aus (Pitaval II,1).- 7. Zweifel versus Unschl&amp;uuml;ssigkeit. Peter Mege giebt sich f&amp;uuml;r den Herrn von Caille aus.- 8. Prozessf&amp;uuml;hrung im Wandel der &amp;Ouml;ffentlichkeiten: Pitavals Darstellung des Abstammungsprozesses der Familie de la Guiche.- 9. Eine zweifelhafte Identit&amp;auml;t: Orte des Zweifels in der Geschichte Enfant reclam&amp;eacute; par deux m&amp;egrave;res, ou la c&amp;eacute;l&amp;egrave;bre cause de Saint Geran &amp;ndash; Die Rechtssache S. Geran .- 10. Der Pitaval als rechtshistorische Entt&amp;auml;uschung: Offene Fragen in der Pivardiere-Geschichte.- 11. Histoire de la Pivardiere Stadien ihrer Textualisierung &amp;ndash; vor, nach und bei Gayot de Pitaval.- 12. Ein au&amp;szlig;ergew&amp;ouml;hnlicher Zivilprozess in der Fallsammlung des Advokaten Gayot de Pitaval: Cause de Dieu. Oder: Die Morgenr&amp;ouml;te der Gerechtigkeit.- 13. Das Individuum vor Gericht: Pitavals Handelsvertrag mit Gott als mehrfachsemantisierte Fallgeschichte.- 14. Eine juristische Lekt&amp;uuml;re von Pitavals Mariage declar&amp;eacute; abusif.- 15. Zweifel qua Ger&amp;uuml;cht und Widerspruch. &amp;Uuml;bertragungs- und Argumentationsprobleme in der Pitavalgeschichte: Die nach dem Tode der Frau f&amp;uuml;r nichtig erkl&amp;auml;rte Ehe.- 16. Der Fall der Marquise von Brinvilliers und die Frage nach der strafprozessualen Verwertbarkeit ihrer Beichte.- 17. T&amp;auml;uschung, Perversion, Komplott und Reue. Erz&amp;auml;hlerische Plausibilisierungen zweifelhafter Momente des Falls Brinvilliers in den causes c&amp;eacute;l&amp;egrave;bres von Gayot de Pitaval (1734) bis Fouquier (1861).- 18. Eine t&amp;ouml;dliche Folter &amp;ndash; zur Pitavalgeschichte des unschuldig Verurteilten Jacques Le Brun.- 19. Vor-Urteile: Zur Funktion des Zweifels im Fall Le Brun (alter Pitaval).- 20. Das Spannungsfeld zwischen dem &amp;bdquo;&amp;ouml;ffentlichen Geschrei&amp;ldquo; und dem richterlichen Ermessen: Pitavals Darstellung des Falles der Marquise von Ganges (1667).- 21. Genese einer Fallgeschichte: Pitavals Marquise de Gange.- 22. Urbain Grandier und die Nonnen von Loudun (Pitaval II,2): Eine rechtshistorische Lekt&amp;uuml;re.- 23. Im Bann des Zweifels. Der &amp;sbquo;Fall&amp;lsquo; Urbain Grandier als Lehrst&amp;uuml;ck dubioser Rechtlichkeit.- 24. Von pflichtvergessenen, unwissenden und vollkommenen Richtern: Pitavals gestrafte Richter von Mantes.- 25. Affektbetontes Erz&amp;auml;hlen. Schrecken und Mitleid in Pitavals Rechtsfalldarstellung der gestraften Richter.&lt;/p&gt;

NATIONAL BESTSELLER • LONGLISTED FOR THE BOOKER PRIZE • NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE • NAMED ONE OF THE MOST ANTICIPATED BOOKS OF FALL BY: The New York Times, Associated Press, Goodreads, NPR, Harper’s Bazaar, Los Angeles Times, and more A mesmerizing portrait of an aging man’s last pilgrimage, from the award-winning author of The Girls and The Guest. “Piercing and suspenseful.”—The Wall Street Journal “Bold . . . arresting . . . stylistically adventurous.”—The Boston Globe “Profoundly moving.”—The Guardian A private plane cuts through the winter night, somewhere over Greenland. David, a retired executive, sits back in his leather seat, playing solitaire on his phone. Click. Click. Drag. Click. The notebook in his jacket pocket is filled with familiar phrases, urgent reminders to himself, but he struggles to recognize his own handwriting. A mystery, among many mysteries. The world, once so knowable, has been rendered inscrutable. This is what David knows: Cody, his assistant, asleep in the seat next to him, will shepherd him along the voyage. A stopover in London. Dinner with his adult daughter. A meeting in France with an old friend, estranged for decades. His final destination is Zurich. David glides through hotel rooms and airports and foreign cities, running out the clock on his mortal life. His grasp on the present slips away, and the past rushes in: the Sunday roasts of childhood. The stiff clothes meant only for church. A summer at a school friend’s house. The losses and missteps that punctuate a life. As David’s arrival in Zurich looms, an exquisitely rendered portrait of an unraveling mind emerges, both darkly humorous and profoundly moving. Hypnotic and startlingly original, Switzy probes the depths of human consciousness, revealing what a man is left with when the accomplishments and compromises that have defined him, and the illusions he's relied on, vanish.

NATIONAL BESTSELLER • LONGLISTED FOR THE BOOKER PRIZE • NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE • NAMED ONE OF THE MOST ANTICIPATED BOOKS OF FALL BY: The New York Times, Associated Press, Goodreads, NPR, Harper’s Bazaar, Los Angeles Times, and more A mesmerizing portrait of an aging man’s last pilgrimage, from the award-winning author of The Girls and The Guest. “Piercing and suspenseful.”—The Wall Street Journal “Bold . . . arresting . . . stylistically adventurous.”—The Boston Globe “Profoundly moving.”—The Guardian A private plane cuts through the winter night, somewhere over Greenland. David, a retired executive, sits back in his leather seat, playing solitaire on his phone. Click. Click. Drag. Click. The notebook in his jacket pocket is filled with familiar phrases, urgent reminders to himself, but he struggles to recognize his own handwriting. A mystery, among many mysteries. The world, once so knowable, has been rendered inscrutable. This is what David knows: Cody, his assistant, asleep in the seat next to him, will shepherd him along the voyage. A stopover in London. Dinner with his adult daughter. A meeting in France with an old friend, estranged for decades. His final destination is Zurich. David glides through hotel rooms and airports and foreign cities, running out the clock on his mortal life. His grasp on the present slips away, and the past rushes in: the Sunday roasts of childhood. The stiff clothes meant only for church. A summer at a school friend’s house. The losses and missteps that punctuate a life. As David’s arrival in Zurich looms, an exquisitely rendered portrait of an unraveling mind emerges, both darkly humorous and profoundly moving. Hypnotic and startlingly original, Switzy probes the depths of human consciousness, revealing what a man is left with when the accomplishments and compromises that have defined him, and the illusions he's relied on, vanish.

A Novel

Switzy

Jane Austen's charming, witty and deeply relatable story of love and sisterhood, now an irresistible new feature film starring Daisy Edgar-Jones and Esmé Creed-Miles"The more I know of the world, the more am I convinced that I shall never see a man whom I can really love. I require so much!"Marianne Dashwood wears her heart on her sleeve, and when she falls in love with the dashing but unsuitable John Willoughby she ignores her sister Elinor's warning that her impulsive behaviour leaves her open to gossip and innuendo. Meanwhile Elinor, always sensitive to social convention, is struggling to conceal her own romantic disappointment, even from those closest to her. Through their parallel experience of love - and its threatened loss - the sisters learn that sense must mix with sensibility if they are to find personal happiness in a society where status and money govern the rules of love.

film tie-in

Sense and Sensibility

An intimate exploration of the life, craft, and legacy of one of the most revered and influential writers, an artist who continues to inspire fans and creatives to cultivate practices of deep attention, rigorous interrogation and beautiful style.Joan Didion was a writer's writer; not only a groundbreaking journalist, essayist, novelist and screenwriter, but a keen observer who honed her sights on life's telling details. Her insights continue to influence creatives and admirers, encouraging them to become close observers of the world, unsentimental critics, and meticulous stylists.An antidote to a global view that narrows our vision to the smallest screens, The World According To Joan Didion is a meditation on the people, places, and objects that propelled Didion's prose and an invitation to journalists, storytellers, and life adventurers to "throw themselves into the convulsions of the world," as she once said.Evelyn McDonnell, the acclaimed journalist, essayist, critic, feminist, native Californian, and university professor who regularly teaches Didion's work, is attuned to interpret Didion's vision for readers today. Inspired by Didion's own words-from her works both published and unpublished-and informed by the people who knew Didion and those whose lives she shaped, The World According to Joan Didion is an illustrated journey through her life, tracing the path she carved from Sacramento, Portuguese Bend, Los Angeles, and Malibu to Manhattan, Miami, and Hawaii. McDonnell reveals the world as it was seen through Didion's eyes and explores her work in chapters keyed to the singular physical motifs of her writing: Snake. Typewriter. Hotel. Notebook. Girl. Etc.One of the first books to be published after the revered writer's death in 2021, The World According to Joan Didion is a literary companion for those embarking on new journeys and a guide to innovative ways of being. It will radically transform the way you explore the world, and will help you answer the question as you sit in a café, or on a plane or train, pondering the future: What would Joan Didion have seen?

The World According to Joan Didion

With A Year of Last Things, acclaimed novelist Michael Ondaatje returns to poetry, looking back on a life of displacement and discovery'My life always stops for a new book by him' JHUMPA LAHIRI'A generous, moving book' GUARDIANBorn in Sri Lanka during the Second World War, Ondaatje was sent as a child to school in London, and later moved to Canada. While he has lived there since, these poems reflect the life of a writer, traveller and watcher of the world - describing himself as a 'mongrel', someone born out of diverse cultures.Here, rediscovering the influence of every border crossed, he moves back and forth in time, from a childhood in Sri Lanka to Molière's chair during his last stage performance, from icons in Bulgarian churches to the Californian coast and loved Canadian rivers, merging memory with the present, looking back on a life of displacement and discovery, love and loss. As he writes in the opening poem:Reading the lines he loves he slips them into a pocket, wishes to die with his clothes full of torn-free stanzas and the telephone numbers of his children in far citiesPoetry - where language is made to work hardest and burns with a gem-like flame - is what Ondaatje has returned to in this intimate history.

With A Year of Last Things, acclaimed novelist Michael Ondaatje returns to poetry, looking back on a life of displacement and discovery 'My life always stops for a new book by him' JHUMPA LAHIRI 'A generous, moving book' GUARDIAN Born in Sri Lanka during the Second World War, Ondaatje was sent as a child to school in London, and later moved to Canada. While he has lived there since, these poems reflect the life of a writer, traveller and watcher of the world – describing himself as a 'mongrel', someone born out of diverse cultures. Here, rediscovering the influence of every border crossed, he moves back and forth in time, from a childhood in Sri Lanka to Molière’s chair during his last stage performance, from icons in Bulgarian churches to the Californian coast and loved Canadian rivers, merging memory with the present, looking back on a life of displacement and discovery, love and loss. As he writes in the opening poem: Reading the lines he loves he slips them into a pocket, wishes to die with his clothes full of torn-free stanzas and the telephone numbers of his children in far cities Poetry – where language is made to work hardest and burns with a gem-like flame - is what Ondaatje has returned to in this intimate history.

A Year of Last Things

A gorgeously dark and magical tale of female revenge inspired by Celtic folklore and wild nature 'A masterpiece... an intricate, otherworldly, complex and dramatic novel that held me spellbound.' Barbara Erskine, Sunday Times Bestselling Author Three figures loom from the gathering dark of Britain's oldest story: a queen risen from slavery, a sorceress of the moon and an unwilling wife conjured from flowers. Their fates are bound together by the cruelty of a magician whose hunger scars the land. The Bloody Branch retells Goewin, Arianrhod and Blodeuwedd's story from the inside, revealing an epic not of male conquest but of women's transformation. They may suffer alone but they will fight back together. Brigid Lowe's dark and sensuous reimagining of the founding epic of Wales - The Mabinogion - casts ancient light on desire, sex and nature, as her heroines blossom into fierce new life. 'Rich with passion and relevance for our modern world... Stunning! Anya Bergman, author of The Witches of Vardo 'A rich, visceral fever dream' Lucy Holland, author of Sistersong 'I adored everything about The Bloody Branch... this haunting, sensual debut had me holding my breath, firmly under its spell.' Emma van Straaten, author of This Immaculate Body

The Bloody Branch

Brief Encounters

One of Cinema's great masters revisits his childhood - and the end of his parent's marriage - in a novella of awakeningOver the course of one summer, eight-year-old Pu Bergman realises that his parents are no longer in love. Surrounded by the quiet idyll of the Swedish countryside, with its ponds, rivers and woods, the daily chaos of the family's ramshackle summer home threatens to end the bright, brilliant haze of Pu's childhood world.BRIEF ENCOUNTERS: classic novellas and captivating stories, to be read in a single sitting or savoured over days

Sunday's Children

From the New York Times bestselling author of World of Wonders and Bite by Bite, Aimee Nezhukumatathil’s fifth collection of poetry explores love, nature, and the transformative powers of the night. In her latest poetry collection, Aimee Nezhukumatathil plumbs the depths of nighttime, crafting a series of nocturnes that explore the magic, sensuality, and life that emerge as the rest of the world goes to bed. Night Owl navigates questions and concerns for the environment that envelops us. It meditates on our connections to family and beloveds, and explores our position within the broader beauty of the planet. Just as the night transforms how we see things, love in its many forms shifts our understanding of togetherness and the natural world. And these poems are deeply suffused with love—each an expression of Nezhukumatathil’s captivating responses to the animals, plants, and people who have her heart and enliven her world. Night Owl presents a dazzling vision of nature that celebrates the beautiful noises and silences of this planet, as well as its many complications. Nezhukumatathil provides a singular contribution to writing on the natural world, calling on our sense of love—even in the face of increasing violence to one another and the environment—by focusing on the revolutionary impact of the dark.

From the New York Times bestselling author of World of Wonders and Bite by Bite, Aimee Nezhukumatathil’s fifth collection of poetry explores love, nature, and the transformative powers of the night. In her latest poetry collection, Aimee Nezhukumatathil plumbs the depths of nighttime, crafting a series of nocturnes that explore the magic, sensuality, and life that emerge as the rest of the world goes to bed. Night Owl navigates questions and concerns for the environment that envelops us. It meditates on our connections to family and beloveds, and explores our position within the broader beauty of the planet. Just as the night transforms how we see things, love in its many forms shifts our understanding of togetherness and the natural world. And these poems are deeply suffused with love—each an expression of Nezhukumatathil’s captivating responses to the animals, plants, and people who have her heart and enliven her world. Night Owl presents a dazzling vision of nature that celebrates the beautiful noises and silences of this planet, as well as its many complications. Nezhukumatathil provides a singular contribution to writing on the natural world, calling on our sense of love—even in the face of increasing violence to one another and the environment—by focusing on the revolutionary impact of the dark.

Poems

Night Owl

La question du développement durable exige une rigueur dans les notions de choix, d'organisation et de mise en œuvre. Face à une injustice effroyable, dans une société abandonée à la ruine, telle une poubelle par laquelle ne passe et ne repasse un projet de salubrité, l'écrivain se doit de prendre sa plume et peindre à belle vue, les maux qui se défilent en mots, en vain. C'est ce que fait l'auteur, en se lançant dans cette écriture épistolaire où, dans une fiction proche de la réalité, il communique en bons citoyens, l'iconique Duala Manga Bell, quelques citoyens camerounais et l'apologiste du succès qui, joue l'intermédiaire. Cet ouvrage n'est seulement pas un récit ni une simple narration, il est une imagination très proche de la réalité, qui transcende les limites du temps, pour mettre en contact des concitoyens camerounais d'une époque à ceux d'une autre.

The issue of sustainable development demands rigor in the concepts of choice, organization, and implementation. Faced with appalling injustice, in a society abandoned to ruin, like a garbage dump through which no sanitation project ever passes or re-passes, the writer must take up his pen and clearly depict the ills that are merely flung into words, in vain. This is what
the author does, embarking on this epistolary writing where, in a fiction close to reality, he communicates, as good citizens, the iconic Duala Manga Bell, several Cameroonian citizens, and the apologist for success who acts as intermediary. This work is not merely a story or a simple narrative; it is an imaginative work very close to reality, which transcends the limits of time, to connect fellow Cameroonians of one era with those of another.

Plaidoyer Révolutionnaire

Ng¿g¿ wa Thiong'o is Kenya's most prolific writer. He was born in Limuru (Central Kenya) in 1938 and educated at Makerere University (Uganda) and Leeds University (UK). He is well known internationally as a novelist, a playwright and a literary critic. His novels, aWeep Not, Child (1964), The River Between (1965), A Grain of Wheat (1967), Petals of Blood (1977) and Devil on the Cross (1980), have established him firmly in the world literary scene. He has had an impact with the
plays The Black Hermit (1968), 'This Time Tomorrow' (published in Short African Plays) and The Trial of Dedan Kimathi (1976), written with Mðcere Gðthae Møgo. Ng¿g¿ wa M¿ri¿ was born in Rolomo, Limuru in 1951. He was educated in Ngenia Secondary School and, from 1972 to 1974, worked with Kenya Posts and Telecommunications. He took a Diploma in Adult Education at the Institute of Adult Studies, University of Nairobi, and then joined the Institute for Development Studies. Whilst working at the Institute, he became involved with peasants and workers in Community Development at Kamirithu, Limuru.

I Will Marry When I Want

In a single afternoon's walk, Virginia Woolf captures the infinite life of a garden...A couple pause among the flowerbeds, their thoughts drifting apart. A woman's mind fixes on a small, troubling mark on the wall. A chance meeting becomes an imagined life, rich with longing and regret. In six luminous, experimental stories, Virginia Woolf remakes the short story as a space of transcendence. Moving fluidly between inner lives and outward scenes, Kew Gardens captures moments of consciousness as they shimmer, fracture and pass, revealing the beauty and strangeness of everyday existence.Includes the stories: Kew Gardens, The Mark on the Wall, An Unwritten Novel, Monday or Tuesday, The String Quartet and Blue &amp; GreenBRIEF ENCOUNTERS: classic novellas and captivating stories, to be read in a single sitting or savoured over days

Kew Gardens

LONGLISTED FOR THE BOOKER PRIZE 2026 From the Women's Prize-shortlisted author of First Love, The Palm House is a sharply observed, slyly funny novel of enduring friendships and small mercies. 'This goes straight onto my list of favourite modern novels' - The Times 'One of our finest novelists of constrained fury: nobody writes better' - The Observer 'Mesmerising . . . confirms Riley as one of Britain's best' - The Telegraph 'A slim, impeccably controlled story that contains multitudes' - The Guardian Laura and Putnam have been friends for a long time. Theirs is a happy meeting of minds, with long evenings spent huddled in an ancient pub by the Thames, where they share office gossip, reflect on their teenage passions, and lament the state of the world. Recently, though, Putnam has been harder to reach: he has lost his father, and the magazine to which he has dedicated his life has been hijacked by an insufferable new editor, Simon 'call me Shove' Halfpenny. Laura has her own problems: with a prickly mother and a tricky past, and in a beautiful and indifferent city, her day-to-day life is precarious. But as Putnam starts to sink into despondency, she must try to bring him back. The Palm House offers us Gwendoline Riley's trademark keen observation and wit, and leaves us - somehow - with a curious sense of possibility. It is a slender masterpiece from one of Britain's finest prose stylists. 'I love this book' - Sarah Perry, award-winning author of The Essex Serpent 'Outstandingly brilliant' - Claire-Louise Bennett, award-winning author of Big Kiss, Bye-Bye 'Riley's prose is so electric, so alive with humour and insight and passion, that by the end you will want to stand up and cheer' - Paul Murray, author of The Bee Sting Named a Most Anticipated Book for 2026 by: Financial Times, The Times, The Observer, The Guardian, The Telegraph, The Sunday Times, New Statesman, Good Housekeeping, Country &amp; Town House, Shortlist, The New York Times, Irish Times, Vulture, LitHub and BBC Culture.

The Palm House

This book brings together studies in forensics, law and criminology, which are all equally essential for a fair criminal justice system. It gives a comprehensive view to a wide variety of readers from the three communities across the globe to connect the dots which link all these three subjects, thus catalyzing interdisciplinary collaborations. The book explores the topics through four themes -- exploring forensic science in the 21st century; looking at law and criminal justice in the new millennium; contemporary trends in criminology; and, medico-legal aspects of human identification.The readers who will find important learnings in the book include scientists, legal and law enforcement practitioners, academicians and students to create a holistic environment for cumulative and collaborative approach towards the criminal justice system.

Empowering Criminal Justice in 21st Century

Trends in Forensics, Law and Criminology

In dubio - Zweifel vor Gericht im Pitaval

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