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An exhilarating, addictive take on obsession, race, gender and power dynamics through the lens of a corrosive relationship

Patel S: I'm a Fan

I'm a Fan

In a small, sleepy town, a mediocre witch, in a mediocre marriage, tries to pass on her gifts to her twin daughters, who, it becomes immediately apparent, have skills far beyond her own. 'NDiaye at her most dazzling' Katie Kitamura 'This is NDiaye at her disquieting best' New York Magazine Lucie comes from a long line of witches, powers passed down from mother to daughter. Her own mum was formidable in her powers, but ashamed of her magic. Perhaps as a result, Lucie's own gift is weak: she can see into the future, sometimes - but more often, she can only see the present of some other location. Not very useful. And the worst part? All she can ever see are insignificant details - a scrap of outfit, the colour of the sky. Lucie's own children are initiated into their family's peculiar womanhood when they reach twelve years of age, and in a few short months, Maud and Lise are crying the curious tears of blood that denote their magical powers. Having learned, they take off quickly and fly the nest. Literally. Witty, dreamlike, vaguely unsettling, and utterly enchanting (pun intended), The Witch brings the mysteries of womanhood and motherhood into sharp relief and leaves us teetering on the edge, unbalanced by questions as seemingly unbreakable relationships break down left and right. Who is to blame for family failures? And how can you - can you? - build a nest that no one wants to fly?

Shortlisted for the International Booker Prize 2026

The Witch

A Clover Lake Novel

A summer job at a lake-town resort brings together two women with an unlikely connection in this new contemporary romance by USA Today bestselling author Ashley Herring Blake. April Evans’ life is in shambles. She’s had to close her tattoo shop in Clover Lake and she’s subletting her house just to make rent. And her love life? Nonexistent ever since Elena, her ex-fiancée, left her for a younger woman three years ago. When she is asked to teach a summer art class at the town’s new resort called Cloverwild, April jumps at the opportunity, especially since the job comes with boarding. She’s sure that this is the silver lining she needs . . . until she meets her cabinmate: Daphne Love, the woman who stole her ex-fiancée. And even worse, it’s clear Daphne has no idea who April is. Daphne Love is cursed in, well, love. She thought she’d found the unconditional love she craved in her girlfriend, Elena, but now she’s single again and utterly brokenhearted. When her friend hooks her up with a summer gig as an art instructor at a swanky resort in New Hampshire, Daphne feels optimistic for once. If only she had a roommate and coworker who didn’t seem to hate her on sight. Their already-tense relationship gets even shakier when April and Daphne find themselves competing for a rare opportunity to showcase their art in a London museum. But slowly, barriers begin to fall, and an inexplicable allure keeps drawing them closer, leaving them to wonder if the perfect picture they’re looking for can only be painted with each other.

A summer job at a lake-town resort brings together two women with an unlikely connection in this new contemporary romance by USA Today bestselling author Ashley Herring Blake. April Evans’ life is in shambles. She’s had to close her tattoo shop in Clover Lake and she’s subletting her house to cover her mortgage. And her love life? Nonexistent ever since Elena, her ex-fiancée, left her for a younger woman three years ago. When she is asked to teach a summer art class at the town’s new resort called Cloverwild, April jumps at the opportunity, especially since the job comes with boarding. She’s sure that this is the silver lining she needs . . . until she meets her cabinmate: Daphne Love, the woman who stole her ex-fiancée. And even worse, it’s clear Daphne has no idea who April is. Daphne Love is cursed in, well, love. She thought she’d found the unconditional love she craved in her girlfriend, Elena, but now she’s single again and utterly brokenhearted. When her friend hooks her up with a summer gig as an art instructor at a swanky resort in New Hampshire, Daphne feels optimistic for once. If only she had a roommate and coworker who didn’t seem to hate her on sight. Their already-tense relationship gets even shakier when April and Daphne find themselves competing for a rare opportunity to showcase their art in a London museum. But slowly, barriers begin to fall, and an inexplicable allure keeps drawing them closer, leaving them to wonder if the perfect picture they’re looking for can only be made with each other.

Get Over It, April Evans

This elegantly designed publication explores Oscar Murillo’s ambitious reimagining of Monet through a contemporary lens. 
 What happens when the radical beauty of Claude Monet’s late paintings meets the political tensions of the present? Interdisciplinary artist Oscar Murillo explores that question in a sweeping body of work that reimagines perception, power, and place through the language of mark-making. At its core is surge (social cataracts)—a series of large-scale, visually arresting paintings that echo Monet’s Grainstacks, Houses of Parliament, and Water Lilies, while confronting the political dimension of seeing and not seeing by positing darkness as a space of speculation for a new reading of impressionism. These works appear alongside further paintings by Murillo as well as his long-running Frequencies project, created in collaboration with schoolchildren across the globe, and participatory pieces that extend his practice beyond the studio and into the public realm. The result is a layered meditation on visibility, landscape, and the politics of artistic labor—across borders and generations. Designed with a modern flair to reflect the energy and ambition of the project, the book includes full-bleed plates, striking installation photography, and images from community-based projects. Both a record of a major artistic undertaking and a reflection of Murillo’s socially engaged approach, it offers an immersive look at a practice that is as materially rich as it is conceptually urgent.

Collective Osmosis

Oscar Murillo

NomosBibliothek

Die Einführung orientiert sich an der Systematik des Islams, ihren Bezugswissenschaften und den sozialen Wirklichkeiten der pädagogischen Arbeit. Sie versteht sich als Beitrag zur akademischen Fachprofilentwicklung, zur Professionalisierung der Lehre und zur Emanzipation muslimischer Selbstauslegung. Aus dieser Eigenständigkeit heraus ermöglicht sie den Dialog mit anders-konfessionellen Konzeptionen, etwa zu Fragen von Institution, Normativität und Sinnkonstruktion. Beruhend auf empirischen Modellierungen, Lehrerfahrungen und der kritischen Frankfurter Tradition adressiert der Band das Verständnis und die Praxis islamischer Bildung und Erziehung in Familie, Schule, Moschee und Sozialer Arbeit.

Einführung

Islamische Religionspädagogik

<h4>'It's daring, free, contradictory and relentless' Nelio Biedermann, Service95</h4> 'So powerful' Times Literary Supplement 'Formally adventurous' New York Times WINNER OF THE GERMAN BOOK PRIZE, THE SWISS BOOK PRIZE AND THE JÜRGEN PONTO LITERATURE PRIZE As their grandmother slides into dementia, an unnamed narrator begins to question the silence that shrouds their family. Childhood memories resurface, revealing a path into the past - one that winds back generations, leading towards nature, witchcraft, freedom. Could this be where they belong? Bold and expansive, Blood Book is an astounding quest for liberation, and a mesmerising exploration of who we are. Published in the US as Sea, Mothers, Swallow, Tongues

'A sensation' - Service95

Blood Book

The rivetingly tense and timely conclusion to the Arkady Renko series - an iconic character from a titan of the political crime thriller genre. When Arkady Renko is charged with investigating the murder of Alexei Kazasky, the Deputy Minister of Defence, he knows he has to tread carefully. Alexei Kazasky is a high-profile politician and has a complicated relationship with Putin. This investigation clearly has Kremlin approval, but, as with everything in Russia, things are not always what they seem. Already preoccupied with his developing Parkinson's, Arkady finds he has more to worry about. The war in Ukraine is gaining momentum, and his adopted son Zhenya has become involved with the Black Army, a Russo-Ukrainian group of hacktivists. Moreover, as Arkady digs deeper into Kazasky's murder, he realizes that the man's death may have been more politically motivated than he first assumed. Now it seems that the people behind the killing have him firmly in their crosshairs - but this time Arkady's life is not the only one on the line. PRAISE FOR MARTIN CRUZ SMITH: 'Does more on a page than most writers manage in a chapter. He is unique and irreplaceable' MICK HERRON 'Among the first of a new generation of writers who made thrillers literary' GUARDIAN 'One of those writers that anyone who is serious about their craft views with respect bordering on awe' VAL McDERMID¿ 'The undisputed master of the political crime thriller' ABIR MUKHERJEE 'One of the finest writers of our age' CHARLOTTE PHILBY&nbsp;

The final Arkady Renko novel, from one of the undisputed masters of the political thriller

Hotel Ukraine

edition suhrkamp

Ein »Zuschauer*innen« in den Nachrichten, und das Internet kocht. Ein Verlag zieht zwei Winnetou-Bücher zurück, und die Angelegenheit weitet sich fast zu einer Staatsaffäre aus. Eine transgender Influencerin bewirbt eine Biermarke, Konservative starten einen Boykott, der Kurs des größten Brauereikonzerns der Welt bricht ein. Eine Kulturkampf-Episode jagt die nächste, und selbst Konflikte um so materielle Dinge wie Gasheizungen werden zunehmend emotionalisiert und identitätspolitisch aufgeladen. Natürlich sind an solchen Auseinandersetzungen immer zwei Seiten beteiligt. Radikalisierte Konservative bespielen sie jedoch besonders intensiv und auf eine besonders gefährliche Weise. 
 
 
 Natascha Strobl zeichnet die Geschichte der großen Verkulturkampfisierung nach. Sie analysiert, warum diese Strategie für konservative und rechte Parteien so attraktiv ist; außerdem präsentiert sie Ratschläge für den Umgang damit: Wann ist es sinnvoll, nicht über das Stöckchen zu springen? Und wann muss man widersprechen, damit menschenfeindliche Haltungen nicht Normalität werden?

Ein »Zuschauer*innen« in den Nachrichten, und das Internet kocht. Ein Verlag zieht zwei Winnetou-Bücher zurück, und die Angelegenheit weitet sich fast zu einer Staatsaffäre aus. Eine transgender Influencerin bewirbt eine Biermarke, Konservative starten einen Boykott, der Kurs des größten Brauereikonzerns der Welt bricht ein. Eine Kulturkampf-Episode jagt die nächste, und selbst Konflikte um so materielle Dinge wie Gasheizungen werden zunehmend emotionalisiert und identitätspolitisch aufgeladen. Natürlich sind an solchen Auseinandersetzungen immer zwei Seiten beteiligt. Radikalisierte Konservative bespielen sie jedoch besonders intensiv und auf eine besonders gefährliche Weise. Natascha Strobl zeichnet die Geschichte der großen Verkulturkampfisierung nach. Sie analysiert, warum diese Strategie für konservative und rechte Parteien so attraktiv ist; außerdem präsentiert sie Ratschläge für den Umgang damit: Wann ist es sinnvoll, nicht über das Stöckchen zu springen? Und wann muss man widersprechen, damit menschenfeindliche Haltungen nicht Normalität werden?

Ein Handbuch | Warum man nicht über jedes Stöckchen springen sollte

Kulturkampfkunst

In the wake of her father's death, Agathe leaves New York and returns to her childhood home in the French countryside, after fifteen years away. Agathe and her sister Véra have not seen each other in all that time apart. Now, they must empty their home before it is knocked down. Véra stopped speaking when she was six, and as the pair clean and sift through a lifetime's worth of belongings, old memories and resentments surface. Tender, melancholic and evocative, The Old Fire is Elisa Shua Dusapin's graceful and profound exploration of how loss and grief can live along­side life and abundance.

The Old Fire

Geisterjäger John Sinclair

Tanz auf dem Scheiterhaufen. Teil 2 von 2

John Sinclair - Folge 189

Diversity Studies schärfen den Blick für interdependente Differenzen wie Gender, Race, Class und weitere Identitätskategorien. Sprache, Literatur und Medien haben einen bisher kaum beachteten Anteil an der Produktion, aber auch der kritischen Reflexion sozio-kultureller Vielfalt. Die Beiträger*innen sensibilisieren für deren Wahrnehmung, indem sie einen Diskussionsrahmen abstecken, der Voraussetzungen, Dynamik und Effekte von Diversität analytisch miteinander in Beziehung setzt. Neben einer systematischen Einführung eröffnen sie außerdem theoretische und methodologische Zugänge zu exemplarischen Forschungsfragen - von historischen Themen bis hin zur aktuellen Vermittlungspraxis.

Eine Einführung

Kulturwissenschaftliche Diversity Studies

An Instant New York Times bestseller One of most influential thinkers today, 'the woman who revolutionized feminism' (Guardian), offers a deeply engaging story of justice and power in America When Kimberlé Crenshaw was five years old in Ohio during the civil rights era, she was the only girl denied a lead role in her nursery play. Puzzled by her teacher's behaviour, she spoke up - and never stopped. That instinct to question power, to challenge what others accepted as fair, would shape not only her own life but the way we now understand race and gender. In Backtalker, Crenshaw traces her journey from a spirited girl in Canton, Ohio to one of the most influential legal thinkers today. Through childhood lessons and painful reckonings - a boyfriend's violence in college, a back door at Harvard Law, the silencing of women in the civil rights movement - Crenshaw learned to see the patterns others missed, refusing to stay behind the lines the world drew for her. Out of those experiences came two ideas that changed everything: intersectionality, the recognition that race, gender, and class overlap to create unique forms of discrimination; and critical race theory, the argument that racism is structural. Crenshaw's voice has since echoed through some of the most charged moments in recent history - from Anita Hill's testimony to the rise of Black Lives Matter - insisting that true justice means seeing the whole picture. Backtalker is both a memoir of awakening and the origin story of a transformative mind. Crenshaw's story is ultimately about fairness and power - and the enduring battle for America's soul.

A Memoir

Backtalker

'A riotous adventure, populated by a cast of vivid, glittering characters' JENNIFER SAINT on Psyche and Eros 'A romance that will stay with its reader long after the final word is read' LAUREN J.A. BEAR Daughters. Warriors. Lovers. "There is the love that is thrust upon us, and love that we choose. Run after the latter, no matter what gods and men say, and never let it go. Or at least, never let yourself look back." Medea, born to the goddess Hekate and wicked King Aeetes, endures a lonely and trapped life on the island of Colchis. Yet as she grows, so do her powerful talents of witchcraft and magic. When Jason, Prince of Iolcus, and his band of Argonauts arrive on the island, Medea knows it is her one chance to escape. If she helps Jason steal the Golden Fleece from her father, he promises to marry her and take her back to his kingdom. Atalanta, raised by bears, is a warrior caught between the wilderness and the human world, but never fully part of either. After the sudden disappearance of the woman she loves, Atalanta joins the Argonauts in an attempt to find her. But when Medea joins the ship, the sorceress awakens something in Atalanta that she cannot ignore - something more dangerous than she could ever have imagined. As the ship sets sail, Medea and Atalanta will be forced to choose between the life they always wished for, and a love they secretly desire - but in a world ruled by men, it might just destroy them...

Don't miss the next stunning, exciting and hotly-anticipated feminist retelling of one of the greatest love stories in Greek mythology, Jason and the Argonauts, but for the first time told from Atalanta and Medea's perspective.

The page-turning and atmospheric Greek mythology retelling you don’t want to miss!

The Witch and the Huntress

I'm a Fan

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