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Maskell E: Icons of Cinema: Wes Anderson

Icons of Cinema: Wes Anderson


<p>
<em>A Real Negro Girl </em>explores the life and career of performing artist, writer, and civil and human rights activist Fredi Washington. Although Washington is largely unknown today, during the early decades of the twentieth century, she was a movie star who was a household name in the black community and well-known in mainstream America and abroad.</p>


A Real Negro Girl explores the life and career of performing artist, writer, and civil and human rights activist Fredi Washington. Although Washington is largely unknown today, during the early decades of the twentieth century, she was a movie star who was a household name in the black community and well-known in mainstream America and abroad.

Fredi Washington and the New Negro Renaissance

A Real Negro Girl


<p>
</p><p><strong>A sweeping history of Disney's rise to cultural dominance that pulls all the skeletons from the corporate closet and playfully decodes the hidden political messages in all of your favorite childhood movies.<br>
<br>
</strong>In <em>The Extended Universe,</em> Vicky Osterweil takes us on a quest to discover the black magic by which Disney has successfully made its image synonymous with not only youthful splendor, but pop culture itself. Their "imagineers" have made it impossible to reflect on the wonders of growing up without immediately thinking of Disney's movies, Disney's amusement parks, and various other bits and bobs of related Disney merchandising. What Osterweil unearths are reactionary political commitments and maleficent legal maneuvers-from fighting to protect the patent on the COVID vaccine, to breaking early efforts at an animator's union-so cartoonishly evil they would make one of Walt's own animated villains blush.<br>
<br>
Along the way, Osterweil braids together Disney's corporate history, an economic accounting of capitalism's dependency on IP, and deeply engaging (and not entirely unsympathetic) analysis of some of Disney's most famous movies, including <em>Snow White</em>, <em>The Lion King </em>(animated and live action!),&nbsp; <em>Black Panther</em>, and more. The result is an entertainingly woven and convincing case that Disney's entire business model has been built upon a ruthless and fanatical defense of intellectual property rights-from <em>Steamboat Willie</em> to <em>Infinity Wars</em> and beyond!</p><p></p>


How Disney Killed the Movies and Took Over the World

The Extended Universe


<p>
The first overview of music journalist Ralph J. Gleason, and a discussion of in what ways music journalists contribute to the people and music they write about.</p>


Discover the enthralling world of Ralph J. Gleason, a pioneering music journalist who expanded the possibilities of the newspaper music column, sparked the San Francisco jazz and rock scenes, and co-founded <i>Rolling Stone</i> magazine. Gleason not only reported on but influenced the trajectory of popular music. He alone chronicled the unparalleled evolution of popular music from the 1930s into the 1970s, and while doing so, interviewed and befriended many trailblazers such as Miles Davis, Dizzy Gillespie, Bob Dylan, and the Beatles. A true iconoclast, he dismantled the barriers between popular and highbrow music, and barriers separating the musical genres. He played a crucial role in shaping postwar music criticism by covering all genres and analyzing music’s social, political, and historical meanings. This book uncovers never-before-seen letters, anecdotes, family accounts, and exclusive interviews to reveal one of the most intriguing personalities of the 20th century.

Dispatches from the Front

The Life and Writings of Ralph J. Gleason


<p>
</p><p>'Should be required reading in art schools' <i>Times Literary Supplement</i><br>'McLaren finally gets the sensitively balanced biography he deserves' <i>Classic Rock</i><br><br>Malcolm McLaren was one of the most culturally significant but misunderstood figures of the modern era. A decade after his life was cruelly cut short by cancer, <i>The Life &amp; Times of Malcolm McLaren</i> sheds fascinating new light on the public achievements and private life of this cultural iconoclast and architect of punk, whose championing of street culture movements including hip-hop and Voguing reverberates to this day. With exclusive contributions from friends and intimates and access to private papers and family documents, this biography uncovers the true story behind this complicated figure.<br><br> With a preface by Alan Moore, who collaborated with McLaren on the unrealised film project <i>Fashion Beast</i>, and an essay by Lou Stoppard casting a twenty-first-century perspective over his achievements, <i>The Life &amp; Times Of Malcolm McLaren </i>is the explosive and definitive account of the man dubbed by Melvyn Bragg 'the Diaghilev of punk'.<br><br>Paul Gorman is a writer whose work has appeared in many of the world's leading publications. Gorman first met Malcolm McLaren in 1975 and was last in contact with him a few weeks before his death in 2010. <br><br>'A magnum opus on the often overlooked and much-maligned maverick . . . a hectic and inspiring tale where the only constant is that of style' <i>Vogue</i></p><p></p>


<br><div>Excellent . . . With this book, Gorman convincingly moves away from the ossified image of McLaren as a great rock'n'roll swindler, a morally bankrupt punk Mephistopheles, and closer towards his art-school roots, his love of ideas. Tiresome, unpleasant, even cruel - he was, this book underlines, never boring' Sunday Times</div><div><br></div><div>'Exhaustive . . . compelling' Observer</div><div><br></div><div>'Definitive . . . epic' The Times</div><div><br></div><div>'Gobsmacker of a biography' Telegraph</div><div><br></div><div>'This masterful and painstaking biography opens its doorway to an era of fluorescent disenchantment and outlandish possibility' Alan Moore</div><div><br></div><div>Malcolm McLaren was one of the most culturally significant but misunderstood figures of the modern era. Ten years after his life was cruelly cut short by cancer, The Life &amp; Times of Malcolm McLaren sheds fascinating new light on the public achievements and private life of this cultural iconoclast and architect of punk, whose championing of street culture movements including hip-hop and Voguing reverberates to this day. With exclusive contributions from friends and intimates and access to private papers and family documents, this biography uncovers the true story behind this complicated figure.</div><div><br></div><div>McLaren first achieved public prominence as a rebellious art student by making the news in 1966 after being arrested for burning the US flag in front of the American Embassy in London. He maintained this incendiary reputation by fast-tracking vanguard and left-field ideas to the centre of the media glare, via his creation and stewardship of the Sex Pistols and work with Adam Ant, Boy George and Bow Wow Wow. Meanwhile McLaren's ground-breaking design partnership with Vivienne Westwood and his creation of their visionary series of boutiques in the 1970s and early '80s sent shockwaves through the fashion industry.</div><div><br></div><div>The Life &amp; Times of Malcolm McLaren also essays McLaren's exasperating Hollywood years when he broke bread with the likes of Steven Spielberg though his slate of projects, which included the controversial Heavy Metal Surf Nazis and Wilde West, in which Oscar Wilde introduced rock'n'roll to the American mid-west in the 1880s, proved too rich for the play-it-safe film business.</div><div><br></div><div>With a preface by Alan Moore, who collaborated with McLaren on the unrealised film project Fashion Beast, and an essay by Lou Stoppard casting a twenty-first-century perspective over his achievements, The Life &amp; Times Of Malcolm McLaren is the explosive and definitive account of the man dubbed by Melvyn Bragg 'the Diaghilev of punk'.</div>

The Biography

The Life & Times of Malcolm McLaren

Marvel Studios' The Infinity Saga


<p>
The official art book for the characters that come together in the movie&nbsp;Avengers: Infinity War, the 18th title reissue of the 24-book Marvel Studios' The Infinity Saga series published as a resized matching set.</p>


Marvel Studios' The Infinity Saga - The Road to Marvel's Avengers: Infinity War - The Art of the Marvel Cinematic Universe

Diddly Squat


<p>
Jeremy Clarkson is back, with another year's worth of hilarious stories from Diddly Squat Farm.</p>


Diddly Squat: The Farmer's Dog


<p>
</p><p><strong>From the iconic stylist and fashion provocateur whose designs transformed culture - bringing the glitz of Studio 54 and the sophistication of Sex and the City to the mainstream - comes a playful yet intimate memoir of a life spent challenging conventions.</strong></p><p></p>


My Life of Fashion, Style and Breaking All the Rules

Pat in the City

Iconic Directors

The Complete Unofficial Guide

Tim Burton


<p>
An exciting new title coming soon from Penguin Random House</p>


Coming Soon

Untitled 326610

Routledge Advances in Film Studies


<p>
</p><p>Through a geographically expansive series of case studies, tracking film performers from the United States, the Americas, Europe and parts of the Pacific Rim, this book explores the varieties and meanings of contemporary Hollywood stardom as it has become increasingly deterritorialized.</p><p></p>


Through a geographically expansive series of case studies, tracking film performers from the United States, the Americas, Europe and parts of the Pacific Rim, this book explores the varieties and meanings of contemporary Hollywood stardom as it has become increasingly deterritorialized.

Stardom in Contemporary Global Hollywood

Film Theory in Practice


<p>
</p><p><b>The Film Theory in Practice series fills a gaping hole in the world of film theory. By marrying the explanation of a film theory with the interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. This book provides a broad introduction to network theory and shows how this theory can motivate a close reading of Robert Altman's 1975 film <i>Nashville</i>.</b><br><br> By offering a tour of the expansive intellectual network we can now call network theory, the book demonstrates how analyzing the ubiquitous characteristics of networks changes the way film fans, students, and scholars might understand cinema's storytelling possibilities. It models a method of interpretation (focusing on character, cinematography, and sound) that students can practice with other feature films. Moreover, it situates film within a larger discourse about art and society, offering students the tools for analyzing other large-form cultural objects.<br><br> Organized into two parts, the first section of the book presents an overview of network theory, its various facets as a still-emerging discourse, and its historical context in post-industrial life, before turning to Altman's <i>Nashville</i>. It then explores the film's narrative style and character system as a special case of network cinema, to show how there is more than "connectedness" alone to the network form.</p><p></p>


Network Theory and Nashville


<p>
<b><i>The History and Theory of Cut-out Animation </i>surveys the history, theory and philosophy of the cut-out animation technique in early and contemporary media. </b>

Cut-out animation is a two-dimensional form of stop-motion animation that involves the manipulation of characters that have been constructed from 'cut-out' pieces of paper. It is an animation technique that has its own unique aesthetic and encompasses a remarkable history, having played a very important role from the very beginnings of cinematic animation. It has been translated into a number of digital animated series, most notably the <i>South Park</i> series. This book investigates the history, theory and philosophy of this unique form of animation. Although scholarly in its approach, it is presented in a very accessible form to appeal to everyone who has an interest in animation practice, history and theory.</p>


<b><i>The History and Theory of Cut-out Animation </i>surveys the history, theory and philosophy of the cut-out animation technique in early and contemporary media. </b>

Cut-out animation is a two-dimensional form of stop-motion animation that involves the manipulation of characters that have been constructed from ‘cut-out’ pieces of paper. It is an animation technique that has its own unique aesthetic and encompasses a remarkable history, having played a very important role from the very beginnings of cinematic animation. It has been translated into a number of digital animated series, most notably the <i>South Park</i> series. This book investigates the history, theory and philosophy of this unique form of animation. Although scholarly in its approach, it is presented in a very accessible form to appeal to everyone who has an interest in animation practice, history and theory.

From J. Stuart Blackton to South Park

The History and Theory of Cut-out Animation

Icons of Cinema: Wes Anderson

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